For almost as long as I’ve been a knitter,
I’ve been fascinated by the history of knitting. I’ve
especially enjoyed the mind-twisting process of working with
the often obtuse and obfuscatory language of antique patterns.
There’s a thrill, I find, in watching a project emerge
row by row and knowing that other knitters, long gone, followed
the same path.
The process of decoding, testing and correcting
isn’t for everyone,
though; and so in this column I hope to share
the excitement of the journey by removing as
many of the roadblocks as possible. You don’t need
to be a historian to come along – just a knitter with
a curious mind.
Dolly Dearest
When I was a kindergartener in
the Early Pleistocene Era (1976), rainy
afternoons meant recess indoors, and recess
indoors meant a showing of one of the four
films owned by the school’s audio-visual
library. Heaviest in rotation was Free
to Be…You and Me, a mix of
bouncy songs, peppy sketches and craptastic
animation designed to instill in infant
minds a healthy appreciation for gender
equality.
My favorite musical segment was “William’s
Doll,” the story of a young boy who
is mercilessly taunted because even after
his parents pelt him with baseball gloves,
model cars, toy trains and what-have-you,
he insists that his heart’s desire
is a baby doll.* The song made my pulse
quicken. I, too, was a boy who wanted a
doll and I, too, had suffered for it.
The morning after we watched Free
to Be… for the first time,
I pulled a bright pink plastic baby out
of the classroom’s toy bin and
stuck a bottle in its mouth. Within seconds
our teacher–a strapping woman in
a pants suit who kept a picture of Gloria
Steinem on her desk–ripped it from
my arms with the stern reprimand, “No! That is
for the girls to play with.” In
our sunny, happy little school, Old MacDonald’s
Farm included chicks, cows and sheep,
but not a well-developed sense of irony.
I never got a doll. My desire for one
didn’t go away–but I suppressed
it. I once sewed one myself, dressed it
in a home-sewn crinoline fashioned from
fabric scraps and bits of wire, and dutifully
gave it away to a female relation before
the objections grew too loud.
Then, in a tray of junk at a county flea
market, I found Ethel. There wasn’t
much to her–just a china head, filthy
with dust. But when I plucked her from
the mess, the old impulse blossomed, like
a forgotten bulb nudged from dormancy by
a kiss of sun and water. “You’re
mine,” I said. And for ten dollars
cash, she was.
Sewing Ethel’s new
body was simple. Dressing her properly
has taken some time. I was torn between
a sewn costume or a knitted one–but
finding the “Baby Doll” pattern
in the 26th series of Weldon’s
Practical Knitting settled the question.
The ensemble is magnificent – complete
from the bonnet to the shoes and undergarment,
overlaid by a lace robe. Weldon’s
was no slouch when it came to outfitting
dolls in style – the 24th
series had been devoted almost entirely
to fanciful, elegant miniature clothing – but
this is a masterpiece even by their own
standards.
There is so much to the piece that I’ll
be presenting in two parts, beginning
with shoes and underwear. The shaping of
both is simple, but the attention to detail
is impeccable. If you’ve a doll of
your own in need of clothing, I think you’ll
be intrigued. If you haven’t got
a doll, this may cause you to go out
in search of one.
*Spoiler: He finally gets one from
his grandmother, who says it’s
okay because some day he’ll be
a grown-up heterosexual father with a
real baby. If William had asked for a
Barbie doll and expressed an interest
in fashion design, presumably grandma
would have joined in the smack-down.
translated by Franklin Habit from Weldon’s
Practical Knitter, Twenty Sixth Series
model: Ethel photos: Franklin
Habit
SIZE
Fits doll 12–14 inches high
FINISHED MEASUREMENTS
Shoes: Itty bitty Under-Petticoat: approximately,
8 inches wide in “bodice” portion, unfolded; 12
inches long
MATERIALS
Yarn
Cascade
220 Sport [100% wool; 164 yd/150 m
per 50g skein]; color: 8010; 2 skeins
Recommended needle size [always use a needle
size that gives you the gauge
listed below -- every knitter's
gauge is unique]
1
set US #4/3.5 mm straight or circular
needles
PATTERN NOTES
[Knitty's list of standard abbreviations and techniques can be found here.]
The original pattern
calls for a simple
crochet chain to serve as the ties for both shoes and petticoat.
If you so desire, feel free to substitute
lengths of satin ribbon.
FINISHING
Fold piece
at center of CO edge and sew seam from
upper edge of ribbed cuff around heel to toe. Weave in ends.
Make an 8-inch crochet chain.
Weave finished chain in and out
of fabric where bottom of shoe meets first row of ribbing. Tie
loose ends at front.
UNDER-PETTICOAST
OR DAY FLANNEL
CO 100 sts.
Work in garter st (k all rows) until piece
measures 8 inches from CO edge.
Decrease Row [WS]: K2tog across (50 sts).
K 1 row.
Eyelet Row [WS]: [K2tog, yo] to last 2 sts, k2tog (49 sts).
Work in garter st until piece measures
3 inches from eyelet row.
Second Eyelet Row [WS]: [k2 tog, yo] to last st, k1 (48 sts).
Knit 1 row.
BO.
FINISHING
Weave in ends.
Make two 20 inch crochet chains. Weave one chain through
each row of eyelets.
Petticoat opens at the front, and is tied
under the doll’s arms and at the waist.
ABOUT THE DESIGNER
Franklin Habit, proprietor
of The
Panopticon and
author of It
Itches: A Stash of Knitting Cartoons (Interweave
Press), will let you play with his dolls
if you promise to bring over your tea set
with the blue flowers on it.