Arts & Opinion.com
  Arts Culture Analysis  
Vol. 22, No. 3, 2023
 
     
 
  Current Issue  
  Back Issues  
  About  
  Podcasts  
 
 
  Submissions  
  Subscribe  
  Comments  
  Letters  
  Contact  
  Jobs  
  Ads  
  Links  
 
 
  Editor
Robert J. Lewis
 
  Senior Editor
Jason McDonald
 
  Contributing Editors
David Solway
Louis René Beres
Nick Catalano
Chris Barry
Don Dewey
Howard Richler
Gary Olson
Jordan Adler
Andrew Hlavacek
Daniel Charchuk
 
  Music Editors Serge Gamache
Diane Gordon
 
  Arts Editor
Lydia Schrufer
 
  Graphics
Mady Bourdage
 
  Photographer
Jerry Prindle
Chantal Levesque Denis Beaumont
 
  Webmaster
Emanuel Pordes
 
 
 
  Past Contributors
 
  Noam Chomsky
Mark Kingwell
Naomi Klein
Arundhati Roy
Evelyn Lau
Stephen Lewis
Robert Fisk
Margaret Somerville
Mona Eltahawy
Michael Moore
Julius Grey
Irshad Manji
Richard Rodriguez
Navi Pillay
Ernesto Zedillo
Pico Iyer
Edward Said
Jean Baudrillard
Bill Moyers
Barbara Ehrenreich
Leon Wieseltier
Nayan Chanda
Charles Lewis
John Lavery
Tariq Ali
Michael Albert
Rochelle Gurstein
Alex Waterhouse-Hayward
 
     

HELL ON THE HIGH SEAS

by
NICK CATALANO

____________________________________

Nick Catalano is a TV writer/producer and Professor of Literature and Music at Pace University. He reviews books and music for several journals and is the author of Clifford Brown: The Life and Art of the Legendary Jazz Trumpeter, New York Nights: Performing, Producing and Writing in Gotham , A New Yorker at Sea,, Tales of a Hamptons Sailor and his most recent book, Scribble from the Apple. For Nick's reviews, visit his website: www.nickcatalano.net.

Recently, two events occurred which served as a reminder that the seas of the world remain dangerous to commercial shipping and private yachting. Several weeks ago a 44 ft. La Fitte sailboat crewed by 3 seasoned sailors left Mazatlan Mexico bound for Cabo San Lucas across a 200 mile stretch of the sea of Cortez. Shortly after embarking, the boat radioed that sea conditions were poor. That was the last communication received. After several weeks of an over 200,000 square mile search, no trace of the vessel has been found and further search activity has been suspended.

Very strange that the crew did not turn on an EPIRB ( emergency position-indicating radiobeacon) which would have aided rescuers. And despite rough seas, the situation of a noted sea-worthy vessel crewed by experts, sinking so quickly is very unusual. Conceivably the boat could have gone past the edge of Cabo and somehow gotten blown out into the vast pacific. Search reports did not specify the exact areas of the search . . .And so the mystery of the boat Ocean Bound remains baffling and tragic.

In a narrative of an old sailing story, another sea tragedy has been resurrected. New Yorker writer David Grann last month published a nonfiction book dubbed The Wager, the story of H.M.S. Wager, a British man-of-war that left England in 1740 as part of a squadron that had been ordered to capture a Spanish galleon filled with treasure. On January 28, 1742 a battered vessel carrying 30 men washed up on shore in Brazil explaining that the Wager had run aground off the coast of Patagonia; they recounted setting out in a boat somehow cobbled from the wreckage and traveling nearly 3000 miles to Brazil. Six months after the arrival of those castaways another battered vessel came ashore on the coast of Chile and the three sailors said that the men who landed in Brazil were not the brave and honourable men they pretended to be. “They we’re not heroes -- they were mutineers.”

Throughout the book Grann narrates horrific tales. Scurvy, typhus, and other diseases attack the crew mercilessly. Lice crawl from one seaman to another as disease turns skin blue and the men’s teeth fall out. The ships in the squadron lose sight of one another as they round the notoriously deadly Cape Horn with its 'pulverizing' current and waves that stretch nearly 100 feet into the sky. Once ashore there are tales of starving, thieving, betrayal, murder and cannibalism. Grann is eminently readable as he tries vainly to uncover truth as to what really happened. “It was the great enigma of the age of sail.”

The aforesnoted accounts brought back memories of my own experience in ocean sailing. In 1988 I crewed on a circumnavigation sail aboard Boston Light -- a cutter-rigged sloop owned by the editor-publishers of Sail magazine. I had written a few pieces for Sail and was asked by editor Patience Wales if I wanted to joined the crew. I consented and wound up writing a Roman a Clef lightly factionalized 'novella' account of the voyage with particular focus on some dangerous challenges we faced tacking up the Red Sea during the Islamic celebration of Ramadan. During this segment of the world sailing I had two world class sailmates Roger and Dick.

My mates were sound asleep during my 6-10 morning and evening watches and I made sure I had plenty of great jazz music on my recorder to help me while away the time as we struggled at the helm to keep us on the rhumb line -- the shortest course to our destination. It was the last night of a 1200 mile from Port Said in Egypt to the island of Malta. I was ecstatic . . . I had had enough of encounters with pirates, lack of food and water, constant harassment from corrupt officials, and my own psychological issues of loneliness and fear being in this hostile part of the world. I simply couldn’t wait to get to land after three weeks of sailing in the stormy unpredictable Mediterranean where we had to deal with a crippled diesel engine and mostly unfriendly Arabs who constantly tried to scam us.

My anticipation was running high as I adjusted the autopilot, checked the compass heading, and selected some more music from the recorder. As I settled into my four hour watch, I prepared a list of family and friends to phone once we arrived at Valletta in Malta. My mood was higher than it had been in weeks and I could barely contain my excitement.

Suddenly, a huge explosive sound erupted above the boat. I couldn’t imagine what it was. The following is what I wrote in my book Tales of a Hamptons Sailor:

Bang! Bang! With trembling hands I reached for my flashlight to see what had happened. As the light beam shone in the darkness, I saw lines, shackles and gear falling indiscriminately onto the deck from the top of the 80 ft. mast with horrific thundering noise. I was paralyzed as I stared at the mast suddenly reeling freely in the darkness and waited for it to smash into the sea.

“On deck! on deck! on deck!” I shouted. Roger and Dick were in the cockpit before my last cry. Roger grabbed my flashlight and pointed it to the top of weaving mast. “What the hell happened?” I asked them. My hands were clutching the steering wheel so tightly that my fingers cramped. I was still trying to steer the boat but quickly realized that we were going nowhere -- the mainsail had collapsed onto the deck.

“Grab the sheets -- anything -- or we’ll lose the sail,” Roger ordered. Panting from the struggle with the heavy mainsail we stared at each other speechless. Finally, Roger uttered glumly “Midship stays must’ve snapped at the top of the stick.”

As we started to gather tools and material to try and stabilize the mast, a sharp wind shift from the north intensified quickly and the waves heightened as a squall came in. We were powerless and the wind was blowing us right into the Libyan gulf of Sidra. This all happened during the time that President Reagan and Libyan Colonel Kadafy were jousting and threatening war.

The wind did indeed blow us into Libyan waters and we were soon surrounded by Gunboats with armed soldiers.

In case there are readers who wish to read my book, I won’t spoil the end of the narrative. It will suffice to note that this episode contained my own experience of hell on the high seas and one that I shall always remember.

 

COMMENTS

nevsteiner@aol.com
Remembering your thrilling account in your book, A New Yorker at Sea! From one to another...keep sailing.

readerfeedback
Gripping.

SDSUrich@gmail.com
The ocean can be a caring companion as well as a harsh mistress.

By Nick Catalano:
A Producer Remembers
World War I: Armistice and Artists
The Masters: Standup Comedy pt. II
On Standup Comedy pt. I
My Times with Benny Goodman
Higher Education and the Future of Democracy
Remembering OSCAR PETERSON
Faith, Emotion and Superstition versus Reason, Logic and Science
Thinking: A Lost Art
Alternative Approaches to Learning
Aesthetic History and Chronicled Fact
Terror in China: Cultural Erasure and Computer Genocide
The Roller Coaster of Democracy
And Justice for All
Costly Failures in American Higher Education
Trump and the Dumbing Down of the American Presidency
Language as the Enemy of Truth
Opportunity in Quarantine
French Music: Impressionism & Beyond
D-Day at Normandy: A Recollection Pt. II
D-Day at Normandy: A Recollection Pt. I
Kenneth Branagh & Shakespeare
Remembering Maynard Ferguson
Reviewers & Reviewing
The Vagaries of Democracy
Racism Debunked
The Truth Writer
#Me Too Cognizance in Ancient Greece
Winning
Above the Drowning Sea
A New York Singing Salon
Rockers Retreading
Polish Jewry-Importance of Historical Museums
Sexual Relativity and Gender Revolution
Inquiry into Constitutional Originalism
Aristotle: Film Critic
The Maw of Deregulated Capitalism
Demagogues: The Rhetoric of Barbarism
The Guns of August
Miles Ahead and Born to Be Blue
Manon Lescaut @The Met
An American in Paris
What We Don't Know about Eastern Culture
Black Earth (book review)
Cuban Jazz
HD Opera - Game Changer
Film Treatment of Stolen Art
Stains and Blemishes in Democracy
Intersteller (film review)
Shakespeare, Shelley & Woody Allen
Mystery and Human Sacrifice at the Parthenon
Carol Fredette (Jazz)
Amsterdam (book review)
Vermeer Nation
Salinger
The Case for Da Vinci's Demons


 

 
Comedy Podcast with Jess Salomon and Eman El-Husseini
Bahamas Relief Fund
Film Ratings at Arts & Opinion - Montreal
fashion,brenda by Liz Hodson
MEGABLAST PODCAST with JASON McDONALD
Festival Nouveau Cinema de Montreal(514) 844-2172
Montreal Guitar Show July 2-4th (Sylvain Luc etc.). border=
Photo by David Lieber: davidliebersblog.blogspot.com
SPECIAL PROMOTION: ads@artsandopinion.com
SUPPORT THE ARTS
Valid HTML 4.01!
Privacy Statement Contact Info
Copyright 2002 Robert J. Lewis