Featured Artist: Ivan de Monbrison

Ivan de Monbrison Exhibit 1

Ivan de Monbrison

Ivan de Monbrison Ivan de Monbrison

 

 

 

 

Ivan de Monbrison Ivan de Monbrison

 

 

 

 

Ivan de Monbrison Ivan de Monbrison

 

 

 

 

Art is for me the only answer in our modern world to the question of death and the fragility of human nature. Through the ages human beings have used the representation of the world as a medium to conjure what they saw has powerful elements of nature that they could not explain and which would threaten them, it included spirits of the ancestors, forces of nature, death itself etc. I think this process is still at the core of the art medium. To represent ourselves is still a mirror to our own self, and the consciousness we have of it is reflected in the very image on the surface. In a world of technology to choose to use still a very classical medium like painting is a way to set a bridge with the past resisting the facility of technology but with the will to represent the world with a modern eye. That is why i choose to paint mostly in black and white and to represent human beings more as shadows than as fleshy bodies. They are incarnated in the canvas but not yet fully present. I hope that people who have experienced pain and loss in life as absurd and meaningless will be able to connect with these ghostly shapes as images of the sense of precarity they may feel, giving it a depth that goes far beyond the simple pleasure of the eye .

-Ivan de Monbrison 2010

Ivan de Monbrison was born in Paris in 1969 from a french protestant father and an egyptian muslim mother, both mixed with jewish origins. His interest in art can be linked to a very liberal artistic education, where african and ocenian arts were in the center of his interests. This left him with a desire to pursue the question of what art meant in the old days, and how can this be dealt with in our modern and absurd world of thriving technology. Is art religious? Thus In which way can in it still be in a non-sacralized world? Chasing the human figure in a distorted way, like Bacon and Giacometti did in the past, has appeared for him the best way for this non-religious "spiritual " quest. It has apperead to get even more important as art has tended to become nowdays more and more similar to publicity, and fashion. Ivan's works have been shown in the recent years in various countries.

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Ascent-Aspirations for Artists revised July 2012