Throughout my research, one of the areas of concern that emerged was the representation of Aboriginal women. In general, photographers have shown Aboriginal women as subservient to a dominant male figure. The caption usually identifies the man and leaves the woman nameless, often referred to as a squaw or "wife of." Many times, women are pictured sitting on the ground and looking away from the camera or in a pose of domestic activity. While this would not be an uncommon scene in the Aboriginal world, once the photographs were taken out of the community and displayed for a non-native audience, the voiceless domestic servant suffered the indignity of becoming a negative stereotype. This series of portraits reflects the strength of Aboriginal women.
At the official opening for Aboriginal Portraits from the National Archives of Canada, Carleton University professor, Madeleine Dion-Stout (Cree), along with Tom Hill (Iroquois), director of the Woodland Cultural Centre in Brantford, Ontario, provided opening remarks. Madeleine's remarks have been included here to add a voice for the Aboriginal Women section of Pride and Dignity.
Jeffrey Thomas, Onondaga - Iroquois
Guest Curator