CONFUSED LANGUAGE AS A DELIBERATE LITERARY DEVICE

by

Gary A. Rendsburg

Cornell University

0.	Introduction

0.1.	The Egyptian story of the Shipwrecked Sailor is a text that imposes few difficulties on its readers. Our only extant manuscript is in excellent condition, hardly a sign is in doubt, and the reading is smooth. The main exception to the smooth reading is lines 36-37 (repeated in lines 105-106): in ht hwi n-i s(y) literally "by wood, struck, to me, it" (with apologies for the lack of subscript diacritical marks). This line occurs in the Sailor's description of his adventures, first to his Commanding Officer (lines 36-37) and then to the Snake (lines 105-106), with specific reference to the shipwreck itself.

0.2.	The syntax is so confusing that scholar after scholar has deemed the phrase too difficult to render with any certainty. Here is a sampling: Adolf Erman: "It was a piece of wood that . . . it to me," with a footnote "The whole account of the storm is unintelligible to us." W. K. Simpson: "There was a plank which struck it (the wave) for me," with a footnote "This passage difficult in the original." Miriam Lichtheim: "The mast—it (the wave) struck (it)," with a long footnote justifying her rendering and an honest statement that "this admittedly imperfect solution is presented largely in order to emphasize that the passage remains problematic." R. B. Parkinson: "Only the mast broke it for me," with a footnote "An obscure phrase: it is probably the wave, so that the sense is that the mast sheltered the sailor from the storm." Note further the difficulty and uncertainty reflected in the Hebrew translation of Y. M. Grintz, with two different renderings: C( (?) ytzx)n for lines 36-37 and wb ytzx)n-... C( for lines 105-106, even though the Egyptian original is the same in both places.

0.3.	But the difficulty and unintelligibility of this passage are exactly the point and represent the stylistic device employed here. I propose that we view these words from the mouth of the Sailor as a clever literary device in which confused syntax is utilized to portray the confusion that characterized the moment. A ship is in danger at sea, the wind is howling, and an eight-foot wave (see line 36 [=105]) strikes the ship (by this statement I do not mean to imply that I accept Lichtheim's rendering, others are equally possible). In the very next sentence we read that "the ship stood a death" (lines 37-38 [=106]). What occurred between the great wave and the ship sinking is one minute of mass confusion for the Sailor. The language bears this out with its confused and irregular syntax.

0.4.	With this example as our paradigm, we can turn to the Bible and see the same technique in use in a variety of contexts. I shall present seven cases from biblical narrative: the first two have been discussed previously in the literature; the remainder (presented in the order of their appearance in the canon) have occasioned comment by scholars, but typically the approach has been to assume that the text is in error and in need of correction. In four of these cases (examples 1, 4, 6, 7), the syntax itself is confused. In the other three (examples 2, 3, 5), there is nothing wrong with the syntax per se, but the language still does not allow clear comprehension. In all the cases, I propose that we view the confused language as a deliberate literary device invoked to portray confusion, excitement, or bewilderment.

1. 1 Sam 9:12-13: The maidens answer Saul

1.1.	In 1 Sam 9:10-11, Saul and his attendant, on the outskirts of Samuel's city, encounter a group of young maidens who have exited the city to draw water. They ask a simple question: h)rh hzb #yh "is the seer here?" to which the girls respond as follows:

hmbb M(l Mwyh xbz yk ry(l )b Mwyh yk ht( rhm Kynpl hnh #y

w)b d( M(h lk)y )l yk lk)l htmbh hl(y Mr+b wtw) Nw)cmt Nk ry(h Mk)bk

wt) Nw)cmt Mwyhk wt) yk wl( ht(w My)rqh wlk)y Nk yrx) xbzh Krby )wh yk

(vv. 12-13)

I offer here an attempt at a translation: "Yes, here before you; hurry now, because today he is coming to the city, because the sacrifice is today for the people at the high-place. When you come to the city, thus you will find him, before he goes up to the high-place to eat, because the people cannot eat until he comes, because he must bless the sacrifice, afterwards the invited-ones can eat; so now go up, because him, this very day you will find him."

1.2.	Avi Hurvitz already has described the Hebrew of this passage: "Now if we judge the quality of the style employed in the passage solely according to strict formal linguistic standards of grammar and syntax, we would undoubtedly conclude that this is deficient Hebrew. However, if we consider the peculiar circumstances of the episode, it becomes clear that the confused speech created here by the biblical writer is an attempt to reproduce the effect of the girls all talking at once in their excitement at meeting Saul. The confused style is thus a deliberate device intended to reflect the heroines' mood and feelings." Although Hurvitz developed the notion further, he was indebted to a simple remark by Martin Buber who referred to these verses as "Mädchenschwatz." In sum, in their excitement over seeing the tall, handsome Saul, the girls prattle all at once, creating a cacophony of voices represented by the language of the text.

2. Ruth 2:7: The foreman answers Boaz

2.1.	Ruth 2:7 is one of the famous cruces of the Bible: +(m tybh htb# hz, literally "this, her sitting [in] the house, a little." This short phrase has engendered considerable discussion in the secondary literature in recent years. Of the proposed solutions, the one that rises above the others, especially because it entails no emendation of the traditional text, is once more that of Hurvitz. Indeed, it was his reading of Ruth 2:7 that led him to the aforecited discussion of 1 Sam 9:12-13. Once more I quote Hurvitz at length: "We suggest, then, that a similar approach be adopted in the case of Ruth 2:7. Namely, here the overseer speaks in an apologetic and confused manner because he is not sure whether the 'boss' will approve of the fact that the overseer has given Ruth his permission to stay (htb# —from b#y) inside the house reserved specifically for Boaz's workers . . . the overseer is emphasizing the fact that this (hz) Ruth's stay in 'the house' was very brief and that the whole day 'from early morning until now' (ht( d(w rqwbh z)m) she has remained [working] (dm(t) outside in the field. If this interpretation is accepted, then the peculiar wording of Ruth 2:7 makes perfect sense in its context and need not be attributed to hypothetical scribal errors which occurred in the course of transmission. The awkward formulation of the overseer's words, then, should not be considered a textual corruption created by a later copyist, but, rather, an artistic device deliberately employed for dramatic purposes by the original author of Ruth" (the last line, with the italicized words [in the original] for emphasis, speaks directly to the suggestion of D. R. G. Beattie that the phrase is a later addition to the original story).

3. Gen 37:28: Joseph pulled from the pit

3.1.	In the ongoing debate as to how to make sense of the three different ethnic groups that appear in Genesis 37 in the context of transporting to Joseph, the most crucial verse is the following:

Pswy wrkmyw rwbh Nm Pswy t) wl(yw wk#myw Myrxs Mynydm My#n) wrb(yw

hmyrcm Pswy t) w)ybyw Psk Myr#(b Myl)(m#yl

"Midianite merchant men passed; and they pulled and they raised Joseph from the pit; and they sold Joseph to the Ishmaelites for twenty silver; and they brought Joseph to Egypt" (Gen 37:28).

As is well known, source critics divide this verse into separate sources, generally attributing Psk Myr#(b Myl)(m#yl Pswy wrkmyw "and they sold Joseph to the Ishmaelites for twenty silver" to "J," and the remainder to "E." We shall proceed on different grounds, following the lead of those scholars who have read the story as an integrated literary unit. The most sophisticated reading of the story, in my opinion, is that of E. L. Greenstein, whom I quote here at length: "A close reading of this verse reveals that it is ambiguous. Two readings converge on one clause . . . The clause in question is Myl)(m#yl Pswy wrkmyw —'they-sold Joseph to-the-
Ishmaelites.' According to the syntax of the verse, the verb wrkmyw, 'they sold,' follows as the fourth in a sequence of verbs of which 'Midianite trading men' is the explicit subject. Therefore, the syntactic reading is: the Midianites sold Joseph to the Ishmaelites. However, the attentive reader is aware of another reading, which I call the 'allusive' reading. The phrase Myl)(m#yl Pswy wrkmyw, 'they-sold Joseph to-the-Ishmaelites,' only alludes to the words of Judah to his brothers: Myl)(m#yl wnrkmn wkl, 'Come, let-us-sell-him to-the-Ishmaelites' (verse 27). With this association in mind, the reader can disregard the syntactic sequence and understand the subject of wrkmyw, 'they-sold,' in verse 28 to be Joseph's brothers. . . . In a faithful reading, the reader must be sensitive to both messages, leaving them both open . . . In any event, the clause 'they-sold Joseph to-the-Ishmaelites' is equivocal in its context, that is, at that point in the narrative's self-disclosure to us. The equivocation in this clause is merely a microcosm for the equivocal effect created for the surrounding narrative of the sale of Joseph as a whole by the twofold sequence of action." Though I would go further in presenting the ambiguities inherent in this verse (see below), I am in essential agreement with Greenstein. I also am willing to accept Greenstein's conclusion: "In the end, the reader cannot be certain of what human events actually took Joseph down to Egypt. . . . By blurring the human factors leading to the enslavement of Joseph, the narrative sharpens our image of the divine factor in bringing it about."

3.2.	However, in the specific case of the confusion present in Gen 37:28, I believe that an additional factor is at play, namely, that the language reflects Joseph's point-of- view. As the recent literary study of biblical narrative has demonstrated, the text often shifts, ever so subtly, from the narrator's objective third-person point-of-view, to the point-of-view of one of the story's characters, and back again. Such is the case in our passage. Joseph is at the bottom of a pit, unable to see what transpires above, and catching only a few sounds and voices here and there. He cannot put all the clues together, and thus for Joseph the story is unclear. Things happen so fast without his full knowledge, and without his ability to process the events as they are happening, that for Joseph the quick moment of being yanked from the pit is one big blur. The text bears this out with its language.

3.3.	In fact, as I intimated above, Greenstein understated the ambiguities of this verse. Not only is it not clear who sold Joseph to the Ishmaelites, it is equally unclear who pulled Joseph from the pit. The Midianites might be the subject of

Pswy t) wl(yw wk#myw, "and they pulled and they raised Joseph from the pit," but the brothers also might be the subject. True, the Masora connects this clause more closely to the previous one (with "Midianite merchant men" as the explicit subject) than to the following one, but any number of readings is possible. The Midianites could have pulled Joseph out and then sold him to the Ishmaelites; the Midianites could have pulled Joseph out and the brothers could have sold him to the Ishmaelites; or the brothers could have pulled Joseph out and sold him to the Ishmaelites. Then, whoever winds up with Joseph, in whichever of these scenarios, brings Joseph to Egypt, as per the last clause of v. 28.

3.4.	It is important to note that Pswy "Joseph" appears three times in this verse, each time as the object of the verb(s), and that never does the text replace the name with a pronominal form (either wt) or attached to the verb). This has two functions. First, it marks each clause as an independent one, thereby allowing the possibility of a different subject for each clause. For example, if the reading were

Myl)(m#yl wt) wrkmyw "and they sold him to the Ishmaelites," then we would be forced to assume, with no evidence to the contrary, that whoever pulled Joseph out of the pit also sold him to the Ishmaelites. Secondly, the mention of "Joseph" by name three times brings him into the reader's mind more forcefully than pronominal references would, thereby directing the reader to see Joseph's point-of- view in this verse. In sum, the ambiguity in Gen 37:28 reflects Joseph's confusion in processing the events as they occurred.

4. Gen 37:30: Reuben to his brothers (or is it to himself?)

4.1.	Upon discovering that Joseph was missing from the pit, Reuben returns to his brothers and says )b yn) hn) yn)w wnny) dlyh "the child is not, and I, to where shall I come?" (Gen 37:30). I emphasize the final word in the phrase, )b, and my English rendering thereof "come." Not a single modern translation (in any language) that I have checked renders the word in this fashion, but that of course is the plain meaning of )b. The reason why translators do not render )b as "come" in this instance, but instead are compelled to use "go" (see below for examples), is clear. In Leo Depuydt's words, "In questions asking for the destination to which a person is moving, the verb 'to go' is compulsory, because using 'to come' equals assuming that the destination is already known, namely [to] the speaker (or hearer). So, we do not say 'Where are you coming?, but rather: 'Where are you going?'" Depuydt further noted, correctly and not surprisingly, that "this is the only case where hn) goes together with )wb, against 11 examples with Klh." Accordingly, we have here another case of confused—or in this case, impossible—syntax.

4.2.	This will explain why even those translations that make every attempt at rendering the Hebrew text literally, simply cannot render )b as "come" here, but are forced to use "go." Thus, for example, RSV "where shall I go?, and Everett Fox, who more than anyone else has attempted to capture the essence of the Hebrew text in his English translation, "where am I to go?" Fox's spiritual mentors, Martin Buber and Franz Rosenzweig, may have recognized the difficulty, since in their rendering "wo soll ich hin?" the clause lacks a main verb altogether (as opposed to, for example, "wo soll ich hingehen?"). Translations which allow for a more idiomatic rendering offer such phrases as "what am I to do?" (thus NJPSV; similarly REB and NJB) and "where can I turn?" (NAB, NRSV, and Robert Alter's new translation). Of interest is the following from Victor Hamilton's commentary: he first presented his English rendering of the text "What am I going to do!" then added a footnote stating "Lit., 'and I, where shall I go?'" Of course, to be truly literal, one should render as I have, with "come," but Hamilton's (and everyone's!) sense of English (and other [all?] languages) is that "go" is required here. Happily, Martin McNamara, while in the process of translating Targum Neofiti, captured the Hebrew correctly: "'and I, where (shall) I come' (=go)."

4.3.	If we have a look at the ancient versions, we see the same process at work, with the exception of two Targumim. As Depuydt noted, the LXX and the Vulgate used the Greek and Latin equivalents of "go," respectively poreuomai and ibo. Depuydt did not present the Targumic evidence, which I now include. Following suit, Targum Neofiti and the Syriac Peshitta both have lz) "go." The only exceptions to all these renderings are Targum Onqelos and Targum Pseudo-
Yonatan, which both used Aramaic yt) "come" to render Hebrew )b. In the case of Targum Onqelos, the use of yt) is one more sign of that ancient text's slavish devotion to the Hebrew Vorlage (exceptions such as the poetry in Genesis 49 notwithstanding); while in the case of Targum Pseudo-Yonatan, presumably the influence of Targum Onqelos is at work. Strikingly, however, when modern translators of these Targumim render the Aramaic phrases into English, the result is Bernard Grossfeld's "where to shall I go?" for Targum Onqelos, and Michael Maher's "where shall I go?" for Targum Pseudo-Yonatan, once more an indication of how difficult it is to use "come" in this context.

4.4.	But to return to the Hebrew text itself: it is clear that the phrase

)b yn) hn) yn)w wnny) dlyh "the child is not, and I, to where shall I come?" in Gen 37:30 presents confused—or as I said above, impossible—syntax. The use of this syntax here is once more a case of form following content. Reuben, with no knowledge of what has become of Joseph and in a fretful state, can barely speak. His twofold use of the word yn) is one indication of this (though even this is not replicated in some of the translations discussed above (e.g., REB and NJB). An even more glaring indication is the phrase )b yn) hn), the product of a confused mind.

4.5.	The surface meaning of the text is that Reuben is speaking to his brothers. But in a penetrating study of this passage, M. Niehoff made a strong case for reading these words as Reuben speaking to himself. The presence of confused syntax in Reuben's words could support Niehoff's proposal—Reuben's mind, filled with pain and "inner conflict," has not quite sorted out the individual words. On the other hand, my identification of confused syntax in Reuben's words may have no bearing on this approach, since in cases 1 and 2 treated above the confused syntax is in speech clearly spoken aloud.

5. Judg 18:14-20: The disturbance at Micah's house

5.1.	Judges 18 relates the story of the migration of the tribe of Dan from their original homeland in the southern coastal plain to the town of Laish/Dan in northern Israel. En route, while passing through the territory of Ephraim, the five men who had reconnoitered the land inform their fellow tribesmen that in the house of a certain Micah there is present hksmw lspw Myprtw dwp) "an ephod and teraphim, and an idol and a molten-image" (Judg 18:14). The five men then add the words w#(t hm w(d ht(w "and now, know what you are to do" (ibid.), no doubt coded language for "let's take action." With six hundred armed Danites surrounding the house, the five men enter the house and take hksmh t)w Myprth t)w dwp)h t)w lsph t) "the idol and the ephod, and the teraphim and the molten-image" (v. 17). Immediately the reader notices that the order of the four items has changed. The normal pairings of "ephod and teraphim" and "idol and molten-image," which appear in v. 14, and which occur as early as Judg 17:3-5 in the introduction to this story, now are changed to the unnatural pairings "idol and ephod" and "teraphim and molten-image." The effect is to give a sense of ransacking.

5.2.	But there is more. In the second telling of what occurred—a telling which most likely gives us the perspective of the priest in Micah's house—the narrator refers to the items as hksmh t)w Myprth t)w dwp)h lsp t) "the idol of the ephod, and the teraphim and the molten-image" (v. 18). Now the confusion is even greater, since there can be no such combination as "an idol of the ephod." The looting is intensified, or at least the priest perceives the scene as even more chaotic than it actually was. Finally, when the priest decides to join the Danites, we read that he took lsph t)w Myprth t)w dwp)h t) "the ephod, and the teraphim and the idol" (v. 20), omitting one of the four items. The effect is to convey the haste with which the priest departed, leaving behind hksmh "the molten-image." Furthermore, as the priest grabs the things, note that now the ephod is by itself, no longer paired in the impossible construction dwp)h lsp "the idol of the ephod" as earlier, but that there still is a bit of a mix-up since the traditional pair "ephod and teraphim" is still not quite together—the Masoretic accents separate the two items and place the teraphim with the idol. The cumulative effect of the four phrases—beginning with the normal pairings in v. 14, then creating abnormal pairings in v. 17, then positing an impossible construction in v. 18, and finally omitting one item in v. 20—is to portray the confusion which reigned in Micah's house.

5.3.	Once more we may note that the standard translations—both ancient and modern—smooth over the difficulties in the text. For example, the LXX omits the listing in v. 17; reads "the graven-image and the ephod and the teraphim and the molten-image" in v. 18 (with no recognition of the construct phrase dwp)h lsp); and then recreates the original string "the ephod and the teraphim and the graven- image and the molten-image" in v. 20, thereby putting everything back in order and including hksm which is lacking in MT. The interested reader can check the various English versions and see what modern translators have done. The most egregious change is represented in both NJPSV and REB at v. 18, with an implied Hebrew text Myprth t)w dwp)h t)w hksmh t)w lsph t), thereby presenting the four items in their normal pairing (though, to their credit, both translations included a footnote presenting the literal rendering of the Hebrew text).

5.4.	Happily, one ancient text followed MT throughout, namely Targum Yonatan, including the reproduction of the construct phrase dwp)h lsp in v. 18 with )dwpy) Mlyc. Not surprisingly, Buber and Rosenzweig adhered to MT in their translation. They rendered the key phrase in v. 18 as "das Schnitzbild mit dem Umschurz, die Larven, den Aussenguss," which, while not following MT in exact fashion, at least creates a separate expression to render dwp)h lsp.

5.5.	I also take the opportunity to comment on another stylistic device utilized by the author, especially since it too has not been properly understood by commentators. In v. 17 the actions of the five men are described as follows . . . wxql hm# w)b "they came there, they took . . ." (with the listing of the four items taken, as noted above). Several scholars have disapproved of this phrase. G. F. Moore noted that "the asyndeton is without parallel in simple narrative," while A. B. Ehrlich used the rather strong term "unhebräisch." But certainly this view is a misunderstanding of what the author is attempting to convey here. The lack of the conjunction is an indication of the suddenness by which the men swooped into the house and took the desired items. The text is not "un-Hebraic" here, but rather once more form follows content. Just as confused syntax is utilized to indicate the confusion of the moment, so is speeded syntax (if I may use that term) used to indicate the speed with which an event occurs. A parallel usage is found in Song 5:6, where the wording rb( qmx ydwdw "my beloved had turned, had gone" indicates the instantaneous disappearance of the male lover from the female lover's fantasy.

5.6.	To return to the main point: the narrative in Judges 18 employs confused language to portray the ransacking of Micah's house. This reading stands in contrast to that of a distinguished previous commentator: "The account of the way in which they got possession of the images is badly confused by interpolations and glosses, and baffles emendation or analysis." Confused, yes; but that is the very point.

6. 1 Sam 14:21: Confusion in the Philistine camp

6.1.	1 Sam 14:20-21 describes an Israelite encounter with the Philistines. In the latter half of v. 20 we learn that the confusion among the latter was so great that the Philistines actually attacked each other. The narrator adds curtly:

d)m hlwdg hmwhm "a very great confusion." The next verse, v. 21, is another example of confused syntax:

bybs hnxmb Mm( wl( r#) Mw#l# lwmt)k Myt#lpl wyh Myrb(hw

Ntnwyw lw)# M( r#) l)r#y M( twyhl hmh Mgw

"and the Hebrews were to the Philistines as before, that had gone up with them into the camp all around; and even they to be with Israel that were with Saul and Jonathan." I have translated the passage as it reads, without any attempt at smoothing over the difficulties. The latter, of course, is what typically occurs in English translations, e.g., NRSV "Now the Hebrews who previously had been with the Philistines and had gone up with them into the camp turned and joined the Israelites who were with Saul and Jonathan." Now something like this is presumably what happened in the battle, but the biblical writer did not describe it in such smooth terms. Instead, to evoke the confusion in the Philistine camp, he produced language that by its very confusion describes the battlefield.

6.2.	The difficulties in this verse are several. I present here a sampling of what some commentators have noted. First, as many scholars have noted, it would be helpful to have a relative pronoun, presumably r#), after Myrb(hw "and the Hebrews," thus enabling a reading such as "and the Hebrews who were with the Philistines." Secondly, the word Mm( is a bit odd, since by stating that the Hebrews had gone up with them, i.e., the Philistines, the text implies that Philistines had gone up into their own camp. Note that the LXX omits any equivalent to "with them." Third, in the words of J. P. Fokkelman, "The verse founders on the atnax in the MT and requires correction." His proposal, like that of many, is to move the ' back one word, and to emend slightly, producing a text that would look like hmh Mg wbbs hnxmb (with the ' on hnxmb) ". . . into the camp; they too turned . . ." Fourth, though I have found no scholar who stated so explicitly, the infinitive construct twyhl "to be" has no verb to support it, though of course by emending the text to read wbbs "turned" this difficulty is alleviated.

6.3.	But the free hand of the emender is the wrong approach here. The verse is intentionally confused: it depicts the confusion that reigned in the Philistine camp. Any attempt either to emend the Hebrew original or to smooth over its difficulties in a modern translation misses the point entirely.

7. 1 Sam 17:38: Saul dresses David with his armor

7.1.	My final example is 1 Sam 17:38:

Nwyr# wt) #blyw w#)r l( t#xn (bwq Ntnw wydm dwd t) lw)# #blyw.

This passage is uniformly rendered as a series of consecutive acts: as in NJPSV: "Saul clothed David in his own garment; he placed a bronze helmet on his head and clothed him in a breastplate." But if we take a closer look at the verbs in this passage: we note that only the first and the third are in the wayyiqtol form and that the second of them is in the weqatal form. A typical approach is to declare "Ntnw is syntactically impossible" and to emend the verse. More sober is the approach of two recent studies from the field of discourse analysis, one by R. E. Longacre and one by C. H. J. van der Merwe, both of whom isolated this passage as among the most difficult nuts to crack in the biblical narrative corpus. While neither was able to supply an answer to the problem of why Ntnw (instead of the expected Ntyw) is used here (and their respect for the text precluded emendation as a solution), it was their discussion of this passage which motivated me to hunt for a solution.

7.2.	In keeping with the approach taken above, I propose to explain the linguistic peculiarity of 1 Sam 17:38 as follows. Given the three items mentioned in this verse, the expected order of dressing would be Mydm "body-suit," then Nwyr# "breastplate," and finally (bwq "helmet." In the entire history of human armor, the last item to be donned is always the helmet. The most explicit evidence comes from the numerous textual references to the donning of armor in ancient and medieval literature (Iliad; La Chanson de Roland; and many other works), all of which refer consistently to the helmet as the last item to be affixed. One of the overall goals of the author of 1 Samuel, as many scholars have noted, is to show the inadequacy of Saul. The present passage should be understood as part of the portrayal. Saul's bewilderment at the presence of the shepherd boy David on the battlefield and his volunteering to fight Goliath has caused the king to become so flustered that he is unable even to dress another man properly. The language of 1 Sam 17:38 parallels the scene, both through the order of the objects mentioned and by use of the weqatal form Ntnw "he placed" (clearly, the verb is not a perfect or a pluperfect here). I propose an English rendering of 1 Sam 17:38 such as "Saul clothed David in his body-suit, then he even placed a bronze helmet on his head, and he clothed him with a breastplate," with the highlighting weqatal verb indicated by the expression "then he even placed"; or more radically, "Saul clothed David in his body-suit, then placed he a bronze helmet on his head, and he clothed him with a breastplate," with the inverted word order "then placed he" replicating the most unusual presence of the Hebrew weqatal form.