Souvenir America

You remember that year

they gave you history to eat,

you smoked and drank politics with Dad

all night in the kitchen; and Mom wept in her sleep and you

woke naked on the playground,

surrounded by policemen. That year

they showed you nothing but reruns of pre-school suicides

and bloody footprints in the streets. They said

there was going to be a war all your life

and gave you absentee parenting and Sundays in the mall--

you said you wanted a real job and a senior year book

with no assassination visuals or remastered

genocides; and they gave you a graduation ceremony

complete with delicate ivory carvings

of vanishing species, and the latest scientific breakthrough

proving life has no meaning. Surely

you remember, that year, what a relief it was

when they said it was all over, go home,

they said, keep your nose clean, buy a gun.

 By Richard E. Messer

 

As We Speak

A girl in a blue pickup truck at the Sunoco station

sings along with a radio song, contrails fade

pink above the severed horizon, the gas pump's

black digits dance. Her boyfriend hard-fingers

the trigger grip; she sings of rare nightbirds,

throat-cut, thrown down from heaven, sings

to herself from apparitional billboards and to me

from a country farther away than death,

forgotten, where her face etched in profile

shines on a coin lost beneath the sea. Her song

rises like an eddy of blue neon, like twilight

overwhelming rush hour traffic, or spring water

beneath this oil stained tarmac, seeping into

Sioux pony hoofprints left minutes ago

in the tall, oat-eared grass along a stream,

where sparrows peck seeds from buffalo dung,

and a child waving a well-chewed bone, turning away

just now from her play to stare at the sun,

hears the growl of lawn mowers.

 By Richard E.Messer

 

 

Weeping in front of the Dog: Suffering and Culture

 One could pretend in the shower at home

to some variety of sad song, but here

in the empty park each sob is only what it is,

naked pain, mine. And the dog, smooth muzzle

laid out on his shaggy black paws, makes

no sign of caring or not, but lies alert

for any note of anger or call to action. He knows

all his vigilance could not ward off

this merciless intruder, and he waits

patient as the leafless oaks along the street

for the watery wailing to move on into

the smooth buckle of the past. Sorrow,

melancholy, grief: these are words. My

pain is like the black spikes of yarrow

by the fence, because I have not yet seen

the dog's questioning glance, and this poem

has not been written.

By Richard E. Messer

 

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