September 2005

Special issue

Editor: Klaus J. Gerken

Production Editor: Heather Ferguson

European Editor: Moshe Benarroch

Contributing Editors: Pedro Sena; Michael Collings; Jack R. Wesdorp; Oswald LeWinter

ISSN 1480-6401

INTRODUCTION

Movism, the art of the fourth dimension

by

CTT

CONTENTS

1.  The present represented in five different lines.
2.  The journey of a speck of dust throughout time.
3.  Symbols struggle to go out of their natural space, which they achieve sometimes.
4.  The reluctance of shapes to be modified by time with a spectacular example of 
    the output. 
5.  The series of concepts followed each other in harmony. 
6.  Brief vision of a basic square shape. 
7.  The square shapes are surrounded by circular ones. Here, the "triple impression"
     appears more intuitively.
8.  The fragility of the fourth dimension.
9.  The fourth dimension is an urban space.
10. The movement is shown as uneven, random and balanced. 
11. Input and output of the light which generates shadows in its movement. 
12. The balance from different points of view. 
13. Semicircular reception of movement. 
14. The fragility of the different strata and the immediate return. 
15. The transmission of movement and magnetism between the symbols. 
16. The reception of movement is transmitted in an electrical way. 
17. Past and future struggle to be separated in order to create the present, which 
    is merely the continuity.

POST SCRIPTUM

18. The resistances, the obstacles are the determining factors to generate movement. 

Artist Statement

We are in a society that says is nothing new to create, that everything is 
invented. This must change, we must believe in ourselves and beleive in the 
others. Therefore, we should look for something new, something that 
stimulates everybody, an expert or not. It is necessary to think that our 
time is as transcendental as others.

Movism is, in essence, movement. It is the search of the immaterial forces 
that present in each scope of reality that can be made to represent in a 
plastic work. The spectator will find in a work, that Movism is a treaty of 
the perfection, the taste of the harmony, the magnetism between the shapes, 
the life that is electrified in each curve and that is blocked in the 
straight lines, it is the culmination of the movement that looks for life 
insatiably.

Movism goes in that direction and takes like reference the time. The time is, 
at the same time, the most important value of our time and the cause of our 
problems. These are, probably, the two faces of the same subject. Maybe, we 
fight between us, but in fact it is a manifestation of our obsession about 
the time. The rules mark terms, the life demands a term.

Movism is a representation of the fight, a personal way to contribute 
something to the art, a represented restlessness, a spirit reflected in 
curved and straight lines. We must study the problem to find a solution.

Carlos Tello. Artist

1.  The present represented in five different lines.




2.  The journey of a speck of dust throughout time.




3.  Symbols struggle to go out of their natural space, 
which they achieve sometimes.





4.  The reluctance of shapes to be modified by time with 
a spectacular example of the output. 
    




5.  The series of concepts followed each other in harmony. 





6.  Brief vision of a basic square shape. 





7.  The square shapes are surrounded by circular ones. 
Here, the "triple impression" appears more intuitively.
     




8.  The fragility of the fourth dimension.





9.  The fourth dimension is an urban space.





10. The movement is shown as uneven, random and balanced. 





11. Input and output of the light which generates shadows 
in its movement. 





12. The balance from different points of view. 





13. Semicircular reception of movement. 





14. The fragility of the different strata and the immediate 
return. 





15. The transmission of movement and magnetism between the 
symbols. 





16. The reception of movement is transmitted in an electrical 
way. 





17. Past and future struggle to be separated in order to 
create the present, which is merely the continuity.
    

18. The resistances, the obstacles are the determining 
factors to generate movement. 

  All poems copyrighted by their respective authors. Any reproduction of
  these poems, without the express written permission of the authors, is
  prohibited.

  YGDRASIL: A Journal of the Poetic Arts - Copyright (c) 1993 - 2005 by 
  Klaus J. Gerken.

  The official version of this magazine is available on Ygdrasil's 
  World-Wide Web site http://users.synapse.net/~kgerken.  No other 
  version shall be deemed "authorized" unless downloaded from there. 
  Distribution is allowed and encouraged as long as the issue is unchanged.

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