CM Volume 1 Number 13

Volume 1 Number 13

September 8, 1995

Table of Contents

 From the Editor

 Back to School

Book Reviews

 Sticks and Stones.
Pierrette Dubé. Illustrated by Dominique Jolin.
Review by A. Edwardsson.
Grades K - 3 / Ages 5 - 8

 Frankie Zapper and the Disappearing Teacher.
Linda Rogers. Illustrated by Rick Van Krugel.
Review by Harriet Zaidman
Grades 3 - 6 / Ages 8 - 12.

 Make Your Own Performing Puppets.
Teddy Cameron Long.
Review by Lorraine Douglas.
Grades 4 & Up / Ages 8 & Up

 Puzzling on the Rim.
Naomi Watkan.
Review by Elinor M. Kelly.
Grades 4 - 9 / Ages 8 - 14.

Video Review

 Apeman
Episode Three: ``It's All in the Mind."
Review by Duncan Thornton
Grades 7 - 13 / Ages 11 - Adult.

News

 News: Manitoba
The Canadian Children's Book Centre and
the Manitoba Reading Association
Fund-Raising Luncheon.


CM
Editor
Duncan Thornton
email: editor@mbnet.mb.ca

CM
Executive Assistant
Peter Tittenberger
email: camera@mbnet.mb.ca


From the Editor

School Days and Some Homework

Our executive assistant, Peter Tittenberger (the guy who designs CM and who you call with technical questions) told me he had a back-to-school graphic that I should write an editorial to justify using. So I began thinking back nostagically to those happy days in Oxford, punting down the Thames, eating cucumber sandwiches, and meeting all manner of eccentrics. But it turned out I was just remembering Brideshead Revisited; on reflection, my own school days were considerably more like The Blackboard Jungle.

So I hope you're all settled in and happy, teachers and students alike; I never was, not until I snuck into the University of Saskatchewan with an adult admissions test, a grade eight diploma, and the faint hope of finding a good date.

A bad school is a prison for young minds; for me, the library was the only escape, which is probably why I have this job today.

So I have a fall assignment for you all to help out; we intend to run more features in CM in the coming year examining professional, social, and literary issues with particular attention to resources schools and libraries can use to address them. Please send in any and all suggestions, and proposals. What would you like to see us look at? Youth Gangs? Forgotten Canadian classics lingering on the shelves? Preparing students for the new economy? We have plenty of room; let's have your ideas.

Have a good year, and as always, send any comments or suggestions to the address beneath my name.


Book Review

Sticks and Stones.

Pierrette Dubé. Illustrated by Dominique Jolin.
Richmond Hill: Scholastic, 1995. 24pp, paper, $5.99.
ISBN 0-590-24628-23.

Grades K - 3 / Ages 5 - 8.
Review by A. Edwardsson.


excerpt:

When she was five, Gwendolyn-Joy Morrison-Power began to find her name a bit awkward. She was often making new friends, at the park, at the skating rink or at swimming class. Every time, they ended up asking the same question: ``What's your name?" And when she answered Gwendolyn-Joy Morrison-Power, their eyes got big and round.


Poor kid. At age three, Gwendolyn-Joy Morrison-Power ``thought she had a pretty good name. . . . It wasn't a baby name." But at the tender age of four and half, she encounters Jonathan Bain, the terror of the daycare. Jonathan teases everyone else about their name with rhyming insults, but Gwendolyn-Joy's stumps him. So far so good, until she can't fit her whole moniker at the bottom of her kindergarten artwork; Jonathan seizes the moment, and from then on, there's no stopping him.

In grade one, her full name printed out at the bottom a test paper resembles ``a train that had jumped its tracks and was falling over a cliff. So Gwendolyn-Joy Morrison-Power threw a hairy fit." She rejects possible solutions -- using initials would make her name look like a disease, and she can't decide what part of her name she could leave out: ``Gwendolyn" is too pretty to drop, and without the ``Joy," ``her name would be as boring as a rainy Saturday." (Though why the pretty name would be boring isn't clear.) Here and elsewhere, word balloons that appear outside the text give us a fun look at Gwen's personality -- ``G.-J. M.-P., bleh!"

Finally in grade two things begin to improve. Her name seems shorter when written rather than printed, and Jonathan Bain has grown up and now has a crush on her.

Children with difficult names will be able to relate to Gwendolyn-Joy's problems, and others can empathize with her plight. Unfortunately, most readers will also have several questions.

Why isn't she on a first name basis with her teachers and classmates? Couldn't her friends just call her Gwen? Is there perhaps another Gwendolyn-Joy in the class so that everyone must use her full name to avoid confusion? Do kindergartens really expect children who have just learned to print to sign their full names, and if not, why is this child torturing herself?

The premise of Sticks and Stones is entertaining, but I wish our heroine had come up with a solution to her problems rather than just grow out of them. Youngsters in kindergarten and grade one with unwieldy names may not be satisfied with the ``patience is a virtue" moral.

Although the story is amusing and flows easily, there are several puns that might be a bit sophisticated for the audience -- for example, when Gwen is pondering which of her names to cut: ``Power? That was her father's name. Dad would say, `Absolutely not. You cannot cut the Power like that!' " (She also has a nightmare about a butcher cutting her name like a salami -- he murmurs ``I'll do it quickly, you won't feel a thing.")

The illustrations by Dominique Jolin are delightful, and reminiscent of the whimsical artwork of Babette Cole (The Trouble with Mom). The characters' movements and emotions are clear and scenes often include small, believable details, like the broken crayons on the art table or the balding head of a male teacher. Only one image seems out of sync: at age three, Gwen is shown expertly jumping through a hopscotch grid, and nearby chalk suggests that she has drawn the perfectly formed numbers on the sidewalk herself.

Sticks and Stones is the English translation of Pierrette Dubé's original Nom de Nom!, which won an award for excellence in Livrélus magazine. It is very similar in content to Kevin Henke's outstanding picture book Chrysanthemum. Sticks and Stones would be an acceptable purchase, but Henke's work has a more rewarding ending.

Recommended with reservations.


A. Edwardsson is in charge of the Children's Department at a branch of the Winnipeg Public Library. She has a Bachelor of Education degree and a Child Care Worker III certification, and is a member of the Manitoba branch of the Canadian Authors' Association.


Book Review

Frankie Zapper and the Disappearing Teacher.

Linda Rogers. Illustrated by Rick Van Krugel.
Vancouver: Ronsdale Press, 1994. 119pp, paper, $7.95.
ISBN 0-921870-27-2.

Grades 3 - 6 / Ages 8 - 12.
Review by Harriet Zaidman.


excerpt:

It made Mr. Smith furious when Frankie took on his daydreams. He even tried shutting the curtains, but Zapper could see through cloth. He could dream his way through metal. When they talked about the Iron Curtain in Social Studies, Odie looked at Frankie, glassy-eyed and lost in his thought, and he knew he could cut through anything, like a diamond drill or a singer with a high squeaky voice.


Frankie Zapper (so named because of his ability to zap spit-balls) has a talent that only his best friends, Jen and Odie, know about: he can make wishes come true. Magic happens when Frankie starts to dream. But Frankie is plagued by mean-spirited, cruel Mr. Smith, a home-room teacher with no heart or sense of humour. Mr. Smith is every child's worst nightmare, and he especially doesn't like dreamers or philosophers like Frankie. The plot thickens when Frankie reveals his magic talent before his whole class by wishing Mr. Smith would disappear -- and he does. Mr. Smith is turned into a parrot (and a nasty one at that).

Because they all hated Mr. Smith, the whole class is implicated, so they all have to participate in the cover-up. The principal is confused, the substitutes are driven crazy, and then . . . Mr. Smith flies out the window! Does the class get him back? Can Frankie's magic solve the case?

This is a fun fiction book for students who read everything, and for students who only like to read humour. What sets Frankie Zapper apart from other books is its First Nations protagonist. While Frankie fits a few stereotypes (he comes from a poor family, he has a mystical air about him . . . ), he also is an ordinary boy with caucasian friends. But the humorous plot is the issue, and Frankie is a character who is able to find the solution, and his mystical talents are the catalyst for solving (and creating) the problem. Rogers' story involves children from different backgrounds, and while she explains their situations (Jen and Odie each have their own special troubles), she doesn't let them overtake the plot.

The pen and ink drawings are appealing. This book would be a good read-aloud for a class, as well as a supplemental book in a reading collection.

Recommended.


Harriet Zaidman is a teacher-librarian at Niakwa Place School in Winnipeg.


Book Review

Make Your Own Performing Puppets.

Teddy Cameron Long.
Toronto: Sterling/Tamos, 1995. 96pp, cloth, $27.95.
ISBN 1-895569-32-X.

Grades 4 & Up / Ages 8 & Up.
Review by Lorraine Douglas.


excerpt:

Homemade and handcrafted puppets can turn a theatrical production into something special. Add your creative touch to paper, glue, paint, cloth, dough, wooden spoons, and other household items and you'll produce spectacular results.


This beautiful, full-colour craft book is a welcome addition to puppetry collections. The emphasis is on creating the materials for a performance rather than on making individual puppets.

In the first segment, a doorway rainforest with openings for painted hand puppets -- like the ones in Hanimals by Mario Mariotti (Green Tiger, 1982) -- is carefully explained. Clear drawings show how a bird's nest and thick vines and leaves are added. In other sections children will enjoy creating the ``Slay the Dragon" castle and the dragon papier-mâché helmet. Other themes include a marionette circus, a felt character story board with a grid pattern for recreating the figures, a farmyard, Santa's house, outer space, and a shadow play.

In the final section, the author suggests some finishing touches for productions -- posters, tickets, and even decorated popcorn bags. This book is a good companion to other books which stress creativity in puppetry like Lois Walker's Instant Puppets for Kids (Pembroke, 1989) or I Can Make Puppets by Mary Wallace (Owl, 1994).

One quibble with the book is the all-white cast of children and adults portrayed using the puppets. A little diversity would have been nice. Otherwise, this is an excellent resource for art teachers and librarians looking for imaginative and fun ideas to use with elementary level children.

Recommended.


Lorraine Douglas is Youth Services Coordinator for the Winnipeg Public Library.


Book Review

Puzzling on the Rim.

Naomi Watkan.
Victoria, B.C.: Pacific-Rim Publishers, 1994. 64pp, paper, $15.95
ISBN 0-921358-20-2.

Grades 4 - 9 / Ages 8 - 14.
Review by Elinor M. Kelly.


Puzzling on the Rim contains thirty-seven crossword puzzles (rated easy, medium, anddifficult) about Pacific Rim countries. Topics include Japanese food, Chinese inventions, Australian slang, and so on.

The idea is to put the students to work with reference books and an atlas, and the clues encourage browsing.

Some references may be hard to find in some libraries -- back issues of The Economist, Fodor's guides, or Japanese encyclopedias, for example. Some clues are only parts of words or sentences and would shock those compilers of adult cryptic puzzles with names like

Puzzling on the Rim includes permission to make photocopies for classroom use, and of course the answers are at the back.

This is an intriguing way to enlarge students' knowledge of the Pacific Rim.

Recommended.


Elinor M. Kelly is a retired librarian who lives in Port Hope, Ontario.


Video Review

Apeman Episode Three: ``It's All in the Mind.

Arts & Entertainment Network. 52 minutes.

Distributed as part of the Cable in the Classroom project: 7 - 8 a.m. Eastern time, Friday September 15. (Episode Four will be broadcast at the same time the following week.)

Grades 7 - 13 / Ages 11 - Adult.
Review by Duncan Thornton.


excerpt:

And to think that someone in what we now call Europe fashioned (this figurine) from ivory tens of thousands of years ago. It's just hard to grasp that when someone did this, no one had ever done it before. I'm looking at something made by a person, made by someone perhaps I could talk to. Someone basically like me.


Cable in the Classroom is currently presenting A&E's series on the development of the human species, Apeman. Hosted by Walter Cronkite, Apeman is quality work, covering the basics of the story without introducing unnecessary complexities or debates.

Episode Three, ``It's All in the Mind," looks at hominid evolution, concentrating on the development of the brain, and especially our capacity for speech as the key to the emergence of modern human beings. The style is a familiar one: Cronkite provides linking narration, themes, and questions; experts from around the world provide information and opinion; extras recreate scenes from pre-historic life; and paintings illustrating parts of our past that would require too much in the way of expensive special effects. The mix is handled well -- we are spared watching people in fur suits stumping around and grunting; but we do see unapologetically modern-looking actors recreating say, Neanderthal burial practices.

Someone once said that pre-history was the playground of the intellectual; it's easy to cast conjectures back in time that justify our view of ourselves or of how we ought to be, but ``It's All in the Mind" avoids using the subject to beat any particular drum, taking a mainstream approach to evolutionary history, and largely ignoring both the complexities and controversies in the hominid record.

Too often the video uses Cronkite observing African tribal rituals as stand-ins for pre-historic society, but the Neanderthal section (the longest and most interesting part of the video) cleverly uses footage of North American rodeo cowboys to illustrate some basic points: Neanderthals had to be big and strong because they hunted large animals by hand (they didn't have arrows or spears), and when they were injured (in pretty much the same ways as rodeo cowboys are) they required care by other members of the community. That compassion for others was a necessary part of their society is reflected in the care that extending after death: Neanderthals were the first humans to develop burial practices.

And what happened to these creatures so much like us, who lived side-by-side with modern humans for tens of thousands of years? Here we get the first real scientific debate, appropriately since this is a matter of crucial concern: a human species that disappeared in the recent past (only 35,000 years ago, a blink in the evolutionary scale!), and the last of our hominid relatives to share the Earth with us. Did we kill them off? Out-talk, out-breed, or out-think them? Or did we simply absorb them into into our gene pool?

In any case, with the disappearance of the Neanderthals, the way is clear for a quick look at the global explosion of modern humanity, something made possible, of course, by our brains, our capacity for complex communication and symbolic representation. Issues about the nature of language and thought that Wittgenstein used to knot up many of the finest minds of our century are, thankfully, glossed over, but some of it is still a little pat. (For example, does learning how to make a good arrow-head really require linguistic skill? It seems to me we learn much by observation and imation that Apeman suggests comes from instruction and communication.)

But in all, the video covers a vast topic skillfully and intelligently; it's consistently absorbing and never confusing. An excellent introduction for younger viewers, and a useful resource or discussion-starter for senior students. As a sample of the sort of viewing Cable in the Classroom will be providing, Apeman is very promising, and it bodes well for the next series in their regular Friday Archaeology slot, The Face of Tutankhamon.

(And the problems that expansion in numbers, societal complexity, and technology has brought? That's Episode Four, reviewed next week.)

Highly Recommended.


Duncan Thornton is the Editor of Canadian Materials.


News: Manitoba

The Canadian Children's Book Centre and
the Manitoba Reading Association
Fund-Raising Luncheon.


To celebrate the beginning of Children's Book Week 1995 (November 18th - 25th) in Manitoba, the Canadian Children's Book Centre (Manitoba Branch), and the Manitoba Reading Association are hosting a luncheon at the Roundtable Restaurant in Winnipeg on Saturday, November 18th. Picture This!, The theme for Children's Book Week 1995, celebrates the work of Canadian children's book illustrators.

The luncheon will be ``peppered" with presentations and readings by the four illustrators and authors touring Manitoba for Children's Book Week. Janet Wilson, from Toronto, is the illustrator of many children's books such as Jess Was the Brave One (Penguin, 1981), Tiger Flowers (Lester, 1994), and In Flanders Fields (Lester, 1995). Martin Springett, also from Toronto, is the illustrator of Mei Ming and the Dragon's Daughter (Scholastic, 1990), Who (Orca Publishers, 1993), and The Wise Old Woman (Margaret McElderry Books, 1994).

Also attending is new local author Linda Holeman (author of Saying Goodbye (Lester, 1995) and Frankie on the Run (Boardwalk Books, fall 1995), as well as Ishbel Moore, author of The Summer of the Hand (Roussan, 1994), The Medal (Roussan, 1994), and Branch of the Talking Teeth (Roussan, 1995).

Featuring wonderful entertainment and a lovely meal in a warm, friendly setting, this luncheon will take place from 11:30 a.m. to 1:30 p.m. On Saturday, November 18th at the Roundtable restaurant (800 Pembina Highway. . . only minutes away from downtown Winnipeg!). Cost of the luncheon is $25 per person. Advance, pre-paid registration is necessary. Please call Chantal Olinkin at 334-8824 by Friday, November 3. Any funds raised at the luncheon will assist both the Canadian Children's Book Centre and the Manitoba Reading Association in their missions to bring books and reading to Canadian young people.

For more information about Canadian Children's Book Week or the Canadian Children's Book Centre, please contact Cheryl Archer, Manitoba Regional Liaison officer at 667-7032, or (fax) 668-1611.

For further information regarding the Manitoba Reading Association, please call Tanya Anderson, past MRA president, at 284-0885.


CM will be providing more information about Children's Book Week activities across Canada in the weeks ahead.


Copyright © 1995 the Manitoba Library Association. Reproduction for personal use is permitted only if this copyright notice is maintained. Any other reproduction is prohibited without permission.

Published by
The Manitoba Library Association
ISSN 1201-9364

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