Steven TÖTÖSY de ZEPETNEK
An Introduction to Comparative Literature Now, à l'heure actuelle 13-18

CHAPTER ONE
Comparative Literature and Literary Theory

    Jean BESSIÈRE
Le Concept de métafiction: Typologie, stratégies fictionnelles, croyances fictionnelles et partages culturels 21-30
    Hendrik BIRUS
Main Features of Goethe's Conception of World Literature 31-41
    Patrick BRADY
Narrativity, Nonlinearity, and Complexity: From History as Fiction to Fiction as History 43-50
    Yves CHEVREL
Littérature comparée et histoire des mentalités: Concurrence ou collaboration? 51-63
    Amiya Kumar DEV
Unity and Diversity in India and Comparative Literature 65-74
    Jacques DUGAST
La Notion de littérature européenne 75-83
    Douwe FOKKEMA
Cultural Relativism and Cultural Identity: Contradictory Tendencies 85-93
    Marián GÁLIK
Comparative Literature as a Concept of Interliterariness and Interliterary Process 95-104
    GU Ming Dong
A Comparison of Some Chinese and English Poetic Concepts 105-115
    Karl KAO
The Ideology of Metaphor: East and West 117-128
    Eva KUSHNER
Is Comparative Literature Ready for the Twenty-First Century? 129-139
    José Manuel LOSADA GOYA
Principes méthodologiques pour les bibliographies comparées 141-151
    Uri MARGOLIN
Formal, Semantic, and Pragmatic Aspects of Metatextuality: Comparatism Revisited 153-163
    Manuela MOURÃO
Comparative Literature Past and Present 165-172
    Manuel RIBEIRO
Le Discours critique littéraire: Un Enjeu nécessaire du comparatisme 173-181
    José SARAMAGO
Entre o narrador omnisciente e o monologo interior: Deveremos voltar ao autor /
Entre le narrateur omniscient et le monologue intérieur: Faut-il retourner à l'auteur? 183-193
    Manfred SCHMELING
Point de vue narratif et altérité culturelle 195-207
    Jola ŠKULJ
Comparative Literature and Cultural Identity: A Bakhtinian Proposal 209-217
    Antony TATLOW
Literature and Textual Anthropology 219-227
   Willie VAN PEER
The Dialectic of Negative Identity in Literary Reading 229-239
    Thomas WÄGENBAUR
Comparative Literature as Anti-Racist Ethnocriticism 241-249
    YUE Daiyun
Word, Symbol, and Meaning in the Context of Chinese Poetics 251-258

    Karin BEELER
Foreign Theories and Cultural Diversity: Writing by Women in Canada 261-269
    Christian BERG
La Fin-de-siècle en Belgique comme polysystème 271-281
    Michel BRIX
Le Romantisme français et la question des chansons populaires 283-296
    Assumpta CAMPS
La Réception des nouvelles tendances littéraires dans le contexte plurilinguistique catalan (1900-1930) 291-306
    Paul CORNEA
Genres traditionnels de l'histoire littéraire à la recherche d'une nouvelle identité: Statut actuel de l'histoire de la littérature et de l'anthologie 307-317
    F. Elizabeth DAHAB
L'Exil aux portes du paradis: Ecritures et écrivains canadiens du Moyen-Orient 319-331
    Vincent DUBOST
Poètes nationaux et institutionnalisation de la littérature québécoise au XIXe siècle 333-342
    Angela ESTERHAMMER
Blake, Hölderlin, and a Speech-Act Paradigm for the Romantic Period 343-351
    John Burt FOSTER, Jr.
Beyond "Domestic" and "Foreign": Nietzsche and Nabokov as Transnational Authors 353-364
    Donald Flanell FRIEDMAN
Belgian Symbolist Poetry: Regionalism and Cosmopolitanism 365-374
    Jonathan HART
The Black Legend: English and French Representations of Spanish Cruelty in the New World 375-387
    Joep LEERSEN
Literary History, Cultural Identity, and Tradition 389-397
    Luiza LOBO
Aspects of Postmodern Literature in Brazil 399-406
    Ruth MARTIN
Multicultural Translations and the Canadian Literary Institution 407-414
    K.S. Narayana RAO and Susheela N. RAO
India's Valmiki Ramayana and Thailand's Ramakien 415-423
    Walter F. VEIT
Comparative Literature, Interculturality, and the History of Australian Literature 425-437
    WANG Ning
Comparative Aspects of Contemporary Popular Literature in China 439-449

    João Ferreira DUARTE
Assertion and Canonization: Towards a Semiotics of Blurb-Discourse 453-461
    Manfred ENGEL
Polyphony, Dialogism, and Poetic Interculturalism in T.S. Eliot's Waste Land and Rilke's Duineser Elegien 463-473
    Lídia FACHIN
Les Languages de la représentation romantique: Le Cas de Nerval 475-482
    Doris KOLESCH
La Provocation du poème en prose 483-489
    Yiu-Nam LEUNG
Lord Chesterfield and Tseng Kuo-fan: Representatives of the Father-Son Epistolary Genre 491-496
    Christian MOSER
Otherness and the Construction of the Self in Autobiography 497-504
    María Inés PALLEIRO
A Comparative Approach to the Folktale 505-511
    Domenico TANTERI
Constantes et variantes dans la littérature utopique 513-524

    Sylvie ANDRÉ
Identité et influence dans le roman congolais 527-536
    Peng-hsiang CHEN
Laughter, Heteroglossia, and Identity in Yao T'o's Fiction 537-546
    Svend Erik LARSEN
Localizing the Universal: Literature of the City and of the Street 547-555
    Gabriel Louis MOYAL
Cousins, Colonies, Collections: The Fit of the Novel in Nineteenth-Century France 557-568
    Solange Ribeiro de OLIVEIRA
The Meeting of Two Traditions in the Analysis of the Künstlerroman 569-581
    Nora STOVEL
Chain Letter: From Poem through Opera and Ballet to Novel 583-593
    Hendrik VAN GORP
Cultural Diversities in the Reception of the Gothic Novel (1790-1820) 595-604
    Steven F. WALKER
Scapegoating and the Xenophobic Imagination in Ulysses and the Satanic Verses 605-613
    Nathaniel WALLACE
Confrontations with Longevity in French and Chinese Literature 615-624
    Werner WOLF
Nature, Landscapes, and the Early English Novel 625-636

    Irkku AALTONEN
Rewriting the Other: The Irish milieux in Finnish Translated Drama 639-647
    Anikó ÁDÁM
Littérature et architecture: Le Symbole cathédrale dans la littérature française du XIXe siècle 649-655
    Judith BARBAN
Reprise of the Renaissance: Ned Rorem's Song Settings of Early French Poems for Peace 657-667
    Alberto CAPRIOLI
Poésie, musique et critique musicale: Le Jeune Schumann 669-681
    Theodore GRAMMATAS
Aspects de l'adaptation par le théâtre néo-hellénique 683-691
    Katalin KÜRTÖSI
Bi- and Multi-Lingualism in Canadian Drama 693-703
    Mary POLITO
"What's Open Made to Justice" in Early Modern English Law and Drama 705-716
    Hans-Günter SCHWARZ
Ornament, Literature, and Art 717-723
    Rakesh H. SOLOMON
Virata-Parvan on the Pune Stage: Kichaka-Vadha as Insurgent Melodrama 725-736

    Lilia AVRUTIN
Metatextuality in Post-Soviet Cinema: Kovalov's Scorpion's Gardens as Semantic Drama 739-751
    Donald BARRETT
Lindsay's Picnic at Hanging Rock: Origins and Offshoots 753-762
    Martine DANAN
Subtitling: Multiculturalism or Commodification of Culture? 763-773
    Antonio Eduardo de OLIVEIRA
A Comparison of David Lynch and Joseph Conrad 775-780
    T. Jefferson KLINE
Drawing the Map of Incest: Louis Malle's Adaptation of Damage 781-794
    William H. THORNTON
From Dialectics to Dialogics: Two Case Studies for Filmic Historiography 795-804

    Harold D. BAKER
A Computer Method for Literary Scholarship 807-814
    Stan BEELER
Computer Database Use in Literary Studies 815-822
    Rüdiger CAMPE
Musical Automata and the Speaking Machine in E.T.A. Hoffmann and Others 823-834
    Monika SCHMITZ-EMANS
The Machine as Allegory and the Literary Text 835-846
    Benzi ZHANG
From Hypertext to Textual Heterarchy: Postmodern Textuality in the Age of the Computer 847-859

    Steven TÖTÖSY de ZEPETNEK
A Bibliography of Theories, Methods, and Histories of Comparative Literature 863-921

Addresses of Selected Journals with an Active Interest in Comparative Literature 923-926

Milan V. DIMIC
Future(s) of Comparative Literature 927-930