HOME

INDEX

 Back to the First Nations Art Home Page

A n   I n t r o d u c t i o n   t o
C o n t e m p o r a r y   N a t i v e   A r t i s t s   i n    C a n a d a

 

J o l e n e     R i c k a r d

b. 1956, Niagara Falls, New York
First Nations Affiliation: Tuscarora

Jolene Rickard is a writer and photographer who received her doctorate from, and now instructs at the State University of New York in Buffalo. She has a Master of Science degree from Buffalo State College, a Bachelor of Fine and Applied Art from the Rochester Institute of Technology, and has studied at the London College of Printing in England.

 

R E C E N T   E X H I B I T I O N S

1998 Reservation X.
Canadian Museum of Civilization, Hull, Québec
1995 Image and Self in Contemporary Native American Photoart.
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire

In Western New York 1995.
Albright-Knox Art Gallery, Buffalo, New York
1990 Our Land / Our Selves: American Indian Contemporary Artists.
University Art Gallery, State University of New York, Albany, New York

 

S E L E C T E D   B I B L I O G R A P H Y

Brutvan Cheryl A. In Western New York 1995. Buffalo, New York: Albright-Knox Art Gallery 1995.

Bush, A.L and Lee Clark Mitchell. The Photograph and the American Indian. Princeton, New Jersey: Princeton University Press, 1994.

Carr, C. "Toubleshooters." Artforum (September 1990): 15.

Chambers, Karen, Miriam Romais, and Christine Jackson. "Introduction / Igniting the fire." Photography Quarterly 15, no. 4 (1994): 5-11.

Harlan, Theresa. "Watchful eyes: Native American women artists." Southwest Art 24, no. 12 (May 1995): 82-6.

Harlan, Theresa. Creating a visual history: A question of ownership. Aperture no. 139 (Spring 1995): 20-33.

Hirsch, R. Exploring Color Photography. 3rd edition. USA: Brown & Benchmark Publishers, Times Mirror Group, 1997.

Hogan, Linda. "Carry." Aperture no. 139 (Spring 1995): 64 -67.

Lippard, Lucy. The Lure of the Local: Senses of Place in a Multicentered Society. New York: The New Press; distributed by W.W. Norton and Co., 1997.

Lippard, Lucy. The Pink Glass Swan: Selected Essays on Feminist Art. New York: The New Press, 1995.

Lippard, Lucy. Mixed Blessings: New Art in a Multi-cultural America. New York: Pantheon Books, 1990.

McMaster, Gerald and Arthur Renwick. Reservation X: The Power of Place in Aboriginal Contemporary Art. Hull, Québec: Canadian Museum of Civilization, 1998.

Neumaier, D., ed. Reframing - New American Feminist Photographers. Pennsylvania: Temple University Press, 1996.

Penny, D.W. and George C. Longfish. Native American Art. Hong Kong: Hugh Lauter Lavin Associates Inc., 1994.

Rickard, Jolene. "Jolene Rickard." Photography Quarterly 15, no. 4 (1994): 16.

Romais, M. and Christine Jackson. "Hybrid identities." Photographic Quarterly (Winter 1994): 6-18.

Rushing, J.W. "Contested ground." New Art Examiner (November 1991): 25.

"Sweka and PCB’s." Aperture, no. 139 (Summer 1995): 65.

Skoda, Jennifer R. "Image & Self in Contemporary Native American Photoart: An exhibition at the Hood Museum of Art." American Indian Art Magazine 21, no. 2 (Spring 1996): 48-57.

"Skywoman falls on patriarchy." American Indian Art Magazine 21 (Spring 1996): 55.

Trembly, G. "American Indian Photography and Representation." Views (Winter 1993): 6.

 
<Previous - Next>