Steven TÖTÖSY de ZEPETNEK
An Introduction to Comparative Literature Now,
à l'heure actuelle 13-18
Jean BESSIÈRE
Le Concept de métafiction: Typologie, stratégies fictionnelles,
croyances fictionnelles et partages culturels 21-30
Hendrik BIRUS
Main Features of Goethe's Conception of World Literature 31-41
Patrick BRADY
Narrativity, Nonlinearity, and Complexity:
From History as Fiction to Fiction as History 43-50
Yves CHEVREL
Littérature comparée et histoire des mentalités:
Concurrence ou collaboration? 51-63
Amiya Kumar DEV
Unity and Diversity in India and Comparative Literature 65-74
Jacques DUGAST
La Notion de littérature européenne 75-83
Douwe FOKKEMA
Cultural Relativism and Cultural Identity:
Contradictory Tendencies 85-93
Marián GÁLIK
Comparative Literature as a Concept of
Interliterariness and Interliterary Process 95-104
GU Ming Dong
A Comparison of Some Chinese and English Poetic Concepts 105-115
Karl KAO
The Ideology of Metaphor: East and West 117-128
Eva KUSHNER
Is Comparative Literature Ready for the Twenty-First Century? 129-139
José Manuel LOSADA GOYA
Principes méthodologiques pour les bibliographies comparées
141-151
Uri MARGOLIN
Formal, Semantic, and Pragmatic Aspects of Metatextuality:
Comparatism Revisited 153-163
Manuela MOURÃO
Comparative Literature Past and Present 165-172
Manuel RIBEIRO
Le Discours critique littéraire:
Un Enjeu nécessaire du comparatisme 173-181
José SARAMAGO
Entre o narrador omnisciente e o monologo interior:
Deveremos voltar ao autor / Entre le narrateur omniscient et
le monologue intérieur: Faut-il retourner à l'auteur?
183-193
Manfred SCHMELING
Point de vue narratif et altérité culturelle 195-207
Jola ŠKULJ
Comparative Literature and Cultural Identity:
A Bakhtinian Proposal 209-217
Antony TATLOW
Literature and Textual Anthropology 219-227
Willie VAN PEER
The Dialectic of Negative Identity in Literary Reading 229-239
Thomas WÄGENBAUR
Comparative Literature as Anti-Racist Ethnocriticism 241-249
YUE Daiyun
Word, Symbol, and Meaning in the Context of Chinese Poetics 251-258
Karin BEELER
Foreign Theories and Cultural Diversity:
Writing by Women in Canada 261-269
Christian BERG
La Fin-de-siècle en Belgique comme polysystème 271-281
Michel BRIX
Le Romantisme français et la question des chansons populaires
283-296
Assumpta CAMPS
La Réception des nouvelles tendances littéraires dans
le contexte plurilinguistique catalan (1900-1930) 291-306
Paul CORNEA
Genres traditionnels de l'histoire littéraire à la recherche
d'une nouvelle identité: Statut actuel de l'histoire de la
littérature et de l'anthologie 307-317
F. Elizabeth DAHAB
L'Exil aux portes du paradis:
Ecritures et écrivains canadiens du Moyen-Orient 319-331
Vincent DUBOST
Poètes nationaux et institutionnalisation
de la littérature québécoise au XIXe siècle
333-342
Angela ESTERHAMMER
Blake, Hölderlin, and a Speech-Act Paradigm
for the Romantic Period 343-351
John Burt FOSTER, Jr.
Beyond "Domestic" and "Foreign":
Nietzsche and Nabokov as Transnational Authors 353-364
Donald Flanell FRIEDMAN
Belgian Symbolist Poetry: Regionalism and Cosmopolitanism 365-374
Jonathan HART
The Black Legend: English and French Representations
of Spanish Cruelty in the New World 375-387
Joep LEERSEN
Literary History, Cultural Identity, and Tradition 389-397
Luiza LOBO
Aspects of Postmodern Literature in Brazil 399-406
Ruth MARTIN
Multicultural Translations and the Canadian Literary Institution 407-414
K.S. Narayana RAO and Susheela N. RAO
India's Valmiki Ramayana and Thailand's Ramakien 415-423
Walter F. VEIT
Comparative Literature, Interculturality,
and the History of Australian Literature 425-437
WANG Ning
Comparative Aspects of Contemporary
Popular Literature in China 439-449
João Ferreira DUARTE
Assertion and Canonization:
Towards a Semiotics of Blurb-Discourse 453-461
Manfred ENGEL
Polyphony, Dialogism, and Poetic Interculturalism
in T.S. Eliot's
Waste Land and Rilke's Duineser Elegien
463-473
Lídia FACHIN
Les Languages de la représentation romantique:
Le Cas de Nerval 475-482
Doris KOLESCH
La Provocation du poème en prose 483-489
Yiu-Nam LEUNG
Lord Chesterfield and Tseng Kuo-fan:
Representatives of the Father-Son Epistolary Genre 491-496
Christian MOSER
Otherness and the Construction of the Self in Autobiography 497-504
María Inés PALLEIRO
A Comparative Approach to the Folktale 505-511
Domenico TANTERI
Constantes et variantes dans la littérature utopique 513-524
Sylvie ANDRÉ
Identité et influence dans le roman congolais 527-536
Peng-hsiang CHEN
Laughter, Heteroglossia, and Identity in Yao T'o's Fiction 537-546
Svend Erik LARSEN
Localizing the Universal:
Literature of the City and of the Street 547-555
Gabriel Louis MOYAL
Cousins, Colonies, Collections:
The Fit of the Novel in Nineteenth-Century France 557-568
Solange Ribeiro de OLIVEIRA
The Meeting of Two Traditions in the Analysis
of the Künstlerroman 569-581
Nora STOVEL
Chain Letter:
From Poem through Opera and Ballet to Novel 583-593
Hendrik VAN GORP
Cultural Diversities in the Reception
of the Gothic Novel (1790-1820) 595-604
Steven F. WALKER
Scapegoating and the Xenophobic Imagination
in Ulysses and the
Satanic Verses 605-613
Nathaniel WALLACE
Confrontations with Longevity in French and Chinese Literature 615-624
Werner WOLF
Nature, Landscapes, and the Early English Novel 625-636
irkku AALTONEN
Rewriting the Other:
The Irish milieux in Finnish Translated Drama 639-647
Anikó ÁDÁM
Littérature et architecture: Le Symbole cathédrale
dans la littérature française du XIXe siècle 649-655
Judith BARBAN
Reprise of the Renaissance:
Ned Rorem's Song Settings of Early French Poems for Peace 657-667
Alberto CAPRIOLI
Poésie, musique et critique musicale: Le Jeune Schumann 669-681
Theodore GRAMMATAS
Aspects de l'adaptation par le théâtre néo-hellénique
683-691
Katalin KÜRTÖSI
Bi- and Multi-Lingualism in Canadian Drama 693-703
Mary POLITO
"What's Open Made to Justice"
in Early Modern English Law and Drama 705-716
Hans-Günter SCHWARZ
Ornament, Literature, and Art 717-723
Rakesh H. SOLOMON
Virata-Parvan on the Pune Stage:
Kichaka-Vadha as Insurgent Melodrama 725-736
Lilia AVRUTIN
Metatextuality in Post-Soviet Cinema:
Kovalov's Scorpion's Gardens as Semantic Drama 739-751
Donald BARRETT
Lindsay's Picnic at Hanging Rock: Origins and Offshoots 753-762
Martine DANAN
Subtitling:
Multiculturalism or Commodification of Culture? 763-773
Antonio Eduardo de OLIVEIRA
A Comparison of David Lynch and Joseph Conrad 775-780
T. Jefferson KLINE
Drawing the Map of Incest:
Louis Malle's Adaptation of Damage 781-794
William H. THORNTON
From Dialectics to Dialogics:
Two Case Studies for Filmic Historiography 795-804
Harold D. BAKER
A Computer Method for Literary Scholarship 807-814
Stan BEELER
Computer Database Use in Literary Studies 815-822
Rüdiger CAMPE
Musical Automata and the Speaking Machine in
E.T.A. Hoffmann and Others 823-834
Monika SCHMITZ-EMANS
The Machine as Allegory and the Literary Text 835-846
Benzi ZHANG
From Hypertext to Textual Heterarchy:
Postmodern Textuality in the Age of the Computer 847-859
Steven TÖTÖSY de ZEPETNEK
A Bibliography of Theories, Methods,
and Histories of Comparative Literature
863-921