A Selected Bibliography of Works for the Study of Film and Literature 1985-1999
In the past two decades, the area of film studies has thrived in scholarship, institutionally, and in publishing. The following selected bibliography, therefore, cannot even come near to an exhaustive presentation of everything published on the relationship between film and literature. The focus in the process of selection has been to highlight some lesser known works, often in languages other than the lingua franca of modern scholarship, English. Thus, publications in French, German, Dutch, Russian, Polish, etc., have deliberately been included. Attention was directed to those studies which present a more general approach to the topic; individual case studies of film adaptations have been omitted. However, exception has been made where there has been a strong theoretical description and whenever cultural spheres less known in Canada and the United States, e.g., Africa, the Middle East, Central and East Central Europe, the former Soviet republics, etc., were the object of the study. Finally, some theoretical works, which do not belong strictly to the area of film adaptation, have purposefully been included, since by virtue of their interdisciplinary approach they have an impact on the study of the relationship between literature and film. The present selected bibliography is of studies published in hard copy only; however, further work is planned to place online a bibliography that includes links to studies of film and literature on the world wide web.
Aarseth, Asbjorn. "Ibsen from Stage to Screen: Structural Effects from
a Change in Medium." Contemporary Approaches to Ibsen. Ed. Bjorn
Hemmer and Vigdis Ystad. Oslo: Norwegian UP, 1991. 65-73.
Acker, Robert. "The Filming of Literary Works in the German Democratic
Republic." Literature / Film Quarterly 17.3 (1989): 168-76.
Agaeva, G.G. "Turkmenskoe khudozhestvennoe kino vchera i sevodnia."
Izvestiia
Akademii Nauk Turkmenskoi SSR 4 (1989): 83-89.
Altman, Rick. "Dickens, Griffith, and Film Theory Today." South
Atlantic Quarterly 88.2 (1989): 321-59.
Ammon, Martin and Eckart Gottwald, eds. Kino und Kirche im Dialog.
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Andreev, Iurii. "Literatura i kino: K printsipam klassifikatsii iskusstva."
Voprosy
Literatury 8 (1982): 8-49.
Andrew, Dudley. "The Impact of the Novel on French Cinema of the 30's."
L'Esprit
Créateur 30.2 (1990): 3-13.
Andrew, Dudley, ed. Recent Film Theory in Europe. Special issue
of
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Anzalone, John. "Sound/Tracks: Zola, Renoir and La Bête humaine."
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French Review: Journal of the American Association of Teachers of French
62.4 (1989): 583-90.
Art et littérature. Aix-en-Provence: U de Provence, 1988.
Avrutin, Lilia. "Metatextuality in Post-Soviet Cinema: Kovalov's Scorpion's
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and Practice / La Littérature comparée à l'heure actuelle.
Théories et réalisations. Ed. Steven Tötösy
de Zepetnek, Milan V. Dimic, and Irene Sywenky. Paris: Honoré Champion,
1999. 739-51.
Augustin, Bettina. "Raban im Kino: Kafka und die zeitgenössische
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Aumont, Jacques. Montage Eisenstein. Trans. Lee Hildreth, Constance
Penley, and Andrew Ross. London: BFI, 1987.
Aycock, Wendell and Michael Schoenecke, eds. Film and Literature:
A Comparative Approach to Adaptation. Lubbock: Texas Tech UP, 1988.
Bacarisse, Pamela. Carnal Knowledge: Essays on the Flesh, Sex, and
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1991.
Banks, Jared. "Cinematic Adaptation: Orfeu Negro da Conceição."
Literature
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and Eduard Vlasov. Special issue of Canadian Review of Comparative Literature
/ Revue Canadienne de Littérature Comparée 23.3 (1996):
791-801.
Barrett, Donald. "Lindsay's Picnic at Hanging Rock: Origins
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et réalisations. Ed. Steven Tötösy de Zepetnek, Milan
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Beard, William. "The Visceral Mind: The Major Films of David Cronenberg."
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Beard, William. "Cronenberg, Flyness and the Other-self." Cinémas
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Beard, William. "Insect Poetics: Cronenberg's Naked Lunch."
Literature
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/ Revue Canadienne de Littérature Comparée 23.3 (1996):
823-52.
Beeson, Diana. "Translating Nancy Drew from Fiction to Film." The
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Behrens, Volker. Das Spiel mit der Illusion in The French Lieutenant's
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Bertrand, Ina. "'Woman's Voice': The Autobiographical Form in Three
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Beyer, John. "Party Novel, Risque Film: Zhao Shuli's Sanliwan
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Bilodeau, Daniel. "La Synchronisation interne dans le cinéma
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Bolter, J David. Writing Space: The Computer, Hypertext, and the
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Bondanella, Peter. "Borges, Bertolucci, and the Mythology of Revolution."
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Bordwell, David. Narration in the Fiction Film. Madison: U of
Wisconsin P, 1986.
Bordwell, David. Ozu and the Poetics of Cinema. London: BFI,
1988.
Bordwell, David. Making Meaning: Inference and Rhetoric in the Interpretation
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Bordwell, David. The Cinema of Eisenstein. Cambridge, MA: Harvard
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Bordwell, David, Janet Steiger, and Kristin Thompson. The Classical
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Bourassa, Alan. "Tracking the Dialectic: Theodor Adorno and Michael
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Revue Canadienne de Littérature Comparée 23.3 (1996):
725-37.
Boyd, David. "Rashomon: From Akutagawa to Kurosawa." Literature
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Boyum, Joy Gould. Double Exposure: Fiction into Film. New York:
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Brady, Ben. Principles of Adaptation for Film and Television.
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Braendlin, Hans P., ed. Ambiguities in Literature and Film.
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Brondsted, Mogens. "Karen Blixen au cinéma." Nouvelle Revue
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Browne, Pat, ed. Heroines of Popular Culture. Bowling Green:
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Brumm, Anne-Marie. "Migration, Marginality, and Cultural Conflict in
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Brunette, Peter and David Wills. Screen/Play: Derrida and Film Theory.
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Buks, Nora. "'Volshebnyi fonar' -- ili `kamera obskura' -- kino: Roman
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Burgoyne, Robert. "Le Narrateur au cinema: Logique et pragmatique de
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Burns, Dan E. "Pistols and Cherry Pies: Lolita from Page to Screen."
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Burzlaff, Werner. "A Peircean Theory of Film / Une Théorie peircienne
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Cahir, Linda Constanzo. "Narratological Parallels in Joseph Conrad's
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Callens Johan, ed. American Literature and the Arts. Bruxelles:
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Campbell, Ian. "Jekyll, Hyde, Frankenstein and the Uncertain Self."
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"Can Great Books Make Good Movies? 7 Writers Just Say No." American
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Cancalon, Elaine D. and Antoine Spacagna, eds. Intertextuality in
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Carbonneau, Alain. "Kamouraska, roman et film." Revue d'Histoire
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Carson, Diana, et al., eds. Multiple Voices in Feminist Film Criticism.
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Carvalheiro, Manuel. "Jorge Luis Borges: Um exemplo exemplar de crítica
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Caspar, Günter. "Eine unglückliche Liebe. Fallada und der
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Film und Fernsehen 15 (1987): 38-41.
Cattrysse, Patrick. "Film (Adaptation) as Translation: Some Methodological
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Cattrysse, Patrick. Pour une théorie de l'adaptation filmique:
le film noir américain. Bern: Peter Lang, 1992.
Cernjenko, Miron. "'Ta nedostizna proza...': Romani Mihaila Lalica
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Champagne, Roland A. "My Cup Runneth Over: The Semiotic Stakes of the
Courtesan Myth in the Metamorphoses of Marguerite Gautier." The American
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Chapple, Richard, ed. Social and Political Change in Literature
and Film. Gainesville: UP of Florida, 1994.
Charney, Mark J. "Voice and Perspective in the Film Adaptations of
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Gaines. Ed. David C. Estes. Athens: U of Georgia P, 1994. 124-38.
Chatman, Seymour. Coming to Terms: The Rhetoric of Narrative in
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Cheney, Liana DeGirolami, ed. The Symbolism of Vanitas in
the Arts, Literature, and Music: Comparative and Historical Studies.
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Chisholm, Brad. "Reading Intertitles." Journal of Popular Film and
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Christensen, Peter Glenn. "The Figure of the Artist in Andrei Tarkovsky's
Andrei
Rublev and Merezhkovsky's The Romance of Leonardo da Vinci."
Soviet
and East European Drama, Theatre, and Film 6.2 (1986): 415-26.
Cismaru, Alfred. "Promiscuity on the Screen?" Lamar Journal of the
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Clerc, Jeanne-Marie. Écrivains et cinéma: Des mots
aux images, des images aux mots -- adaptations et ciné-romans.
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Coates, Paul. "Revolutionary Spirits: The Wedding of Wajda and Wyspianski."
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Cohen, Paula Marantz. "The Ideological Transformation of Conrad's
The
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Cole, Michael, and Helen Keyssar. "The Concept of Literacy in Print
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Collick, John. Shakespeare, Cinema and Society. Manchester:
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Conger, S.M., and J.R. Welsh, eds. Narrative Strategies: Original
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Coremans, L. "De intertextuele relaties tussen een literaire tekst
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Il
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Covel, Robert C. "James Dickey's Deliverance: Screenplay as
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Cox, Carole. "Children's Films: The Literature Connection."
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Cox, Michael. "Reflections on Film Adaptation of Fiction." It's
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Craven, Alice. "Literary History Is a Dream: Or, How I Stopped Worrying
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Crook, Eugene J., ed. Fearful Symmetry: Doubles and Doubling in
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Crowl, Samuel. "The Bow Is Bent and Drawn: Kurosawa's Ran and
the Shakespearean Arrow of Desire." Literature / Film Quarterly
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Cunningham, Frank R. "The Insistence of Memory: The Opening Sequences
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Curry, Renée R. Perspectives on Woody Allen. New York:
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Deltcheva, Roumiana. "Destination Classified: On the Transformation
of Spatial Forms in Applying the Narrative Text to Film (The Case of Conrad's
Heart
of Darkness and Coppola's Apocalypse Now)."
Literature and
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/ Revue Canadienne de Littérature Comparée 23.3 (1996):
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Deltcheva, Roumiana, and Eduard Vlasov. "From the Wax of History: Leni's
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Deltcheva, Roumiana, Waclaw M. Osadnik, and Eduard Vlasov, eds.
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Dermody, Susan, and Elizabeth Jacka. The Screening of Australia:
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Diawara, Manthia. "Oral Literature and African Film: Narratology in
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Dick, Eddie, ed. From Limelight to Satellite: A Scottish Film Book.
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Dittmar, Linda. "Beyond Gender and within It: The Social Construction
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Dixon, Wheeler W. The Cinematic Vision of F. Scott Fitzgerald.
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Du Plooy, Heilna. "Roman en film -- Stories in woorde en beelde: `N
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Garard, Charles. Point of View in Fiction and Film: Focus on John
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Girgus, Sam B. The Films of Woody Allen. Cambridge: Cambridge
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Goodwin, James. Akira Kurosawa and Intertextual Cinema. Baltimore:
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Greif, Louis K. "Soldier, Sailor, Surfer, Chef: Conrad's Ethics and
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Güntner, Lawrence, and Peter Drexler. "Recycled Film Codes and
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Hansen, Miriam. "Messages in a Bottle? Miriam Hansen Examines `Frauen
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Hansen, Miriam. "Benjamin, Cinema and Experience: `The Blue Flower
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Hansen, Miriam. "`With Skin and Hair': Kracauer's Theory of Film, Marseille
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Hansen, Miriam. "Massenkultur als Hieroglyphenschrift: Adorno, Derrida,
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Hapgood, Robert. "Chimes at Midnight from Stage to Screen: The Art
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Hark, Ina Rae. "Twelve Angry People: Conflicting Revelatory Strategies
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Harris, Geoffrey T., ed. On Translating French Literature and Film.
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Harty, Kevin J., ed. Cinema Arthuriana: Essays on Arthurian Film.
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Hatzig, Hansotto. "Durch Wüste und Kino." Karl Mays Orientzyklus.
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Hawkins, Harriett. Strange Attractors: Literature, Culture and Chaos
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Hayward, Susan, and Ginette Vincendeau. French Film: Texts and Contexts.
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Helman, Alicja. "Konteksty Amadeusza." Dialog: Miesiecznik
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Helman, Alicja and Waclaw M. Osadnik: "Film and Literature: Historical
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Literature
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