National Gallery of Canada / Musée des beaux-arts du Canada

Introduction

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The National Gallery of Canada’s Bulletin and Annual Bulletin were published between 1963 and 1985, containing articles on art with a focus on Canadian art and on the Gallery’s own collections. These articles, written by external scholars as well as Gallery staff, were intended to appeal not only to interested historians and researchers, but also to the general public with an enjoyment and appreciation of the arts. The 104 articles are presented here in a digital version of the 30 Bulletins and 8 Annual Bulletins.

Users may access the articles through two indexes. The Annual Index organizes the issues in chronological order of publication, showing the title and author of each article. The Author & Subject Index lists the author’s names and the subjects of all the articles in alphabetical order.

Illustrations are included wherever possible, with permission, but are omitted where permissions were not forthcoming. Many of the works illustrated which come from the collection of the National Gallery of Canada are also represented by a colour image in the Cybermuse database. The availability of such an image is indicated by a hyperlink to the database: Click here to search for a colour image in Cybermuse.

Users wishing to locate copies of the printed Bulletin and Annual Bulletin are invited to contact their local library. Photocopies may be obtained from the inter-library loan service of the National Gallery of Canada Library 

For more information about the National Gallery of Canada’s Bulletin and Annual Bulletin, read the History article by Jo Beglo.

In 2000, the National Gallery of Canada launched a new successor publication to the Bulletin and Annual Bulletin. The National Gallery of Canada Review is a bilingual journal which is published annually. The main purpose of the Review is to publish the investigations of Gallery staff into all aspects of our rich collections, with Canadian and non-Canadian subjects treated in equal measure.

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This digital collection was produced under contract to Canada's Digital Collections program, Industry Canada.

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