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Vol. 22, No. 1, 2023
 
     
 
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PLASTICS AND SUCH: THE LABOUR OF THE VIRTUOUS

by
DAVID SOLWAY

______________________________

David Solway is a Canadian poet and essayist (Random Walks). His editorials appear regularly in PJ Media. His monograph, Global Warning: The Trials of an Unsettled Science (Freedom Press Canada) was launched at the National Archives in Ottawa in September, 2012. His latest book is Notes from a Derelict Culture. A CD of his original songs, Partial to Cain, appeared in 2019.

 

One of the very few points of contention between my wife and myself has to do with the socially correct subject of recycling. Janice is scrupulous about dividing household waste between the various categories distinguished by municipal bylaws. Glass and plastics are a particular concern. Moreover, every such item is dutifully washed and diligently scoured before disposal, though buffing what goes into the back of a garbage truck and crushed to a featureless pulver does not make much sense to me. Nor, for that matter, does recycling. I watch with some bemusement at her useless expenditure of energy but am helpless before the spectacle of devotion and innocent probity it represents.

Some time back, I had an interesting conversation with the friendly manager of our village garbage dump, who confided that the ordinances requiring the separation of the various kinds of refuse into separate bins and pits were nothing but bureaucratic nonsense coupled with public virtue-signalling. It made no ultimate difference to the disposal process, which I had long suspected to be the case. Though I knew that my efforts to relieve Janice of superfluous labor were likely non-starters, I had thought the words of an authority, a veritable scholar of waste management, on the question might have an effect. It was not to be. Tins, milk cartons, wine bottles and plastic containers of every conceivable stripe continued to be scrubbed to a high polish, and placed into the appropriate Tuff-Guy kitchen bags before ending their now immaculate existence in one of six different dumpsters. My argument was dismissed as typically male indifference to the niceties of household maintenance. Women always know better.

Writing in City Journal, John Tierney points out that even Greenpeace now claims that recycling is a dead end. Recycling plastic waste is environmentally harmful to reprocess, is contaminated by toxic materials, and is not economical, apart from being hopelessly impractical and labor-intensive. Sending such waste materials to landfill is both cheaper and provably less harmful to the environment, though it will inconvenience those who “perform garbage-sorting as a ritual of atonement, a sacrament of the green religion.” Tierney does not mention the scandal of polypropylene Covid masks, which not only do not prevent virion transmission and lead to hypoxia and fungoid diseases, but will eventually find their way to marine waters and can take centuries to degrade. They cannot be recycled.

Janice agrees that the masks are an atrocity in every respect—ineffective, unsightly, harmful, non-degradable, badges of driven servitude—but the scalding and scraping of recyclables shows no sign of abating. It is strange how a laudable virtue can be at odds with a fact of reason. It occurs to me that it is not only people whose minds have been ossified by ideology—those subject to leftist petrifaction—but also good, honest, and intelligent people, thinking conservatives like my wife, for whom honor and rectitude can sometimes override the obvious, however counter-intuitive.

For myself, I surreptitiously toss (unwashed) plastics-and-such away with the collective garbage as a personal revolt against the scam of recycling—while remaining, at best, an unsung domestic hero.

 

By David Solway:
Among Broken Columns of the Twilight Kingdom
What Is Evil

The Necessity of Walls

Is Western Civ on the Way Out?
On Gravity
The Demonization of Carbon
Honouring the Higgs
Whatever Happened to Reading?
Hyphenated Sex
Skeptical Take on Queen's Gambit
Systemic Envy
Nonsensical Covid Rules
We Have Entered a Looking Glass World
The Socialist States of America
Feminism: A Self-Canceling Project
House Hunters: A Window on a Derelict Culture
The Tattoo: Sign of the Times
Where Have All the Alphas Gone?
They Burn Witches, Don't They?
Aboriginal Claims of Sovereignty
Toxic Feminism

The Scourge of Multiculturalism
Power of the Phrase: Hidden Persuaders
Is Islamic Reform Possible?
Living on the Diagonal
The Birds and the Bees
Free Speech Vs. Hate Speech
The Shaping of Our Destiny
The Scandal of Human Rights
Reconsidering the Feminine Franchise
A Melancholy Calculation
Canada: A Tragically Hip Nation
The Ideal of Perfection in Faith and Politics
The Mystery of Melody
The Necessity of Trump
Dining out with Terrorists
What About Our Sons
Identity Games
The Hour Is Later Than We Think
Caveat Internettor
Why I Like Country Music
We Have Met the Enemy
The Obama Bomb
Don't Apologize Dude
Winners and Losers
Why I Write
Praying by the Rules
Age of Contradiction
Snob Factor Among Conservatives
Islam's Infidels
David Suzuki Down
Infirmative Action
The Education Mess We're In
The Intelligence Potential Factor
Gnostics of Our Time
Decline of Literate Thought
Galloping Agraphia
Socialist Transfer of Wealth
Deconstructing the State
Delectable Lie (Multiculturalism)
The Weakness of the West
When a Civilization Goes Mad
Deconstructing Chomsky
The Multiculti Tango
Utopiah: Good Place or No Place
Palin for President?
The Madness of Reactive Politics
Liberty or Tyranny
Shunning Our Friends
A Culture of Losers
Political Correctness and the Sunset of American Power
Talking Back to Talkbackers
Letting Iran Go Nuclear
Robespierre & Co.
The Reign of Mediacracy
Into the Heart of the United Nations
The Big Lie
As You Like It
Confronting Islam
Unveiling the Terrorist Mind

 

 

 

 

 

 

 

 

 

 

 

 

 

Arts & Opinion, a bi-monthly, is archived in the Library and Archives Canada.
ISSN 1718-2034

 

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