ISTVÁN ANHALT FONDS (MUS 164) Numerical List 
by Stéphane Jean 
2004 
Cover page: Doors...Shadows (Glenn Gould in Memory), for string quartet, autograph manuscript, 1992. 
©Minister of Public Works and Government Services Canada, 2004. 
SN3-343/2004E-PDF ISBN 0-662-36877-0 

István Anhalt, [ca. 1980]. Photographer: Walter Curtin. 
TABLE OF CONTENTS 
INTRODUCTION ...............................6 
ABBREVIATIONS AND ACRONYMS .....................7 
ABOUT THE FONDS ..............................8 
DESCRIPTION OF THE FONDS ........................ 11 
MUS 164/A Personal and Biographical Records ............. 11 
MUS 164/B Personal and Professional Correspondence ........ 17 MUS 164/B1 Family Correspondence ............... 17 MUS 164/B2 Alphabetical Files..................22 MUS 164/B3 General Correspondence............... 37 MUS 164/B4 Letters of Reference.................47 
MUS 164/C Teaching and Administration ................ 48 MUS 164/C1 McGill University.................. 48 MUS 164/C1/1 Administration...................48 MUS 164/C1/2 Courses....................... 53 MUS 164/C1/3 Electronic Music Studio............... 55 MUS 164/C1/4 Miscellaneous.................... 56 MUS 164/C2 Queen’s University.................56 MUS 164/C2/1 Administration...................56 MUS 164/C2/2 Courses....................... 60 MUS 164/C3 State University of New York at Buffalo ...... 63 MUS 164/C4 Miscellaneous.................... 65 
MUS 164/D Musical Works ........................ 66 MUS 164/D1 Theatre and Multimedia Music ........... 67 MUS 164/D2 Orchestra......................83 MUS 164/D3 Chamber Music................... 88 MUS 164/D4 Piano........................89 MUS 164/D5 Choir or Voice.................... 90 MUS 164/D6 Electroacoustic Music................ 95 MUS 164/D7 Miscellaneous.................... 96 
MUS 164/E Files Pertaining to Musical Works ............. 97 
MUS 164/F Writings ............................ 106 
MUS 164/F1 Writings by István Anhalt ............. 106 
MUS 164/F2 Writings by Colleagues and Friends ......... 119 
MUS 164/G Other Activities and Interests ................ 124 
MUS 164/H Photographs .........................131 MUS 164/H1 Family .......................131 MUS 164/H2 Others........................134 MUS 164/H3 Musical Works...................137 MUS 164/H4 Miscellaneous....................139 
MUS 164/I Sound Recordings .......................143 MUS 164/I1 Musical Works...................143 MUS 164/I1/1 Works by István Anhalt...............143 MUS 164/I1/2 Works by Other Composers.............144 MUS 164/I2 Lectures and Interviews...............149 MUS 164/I3 Miscellaneous....................152 
INDEX OF FILES................................153 
INDEX OF PROPER NAMES AND TITLES ..................157 
INTRODUCTION 
This finding aid is classified as a numerical list because it describes the fonds at the file level. Descriptive notes have been prepared for the overall presentation of the fonds as well as for each series. The various levels of descriptions thus enable researchers to find the information they seek by proceeding from the general to the particular. 
The descriptive note for each file includes a file code, the title, the inclusive dates, the type of record (textual records, audio discs, photographs, etc.), the number or linear quantity of textual records, the number of iconographic or audio records, a description of the file’s contents when it contains different types of records, and a section reserved for notes. The latter contains information about restrictions to file access and about the nature of the records (originals and copies); in the case of sound recordings, the reference number is shown. In addition to these elements, the introduction to the fonds includes biographical information, and the introductions to both the fonds and the various series include comments about the scope of the records and about the classification peculiarities of some of the series. 
The present numerical list does not contain any file marked “undated.” Whenever undated records were encountered a date was attributed, using one of the following forms: [1959?]: probable date; [ca. 1950]: approximate date; [197-]: decade known; [197-?]: decade unknown. 
File codes, which enable a quick and accurate search of the files, are structured as follows: 
MUS 164/C1/2,11 
MUS: Repository (Music Division) 
164: Fonds (Isván Anhalt fonds) 
C: Series (Teaching and Administration) 
1: Sub-series (McGill University) 
2: Sub-sub-series (Courses) 
11: File (Composition 401) 
The numerical list is also accompanied by an index of proper names and titles. The references in this index are to file codes, not to page numbers. For simplicity, the first two elements of the file codes have been omitted (for example, MUS 164/D1,7 becomes D1,7). In addition, an index of files has been established to match file codes with box numbers. 
Lastly, this numerical list adheres to the standards prescribed in the Rules for Archival Description, prepared by the Bureau of Canadian Archivists. 
ABBREVIATIONS AND ACRONYMS 

A 	alto 	
Acc 	accordion 	
al fl 	alto flute 	
al sax 	alto saxophone 	
b cl 	bass clarinet 	
B 	bass 	
b&w 	black and white 	
bar 	baritone (instrument) 	
Bar 	baritone (voice) 	
bn 	bassoon 	
ca. 	circa 	
cab. 	cabinet 	
cb cl 	contrabass clarinet 	
CBC 	Canadian Broadcasting 	
	Corporation 	
cbn 	contrabassoon 	
cel 	celesta 	
ch 	choir 	
cl 	clarinet 	
cm 	centimetre(s) 	
col. 	colour 	
db 	double bass 	
EH 	English horn 	
fl 	flute 	
gtr 	guitar 	
H org 	Hammond organ 	
hn 	French horn 	
hp 	harp 	
hpsd 	harpsichord 	
hr. 	hour(s) 	

IRCAM 	Institut de recherche et 	
	coordination acoustique/ 	
	musique 	
kbd 	keyboard 	
m 	metre(s) 	
Mez 	mezzo-soprano 	
min. 	minute(s) 	
ob 	oboe 	
oM 	ondes Martenot 	
perc 	percussion 	
picc cl 	piccolo clarinet 	
picc 	piccolo 	
pno 	piano 	
S 	soprano 	
SATB 	soprano, alto, tenor, bass 	
sec. 	second(s) 	
so sax 	soprano saxophone 	
str 	strings 	
T 	tenor 	
tb 	tuba 	
timp 	timpani 	
tpt 	trumpet 	
trb 	trombone 	
vln 	violin 	
vla 	viola 	
vcl 	violoncello 	

ABOUT THE FONDS 
MUS 164 	ISTVÁN ANHALT FONDS. – [ca. 1890]-2000. – 12.81 m of textual records. – 1,848 photographs: b&w and col.; 
27.5 x 35.5 cm or smaller. – 112 slides: b&w and col. – 51 negatives: b&w and col. – 207 audio tape reels (ca. 58 hr.). – 12 audio tape cassettes (ca. 9 hr.). – 2 audio discs (ca. 35 min.). 
– 2 diskettes. 
Biographical Sketch 
Born in 1919 in Budapest, Hungary, István Anhalt began his musical training at the age of six and in 1936 studied with Zoltán Kodály. The following year, he enrolled in the Budapest Academy of Music, where he took various courses, including composition with Kodály and piano with György Kósa. A highly gifted student, he received his diploma in 1941 and obtained first class honours in composition, orchestration, piano and history of music. In 1944, after two years of confinement in forced labour camps operated by the Hungarian army, Anhalt managed to escape and was able to survive by using forged papers until the end of the war. He finally left Hungary in 1946 and lived in Paris for three years where he studied conducting with Louis Fourestier, at the Conservatoire national de musique et d’art dramatique, at the same time taking private composition lessons with Nadia Boulanger and piano lessons with Soulima Stravinsky. After receiving a Lady Davis fellowship in 1949, István Anhalt was able to emigrate to Canada. His work Interludium, composed that year, was dedicated to Lady Davis. 
Upon arriving in Canada, Anhalt began his career as a professor and administrator at McGill University in the Faculty of Music, where he developed a composition program and also became the chairman of the Department of Theory (1963-1969). His growing interest in electroacoustic music led him to explore new tones, and to establish the McGill University Electronic Music Studio, which he headed from 1964 until 1971. He was appointed Slee Visiting Professor at the State University of New York at Buffalo for the fall session of 1969, and then appointed chairman of the Faculty of Music at Queen’s University (1971-1981). Anhalt retired in 1984 and remained in Kingston, Ontario. 
During his career, Anhalt composed many commissioned works, including Cento: Cantata Urbana (University Chamber Singers, 1967), La Tourangelle (Canadian Broadcasting Corporation, 1975), Thisness (Vancouver New Music Society, 1985), Simulacrum (National Arts Centre Orchestra, 1987), SparkskrapS (Esprit Orchestra, 1988) and Twilight Fire (Kingston Symphony Orchestra, 2002). The opera Winthrop, two and one-half hours in length, is indisputably his most commanding work. Performed in 1986 at the Centre in the Square in Kitchener as part of the International Year of Canadian Music and the 50th anniversary celebrations of the Canadian Broadcasting Corporation, it requires 30 instrumentalists, six solo singers, a mixed chorus of 24 voices and a children’s choir. The artist also composed several pieces for 
chamber ensembles or soloists, including the Sonata for Violin and Piano, Doors… Shadows (Glenn Gould in Memory) for string quartet, the Fantasia for piano and the Six Songs from Na Conxy Pan for voice and piano. In 1993, István Anhalt was awarded the Commemorative Medal for the 125th Anniversary of the Confederation of Canada. 
Scope and Content 
The fonds consists of records primarily representative of István Anhalt’s career as a composer and teacher. Many of the artist’s works illustrate the beginnings of electroacoustic music in Canada and the incorporation of sound tapes into works using traditional instruments. The diversity and richness of his use of the voice in his works also contribute to his reputation as one of the most avant-garde composers in Canada’s history. 
The fonds contains, among other items, biographic notes, genealogical trees, personal and professional correspondence, contracts, musical works, lists of corrections, spectrograms, passports, birth and citizenship certificates, wills, diaries, appointment books, course notes, student assignments, course transcripts, diplomas, course lists, letters of reference, concert programs, program notes, writings by István Anhalt, including his work Alternative Voices: Essays on Contemporary Vocal and Choral Composition. Also included are bibliographic lists; minutes of meetings; reports; organization charts; timetables; financial records; drawings by Sylvia Tait; brochures; periodicals; press clippings; photographs of István Anhalt, members of his family, friends and various artists; as well as sound recordings of the works of Anhalt and other composers, along with interviews and excerpts from works used during lectures. 
The fonds comprises the following series: MUS 164/A Personal and Biographical Records; MUS 164/B Correspondence; MUS 164/C Teaching and Administration; MUS 164/D Musical Works; MUS 164/E Files Pertaining to Musical Works; MUS 164/F Writings; MUS 164/G Other Activities and Interests; MUS 164/H Photographs and MUS 164/I Sound Recordings. 
Notes 
Fonds acquired in several instalments between 1985 and 2000. 
Access restrictions are stated in the series descriptions. The Music Division does not hold the copyright to the records in its custody. Researchers must therefore comply with the Copyright Act. 
Further accruals to the fonds are expected. 
Many records in Hungarian and some in German or Italian. 
Originals and copies. 
Bibliography 
Elliott, Robin; Smith, Gordon E., eds. – István Anhalt: Pathways and Memory. – Montreal: McGill-Queen’s University Press, 2001. 
Morey, Carl. – “Anhalt, István.” – Encyclopedia of Music in Canada (Second Edition). – Toronto: University of Toronto Press, 1992. – P. 26-28. 
Various records from files A,3 and A,8. 
DESCRIPTION OF THE FONDS 
MUS 164/A 	PERSONAL AND BIOGRAPHICAL RECORDS. – 1927-[199-]. – 59 cm of textual records. – 9 photographs: b&w and col.; 
20.5 x 25.5 cm or smaller. 
This series consists primarily of records concerning the private life of István Anhalt. It includes, among other items, biographical notes, diaries, passports, birth certificates and citizenship certificates, wills, medical records, appointment books, an address book, annotated calendars, report cards, course notes, diplomas, letters of reference (Zoltán Kodály, Louis Fourestier, etc.) and various records pertaining to the John B. Stirling Award, the Centennial Medal, the Commemorative Medal for the 125thAnniversary of the Confederation of Canada, and honorary degrees from Queen’s University and McGill University. 
Although many of Anhalt’s works (La Tourangelle, Winthrop, Oppenheimer , Traces, Millennial Mall) are indicative of his passion for historical themes, the records pertaining to his genealogical research also illustrate interest in his own roots. These records include correspondence, notes, genealogical trees, brochures, maps and a text by István Anhalt dedicated to the members of his family and entitled An Interim Account of My Search for Genealogical Information Pertaining to My Family’s Background. 
The following files are subject to access restrictions: A,10; A,22; and A,38. 
Many records in Hungarian and some in German. 
Originals and copies. 
MUS 164/A,1 	Family. – 1927-1986. – 2 cm of textual records. – 1 photograph: b&w; 5 x 4 cm. File consisting of records pertaining to the members of István Anhalt’s family, including Katalin Herzfeld (mother), Arnold Anhalt (father) and Sándor Somló (father-in-law). They include, among other items, marriage certificates, birth certificates, a Canadian citizenship certificate, poems by Sándor Somló, a diary belonging to Katalin Herzfeld (Somló) and a death certificate. The records are mainly in Hungarian. Originals and copies. 
MUS 164/A,2 	Studies. – 1929-1992. – 2 cm of textual records. – 1 photograph: b&w; 9 x 6 cm. File consisting of report cards and a collection of texts (English translation by István Anhalt in 1992). The records are in Hungarian. Originals. 
MUS 164/A,3 	Studies. – 1939-1960. – 1 cm of textual records. File containing, among other items, certificates, concert programs, invitation cards and letters of reference, including two manuscripts from Zoltán Kodály and Louis Fourestier respectively. Several records in Hungarian. Originals and copies 

Orchestral conducting class of Louis Fourestier au Conservatoire national de musique et d’art dramatique de Paris, [ca. 1947]. 
MUS 164/A,4 	Studies. – [1946?]. – 3 textual records. File containing course notes. Originals. 
MUS 164/A,5 	Studies. – 1961-1962. – 1.5 cm of textual records. File containing an admission card and course notes (Calculus – McGill University). Originals. 
MUS 164/A,6 	Studies. – 1976. – 1 cm of textual records. File consisting of course notes on phonetics. Originals and copies. 

MUS 164/A,7 	Official records. – 1946-1995. – 2 cm of textual records. – 6 photographs: b&w; 7 x 5 cm or smaller. File containing, among other items, passports and various certificates (citizenship, marriage, etc.). Originals and copies. 	
MUS 164/A,8 	Biographical notes. – [194-]-[197-?]. – 2 cm of textual records. Originals and copies. 	
MUS 164/A,9 	Biographical notes. – [198-?]-[199-?]. – 1 cm of textual records. Originals and copies. 	
MUS 164/A,10 	Biographical notes–Encyclopedia of Music in Canada (Second Edition). – 1975-1992. – 2 cm of textual records. File containing correspondence and versions of the article. Several letters are restricted until 2025 or the deaths of István Anhalt and Carl Morey. Originals and copies. 	
MUS 164/A,11 	Address book. – [194-?]. – 1 textual record. Original. 	
MUS 164/A,12 	Diary. – [1965?]. – 1 textual record. File containing Anhalt’s journal of his trip to England. Original. 	
MUS 164/A,13 	Diaries. – 1974-1983. – 2 textual records. File containing Anhalt’s journals of his trips to France. Originals. 	
MUS 164/A,14 	Diary. – 1985. – 1 textual record. File containing Anhalt’s journal about a hospital stay. Original. 	
MUS 164/A,15 	Diary. – 1988. – 1 textual record. File containing Anhalt’s journal of his trip to Spain. Original. 	
MUS 164/A,16 	Diary. – 1995. – 1 textual record. File containing Anhalt’s journal of his trip to Hungary. Original. 	
MUS 164/A,17 	Centennial Medal. – 1967. – 1 textual record. File consisting of one certificate. Original. 	

MUS 164/A,18 	Honorary doctorate (McGill University). – 1982. – 0.5 cm of textual records. 	
	File includes, among other items, correspondence, a diploma, a periodical and a brochure. Originals and copies. 	
MUS 164/A,19 	Honorary doctorate (Queen’s University). – 1990-1991. – 2.5 cm of textual records. – 1 photograph: col.; 20.5 x 25.5 cm. 	
	File including, among other items, correspondence, brochures, invitation cards and a diploma. Originals and copies. 	
MUS 164/A,20 	John B. Stirling Award (Queen’s University Alumni). – 1992-1993. – 0.5 cm of textual records. File including, among other items, correspondence, a text for a lecture and a periodical. Originals and copies. 	
MUS 164/A,21 	Commemorative Medal for the 125th Anniversary of the Confederation of Canada. – 1993. – 5 textual records. 	
	File consisting of a letter, a certificate and leaflets. Originals and copies. 	
MUS 164/A,22 	Medical records. – 1973-1996. – 1 cm of textual records. Access restricted until the death of the donor. Originals. 	
MUS 164/A,23 	Datebooks. – 1976-1980. – 4 textual records. Originals. 	
MUS 164/A,24 	Datebooks. – 1981-1989. – 3 textual records. Originals. 	
MUS 164/A,25 	Annotated calendars. – 1988-1991. – 1.5 cm of textual records. 	
	Originals. 	
MUS 164/A,26 	Genealogy. – 1979-1992. – 2 cm of textual records. File consisting of records pertaining to genealogical research. These include, among other items, correspondence, notes, maps and genealogical trees. Several records in Hungarian. Originals and copies. 	

MUS 164/A,27 	Genealogy. – 1993. – 2 cm of textual records. File containing records pertaining to genealogical research. They include correspondence, archival records, notes and various texts. 	
	The records are mainly in Hungarian. Originals and copies. 	
MUS 164/A,28 	Genealogy. – 1993. – 2 cm of textual records. File consisting of records pertaining to genealogical research. They include letters, a book and various texts. The records are mainly in Hungarian. Originals and copies. 	
MUS 164/A,29 	Genealogy. – 1994. – 2 cm of textual records. File containing a letter and records pertaining to genealogical research. The records are in Hungarian. Originals and copies. 	
MUS 164/A,30 	Genealogy. – 1994-1996. – 1 cm of textual records. File containing records pertaining to genealogical research. They include correspondence, archival records and various texts. 	
	The records are mainly in Hungarian. Originals and copies. 	
MUS 164/A,31 	Genealogy. – ©1993-1995. – 2 cm of textual records. File containing records pertaining to genealogical research. They include letters, brochures and various texts. The records are mainly in Hungarian. Originals and copies. 	
MUS 164/A,32 	Genealogy. – 1995. – 2 cm of textual records. File consisting of texts pertaining to genealogical research. The records are in German. 	
	Copies. 	
MUS 164/A,33 	Genealogy. – 1995. – 1.5 cm of textual records. File containing versions of the text An Interim Account of My Search for Genealogical Information Pertaining to My Family’s Background. Originals and copies. 	

MUS 164/A,34 	Genealogy. – [199-]. – 2 cm of textual records. File consisting of letters and notes pertaining to genealogical research. 	
	Many records in Hungarian. Originals and copies. 	
MUS 164/A,35 	Genealogy. – [199-]. – 2 cm of textual records. File consisting of texts and notes pertaining to genealogical research. 	
	Some records in Hungarian and some in German. Originals and copies. 	
MUS 164/A,36 	Genealogy. – [199-]. – 2 cm of textual records. File consisting of texts pertaining to genealogical research. Some records in Hungarian and some in German. Copies. 	
MUS 164/A,37 	Genealogy. – [199-]. – 1.5 cm of textual records. File containing texts and notes pertaining to genealogical research. 	
	Some records in Hungarian and some in German. Originals and copies. 	
MUS 164/A,38 	Wills. – 1984-1988. – 4 cm of textual records. The records are restricted until January 2050. Originals. 	

MUS 164/B PERSONAL AND PROFESSIONAL CORRESPONDENCE. – 
1923-2000. – 2.58 m of textual records. – 89 photographs: 
b&w and col.; 16.5 x 24 cm or smaller. – 3 slides: col. – 1 audio 
tape cassette (ca. 40 min.) – 1 diskette. 
This series contains personal and professional correspondence, as well as some letters of reference. In addition to members of the Anhalt family, there are many correspondents, including Luciano Berio, György Ligeti, George Rochberg (ca. 20 cm), Nadia Boulanger, John Cage, Hélène Cixous, Rajeev H. Dehejia, Klára Devecseri, Glenn Gould, Karlheinz Stockhausen, the Canadian Music Centre, John Beckwith, Sylvia Tait, Theresa de Kerpely, Leo Küpper, Pierre Mercure, Jean Papineau-Couture, Clermont Pépin, R. Murray Schafer, John Weinzweig, Gyula Csapó, Hugh Le Caine, Micheline Focheux-Lemoine, Ruby Mercer, Jean-Jacques Nattiez, Paul Pedersen, Gerrit Tetenburg, András Szöllösy, Edgard Varèse, Marius Constant, Maureen Forrester, the World Jewish Congress, the Béla Bartók International Competition, Gilles Tremblay, Bruce Mather, Per Nørgård, the Canadian Commission for UNESCO, Françoise Lefebvre, John McKay, Flora MacDonald, Paula Berljawsky, Elmer Iseler, Walter Boudreau, Pierre Beaudet, Kathryn McDermott, Jeunesses musicales du Canada, Alex Pauk, the Canadian Electroacoustic Community, Robert Cram, George Pinecross, Ulla Colgrass, the Canadian Broadcasting Corporation, Marcel Masse, Peter Milliken, John Meisel and Ireneus Zuk. The series also includes a number of enclosures such as press clippings and photographs. 
The series consists of the following sub-series: MUS 164/B1 Family Correspondence; MUS 164/B2 Alphabetical Files; MUS 164/B3 General Correspondence; and MUS 164/B4 Letters of Reference. Sub-series MUS 164/B2 is in English alphabetical order. 
The following files are subject to access restrictions: B1,1 to B1,4; B1,9; B4,1 to B4,5. 
Many records in Hungarian and some in German. 
Originals and copies. 
MUS 164/B1 FAMILY CORRESPONDENCE 
MUS 164/B1,1 	Beate Anhalt. – 1950-1968. – 1.5 cm of textual records. File containing correspondence with his wife Beate Anhalt. Access restrictions. Originals. 
MUS 164/B1,2 	Carol and Helen Anhalt. – [196-]-1974. – 2 cm of textual records. File containing correspondence with his daughters Carol and Helen Anhalt. It also includes a drawing by Carol Anhalt. Includes one photographic postcard. Access restrictions. Originals and copies. 
MUS 164/B1,3 	Carol and Helen Anhalt. – 1976-2000. – 2 cm of textual records. File containing correspondence with his daughters Carol and Helen Anhalt. Access restrictions. Originals and copies. 

István Anhalt with his wife Beate Anhalt and their daughters Helen and Carol, 1958. Photography: Jean Talon Photo. 

MUS 164/B1,4 	Grandchildren. – 1990-1994. – 1 cm of textual records. File containing correspondence with his grandchildren. Access restrictions. 	
	Originals and copies. 	
MUS 164/B1,5 	Judit Anhalt. – 1947-1984. – 2 cm of textual records. File consisting of correspondence with Judit Anhalt, István Anhalt’s half-sister. 	
	Includes two photographic postcards. The records are in Hungarian. Originals and copies. 	
MUS 164/B1,6 	Judit Anhalt. – 1985-1993. – 2 cm of textual records. File consisting of correspondence with Judit Anhalt, István Anhalt’s half-sister. 	
	The records are in Hungarian. Originals and copies. 	
MUS 164/B1,7 	Judit Anhalt. – 1994-2000. – 1.5 cm of textual records. – 2 photographs: col.; 13 x 9 cm. File consisting of correspondence with Judit Anhalt, István Anhalt’s half-sister. 	
	The letters of December 20, 1995, and January 4, 1998, are accompanied by photographs. The records are in Hungarian. Originals and copies. 	
MUS 164/B1,8 	Suzan Gács. – 1955-1999. – 0.5 cm of textual records. File containing correspondence with Suzan Gács, István Anhalt’s cousin. 	
	The records are in Hungarian. Originals and copies. 	
MUS 164/B1,9 	Emma Frankenberg. – 1962-1984. – 1 cm of textual records. 	
	File containing correspondence with Emma Frankenberg, Beate Anhalt’s mother. 	
	Access restrictions. 	
	Originals and copies. 	
MUS 164/B1,10 	Family. – 1942-1944. – 2 cm of textual records. File containing letters from Anhalt to members of his family when he was detained in a work camp. The records are in Hungarian. Originals. 	

MUS 164/B1,11 	Family. – 1945-1946. – 1 cm of textual records. File consisting of correspondence with various members of his family. The letter dated November 6, 1946, is also accompanied by a press clipping. The records are in Hungarian. Originals and copy. 	
MUS 164/B1,12 	Family. – 1947. – 1.5 cm of textual records. File consisting of correspondence with various members of his family. The records are in Hungarian. Originals and copy. 	
MUS 164/B1,13 	Family. – 1948. – 1.5 cm of textual records. File consisting of correspondence with various members of his family. The records are in Hungarian. Originals and copies. 	
MUS 164/B1,14 	Family. – 1949. – 1 cm of textual records. File containing correspondence with various members of his family. Includes one photographic postcard. The records are mainly in Hungarian. Originals and copy. 	
MUS 164/B1,15 	Family. – 1950-1951. – 1 cm of textual records. File containing correspondence with various members of his family. Includes one photographic postcard. The records are mainly in Hungarian. Originals. 	
MUS 164/B1,16 	Family. – 1952-1955. – 1.5 cm of textual records. File containing correspondence with various members of his family. The records are in Hungarian. Originals. 	
MUS 164/B1,17 	Family. – 1956-1958. – 1.5 cm of textual records. File containing correspondence with various members of his family. Includes one photographic postcard. The records are in Hungarian. Originals. 	

MUS 164/B1,18 	Family. – 1959-1962. – 1.5 cm of textual records. File containing correspondence with various members of his family. Includes one photographic postcard. The records are mainly in Hungarian. Originals and copy. 	
MUS 164/B1,19 	Family. – 1963-1985. – 2 cm of textual records. File containing correspondence with various members of his family. The records are mainly in Hungarian. Originals. 	
MUS 164/B1,20 	Family. – [194-?]-[197-?]. – 1 cm of textual records. File containing correspondence with various members of his family. The records are mainly in Hungarian. Originals. 	
MUS 164/B1,21 	Katalin Herzfeld. – 1916-1985. – 1 cm of textual records. File containing correspondence with, among others, Arnold Anhalt and Sándor Somló. 	
	Includes one photographic postcard. The records are in Hungarian. Originals. 	
MUS 164/B1,22 	Katalin Herzfeld. – 1985-1986. – 3 cm of textual records. – 1 photograph: col.; 12.5 x 8.5 cm. File containing correspondence pertaining to the death of Katalin Herzfeld, István Anhalt’s mother. Many of the records are in Hungarian. Originals and copies. 	
MUS 164/B1,23 	Sándor Somló. – 1923-1926. – 0.5 cm of textual records. File containing correspondence with various people. Originals. 	

MUS 164/B2 ALPHABETICAL FILES 

MUS 164/B2,1 	Accart, Eveline and A. – 1946-1998. – 2 cm of textual records. – 2 photographs: col.; 14 x 9.5 cm and 12.5 x 9 cm. 	
	The letter dated January 23, 1991, is accompanied by two photographs. Also includes a photographic postcard. Originals and copies. 	
MUS 164/B2,2 	Antal, Pater János. – 1948-[196-]. – 17 textual records. Also includes a reproduction of a photograph of János Antal with notes by Anhalt. The records are mainly in Hungarian. Originals. 	
MUS 164/B2,3 	Applebaum, Louis. – 1984-1995. – 9 textual records. Originals and copies. 	
MUS 164/B2,4 	Arnold, Audrey M. – 1946-1949. – 1 cm of textual records. Originals. 	
MUS 164/B2,5 	Austin, Kevin. – 1984-1991. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,6 	Babbitt, Milton. – 1961-1984. – 13 textual records. Originals and copies. 	
MUS 164/B2,7 	Beckwith, John. – 1955-1974. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,8 	Beckwith, John. – 1974-1978. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,9 	Beckwith, John. – 1979-1984. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,10 	Beckwith, John. – 1985-1993. – 2 cm of textual records. – 1 diskette. 	
	The letter of December 21, 1988, is accompanied by a diskette containing a text by István Anhalt. Originals and copies. 	
MUS 164/B2,11 	Beckwith, John. – 1994-1996. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,12 	Beckwith, John. – 1997-1998. – 2 cm of textual records. Originals and copies. 	

MUS 164/B2,13 	Beckwith, John. – 1999-2000. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,14 	Benjamin, William. – 1967-1999. – 2 cm of textual records. – 1 photograph: col.; 8.5 x 12.5 cm. Originals and copies. 	
MUS 164/B2,15 	Berandol Music Limited. – 1970-1994. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,16 	Berandol Music Limited. – 1995-1997. – 1 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,17 	Berio, Luciano. – 1968-1976. – 0.5 cm of textual records. The file also contains several letters concerning Luciano Berio. 	
	Originals and copies. 	
MUS 164/B2,18 	Blaukopf, Kurt. – 1975-1985. – 1.5 cm of textual records. Originals and copies. 	
MUS 164/B2,19 	Blume, Helmut. – 1995-1997. – 7 textual records. Originals and copies. 	
MUS 164/B2,20 	Boulanger, Nadia. – 1947-1957. – 11 textual records. Originals and copy. 	
MUS 164/B2,21 	Brooks, Leonard. – 1964-1996. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,22 	Cage, John. – 1960-1967. – 10 textual records. Originals and copy. 	
MUS 164/B2,23 	The Canada Council. – 1959-1974. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,24 	The Canada Council. – 1975-1999. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,25 	Canadian Broadcasting Corporation. – 1959-1999. – 1.5 cm of textual records. 	
	Originals and copies. 	

MUS 164/B2,26 	Canadian Music Centre. – 1958-1972. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,27 	Canadian Music Centre. – 1973-1987. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,28 	Canadian Music Centre. – 1988-2000. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,29 	Carmichael, Dorion. – 1975-1983. – 9 textual records. – 3 photographs: col.; 9 x 11 cm. Originals and copies. 	
MUS 164/B2,30 	Cixous, Hélène. – 1991-1997. – 16 textual records. Originals and copies. 	
MUS 164/B2,31 	Clarke, F.R.C. – 1981-1989. – 16 textual records. Originals and copies. 	
MUS 164/B2,32 	Clarkes, Gerard. – 1994-1997. – 0.5 cm of textual records. – 1 photograph: col.; 9.5 x 11 cm. The letter dated September 11, 1995, is also accompanied by a photograph. Originals and copies. 	
MUS 164/B2,33 	Clarkson, Austin. – 1974-2000. – 2 cm of textual records. – 1 photograph: col.; 15 x 11.5 cm. Originals and copies. 	
MUS 164/B2,34 	Colgrass, Ulla. – 1980-2000. – 12 textual records. Originals and copies. 	
MUS 164/B2,35 	Colwell, David, and Jana Skarecky. – 1988-1999. – 1.5 cm of textual records. – 4 photographs: col.; 15 x 10 cm or smaller. 	
	Originals and copies. 	
MUS 164/B2,36 	COMUS Music Theatre of Canada. – 1980-1986. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,37 	Constant, Marius and Sonia. – 1982-1997. – 9 textual records. 	
	Originals and copies. 	

MUS 164/B2,38 	Contemporary Music Review. – 1987-1990. – 1 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,39 	Csapó, Gyula. – 1987. – 1 cm of textual records. Several records in Hungarian. Originals and copies. 	
MUS 164/B2,40 	Darius, Jon. – 1968-1996. – 1.5 cm of textual records. – 3 photographs: b&w; 16.5 x 11.5 cm. The file also contains several letters from Jon Darius’s 	
	parents (Rose and Henry Finkel). Originals and copies. 	
MUS 164/B2,41 	Davies, Michael. – 1971-2000. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,42 	Dehejia, Rajeev H. – 1988-1999. – 1.5 cm of textual records. Originals and copies. 	
MUS 164/B2,43 	Depraz, Raymond. – 1948-1975. – 21 textual records. – 1 photograph: b&w; 5.5 x 8 cm. Also includes a photographic postcard. Originals and copy. 	
MUS 164/B2,44 	Devecseri, Klára. – 1946-1999. – 2 cm of textual records. Also includes a photographic postcard. The records are in Hungarian. Originals and copies. 	
MUS 164/B2,45 	Dixon, Gail. – 1981-1995. – 8 textual records. Originals and copies. 	
MUS 164/B2,46 	Easton, David and Sylvia. – 1975-1990. – 2 cm of textual records. – 1 photograph: col.; 9 x 12.5 cm. Originals and copies. 	
MUS 164/B2,47 	Easton, David. – 1991-1999. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,48 	Edward, Jack. – [197-?]-1998. – 1 cm of textual records. Originals and copies. 	
MUS 164/B2,49 	Elliott, Robin. – 1978-2000. – 1.5 cm of textual records. Originals and copies. 	

MUS 164/B2,50 	Fleece, Jeffrey and Marianne. – 1966-1990. – 0.5 cm of textual records. – 8 photographs: col.; 9 x 12.5 or smaller. Originals and copies. 	
MUS 164/B2,51 	Focheux-Lemoine, Micheline. – 1947-1996. – 2 cm of textual records. – 7 photographs: col.; 13.5 x 9.5 or smaller. 	
	Includes 3 photographic postcards. Originals and copies. 	
MUS 164/B2,52 	Földesi, Tamás. – 1965-1997. – 15 textual records. The records are in Hungarian. Originals and copies. 	
MUS 164/B2,53 	Franks, C.E.S. – [1977]-2000. – 1 cm of textual records. – 1 photograph: col.; 15 x 10 cm. The letter dated September 18, 1998, is accompanied by a photograph. Originals and copies. 	
MUS 164/B2,54 	Gagnon, Allison. – 1982-1996. – 10 textual records. Originals and copies. 	
MUS 164/B2,55 	George, Graham. – 1955-1987. – 12 textual records. Originals and copies. 	
MUS 164/B2,56 	Gergely, P. – 1946-1986. – 7 textual records. The records are in Hungarian. Originals. 	
MUS 164/B2,57 	Gillmor, Alan. – 1974-2000. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,58 	Gladney, Norman. – 1983-1986. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,59 	Gould, Glenn. – 1955-1969. – 5 textual records. Originals and copy. 	
MUS 164/B2,60 	Grier, Eldon, and Sylvia Tait. – 1965-1990. – 2 cm of textual records. – 14 photographs: b&w; 13 x 9 cm. The records include several drawings by Sylvia Tait. The greeting card dated 1983 is accompanied by photographs. Originals and copies. 	

MUS 164/B2,61 
MUS 164/B2,62 
MUS 164/B2,63 
MUS 164/B2,64 
MUS 164/B2,65 
MUS 164/B2,66 
Grier, Eldon, and Sylvia Tait. – 1991-1996. – 2 cm of textual records. – 7 photographs: col.; 14.5 x 10 cm or smaller. The records include several drawings by Sylvia Tait. The letter dated August 1993 is accompanied by photographs. Originals and copies. 
Grier, Eldon, and Sylvia Tait. – 1997-2000. – 1 cm of textual records. – 1 photograph: col.; 10.5 x 15 cm. The records include several drawings by Sylvia Tait. The letter dated October 1999 is accompanied by a photograph. Originals and copies. 
Gyopár, László (Missa). – 1991-1993. – 2 cm of textual records. File consisting mainly of correspondence pertaining to the world premiere of the work Missa by the composer László Gyopár. Correspondents include András Szöllösy, József Soproni and János Kárpáti. The records are in Hungarian. Originals and copies. 
Gyopár, László (Missa). – 1994. – 2 cm of textual records. – 1 audio tape cassette (ca. 40 min.): polyester. File consisting mainly of correspondence pertaining to the world premiere of the work Missa by the composer László Gyopár. Correspondents include András Szöllösy, George Weber, János-György Szilágyi, Klára Devecseri, László Tardy and Gábor Komáromi. The sound recording contains an interview with conductor László Tardy, a review by musicologist György Kroo and an excerpt from the work. The records are in Hungarian. Originals and copies. Reference number: C 3309. 
Gyopár, László (Missa). – 1994-1996. – 1 cm of textual records. File consisting mainly of correspondence pertaining to the world premiere of the work Missa by the composer László Gyopár. Correspondents include András Szöllösy and László Tardy. The records are mainly in Hungarian. Originals and copies. 
Hamel, Keith. – 1981-1984. – 0.5 cm of textual records. Originals and copies. 

MUS 164/B2,67 	Harand, Michèle. – 1946-1950. – 1 cm of textual records. 	
	Includes 2 photographic postcards. 	
	Originals. 	
MUS 164/B2,68 	Hartwell, Hugh. – 1967-1990. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,69 	Hawkins, John. – 1967-1990. – 11 textual records. 	
	Originals and copies. 	
MUS 164/B2,70 	Heard, Alan. – 1962-1984. – 5 textual records. 	
	Originals and copy. 	
MUS 164/B2,71 	Helms, Hans G. – 1958-1968. – 9 textual records. 	
	Originals and copies. 	
MUS 164/B2,72 	Hiller, Lejaren A. – 1961-1983. – 21 textual records. 	
	Originals and copies. 	
MUS 164/B2,73 	Hodkinson, Sydney P. – 1967-1984. – 8 textual records. 	
	Originals and copies. 	
MUS 164/B2,74 	Ihrke, Walter R. – 1965-1967. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,75 	Jaeger, David. – 1975-1994. – 10 textual records. 	
	Originals and copies. 	
MUS 164/B2,76 	Kallmann, Helmut. – 1957-2000. – 1 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,77 	Kasemets, Udo. – 1956-1996. – 1.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,78 	Kassler, Michael. – 1967-1969. – 5 textual records. 	
	Originals and copies. 	
MUS 164/B2,79 	Katz, Israel J. – 1962-1982. – 5 textual records. 	
	Originals and copies. 	
MUS 164/B2,80 	Kavásch, Deborah. – 1982-1997. – 1 cm of textual records. 	
	– 1 photograph: col.; 9 x 12.5 cm. 	
	Originals and copies. 	
MUS 164/B2,81 	Keane, David. – 1968-1995. – 0.5 cm of textual records. 	
	Originals and copies. 	

MUS 164/B2,82 	Kerpely, Eugène, and Theresa de. – 1949-1968. – 1 cm of textual records. 	
	The file also contains letters from Genevra de Csipkay, Theresa de Kerpely’s daughter. Some records in Hungarian. Originals and copies 	
MUS 164/B2,83 	Kerpely, Theresa de. – 1970-1985. – 1.5 cm of textual records. – 4 photographs: b&w; 13 x 8 cm and 8 x 13 cm. – 3 slides: col. 	
	The file also contains letters from Genevra de Csipkay, Theresa de Kerpely’s daughter. The letters dated October 1983 and June 28, 1985, are also accompanied by photographs and slides. Originals and copies. 	
MUS 164/B2,84 	Kerpely, Theresa de. – 1986-1989. – 2 cm of textual records. 	
	The file contains letters from Genevra de Csipkay (Theresa de Kerpely’s daughter) and Francesca de Csipkay (Genevra de Csipkay’s daughter). Originals and copies. 	
MUS 164/B2,85 	Kerpely, Theresa de. – 1990-1998. – 1.5 cm of textual records. – 2 photographs: col.; 9 x 12 cm and 11 x 9 cm. The file also contains letters from Genevra de Csipkay (Theresa de Kerpely’s daughter) and Francesca de Csipkay (Genevra de Csipkay’s daughter). Originals and copies. 	
MUS 164/B2,86 	Kerpely, Theresa de. – 1962-1993. – 0.5 cm of textual records. – 1 photograph: b&w; 8 x 11 cm. File containing letters returned to István Anhalt following the death of Theresa de Kerpely. Also included is a letter from Elizabeth Claussen, Theresa de Kerpely’s granddaughter. The letter dated January 8, 1962, is accompanied by a photograph. Originals. 	
MUS 164/B2,87 	Kingston Symphony Association. – 1971-1981. – 0.5 cm of textual records. 	
	Originals and copies. 	

MUS 164/B2,88 	Koenig, Gottfried Michael. – 1958-1975. – 0.5 cm of textual records. 	
	Several letters in German. 	
	Originals and copies. 	
MUS 164/B2,89 	Küpper, Leo. – 1967-1985. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,90 	Labrosse, Claire. – 1946-1947. – 8 textual records. Includes 2 photographic postcards. Originals and copies. 	
MUS 164/B2,91 	Lady Davis Foundation. – 1945-1993. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,92 	Laske, Otto-Ernst. – 1970-1988. – 0.5 cm of textual records. 	
	Includes one photographic postcard. Originals and copies. 	
MUS 164/B2,93 	Laver, John. – 1975-1984. – 22 textual records. Originals and copies. 	
MUS 164/B2,94 	Le Caine, Hugh. – 1958-1967. – 2 cm of textual records. – 1 photograph: b&w; 16.5 x 24 cm. Originals and copies. 	
MUS 164/B2,95 	Le Caine, Hugh. – 1968-1978. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,96 	Lefebvre, Simone. – 1946. – 8 textual records. – 1 photograph: b&w; 8.5 x 5.5 cm. Originals. 	
MUS 164/B2,97 	Letemendia, Felix and Emily. – 1976-1995. – 0.5 cm of textual records. 	
	The file also contains a letter from Claire Letemendia. 	
	Originals and copies. 	
MUS 164/B2,98 	Levinson, Lottie. – 1948-1952. – 17 textual records. – 1 photograph: b&w; 5.5 x 5.5 cm. Also includes 3 photographic postcards. Originals and copies. 	
MUS 164/B2,99 	Lewis, Christopher. – 1967-1985. – 10 textual records. Originals and copies. 	

MUS 164/B2,100 	Ligeti, György. – 1958-1984. – 13 textual records. Certain records are in Hungarian. Originals and copies. 	
MUS 164/B2,101 	Ly thi Ty, Gabrielle. – 1946-1949. – 0.5 cm of textual records. 	
	Also includes two photographic postcards. Originals. 	
MUS 164/B2,102 	Mailing, Phyllis. – 1971-1999. – 11 textual records. Originals and copies. 	
MUS 164/B2,103 	Maust, Miriam. – 1973-[2000?]. – 6 textual records. Originals and copies. 	
MUS 164/B2,104 	McDermott, Kathryn. – 1981-1992. – 5 textual records. Originals and copies. 	
MUS 164/B2,105 	McKay, John. – 1971-1994. – 8 textual records. Originals and copies. 	
MUS 164/B2,106 	McPherson, Hugo and Louise. – 1972-1975. – 9 textual records. 	
	Originals. 	
MUS 164/B2,107 	Meisel, John. – 1978-1999. – 1 cm of textual records. – 1 photograph: col.; 13 x 9 cm. Originals and copies. 	
MUS 164/B2,108 	Mercer, Ruby. – 1987-1997. – 20 textual records. Originals and copies. 	
MUS 164/B2,109 	Meyer, Robert. – 1956-[197-?]. – 8 textual records. Originals and copies. 	
MUS 164/B2,110 	Miller, Elma. – 1984-1988. – 7 textual records. Originals and copies. 	
MUS 164/B2,111 	Milliken, Peter. – 1989-1999. – 10 textual records. Originals and copies. 	
MUS 164/B2,112 	Mohr, Ingeborg. – 1999-2000. – 6 textual records. Originals and copies. 	
MUS 164/B2,113 	Morey, Carl. – 1979-2000. – 8 textual records. Originals and copies. 	

MUS 164/B2,114 	Morse, Marjorie. – 1948-1949. – 1 cm of textual records. Originals and copies. 	
MUS 164/B2,115 	Mosonyi, Pierre. – 1946-1958. – 0.5 cm of textual records. Also includes one photographic postcard. Some records in Hungarian. Originals and copies. 	
MUS 164/B2,116 	Mura, Peter. – 1946-1967. – 5 textual records. The records are in Hungarian. Originals and copy. 	
MUS 164/B2,117 	National Research Council of Canada. – 1959-1974. – 1 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,118 	Nattiez, Jean-Jacques. – 1972-1974. – 14 textual records. Originals and copies. 	
MUS 164/B2,119 	Orr, Robin K. – 1975-1976. – 16 textual records. Originals and copies. 	
MUS 164/B2,120 	Papineau-Couture, Jean. – 1963-1999. – 0.5 cm of textual records. 	
	Also includes one photographic postcard. Originals and copies. 	
MUS 164/B2,121 	Payzant, Geoffrey. – 1958-1981. – 16 textual records. Originals and copies. 	
MUS 164/B2,122 	Pedersen, Paul. – 1971-[199-]. – 0.5 cm of textual records. Originals and copies. 	
MUS 164/B2,123 	Pépin, Clermont. – 1961-1990. – 9 textual records. Originals and copies. 	
MUS 164/B2,124 	Petric, Joseph. – 1975-1991. – 5 textual records. Originals and copies. 	
MUS 164/B2,125 	Pogány de Lang, Maria H. – 1946-1949. – 6 textual records. The records are in Hungarian. Originals. 	
MUS 164/B2,126 	Radio Canada International (Anthology of Canadian Music). – 1978-1986. – 1 cm of textual records. 	
	Originals and copies. 	

MUS 164/B2,127 	Rea, John. – 1982-1994. – 14 textual records. Originals and copies. 
MUS 164/B2,128 	Riley, Anthony W. – 1987- 1998. – 1 cm of textual records. Originals and copies. 
MUS 164/B2,129 	Roberts, John. – 1972-1994. – 0.5 cm of textual records. Originals and copies. 
MUS 164/B2,130 	Rochberg, George. – 1961-1966. – 2 cm of textual records. Originals and copies. 

István Anhalt and George Rochberg, 1985. 
MUS 164/B2,131 	Rochberg, George. – 1967-1972. – 2 cm of textual records. Originals and copies. 
MUS 164/B2,132 	Rochberg, George. – 1973-1984. – 1.5 cm of textual records. – 1 photograph: col.; 9 x 12.5 cm. Originals and copies. 
MUS 164/B2,133 	Rochberg, George. – 1985-1987. – 2 cm of textual records. Originals and copies. 

MUS 164/B2,134 	Rochberg, George. – 1988-1990. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,135 	Rochberg, George. – 1991-1993. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,136 	Rochberg, George. – 1994. – 1.5 cm of textual records. Originals and copies. 	
MUS 164/B2,137 	Rochberg, George. – 1995. – 1.5 cm of textual records. Originals and copies. 	
MUS 164/B2,138 	Rochberg, George. – 1996. – 1 cm of textual records. Originals and copies. 	
MUS 164/B2,139 	Rochberg, George. – 1997-1998. – 2 cm of textual records. Originals and copies. 	
MUS 164/B2,140 	Rochberg, George. – 1999-2000. – 1.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,141 	Russell, Toni. – 1947-1949. – 9 textual records. Also includes 2 photographic postcards. Originals. 	
MUS 164/B2,142 	Sabbe, Herman. – 1974-1985. – 14 textual records. Originals and copies. 	
MUS 164/B2,143 	Sallis, Fred. – 1977-1984. – 6 textual records. Originals and copies. 	
MUS 164/B2,144 	Sátory, Stephen. – 1983-1990. – 8 textual records. Originals and copies. 	
MUS 164/B2,145 	Schafer, R. Murray. – 1962-1977. – 2 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,146 	Schafer, R. Murray. – 1979-1996. – 1 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,147 	Schimmerling, André. – 1946-1956. – 17 textual records. Some records in Hungarian. Originals and copies. 	

MUS 164/B2,148 	Sinclair, Duncan. – 1983. – 6 textual records. Originals and copies. 	
MUS 164/B2,149 	Social Sciences and Humanities Research Council of Canada. – 1982-1983. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,150 	Somers, Harry. – 1956-1992. – 8 textual records. Originals and copies. 	
MUS 164/B2,151 	Steven, Donald. – 1971-1995. – 15 textual records. Originals and copies. 	
MUS 164/B2,152 	Stockhausen, Karlheinz. – 1958-1983. – 10 textual records. Originals and copies. The records are mainly in German. Originals and copy. 	
MUS 164/B2,153 	Stone, Kurt. – 1961-1974. – 15 textual records. Originals and copies. 	
MUS 164/B2,154 	Sundberg, Johan. – 1981-1985. – 11 textual records. Originals and copies. 	
MUS 164/B2,155 	Szilágyi, János-György. – 1949-2000. – 1.5 cm of textual records. 	
	The records are in Hungarian. Originals and copies. 	
MUS 164/B2,156 	Szöllösy, András. – 1991-2000. – 0.5 cm of textual records. The records are in Hungarian. Originals and copies. 	
MUS 164/B2,157 	Szönyi, Elizabeth. – 1948-1983. – 0.5 cm of textual records. 	
	The records are in Hungarian. Originals and copies. 	
MUS 164/B2,158 	Tal, Joseph. – 1960-1984. – 6 textual records. Originals and copies. 	
MUS 164/B2,159 	Talasi, Susan. – 1945-1948. – 5 textual records. The records are in Hungarian. Originals. 	
MUS 164/B2,160 	Tetenburg, Gerrit. – 1964-2000. – 2 cm of textual records. Includes one photographic postcard. Originals and copies. 	

MUS 164/B2,161 	Thorburn, Sandy. – 1984-1997. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,162 	Tilley, Alexander. – 1972-1975. – 5 textual records. Originals and copies. 	
MUS 164/B2,163 	Trim, John and Marion. – 1974-1996. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,164 	Varèse, Edgard. – 1960-1962. – 6 textual records. Originals and copies. 	
MUS 164/B2,165 	Vega, Aurelio de la. – 1960-1968. – 6 textual records. Originals and copy. 	
MUS 164/B2,166 	Vértes, Aristides. – 1987. – 7 textual records. The records are in Hungarian. Originals and copies. 	
MUS 164/B2,167 	Walker, Douglas. – 1959-1991. – 1 cm of textual records. Originals and copies. 	
MUS 164/B2,168 	Walter, Arnold. – 1958-1967. – 13 textual records. Originals and copies. 	
MUS 164/B2,169 	Weinzweig, John and Helen. – 1959-1996. – 0.5 cm of textual records. 	
	Originals and copies. 	
MUS 164/B2,170 	Whalley, George and Elizabeth. – 1973-1988. – 15 textual records. 	
	Originals and copies. 	
MUS 164/B2,171 	Wishart, Trevor. – 1984-1990. – 1 cm of textual records. Originals and copies. 	
MUS 164/B2,172 	Wright, Don. – 1981-1987. – 10 textual records. Originals and copies. 	
MUS 164/B2,173 	Yad Vashem. – 1992-1993. – 1 cm of textual records. File containing correspondence pertaining to János Antal. Originals and copies. 	

MUS 164/B2,174 	Yad Vashem. – 1992-1994. – 2 cm of textual records. – 9 photographs: col.; 8.5 x 12.5 cm. File containing correspondence pertaining to Theresa de Kerpely. The letters dated April 7 and May 3, 1993, are accompanied by photographs. Originals and copies. 
MUS 164/B2,175 	Yad Vashem. – 1992-1999. – 0.5 cm of textual records. Originals and copies. 
MUS 164/B2,176 	York University. – 1967-1995. – 0.5 cm of textual records. Originals and copies. 
MUS 164/B2,177 	Young, Gayle. – 1978-1989. – 1 cm of textual records. Originals and copies. 
MUS 164/B2,178 	Zuk, Ireneus and Luba. – 1982-1999. – 0.5 cm of textual records. Originals and copies. 
MUS 164/B3 GENERAL CORRESPONDENCE 
MUS 164/B3,1 	General correspondence. – 1944-1947. – 2 cm of textual records. File consisting of correspondence with, among others, the Fondation nationale de la Cité Universitaire de Paris, 
S. Heimler, André Biro, the World Jewish Congress, the American Joint Distribution Committee, Soulima Stravinsky, András Gideon Kórodi, György Enyedi, the Union des étudiants juifs de France, E. Unkics, Olivier Alain, 
A. Cluytens, the Algiers City Hall, Minna Levitas, Norbert Dufourcq, Joyce McHang and the Béla Bartók International Competition. Includes 3 photographic postcards. The records are mainly in Hungarian. Originals and copies. 
MUS 164/B3,2 	General correspondence. – 1948-1956. – 2 cm of textual records. File consisting of correspondence with, among others, the Consulate General of Paraguay, Paula Rosenrauch, the Union des étudiants juifs de France, Joyce McHang, the Hungarian Institute, the Béla Bartók International Competition, Geneviève Monton, the Association d’initiatives musicales en France, Susan Mitchell, L’Architecture d’Aujourd’hui, Hervé Grandmaison, Éva Herendi, the Musicians’ Guild of Montreal, Boosey & Hawkes (Canada) Ltd., The Little Symphony of Montreal Inc., the University of Saskatchewan, Yehuda Vineberg, the Society of Composers, Authors and Music Publishers of Canada Limited, Jos D. Fieldman, G.L. Layton, Rodolphe Schneier and the Jewish Music Council of Montreal. Includes 5 photographic postcards. Several records in Hungarian. Originals and copies. 
MUS 164/B3,3 	General correspondence. – 1957-1963. – 2 cm of textual records. File containing correspondence with, among others, Julie Sonder, Rodolphe Schneier, Fadlou A. Shehadi, the Canadian Jewish Congress, H.K. Andrews, The Thomas More Institute for Adult Education, Sarah Fischer, the Society of Composers, Authors and Music Publishers of Canada Limited, the City of Philadelphia, Pearl Leibovitch, the Jeunesses musicales du Canada, the Jewish Music Council of Montreal, Pierre Mercure, The Chicago Conservatory, László Várady, the Radio Corporation of America, the San Francisco Conservatory of Music, Bruce Holcomb, Warren Wirtz, Ali Akbar Khan, the Conservatoire de musique et d’art dramatique, the Lyric Opera Society of Canada, 
Y.R. Petach, Irene James, Melville Clark, the Austrian Society, Claude Champagne, Robert Silverman, the Montreal Council of Women and János Bartók. Includes one photographic postcard. Several records in Hungarian. Originals and copies. 
MUS 164/B3,4 	General correspondence. – 1964-1967. – 2 cm of textual records. File containing correspondence with, among others, Hans Révész, Ellen Ballon, Rose Goldblatt, Charles Palmer, the San Francisco Tape Music Center Incorporated, Thurston Dart, Ruth Freygood, Westdeutscher Rundfunk, the University of British Columbia, the Théâtre du nouveau monde, 
 Deák, the University of Alberta, Pierre Mercure, the Society of Composers, Authors and Music Publishers of Canada Limited, the JMC National Competitions 1967, 
 Grant Sampson, the Jeunesses musicales du Canada, David Reck, Mel Bowker, the Institute of International Education, M.F. Robinson, Henry Brant and Maryvonne Kendergi. Includes one photographic postcard. Some records in Hungarian. Originals and copies. 

MUS 164/B3,5 	General correspondence. – 1968-1969. – 2 cm of textual records. File including correspondence with, among others, Julie Sonder, Witold Lutoslawski, Sir George Williams University, Princeton University, The Unitarian Church of Montreal, Stewart Grant, the Quebec Department of Education, Drake University, the University of Victoria, Gilles Tremblay, Warwick Lister, Cornell University, Per Nørgård, The Philadelphia Composers’ Forum Inc., Marty Strauss, N. Chatterji, Robert Erickson, Tristram Cary, Edward B. Marks Music Corporation, Joep Straesser, Bruce Mather, Helmut Lachenmann, Gwendolin Sims, The Buffalo Philharmonic Orchestra Society, Alfred A. Kalmus Ltd., Arne Mellnäs, Françoise Lefebvre, the Music Undergraduate Society and the Canadian Commission for UNESCO. Some records in Hungarian. Originals and copies. 
MUS 164/B3,6 	General correspondence. – 1970-1971. – 2 cm of textual records. File containing correspondence with, among others, Klaus Schöll, Françoise Lefebvre, the University of Quebec, Nancy Roblin, the Quebec Department of Education, the Buffalo Philharmonic Orchestra Society, the Canton Central School, Fylkingen, the Center of the Creative and Performing Arts, Alfred A. Kalmus Ltd., Bruce Mather, Quality Records Limited, Wolfgang Bottenberg, the Thomas More Institute for Adult Education, Ken Donn, the University of Victoria, Marijke Verberne, Richard Johnston, David Rome, the Youth Science Foundation Canada, Stephen Erdély, the Women Associates of McGill, the World Saxophone Congress, the McGill Chamber Orchestra, David Cameron, Rodolphe Schneier, Richard Sonder, A. Pattantyus and Herman Kraus. Originals and copies. 
MUS 164/B3,7 	General correspondence. – 1972. – 1 cm of textual records. File containing correspondence with, among others, Paul Cadrin, Al Norris, A. Pattantyus, Donald Himes, Boosey & Hawkes (Canada) Ltd., Margaret Tse-Perron, the Frontenac County Board of Education, Nicholas Goldschmidt, Eve Corker, Peter Hutchison, the University of Western Ontario and the Kodály International Symposium. Includes a photographic postcard. Some records in Hungarian. Originals and copies. 
MUS 164/B3,8 	General correspondence. – 1973. – 2 cm of textual records. File containing correspondence with, among others, the Northumberland and Durham County Board of Education, The Canada Music Book, the University of Toronto, Bengt Hambraeus, André Helbo, Tsune Okamoto, Robin L. Pearce, Julie Sonder, G.S. Collins, Davis Joachim, the Instituut Voor Psychoacustica En Elektronische Muziek, 
J. Longuet-Higgins, Valery Watts and Paul Cadrin. Originals and copies. 
MUS 164/B3,9 
MUS 164/B3,10 
MUS 164/B3,11 
General correspondence. – 1974-1976. – 2 cm of textual records. – 1 photograph: b&w; 15 x 10 cm. File containing correspondence with, among others, the Instituut Voor Psychoacustica En Elektronische Muziek, the University of Toronto, Jim Hiscott, the Canadian Jewish Congress, the University of Western Ontario, Steven Freygood, Eva Kraus, Charles Jacobs, the Canadian Wind Quintet, the Instituut Voor Muziekwetenschap, Patricia Elliott, Simon Fraser University, Flora MacDonald, Marie-Claire Alain, the University of Reading, John Oswald, the Center for Advanced Study in the Behavioral Sciences, the Zoltán Kodály Pedagogical Institute of Music, the Cambridge University Society for Visiting Scholars, Maurizio Pancotti, Eugene Laszkiewicz and Brock University. One record in German. Originals and copies. 
General correspondence. – 1976-1977. – 1.5 cm of textual records. File containing correspondence with, among others, The Cambridge University Society for Visiting Scholars, Margaret Hodgkin, John Oswald, Howard Alexander, Andrew Byrne, Joan and Frank Harrison, the Kodály Institute of Canada, John Paynter, Katalin Forrai, L. Rowe, Jessica Haden, W.W. Grave; Witold Lutoslawski, J. and Michael Longuet-Higgins, the Third International Kodály Symposium, the Canadian Cultural Centre, David Paul Schafer and Hugh Davidson. Some records in Hungarian and some in German. Originals and copies. 
General correspondence. – 1978-1979. – 2 cm of textual records. File containing correspondence with, among others, John Palmer, Michael Longuet-Higgins, Moira Secondary School, Louis de Salaberry, C.F. Brown, the Electric Phoenix, the University of Western Ontario, the Fundación mito juan pro-música, Tony Marshall, Leslie Flynn, Danielle Boulet, Eva Kraus, the Kungl. Musikaliska Akademien, Sarah Gibson, A. George Turcotte, Ferdinand Eckhardt, Juliet Milsome, Jennifer Dickson, Laval University, Philip MacAdam, Sara Kinsman and the Cornwall Symphony Orchestra. One record in German. Originals and copies. 
MUS 164/B3,12 	General correspondence. – 1980-1982. – 2 cm of textual records. File containing correspondence with, among others, Laval University, M.P. Ziolo, the University of Toronto, France Gray, M.F. Robinson, Dezsö Legány, Rosemary Courtney, the University of Victoria, Barbara Keane, the New Massey Hall Fund, Tony Marshall, Roman Jakobson, The Hugh Le Caine Project, Caroline Davis, Paula Berljawsky, David Bonham, Bruce Mather, H. Rocke Robertson, Greta Liebel, Walter Curtin and Éva Herendi. Some records in Hungarian. Originals and copies. 
MUS 164/B3,13 	General correspondence. – 1983-1984. – 2 cm of textual records. File containing correspondence with, among others, John Gerretsen, Klaus Schöning, Eva Badura-Skoda, Peter Froehlich, Philip Grandville, the University of Reading, Joji Yuasa, Jean-Paul Curtay, George Crumb, Guy Brunet, Margaret Assels, Wallace Berry, Jose Maceda, The Banff Centre School of Fine Arts, Hans Revesz, the Remenyi House of Music, Paula Berljawsky, Hans Colpa, the International Society for Contemporary Music and Lise Prévost. Originals and copies. 
MUS 164/B3,14 	General correspondence. – 1984-1985. – 1.5 cm of textual records. File containing correspondence with, among others, René H. Mankiewicz, Paul Cadrin, Jean Schafer, the University of Calgary, Alfred Fisher, Gene Wilson, Alexandra Browning, Michael Obert, the Vancouver New Music Society, Mavor Moore, Margaret Assels, Micheline Roi, the University of Western Ontario, McMaster University, the Canadian Contemporary Music Workshop, Rick MacMillan, Arsenio Giron, Jim A. Leith and Susie Baker. Some records in Hungarian. Originals and copies. 
MUS 164/B3,15 
MUS 164/B3,16 
MUS 164/B3,17 
General correspondence. – 1986-1987. – 2 cm of textual records. – 1 photograph: b&w; 20 x 14 cm. File containing correspondence with, among others, the Canadian Contemporary Music Workshop, Wallace Berry, Donald Harris, Bruce Mather, Andrew Marshall, Lois Logan, the International Year of Canadian Music, Joanne Dorenfeld, John S. Parry, Caroline Davis, Walter Curtin, Felicity Mulgan, Hilda Gunn, the Saskatoon Public Library, Howard Bashaw, Rodney Sharman, Paula Berljawsky, the Zoltán Kodály Pedagogical Institute of Music, Andrea Nielsen, David Scott, Tibor C. Darvas, the Tapestry Music Theatre, Monica Schultz, Christian Palda, Kathleen McMorrow and Elmer Iseler. The letter of December 1, 1986, is accompanied by a photograph. Some records in Hungarian. Originals and copies. 
General correspondence. – 1988-1989. – 2 cm of textual records. File containing correspondence with, among others, 
G.K. Fischer, Walter Curtin, Robert Bater, the Canadian Federation of Music Teachers’ Associations, the Pro Arte Singers of Kingston, Gerald Tulchinsky, Gabriel Chmura, Alexandra Browning, Brenda Mitchell, the Sir Ernest MacMillan Memorial Foundation, the Tapestry Music Theatre, Raffi Armenian, the National Arts Centre, Trudi Le Caine, the Esprit Orchestra, John Burge and Sylvie Soester. The letters of March 28, 1988, and April 22, 1989, are accompanied by a press clipping and a poster. Originals and copies. 
General correspondence. – 1989. – 2 cm of textual records. File containing correspondence with, among others, Sylvie Soester, the National Arts Centre, Joanne Morrow, Marcel Masse, Trudi Le Caine, James Rolfe, David A. Julien, Albert Fell, Brad Mills, the Library of Congress, Susan Sonder and Gordon Graig. Originals and copies. 
MUS 164/B3,18 
MUS 164/B3,19 
MUS 164/B3,20 
General correspondence. – 1989-1990. – 1.5 cm of textual records. – 1 photograph: b&w; 8.5 x 12 cm. File containing correspondence with, among others, the Esprit Orchestra, Marcel Masse, János Decsényi, the National Arts Centre, John E. Swift, the University of Regina, Clive Thomson, the Library of Congress, Maureen Forrester, Gordon E. Smith, Peter Sinclair, Merlin Donald, Nadine Greenwood, Julie Owens, Richard M. Stark, David C. Smith, Ken Hertz, Mark Levison, Bruce Pennycook, Alcides Lanza, R. Alan Broadbent, the Festival of the Sound, John Winiarz, James R. English and Gerald Tulchinsky. The letter of December 26, 1990, is accompanied by a photograph. Some records in Hungarian. Originals and copies. 
General correspondence. – 1991. – 1.5 cm of textual records. – 1 photograph: col.; 8.5 x 14 cm. File containing correspondence with, among others, James Inglis, Timothy McGee, the International Council for Canadian Studies, the Royal Charter Society, the National Arts Centre, Ken Hertz, Andrea Nielsen, J. Soproni, Gerhard Dünnhaupt, Linda Cox and Paul Rubinyi. The letter of May 15 is accompanied by a photograph. One record in Hungarian. Originals and copies. 
General correspondence. – 1992. – 2 cm of textual records. File containing correspondence with, among others, the University of Victoria, N.F. Dreisziger, the Royal Charter Society, Audrey Andrist, Clifford Crawley, Ken Hertz, Françoise Devoy-Pineau, Walter Boudreau, Alfred Fisher, George Weber, Joanne Morrow, Gerhard Dünnhaupt, the Esprit Orchestra, Jill A. Willmott, John Murrell, Jim A. Leith, Ari Weisberg, Gábor Komáromi, Pierre Beaudet, Casey Sokol and Philippe Rayer. Some records in Hungarian. Originals and copies. 
MUS 164/B3,21 
MUS 164/B3,22 
MUS 164/B3,23 
MUS 164/B3,24 
General correspondence. – 1993. – 1.5 cm of textual records. – 2 photographs: col.; 15 x 10 cm and 10 x 14.5 cm. File containing correspondence with, among others, Nina Gorst, Jill A. Willmott, the Royal Charter Society, Micheline Roi, Nick Balla, Gary Wilson, François D’Albert, Norman Brown, Margaret Smith, Daniel Brouillard, the United Israel Appeal of Canada Inc., Gerald Tulchinsky and Kendall Taylor. The letters of January 4 and June 11 are accompanied by photographs. Originals and copies. 
General correspondence. – 1994. – 1.5 cm of textual records. – 1 photograph: col.; 15 x 10 cm. File containing correspondence with, among others, Renka Gesing, Krista Belch, Alex Pauk, Michael W. Carty, Hugh Thorburn, Roberta Spivek, Denis K. McIntire, Edward A. Wheeler, Alfred Fisher, John Curtin, Francis Akos, the United Israel Appeal of Canada Inc. and Alain Duncan. The letter of August 5 is accompanied by a photograph. Some records in Hungarian. Originals and copies. 
General correspondence. – 1995. – 1 cm of textual records. File containing correspondence with, among others, Francis Akos, Ivan Varga, John Virtue, Alfred Fisher, John Grew, Robert Falck, Nancy Golberg, Mireille Calle-Gruber and Herbert Frankenberg. Originals and copies. 
General correspondence. – 1996. – 2 cm of textual records. File containing correspondence with, among others, Károly Gedai, Marcia Bauman, Michael W. Carty, D.L. Henry, Andrew Benson, Alfred Fisher, Jill Switzer, Gordon E. Smith, Vladimir A. Lefebvre, Seymour L. Rosenberg, 
M. Cassells, The Central Archives for the History of the Jewish People, Vera Rozsa-Nordell, Peter Franks, Jim A. Leith, Susan Marley and Marion Meyer. One record in Hungarian. Originals and copies. 
MUS 164/B3,25 General correspondence. – 1997. – 2 cm of textual records. – 
MUS 164/B3,26 
MUS 164/B3,27 
MUS 164/B3,28 
1 photograph: col.; 8.5 x 12.5 cm. File containing correspondence with, among others, David Murray, Peter Franks, Brian McMillan, Hugh Thorburn, Robert Bater, John Virtue, Mireille Calle-Gruber, Moussa Cohanim, Nina Valery, Gwen Peroni, Joanne Morrow, Alex Pauk, Claudette Trudeau and the Toronto Symphony Orchestra. Some records in Hungarian. Originals and copies. 
General correspondence. – 1998. – 1.5 cm of textual records. – 1 photograph: col.; 12.5 x 8.5 cm. File containing correspondence with, among others, Joan Edward, Alex Pauk, Brent Riddock, Vivienne Spiteri, Audrey Kobayashi, George Pinecross, Jessie Iseler, Sherley Roth, George Clark, Jim A. Leith, Jean-Michel Boulay, David R. Edmison, Sherelle Eyles and the Canadian Electroacoustic Community. Originals and copies. 
General correspondence. – 1999. – 1.5 cm of textual records. File containing correspondence with, among others, Vivian Taylor, Carol Read, the Canadian Electroacoustic Community, Olga Malyshko, Anna Dalos, Aur and George Pinecross, Robert Bater, Roger Paul Gilbert, Simone Auger, James Rolfe, Joan Edward, Tony Haughton, Lily Inglis and Denis K. McIntire. Originals and copies. 
General correspondence. – 1999-2000. – 1.5 cm of textual records. File containing correspondence with, among others, Carol Read, Mordecai Paldiel, Lily Inglis, David Bonham, Seff Rowe, Aur and George Pinecross, Robert Aitken, Carol Woo, David Murray, Regina Rosen, Abe Barnett, Simone Auger, Robert Cram, Filip Palda, Wendy Nixon, Roger Paul Gilbert, Marci Sweet, the Winnipeg Symphony Orchestra, Susan Liebel, Sylvie Soester and W.E. Powles. Originals and copies. 
MUS 164/B3,29 	General correspondence. – [194-]-[195-?]. – 1 cm of textual records. Consists of 6 photographic postcards. Some records in Hungarian. Originals and copies. 
MUS 164/B3,30 	General correspondence. – [196-?]-[199-?]. – 1.5 cm of textual records. Some records in Hungarian. Originals and copies. 
MUS164/B4 LETTERS OF REFERENCE 
MUS 164/B4,1 	Letters of reference. – 1957-1976. – 2 cm of textual records. Access restrictions. Originals and copies. 
MUS 164/B4,2 	Letters of reference. – 1977-1982. – 2 cm of textual records. Access restrictions. Originals and copies. 
MUS 164/B4,3 	Letters of reference. – 1983. – 2 cm of textual records. Access restrictions. Originals and copies. 
MUS 164/B4,4 	Letters of reference. – 1983-1986. – 1.5 cm of textual records. Access restrictions. Originals and copies. 
MUS 164/B4,5 	Letters of reference. – 1987-1996. – 2 cm of textual records. Access restrictions. Originals and copies. 
MUS 164/C TEACHING AND ADMINISTRATION. – 1949-1988. – 1.99 m of 
textual records. – 5 photographs: col.; 12 x 8 cm. – 11 slides: 
col. 
The records in this series primarily illustrate the teaching and administrative activities of István Anhalt at McGill University and Queen’s University. The files, pertaining to a variety of academic programs, clearly demonstrate Anhalt’s interest in and dedication to the development of a form of teaching responsive to the demands of the era. The establishment in 1964 of the McGill University Electronic Music Studio is a good example of this. He trained many composers during his career, including William Benjamin, Hugh Hartwell, John Hawkins and Alexander Tilley. The series also contains a number of files related to his teaching at the State University of New York at Buffalo. 
The series includes correspondence, letters of reference (Karlheinz Stockhausen, Mauricio Kagel, Pierre Schaeffer and Hugo Wolfram Schmidt), minutes of meetings, financial records, reports, organization charts, timetables, course lists, examination papers, course notes, course transcripts, syllabi, student projects, concert programs, brochures and press clippings. 
The series consists of the following sub-series: MUS 164/C1 McGill University; MUS 164/C2 Queen’s University; MUS 164/C3 State University of New York at Buffalo; and MUS 164/C4 Miscellaneous. 
Some records in Hungarian. 
Originals and copies. 
MUS 164/C1 McGILL UNIVERSITY 
MUS 164/C1/1 Administration 
MUS 164/C1/1,1 	Correspondence. – 1949-1968. – 1.5 cm of textual records. Originals and copies. 
MUS 164/C1/1,2 	Correspondence. – 1969-1972. – 2 cm of textual records. Originals and copies. 
MUS 164/C1/1,3 	Academic programs. – 1950-1967. – 2 cm of textual records. File containing, among other items, correspondence, reports, recommendations and course lists. Originals and copies. 
MUS 164/C1/1,4 	Academic programs. – 1968-1969. – 2 cm of textual records. File containing, among other items, correspondence, reports, recommendations and course lists. Originals and copies. 
MUS 164/C1/1,5 	Academic programs. – 1969-1971. – 1 cm of textual records. File containing, among other items, correspondence, course lists and minutes of meetings. Originals and copies. 
MUS 164/C1/1,6 	Academic programs. – [196-]-[197-]. – 1 cm of textual records. File containing, among other items, course lists and recommendations. Originals and copies. 
MUS 164/C1/1,7 	Communication program. – 1964-1973. – 2 cm of textual records. File including, among other items, correspondence and various proposals concerning the establishment of communication courses. Originals and copies. 
MUS 164/C1/1,8 	Graduate composition program. – 1965-1970. – 1 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C1/1,9 	Other educational institutions. – 1956-1962. – 2 cm of textual records. File containing records pertaining to various programs and educational institutions. Included are examination papers, course lists, a report and a brochure. Copies. 
MUS 164/C1/1,10 Other educational institutions. – 1963-1964. – 2 cm of textual records. File containing records pertaining to various programs and educational institutions. Included are, among other items, examination papers, registrations forms and course lists. Originals and copies. 
MUS 164/C1/1,11 Other educational institutions. – 1965-1970. – 2 cm of textual records. File containing records pertaining to various programs and educational institutions. Included are, among other items, correspondence, examination papers, registrations forms and course lists. Originals and copies. 
MUS 164/C1/1,12 Salary. – 1957-1971. – 0.5 cm of textual records. File consisting of correspondence and financial records. Originals and copies. 
MUS 164/C1/1,13 Letters of application for employment. – 1965-1969. – 2 cm of textual records. Originals and copies. 
MUS 164/C1/1,14 Hiring–Francean Campbell. – 1967-1968. – 17 textual records. File consisting mainly of correspondence, a curriculum vitae and course transcripts. Originals and copies. 
MUS 164/C1/1,15 Hiring–Luc Ferrari. – 1968-1969. – 0.5 cm of textual records. File consisting mainly of correspondence. Also included are letters of reference from Karlheinz Stockhausen, Mauricio Kagel, Pierre Schaeffer and Hugo Wolfram Schmidt. Originals and copies. 
MUS 164/C1/1,16 Hiring–Israel J. Katz. – 1968-1969. – 1 cm of textual records. File containing, among other items, correspondence and a curriculum vitae. Originals and copies. 
MUS 164/C1/1,17 Hiring–Otto-Ernst Laske. – 1968-1970. – 0.5 cm of textual records. File containing, among other items, correspondence, curricula vitae and lists of works. Originals and copies. 
MUS 164/C1/1,18 Hiring. – 1963-1972. – 1 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C1/1,19 Concert and Lecture Committee. – 1958-1969. – 0.5 cm of textual records. File including, among other items, correspondence, leaflets and minutes of a meeting. Originals and copies. 
MUS 164/C1/1,20 Library. – 1958-1971. – 2 cm of textual records. File containing lists of books and scores. Originals and copies. 
MUS 164/C1/1,21 Library. – [196-]. – 1.5 cm of textual records. File containing acquisitions lists. Copies. 
MUS 164/C1/1,22 Library. – 1962-1970. – 0.5 cm of textual records. File consisting mainly of reports and minutes of meetings. Originals and copies. 
MUS 164/C1/1,23 Composition students concerts. – 1958-1971. – 0.5 cm of textual records. File consisting of concert programs, a letter, a score and press clippings. Originals and copies. 
MUS 164/C1/1,24 Symposium for Student Composers. – 1965-1966. – 1 cm of textual records. File containing, among other items, correspondence and programs. Originals and copies. 
MUS 164/C1/1,25 Symposium for Student Composers. – 1966-1969. – 2 cm of textual records. File containing correspondence, programs, schedules and press clippings. Originals and copies. 
MUS 164/C1/1,26 Symposium for Student Composers. – 1969-1972. – 1.5 cm of textual records. File containing correspondence, programs, timetables and press clippings. Originals and copies. 
MUS 164/C1/1,27 Symposium for Student Composers. – 1969. – 0.5 cm of textual records. File containing registration forms. Originals and copies. 
MUS 164/C1/1,28 Meetings of the Faculty Council. – 1963-1969. – 2 cm of textual records. File consisting of minutes of meetings. Originals and copies. 
MUS 164/C1/1,29 Meetings of the Faculty Council. – 1970. – 0.5 cm of textual records. File consisting of minutes of meetings. Originals and copies. 
MUS 164/C1/1,30 Reports. – 1963-1970. – 1.5 cm of textual records. Original and copies. 
MUS 164/C1/1,31 Annual reports. – 1964-1969. – 1 cm of textual records. Originals and copies. 
MUS 164/C1/1,32 Faculty of Graduate Studies and Research. – 1964-1971. – 2 cm of textual records. File including, among other items, correspondence, minutes of meetings and a report. Originals and copies. 
MUS 164/C1/1,33 Faculty of Graduate Studies and Research. – 1970-1971. – 1 cm of textual records. File consisting of minutes of meetings and a brochure. Originals and copies. 
MUS 164/C1/1,34 New building. – 1966-1969. – 0.5 cm of textual records. File containing correspondence, minutes of a meeting and a submission. Originals and copies. 
MUS 164/C1/1,35 Committee on Graduate Studies. – 1967-1971. – 0.5 cm of textual records. File consisting of correspondence and minutes of meetings. Originals and copies. 
MUS 164/C1/1,36 Faculty of Education. – 1967-1969. – 0.5 cm of textual records. File containing correspondence, course lists and notes. Originals and copies. 
MUS 164/C1/1,37 McGill Sesquicentennial Celebration. – 1969-1971. – 1.5 cm of textual records. File consisting of correspondence, minutes of meetings, programs and notes. Originals and copies. 
MUS 164/C1/1,38 Organization. – [196-]-1970. – 1 cm of textual records. 
MUS 164/C1/2 Courses 
MUS 164/C1/2,1 
MUS 164/C1/2,2 
MUS 164/C1/2,3 
MUS 164/C1/2,4 
MUS 164/C1/2,5 
MUS 164/C1/2,6 
MUS 164/C1/2,7 
MUS 164/C1/2,8 
MUS 164/C1/2,9 
File containing procedures, an index of files, a list of file titles and organization charts. Originals and copies. 
Harmony 201. – 1955-1966. – 1.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
Harmony 301. – 1955-1965. – 1.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
Harmony 101. – 1956-1964. – 0.5 cm of textual records. File containing examination questions. Originals and copies. 
Harmony 401. – 1959-1964. – 0.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
Harmony course. – [195-?]-[196-?]. – 1.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
Analysis course. – 1955-1965. – 1.5 cm of textual records. File containing course notes and excerpts from works. Originals and copies. 
Analysis course. – 1962-1971. – 1.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
Composition 101. – 1956-1965. – 2 cm of textual records. File containing, among other items, course notes and examination questions. Originals and copies. 
Composition 301. – 1959-1965. – 0.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 

Composition class of István Anhalt at McGill University, circa 1952. From left to right: Charles Palmer, Alan Heard, Gian Lyman, Gerrit Tetenburg, István Anhalt, Pierre Perron, Alice Postner. Photography: Jean Talon Photo. 
MUS 164/C1/2,10 Composition 201. – 1961-1965. – 0.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
MUS 164/C1/2,11 Composition 401. – 1964-1965. – 0.5 cm of textual records. File containing course notes and examination questions. Originals and copies. 
MUS 164/C1/2,12 Composition course (electroacoustic). – 1969-1970. – 1 cm of textual records. File containing course notes and documentation. Originals and copies. 
MUS 164/C1/2,13 Composition 620. – 1970. – 0.5 cm of textual records. File consisting of syllabi. Originals and copies. 
MUS 164/C1/2,14 Composition 700. – 1970-1971. – 1 cm of textual records. File containing course notes and a student’s assignment. Copies. 
MUS 164/C1/2,15 Composition course. – [195-?]-[196-]. – 2 cm of textual records. File consisting of course notes. Originals and copies. 
MUS 164/C1/2,16 Composition course. – [196-]. – 2 cm of textual records. File consisting of course notes. Originals and copies. 
MUS 164/C1/2,17 Composition course. – [196-]. – 1 cm of textual records. File containing course notes and graphics. Originals. 
MUS 164/C1/2,18 The Nature of Contemporary Music. – 1965. – 0.5 cm of textual records. File containing course notes and syllabi. Originals and copies. 
MUS 164/C1/2,19 Sight-singing and ear training course. – 1965-1971. – 
0.5 cm of textual records. File consisting mainly of examination questions. Originals and copies. 
MUS 164/C1/2,20 Science and Music. – 1968. – 1.5 cm of textual records. File consisting of course notes and documentation used in Hugh Le Caine’s course. Originals and copies. 
MUS 164/C1/2,21 Other courses. – 1950-1971. – 1 cm of textual records. File containing mainly examination questions. Originals and copies. 
MUS 164/C1/3 Electronic Music Studio 
MUS 164/C1/3,1 	Correspondence. – 1959-1964. – 2 cm of textual records. Originals and copies. 
MUS 164/C1/3,2 	Correspondence. – 1965-1966. – 2 cm of textual records. Originals and copies. 
MUS 164/C1/3,3 	Correspondence. – 1967. – 1.5 cm of textual records. Originals and copies. 
MUS 164/C1/3,4 	Correspondence. – 1968-1971. – 2 cm of textual records. Originals and copies. 

MUS 164/C1/3,5 	Promotional material. – 1963-1970. – 1.5 cm of textual records. 	
	File containing mainly catalogues of electronic products. Copies. 	
MUS 164/C1/3,6 	Miscellaneous. – 1958-1971. – 2 cm of textual records. File containing, among other items, reports, notes and press clippings. Originals and copies. 	

MUS 164/C1/4 Miscellaneous 

MUS 164/C1/4,1 	Press clippings. – 1949-1967. – 0.5 cm of textual records. Copies. 	
MUS 164/C1/4,2 	Lectures. – 1954-1970. – 0.5 cm of textual records. File containing texts of lectures and notes. Originals and copies. 	
MUS 164/C1/4,3 	Concert programs. – 1950-1968. – 6 textual records. Copies. 	
MUS 164/C1/4,4 	Invitation cards. – [195-?]- [196-?]. – 2 textual records. Originals. 	
MUS 164/C1/4,5 	McGill Association of University Teachers. – 1964-1969. – 1 cm of textual records. 	
	File containing reports. Copies. 	
MUS 164/C1/4,6 	Survey. – 1969. – 1 textual record. Copy. 	

MUS 164/C2 QUEEN’S UNIVERSITY MUS 164/C2/1 Administration 

MUS 164/C2/1,1 	Budget. – 1970-1977. – 2 cm of textual records. File consisting of financial records. Originals and copies. 	
MUS 164/C2/1,2 	Budget. – 1978-1980. – 1 cm of textual records. File consisting of financial records. Originals and copies. 	
MUS 164/C2/1,3 	Budget. – 1971-1973. – 2 cm of textual records. File consisting mainly of correspondence. Originals and copies. 	

MUS 164/C2/1,4 	Budget. – 1973-1974. – 2 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C2/1,5 	Budget. – 1975-1976. – 1.5 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C2/1,6 	Budget. – 1977-1980. – 1 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C2/1,7 	Budget. – 1972-1975. – 1 cm of textual records. File consisting of correspondence and financial records concerning courses offered abroad. Originals and copies. 
MUS 164/C2/1,8 	Correspondence. – 1970-1972. – 2 cm of textual records. Originals and copies. 
MUS 164/C2/1,9 	Correspondence. – 1973. – 1 cm of textual records. Originals and copies. 
MUS 164/C2/1,10 Correspondence. – 1974. – 2 cm of textual records. Originals and copies. 
MUS 164/C2/1,11 Correspondence. – 1975-1977. – 2 cm of textual records. Originals and copies. 
MUS 164/C2/1,12 Correspondence. – 1978-1980. – 2 cm of textual records. Originals and copies. 
MUS 164/C2/1,13 Correspondence. – 1981-1988. – 2 cm of textual records. Originals and copies. 
MUS 164/C2/1,14 Academic programs. – 1967-1979. – 2 cm of textual records. File containing, among other items, correspondence, reports, recommendations and course lists. Originals and copies. 
MUS 164/C2/1,15 Academic programs. – [198-]. – 1 cm of textual records. File containing, among other items, correspondence, reports, recommendations and course lists. Originals and copies. 
MUS 164/C2/1,16 Senate Committee on Academic Development. – 1967-1979. 
– 1 cm of textual records. File consisting of correspondence, reports and brochures. Originals and copies. 
MUS 164/C2/1,17 Committee on Concerts and Lectures. – 1971-1983. – 
0.5 cm of textual records. File containing, among other items, correspondence, reports and concert programs. Originals and copies. 
MUS 164/C2/1,18 Committee on High School and CEGEP Liaison. – 1971-1979. – 0.5 cm of textual records. File containing correspondence, minutes of meetings, reports and notes. Originals and copies. 
MUS 164/C2/1,19 Committee of Academic Advisors. – 1977-1980. – 0.5 cm of textual records. File containing correspondence, a report and various procedures. Originals and copies. 
MUS 164/C2/1,20 Electronic Music Studio. – 1968-1973. – 0.5 cm of textual records. File containing correspondence, plans and a manual. Originals and copies. 
MUS 164/C2/1,21 New music building. – 1969-1974. – 1.5 cm of textual records. – 5 photographs: col.; 12 x 8 cm. – 11 slides: col. File containing, among other items, correspondence, financial records, plans, as well as photographs and slides of the construction site and the opening of Harrison-Le Caine Hall. Originals and copies. 
MUS 164/C2/1,22 Faculty of Arts and Science. – 1970-1984. – 2 cm of textual records. File containing, among other items, correspondence, reports and minutes of meetings. Originals and copies. 
MUS 164/C2/1,23 Faculty of Arts and Science. – [197-?]. – 0.5 cm of textual records. File containing annual reports. Access restrictions. Originals. 
MUS 164/C2/1,24 Music Department meetings. – 1970-1981. – 2 cm of textual records. File containing minutes of meetings, reports, correspondence and notes. Originals and copies. 
MUS 164/C2/1,25 Travel (Hungary). – 1970-1972. – 0.5 cm of textual records. File consisting of correspondence and financial records. The records are mainly in Hungarian. Originals and copies. 
MUS 164/C2/1,26 Travel (England). – 1986-1987. – 0.5 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C2/1,27 Sabbatical. – 1974-1977. – 2 cm of textual records. File containing, among other items, correspondence, financial records and concert programs. Originals and copies. 
MUS 164/C2/1,28 Sabbatical. – 1977-1988. – 1.5 cm of textual records. File containing, among other items, correspondence, financial records, a concert program and press clippings. Originals and copies. 
MUS 164/C2/1,29 Appointments. – 1971-1976. – 1.5 cm of textual records. File consisting of correspondence pertaining to the hiring of faculty and lecturers. Originals and copies. 
MUS 164/C2/1,30 Appointments. – 1977-1981. – 1 cm of textual records. File consisting of correspondence pertaining to the hiring of faculty and lecturers. Originals and copies. 
MUS 164/C2/1,31 Workload. – 1972-1982. – 1.5 cm of textual records. File consisting mainly of correspondence pertaining to faculty workload. Originals and copies. 
MUS 164/C2/1,32 Salary. – 1973-1984. – 0.5 cm of textual records. File consisting mainly of correspondence. Originals and copies. 
MUS 164/C2/1,33 Organ. – 1971-1974. – 1.5 cm of textual records. 
File containing various records pertaining to the purchase of an organ. Included are correspondence, plans, notes, contracts and a leaflet. Originals and copies. 
MUS 164/C2/1,34 Scholarships and bursaries. – 1972-1979. – 0.5 cm of textual records. File consisting of correspondence and reports. Originals and copies. 
MUS 164/C2/1,35 Library. – 1973-1988. – 1 cm of textual records. File consisting of correspondence, reports and lists of works. Originals and copies. 
MUS 164/C2/1,36 Other. – 1971-1982. – 2 cm of textual records. File containing, among other items, correspondence, reports, programs and notes. Originals and copies. 
MUS 164/C2/2 Courses 
MUS 164/C2/2,1 	Analysis (Music 341). – 1972-1978. – 1 cm of textual records. File containing notes and assignment questions. Originals and copies. 
MUS 164/C2/2,2 	Analysis III: 20th Century Music (Music 443). – 1972-1980. – 2 cm of textual records. File containing mainly course notes. Originals and copies. 
MUS 164/C2/2,3 	Analysis III: 20th Century Music (Music 443). – 1976-1978. – 2 cm of textual records. File containing mainly course notes and excerpts from works by various composers. Originals and copies. 
MUS 164/C2/2,4 	Analysis III: 20th Century Music (Music 443). – 1977-1978. – 2 cm of textual records. File containing mainly course notes and excerpts from works by various composers. Originals and copies. 
MUS 164/C2/2,5 	Analysis III: 20th Century Music (Music 443). – 1977-1978. – 2 cm of textual records. File containing mainly course notes and excerpts from works by various composers. Originals and copies. 
MUS 164/C2/2,6 	Analysis III: 20th Century Music (Music 443). – 1977-1978. – 1 textual record. File containing course notes. Original. 
MUS 164/C2/2,7 	Analysis I (Music 343). – 1978-1981. – 2 cm of textual records. File consisting of course notes, examination questions and assignments. Originals and copies. 
MUS 164/C2/2,8 	Analysis I (Music 343). – 1982-1984. – 2 cm of textual records. File consisting of examination questions and assignments. Originals and copies. 
MUS 164/C2/2,9 	Analysis I (Music 343). – 1983-1984. – 1 textual record. File containing course notes for the first session 
(p. 1 to 150). Original. 
MUS 164/C2/2,10 Analysis I (Music 343). – 1983-1984. – 1 textual record. File containing course notes for the first session 
(p. 151 to 269). Original. 
MUS 164/C2/2,11 Analysis I (Music 343). – 1983-1984. – 1 textual record. File containing course notes for the second session. Original. 
MUS 164/C2/2,12 Analysis I (Music 343). – 1983-1984. – 2 textual records. File containing course notes for the second session (revised version) as well as a letter. Originals. 
MUS 164/C2/2,13 Contemporary Music Materials (Music 607). – [197-?]. – 7 textual records. File consisting of course notes. Originals and copies. 
MUS 164/C2/2,14 Harmony (Music 251). – [197-?]. – 1 cm of textual records. File containing assignment questions and texts by Graham George. Copies. 
MUS 164/C2/2,15 Music Education in Hungary (MUS 330). – [197-?]. – 2 textual records. File containing course notes and fragments of a text in Hungarian. Original and copy. 
MUS 164/C2/2,16 Music Since 1945 (Music 444). – 1982-1983. – 2 cm of textual records. File containing, among other items, course notes and syllabi. Originals and copies. 
MUS 164/C2/2,17 Composition (Music 153). – 1983-1984. – 0.5 cm of textual records. File consisting of course notes, grades and concert programs. Originals and copies. 
MUS 164/C2/2,18 Canadian Music Since 1930 (Music 388). – 1983-1984. – 2 cm of textual records. File consisting of a syllabus, notes, lists of composers, scores and leaflets. Originals and copies. 
MUS 164/C2/2,19 Canadian Music Since 1930 (Music 388). – 1983-1984. – 2 cm of textual records. File consisting of course notes. Originals. 
MUS 164/C2/2,20 Canadian Music Since 1930 (Music 388). – 1983-1984. – 1 cm of textual records. File consisting of course notes. Originals. 
MUS 164/C2/2,21 Directed Special Study (Music 472). – 1983-1984. – 2 cm of textual records. File containing notes, bibliographic lists and a student assignment. Originals and copies. 
MUS 164/C2/2,22 Genre Studies II: Alternative Voices (Music 480). – 1983-1984. – 2 cm of textual records. File consisting mainly of course notes. Originals and copies. 
MUS 164/C2/2,23 Genre Studies II: Alternative Voices (Music 480). – 1983-1984. – 2 cm of textual records. File containing, among other items, course notes, examinations and a syllabus. Originals and copies. 
MUS 164/C2/2,24 Genre Studies II: Alternative Voices (Music 480). – 1983-1984. – 2 cm of textual records. File consisting of student assignments. Copies. 
MUS 164/C2/2,25 Genre Studies II: Alternative Voices (Music 480). – 1984. – 2 cm of textual records. File consisting of student assignments. Copies. 
MUS 164/C2/2,26 Genre Studies II: Alternative Voices (Music 480). – [1984?]. 
– 2 cm of textual records. File containing various texts. Copies. 
MUS 164/C2/2,27 Miscellaneous. – 1973-1983. – 1 cm of textual records File containing a book of grades and course lists. Originals and copy. 
MUS 164/C2/2,28 Miscellaneous. – [198-]. – 1 cm of textual records. File consisting of course notes. Originals. 
MUS 164/C3 STATE UNIVERSITY OF NEW YORK AT BUFFALO 
MUS 164/C3,1 	Student–R. Blauvelt. – [1970?]. – 2 textual records. File consisting of notes. Original and copy. 
MUS 164/C3,2 	Student–F. Boldt. – 1970. – 3 textual records. File consisting of correspondence and notes. Originals. 
MUS 164/C3,3 	Student–F. Brainerd. – 1969. – 3 textual records. File consisting of notes. Originals and copy. 

MUS 164/C3,4 	Student–P. Gena. – [1970?]. – 4 textual records. File consisting of a letter and notes. Originals and copy. 	
MUS 164/C3,5 	Student–J. Heitmannt. – 1970. – 3 textual records. File consisting of notes and an assignment by the student. Original and copies. 	
MUS 164/C3,6 	Student–S. Horwood. – 1969-1970. – 5 textual records. File consisting of correspondence, notes and an assignment by the student. Originals and copy. 	
MUS 164/C3,7 	Student–L. Kleen. – 1970. – 3 textual records. File containing correspondence and notes. Originals. 	
MUS 164/C3,8 	Student–R. Laneri. – [1970?]. – 4 textual records. File consisting of notes and an assignment by the student. Originals and copies. 	
MUS 164/C3,9 	Student–T. Okamoto. – 1969-1970. – 5 textual records. File containing correspondence, notes and an assignment by the student. 	
	Originals and copy. 	
MUS 164/C3,10 	Student–R. Santos. – [1970?]. – 3 textual records. File containing notes and an assignment by the student. Originals and copy. 	
MUS 164/C3,11 	Student–J. Sherman. – [1970?]. – 4 textual records. File containing notes and an assignment by the student. Originals and copies. 	
MUS 164/C3,12 	Student–C. Steiner. – [1970?]. – 1 textual record. File containing notes. Original. 	
MUS 164/C3,13 	Student–A. Stiller. – 1969-[1970]. – 4 textual records. File containing notes and an assignment by the student. Original and copies. 	
MUS 164/C3,14 	Student–K. Young. – [1970?]. – 0.5 cm of textual records. File containing correspondence, notes and an assignment by the student. 	
	Originals and copies. 	

MUS 164/C3,15 	Miscellaneous. – 1968-1971. – 1.5 cm of textual records. File containing, among other items, correspondence, timetables, grades and a list of works. Originals and copies. 
MUS 164/C4 MISCELLANEOUS 
MUS 164/C4,1 	Private teaching. – 1952-1968. – 1 cm of textual records. File containing an account book, a schedule and notes. Originals and copy. 
MUS 164/C4,2 	Lecture. – 1976. – 1 textual record. File containing a poster for a lecture given at the University of Reading, Department of Music. Copy. 
MUS 164/D MUSICAL WORKS. – 3.26 m of textual records. – [194-]-2000. – 
7 photographs: b&w and col.; 27.5 x 35.5 or smaller. – 
100 audio tape reels (ca. 21 hr.). – 1 audio tape cassette 
(ca. 30 min.). – 1 diskette. 
This series consists of records illustrating both the work of István Anhalt as a composer and the evolution of his music from his earliest works, composed at the beginning of the early 1940s. The research material, notes, sketches and sound recordings also illustrate the creative process of his works and provide researchers with insight into the origins of the works and the transformations they underwent. Although he composed instrumental and electroacoustic works, Anhalt is best known for his outstanding musical dramas, including La Tourangelle, Winthrop and Millennial Mall (Lady Diotima’s Walk), as well as his innovative use of voice in works such as Comments, Foci and Cento: Cantata Urbana. Some of the composer’s other works are the Sonata for Violin and Piano, Six Songs from Na Conxy Pan, Symphony of Modules, Simulacrum, Sonance•Resonance (Welche Töne?), Doors… Shadows (Glenn Gould in Memory), Electronic Composition No. 3 (Birds and Bells) and the Trio for Violin, Cello and Piano. 
The series contains, among other items, research material, sketches, drafts, manuscripts of István Anhalt’s musical works, notes, librettos and sound recordings made for the electronic parts of various works. There are also manuscript copies of the works Missa (László Gyopár) and Oberon (K.M. von Weber). 
In standardizing the description of a work’s instrumentation, we have opted for a generally accepted musical codification. For example, the figures “3.2.2.2 – 4.3.3.1” denote the following instrumentation: 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 3 trumpets, 3 trombones and 1 tuba. Blocks of figures separated by a dash correspond to the woodwind and the brass sections, and follow the traditional order in which the various instruments appear on a score. If an instrumentalist plays a second instrument, this is indicated by placing the abbreviation for the auxiliary instrument in parentheses (e.g., 3(picc) = 3 flutes plus 1 piccolo played by one of the three flautists). And if the work requires the presence of an additional musician for an auxiliary instrument, this is indicated using the “+” symbol (e.g., 2+cbn = 2 bassoons plus a third musician for the contrabassoon). Catalogues of musical works do not always name auxiliary instruments but merely indicate their presence by an asterisk (*3) or underlining (4). For the description of archival records, we prefer to ascribe some significance to auxiliary instruments, since they enrich the orchestra with particular sound qualities. 
The series comprises the following sub-series: MUS 164/D1 Theatre and Multimedia Music; MUS 164/D2 Orchestra; MUS 164/D3 Chamber Music; MUS 164/D4 Piano; MUS 164/D5 Choir or Voice; MUS 164/D6 Electroacoustic Music; and MUS 164/D7 Miscellaneous. 
Originals and copies. 
MUS 164/D1 THEATRE AND MULTIMEDIA MUSIC 
MUS 164/D1,1 	Foci – Research. – [1969?]. – 1.5 cm of textual records. File consisting of notes. Originals. 
MUS 164/D1,2 	Foci – Research. – [1969?]-1971. – 1.5 cm of textual records. File consisting mainly of notes. Originals and copies 
MUS 164/D1,3 	Foci. – [1969?]. – 2 cm of textual records. File containing notes and fragments of the libretto. Originals and copies. 
MUS 164/D1,4 	Foci. – [1969?]. – 1 textual record. File consisting of an autograph manuscript of the libretto. 
MUS 164/D1,5 	Foci. – [1969?]. – 28 audio tape reels (ca. 2 hr.): polyester; 19 and 38 cm/sec.; reels: 13 and 18 cm. Sound recordings containing composition material used in the creation of the electronic parts of the work. Included are readings of various segments of the libretto and electroacoustic music. Reference numbers: T5 533 to T5 555, T7 1903 to T7 1907. 
MUS 164/D1,6 	Foci. – [1969?]. – 1.5 cm of textual records. File containing sketches, drafts and notes (140 p.). 
MUS 164/D1,7 	Foci. – 1969. – 1 textual record. File consisting of an autograph manuscript of the score on transparent paper (116 p.). Instrumentation: fl, cl(b cl), vln, vcl, db, hpsd(2 performers), perc, 2 very small harmonicas, soprano(amplified), 4 electronics operators, 1 person in the wings, harpsichord optional. Titles of sections: Measures, Icons, Definition 2, Individuals, Group, Definition 3, Preparation, Testimony. The first section is missing. 
MUS 164/D1,8 	Foci. – 1969. – 1 cm of textual records. File containing autograph manuscripts of the score on transparent paper (62 p.) and the vocal part for Testimony (4 p.). Incomplete. Instrumentation: fl, cl(b cl), vln, vcl, db, hpsd(2 performers), perc, 2 very small harmonicas, soprano(amplified), 4 electronics operators, 1 person in the wings, harpsichord optional. Titles of sections: Measures, Definition 2, Definition 3, Preparation, Testimony. 

MUS 164/D1,9 	La Tourangelle – Research. – ©1946. – 1 textual record. File containing the book Marie de l’Incarnation, d’après ses lettres by Sister Marie-Emmanuel Chabot, with a dedication dated 1971. Copy. 	
MUS 164/D1,10 	La Tourangelle – Research. – [1971?]. – 1.5 cm of textual records. – 2 photographs: b&w; 23 x 17 cm. File containing mainly articles and a notebook. Original and copies. 	
MUS 164/D1,11 	La Tourangelle. – [1971?]. – 1.5 cm of textual records. File containing notes and fragments from the libretto. Originals and copies. 	
MUS 164/D1,12 	La Tourangelle. – 1971. – 1.5 cm of textual records. File containing annotated copies of several versions of the libretto. 	
MUS 164/D1,13 	La Tourangelle. – 1971-1972. – 1 cm of textual records. File containing an autograph manuscript and a typescript of the libretto. 	
MUS 164/D1,14 	La Tourangelle. – [1972?]. – 2 cm of textual records. File containing sketches: sections I and II (187 p.). 	
MUS 164/D1,15 	La Tourangelle. – [1972?]. – 2 cm of textual records. File containing sketches: sections III, IV, V, VI and VII (130 p.). 	
MUS 164/D1,16 	La Tourangelle. – [1972?]. – 2 cm of textual records. File containing sketches, drafts and various copies (180 p.). 	
MUS 164/D1,17 	La Tourangelle. – [1972?]. – 1 cm of textual records. File containing notes (99 p.). 	

MUS 164/D1,18 
MUS 164/D1,19 
MUS 164/D1,20 
La Tourangelle. – [1973?]. – 45 audio tape reels (ca. 7 hr.): polyester; 9, 5, 19 and 38 cm/sec.; reels: 13, 18 and 25 cm. Sound recordings containing composition material used in the creation of the electronic parts of the work. Included are readings of various fragments from the libretto (Jacques Languirand, André Bédard, Françoise Riopelle, Clément Morin, Denise Grenier, Maurice Levasseur, George Whalley, 
R.W. Waller, C. Crowder, C. Hetherington, etc.), as well as songs performed by Les Petits chanteurs du Mont-Royal and the St. George’s Boys Choir (Kingston). Reference numbers: T5 506, T5 512 to T5 524, T7 1865, T7 1866, T7 1871 to T7 1874, T7 1876 to T7 1878, T7 1901, T7 1908 to T7 1925, T10 838 to T10 840. 
La Tourangelle. – 1975. – 1 textual record. – 3 audio tape reels (ca. 50 min.): polyester; 19 and 38 cm/sec.; reel: 18 cm. File consisting of an autograph manuscript of the score on transparent paper (238 p.), as well as sound recordings. Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl.1(cbn) – 1(baritone).1(D tpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Panegyric, Discipline, Communion, Isaac, Mission, Interlude (Voyage), Destination. “In memoriam: Pater János Antal, Superior of the Salesian order of St. John Bosco in Hungary in 1964.” “Commissioned for the Canadian Broadcasting Corporation by John Roberts.” Reference numbers: T7 1860 to T7 1862. 
La Tourangelle. – 1975. – 1 textual record. File containing an annotated copy of a manuscript of the score (256 p.). Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl).1(cbn) – 1(baritone).1(D tpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Panegyric, Discipline, Communion, Isaac, Mission, Interlude (Voyage), Destination. 
MUS 164/D1,21 
MUS 164/D1,22 
MUS 164/D1,23 
La Tourangelle. – 1975. – 1 textual record. File consisting of an annotated copy of an autograph manuscript of the score: volume 1 (109 p.). Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl).1(cbn) – 1(baritone).1(D tpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Panegyric, Discipline, Communion, Isaac. “In memoriam: Pater János Antal, Superior of the Salesian order of St. John Bosco in Hungary in 1964.” “Commissioned for the Canadian Broadcasting Corporation by John Roberts.” 
La Tourangelle. – 1975. – 1 textual record. File consisting of an annotated copy of an autograph manuscript of the score: volume 2 (130 p.). Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl).1(cbn) – 1(baritone).1(D tpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Mission, Interlude (Voyage), Destination. “In memoriam: Pater János Antal, Superior of the Salesian order of St. John Bosco in Hungary in 1964.” “Commissioned for the Canadian Broadcasting Corporation by John Roberts.” 
La Tourangelle. – 1975-1976. – 1 textual record. File consisting of an annotated copy of an autograph manuscript of the score: volume 1 (109 p.). The file also includes 2 pages of notes. Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl).1(cbn) – 1(baritone).1(Dtpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Panegyric, Discipline, Communion, Isaac. “In memoriam: Pater János Antal, Superior of the Salesian order of St. John Bosco in Hungary in 1964.” “Commissioned for the Canadian Broadcasting Corporation by John Roberts.” 
MUS 164/D1,24 
MUS 164/D1,25 
MUS 164/D1,26 
MUS 164/D1,27 
MUS 164/D1,28 
MUS 164/D1,29 
La Tourangelle. – 1975-1976. – 1 textual record. File consisting of an annotated copy of an autograph manuscript of the score: volume 2 (130 p.). Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl).1(cbn) – 1(baritone).1(D tpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Mission, Interlude (Voyage), Destination. “In memoriam: Pater János Antal, Superior of the Salesian order of St. John Bosco in Hungary in 1964.” “Commissioned for the Canadian Broadcasting Corporation by John Roberts.” 
La Tourangelle. – 1975-1979. – 1 textual record. File consisting of an annotated copy of an autograph manuscript of the score: volume 1 (109 p.). The file also includes 2 pages of notes. Instrumentation: 1(picc fl).1.1(picc cl, al cl, b cl).1(cbn) – 1(baritone).1(D tpt).0.1, perc, timp, pno(cel), Horg(oM), str, 3 sopranos, tenor, bass (the voices are sometimes amplified; the tenor and bass are also narrators), tape recorders, mixing console. The clarinet, trumpet and French horn also play the crotals. Titles of sections: Panegyric, Discipline, Communion, Isaac. “In memoriam: Pater János Antal, Superior of the Salesian order of St. John Bosco in Hungary in 1964.” “Commissioned for the Canadian Broadcasting Corporation by John Roberts.” 
La Tourangelle. – [1975?]. – 0.5 cm of textual records. File containing sketches and autograph manuscripts of the vocal part (41 p.). 
Winthrop – Research. – [ca. 1977]. – 2 cm of textual records. File containing excerpts from books (Life and Letters of John Winthrop, Winthrop Papers). Copies. 
Winthrop – Research. – [ca. 1977]. – 2 cm of textual records. File containing excerpts from various texts, as well as notes. Originals and copies. 
Winthrop – Research. – [ca. 1977]. – 2 cm of textual records. File containing notes. Originals. 

MUS 164/D1,30 	Winthrop – Research. – [ca. 1977]. – 1.5 cm of textual records. 	
	File containing notes. Originals. 	
MUS 164/D1,31 	Winthrop – Research. – [ca. 1980]. – 3 cm of textual records. File containing notes. Originals. 	
MUS 164/D1,32 	Winthrop. – [ca. 1981]. – 1.5 cm of textual records. File containing notes, autograph manuscripts and annotated copies of sections I to VI of the libretto. 	
MUS 164/D1,33 	Winthrop. – [ca. 1981]. – 2 cm of textual records. File containing autograph manuscripts and annotated copies of sections VII to IX of the libretto. 	
MUS 164/D1,34 	Winthrop. – [ca. 1981]. – 1.5 cm of textual records. File containing notes, fragments and copies of the libretto. 	
MUS 164/D1,35 	Winthrop. – [ca. 1981]. – 1 textual record. File containing a typescript of the synopsis. 	
MUS 164/D1,36 	Winthrop. – [1977?]-[1980?]. – 1.5 cm of textual records. File containing notes and lists of series (192 p.). Originals. 	
MUS 164/D1,37 	Winthrop. – 1977-[1980?]. – 2 cm of textual records. File containing sketches and notes: sections I and II (198 p.). 	
MUS 164/D1,38 	Winthrop. – [1977?]-[1980?]. – 2 cm of textual records. File containing sketches and notes: interludes I and II, sections III and IV (201 p.). 	
MUS 164/D1,39 	Winthrop. – [1977?]-[1980?]. – 2 cm of textual records. File containing sketches and notes: sections V and VI (272 p.). 	
MUS 164/D1,40 	Winthrop. – [1977?]-[1980?]. – 2 cm of textual records. File containing sketches, notes and a draft: section VII (206 p.). 	
MUS 164/D1,41 	Winthrop. – [1977?]-[1980?]. – 2 cm of textual records. File containing sketches and notes: section VIII (251 p.). 	
MUS 164/D1,42 	Winthrop. – [1977?]-[1980?]. – 2 cm of textual records. File containing sketches: interludes, section IX (217 p.). 	

MUS 164/D1,43 	Winthrop. – 1979-1982. – 1.5 cm of textual records. File consisting of sketches and drafts: sections I and II (144 p.). Titles of sections: Pilgrimage and Discovery, Young John. 	
MUS 164/D1,44 	Winthrop. – 1977-1982. – 0.5 cm of textual records. File consisting of sketches and drafts: section III (72 p.). Title of section: John and Margaret. 	
MUS 164/D1,45 	Winthrop. – [1978?]-1982. – 1.5 cm of textual records. File consisting of sketches and drafts: section IV (166 p.). Title of section: Famous Brittany. 	
MUS 164/D1,46 	Winthrop. – 1979-1982. – 2 cm of textual records. File containing sketches and drafts: section V (173 p.). Title of section: Call and Response. 	
MUS 164/D1,47 	Winthrop. – 1979-[1982?]. – 1.5 cm of textual records. File consisting of sketches and drafts: section VI (131 p.). Title of section: The Covenant and a Lesson. 	
MUS 164/D1,48 	Winthrop. – 1981-1982. – 1.5 cm of textual records. File containing sketches and drafts: section VII (170 p.). Title of section: Boston… a City. 	
MUS 164/D1,49 	Winthrop. – 1981-1982. – 2 cm of textual records. File containing sketches, a draft and notes: section VIII (186 p.). Title of section: A Crisis. 	
MUS 164/D1,50 	Winthrop. – 1982. – 1 cm of textual records. File consisting of drafts: sections IX and X (73 p.). Titles of sections: Interlude, Stocktaking. 	
MUS 164/D1,51 	Winthrop. – [ca. 1981]. – 1 cm of textual records. File containing the draft of a section entitled A New Land (60 p.). 	
MUS 164/D1,52 	Winthrop. – 1983. – 1 textual record. File containing an autograph manuscript of the score: sections I and II (120 p.). Titles of sections: Pilgrimage and Discovery, Young John. Instrumentation: 3(picc, al fl).1(EH).3(picc cl, al cl, b cl, cb cl, so sax, al sax).2(cbn) – 2.3.2.1(bar), perc, timp, 2 hpsd, hp, str, solo voices (SATTBarB), mixed ch (SMezATBarB), boys ch. “Dedicated with gratitude to my wife, Beate and to Floyd S. Chalmers for their generosity, trust, encouragement and support.” 	

István Anhalt and Elmer Iseler following the première of Winthrop, 1986. Photographer: Walter Curtin. 
MUS 164/D1,53 	Winthrop. – 1983. – 1 textual record. File containing an autograph manuscript of the score: sections III and IV (120 p.). Titles of sections: John and Margaret, Famous Brittany. Instrumentation: 3(picc, al fl).1(EH).3(picc cl, al cl, b cl, cb cl, so sax, al sax).2(cbn) – 2.3.2.1(bar), perc, timp, 2 hpsd, hp, str, solo voices (SATTBarB), mixed ch (SMezATBarB), boys ch. “Dedicated with gratitude to my wife, Beate and to Floyd S. Chalmers for their generosity, trust, encouragement and support.” 
MUS 164/D1,54 
MUS 164/D1,55 
MUS 164/D1,56 
MUS 164/D1,57 
Winthrop. – 1983. – 1 textual record. File containing an autograph manuscript of the score: sections V and VI (175 p.). Titles of sections: Call and Response, Covenant and Lesson (The Voyage). Instrumentation: 3(picc, al fl).1(EH).3(picc cl, al cl, b cl, cb cl, so sax, al sax).2(cbn) – 2.3.2.1(bar), perc, timp, 2 hpsd, hp, str, solo voices (SATTBarB), mixed ch (SMezATBarB), boys ch. “Dedicated with gratitude to my wife, Beate and to Floyd S. Chalmers for their generosity, trust, encouragement and support.” 
Winthrop. – 1983. – 1 textual record. File containing an autograph manuscript of the score: section VII (102 p.). Title of section: Boston… a City. Instrumentation: 3(picc, al fl).1(EH).3(picc cl, al cl, b cl, cb cl, so sax, al sax).2(cbn) – 2.3.2.1(bar), perc, timp, 2 hpsd, hp, str, solo voices (SATTBarB), mixed ch (SMezATBarB), boys ch. “Dedicated with gratitude to my wife, Beate and to Floyd S. Chalmers for their generosity, trust, encouragement and support.” 
Winthrop. – 1983. – 1 textual record. File containing an autograph manuscript of the score: section VIII (148 p.). Title of section: A Crisis. Instrumentation: 3(picc, al fl).1(EH).3(picc cl, al cl, b cl, cb cl, so sax, al sax).2(cbn) – 2.3.2.1(bar), perc, timp, 2 hpsd, hp, str, solo voices (SATTBarB), mixed ch (SMezATBarB), boys ch. “Dedicated with gratitude to my wife, Beate and to Floyd S. Chalmers for their generosity, trust, encouragement and support.” 
Winthrop. – 1983. – 1 textual record. File containing an autograph manuscript of the score: sections IX and X (75 p.). Titles of sections: Interlude, Stocktaking. Instrumentation: 3(picc, al fl).1(EH).3(picc cl, al cl, b cl, cb cl, so sax, al sax).2(cbn) – 2.3.2.1(bar), perc, timp, 2 hpsd, hp, str, solo voices (SATTBarB), mixed ch (SMezATBarB), boys ch. “Dedicated with gratitude to my wife, Beate and to Floyd S.Chalmers for their generosity, trust, encouragement and support.” 

MUS 164/D1,58 	Winthrop. – [1983?]. – 1 textual record. File containing an autograph manuscript of a reduction for voice and piano: sections I to VI (248 p.). Titles of sections: Pilgrimage and Discovery, Young John, John and Margaret, Famous Brittany, Covenant and Lesson (The Voyage). 	
MUS 164/D1,59 	Winthrop. – [1983?]. – 1 textual record. File containing an autograph manuscript of a reduction for voice and piano: sections VII to X (242 p.). Titles of sections: Boston… a City, A Crisis, Interlude, Stocktaking. 	
MUS 164/D1,60 	Winthrop. – [1983?]-1986. – 2 cm of textual records. File containing lists of corrections. Originals. 	
MUS 164/D1,61 	Thisness, duo-drama for mezzo-soprano and accompanist. – 1985. – 2 cm of textual records. 	
	File consisting of notes, autograph manuscripts and copies of the libretto. 	
MUS 164/D1,62 	Thisness, duo-drama for mezzo-soprano and accompanist. – [1985?]. – 0.5 cm of textual records. File consisting mainly of notes and sketches (77 p.). 	
MUS 164/D1,63 	Thisness, duo-drama for mezzo-soprano and accompanist. – 1985. – 1 textual record. 	
	File consisting of a draft (81 p.). Titles of sections: Quest, Thisness (Haecceitas), Incantation, Dialogue, Vertigo, Reason, Unreason, Filled Pause, About This Song, Beyond. 	
MUS 164/D1,64 	Thisness, duo-drama for mezzo-soprano and accompanist. – 1985. – 1 textual record. 	
	File consisting of an autograph manuscript of the score (80 p.). Titles of sections: Quest, Thisness (Haecceitas), Incantation, Dialogue, Vertigo, Reason, Unreason, Filled Pause, About This Song, Beyond. “To My Parents and for Phyllis Mailing.” “Commissioned by the Vancouver New Music Society, with the assistance of the Canada Council.” 	
MUS 164/D1,65 	Oppenheimer–Research. – [ca. 1989]. – 2 cm of textual records. 	
	File containing copies of records from the archives of J. Robert Oppenheimer held at the Library of Congress. 	

MUS 164/D1,66 
MUS 164/D1,67 
MUS 164/D1,68 
MUS 164/D1,69 
MUS 164/D1,70 
MUS 164/D1,71 
MUS 164/D1,72 
MUS 164/D1,73 
MUS 164/D1,74 
Oppenheimer–Research. – [ca. 1989]. – 2 cm of textual records. File containing copies of records from the archives of 
J. Robert Oppenheimer held at the Library of Congress. 
Oppenheimer–Research. – [ca. 1989]. – 1.5 cm of textual records. File containing copies of records from the archives of 
J. Robert Oppenheimer held at the Library of Congress. 
Oppenheimer–Research. – [ca. 1989]. – 1 textual record. File containing a copy of a record from the National Archives of Spain pertaining to Elvira del Campo. 
Oppenheimer–Research. – [ca. 1989]. – 1 cm of textual records. File consisting of press clippings. Copies. 
Oppenheimer–Research. – [ca. 1989] – 2 cm of textual records. File consisting mainly of articles and interviews. Copies. 
Oppenheimer–Research. – [ca. 1989] – 2 cm of textual records. File consisting mainly of articles. Copies. 
Oppenheimer–Research. – [ca. 1989]. – 2 cm of textual records. File containing interviews and a collection of letters. Copies. 
Oppenheimer–Research. – [ca. 1989]. – 2 cm of documents. – 1 photograph: col.; 27.5 x 35.5 cm. – 1 audio tape cassette (ca. 30 min.): polyester. File containing articles, notes, an aerial photograph of the city of Los Alamos and a sound recording of songs by Arthur Roberts. Originals and copies. Reference number: C 556. 
Oppenheimer. – 1988. – 2 cm of textual records. File containing notes and fragments from the libretto. Originals. 

MUS 164/D1,75 	Oppenheimer. – 1988. – 2 cm of textual records. File consisting of notes and fragments from the libretto. Originals. 	
MUS 164/D1,76 	Oppenheimer. – 1988. – 2 cm of textual records. File consisting of notes and fragments from the libretto. Originals. 	
MUS 164/D1,77 	Oppenheimer. – 1988-1990. – 2 cm of textual records. File containing fragments from the libretto and notes. Originals and copies. 	
MUS 164/D1,78 	Oppenheimer. – 1990-1991. – 2 cm of textual records. File consisting of notes, bibliographic lists, fragments from the libretto and synopses. Originals and copies. 	
MUS 164/D1,79 	Oppenheimer. – [ca. 1990]. – 1 textual record. File containing an autograph manuscript of the first version of the libretto. 	
MUS 164/D1,80 	Oppenheimer. – [ca. 1990]. – 1 textual record. File containing an autograph manuscript of the first version of the libretto. 	
MUS 164/D1,81 	Oppenheimer. – 1990. – 1 textual record. File containing a typewritten copy of the second version of the libretto. 	
MUS 164/D1,82 	Oppenheimer. – 1990. – 2 textual records. File containing annotated copies of the third version of the libretto. 	
MUS 164/D1,83 	Oppenheimer. – 1990. – 2 cm of textual records. File containing an annotated copy of the third version of the libretto, as well as fragments and notes. 	
MUS 164/D1,84 	Oppenheimer. – 1990. – 2 cm of textual records. File containing annotated copies of the fourth version of the libretto. 	
MUS 164/D1,85 	Oppenheimer. – 1990. – 2 cm of textual records. File containing copies, sometimes annotated, of the fourth version of the libretto. 	

MUS 164/D1,86 	Oppenheimer. – 1990. – 1.5 cm of textual records. File containing fragments, notes and a copy of the fifth version of the libretto. 	
MUS 164/D1,87 	Oppenheimer. – 1990. – 1.5 cm of textual records. File containing annotated copies of the fifth version of the libretto. 	
MUS 164/D1,88 	Oppenheimer. – 1990. – 1.5 cm of textual records. File containing annotated copies of the sixth version of the libretto. 	
MUS 164/D1,89 	Oppenheimer. – 1990. – 1 textual record. – 1 diskette. File containing copies of the sixth version of the libretto. 	
MUS 164/D1,90 	Oppenheimer. – 1990. – 2 cm of textual records. File containing fragments and an annotated copy of the seventh version of the libretto. 	
MUS 164/D1,91 	Oppenheimer. – [ca. 1991]. – 2.5 cm of textual records. File containing sketches and notes (199 p.). 	
MUS 164/D1,92 	Oppenheimer. – [ca. 1991]. – 2 cm of textual records. File containing sketches and notes (160 p.). 	
MUS 164/D1,93 	Oppenheimer. – [ca. 1991]. – 2 cm of textual records. File containing sketches and notes (198 p.). 	
MUS 164/D1,94 	Oppenheimer. – [ca. 1991]. – 2 cm of textual records. File containing sketches and notes (164 p.). 	
MUS 164/D1,95 	Oppenheimer. – [ca. 1991]. – 2 cm of textual records. File containing sketches and notes (175 p.). 	
MUS 164/D1,96 	Oppenheimer. – [ca. 1991]. – 3 cm of textual records. File consisting of sketches and notes (244 p.). 	
MUS 164/D1,97 	Oppenheimer. – [ca. 1991]. – 2.5 cm of textual records. File consisting of sketches, notes and lists of series (180 p.). 	
MUS 164/D1,98 	Traces (Tikkun), for baritone and orchestra. – 1992-1993. – 2 cm of textual records. 	
	File containing manuscripts and annotated copies of the libretto. 	

MUS 164/D1,99 	Traces (Tikkun), for baritone and orchestra. – 1993. – 0.5 cm of textual records. File containing manuscripts and annotated copies of the libretto. 
MUS 164/D1,100 	Traces (Tikkun), for baritone and orchestra. – [1992?]-1994. 
– 1.5 cm of textual records. File containing sketches and notes (132 p.). 
MUS 164/D1,101 	Traces (Tikkun), for baritone and orchestra. – [ca. 1993]. – 2 cm of textual records. File containing sketches and notes (126 p.). 
MUS 164/D1,102 	Traces (Tikkun), for baritone and orchestra. – 1992-1993. – 1 textual record. File consisting of a draft (96 p.). 
MUS 164/D1,103 	Traces (Tikkun), for baritone and orchestra. – 1993. – 1 textual record. File consisting of a draft (97 p.).“In Memory of László Gyopár, István Székely, Ödön Taubner, László Weiner, fellow composition students at the Ferenc Liszt Hungarian Academy of Music during 1937-1940, who lost their lives while serving in forced-labour units for Jews in the Hungarian Army during World War II.” 
MUS 164/D1,104 	Traces (Tikkun), for baritone and orchestra. – 1993-1995. – 2 textual records. File containing an autograph manuscript of the score (167 p.), as well s various fragments (8 p.). Instrumentation: 2(picc).2(EH).2(picc cl, A cl, b cl).2(cbn) – 2.2.2.1, perc, timp, cel, gtr, keyboard, str, solo baritone.“In Memory of László Gyopár, István Székely, Ödön Taubner, László Weiner, fellow composition students of mine at the Ferenc Liszt Hungarian Academy of Music during 1937-1940, who lost their lives while serving in forced-labour units for Jews in the Hungarian Army during World War II.” 
MUS 164/D1,105 	Traces (Tikkun), for baritone and orchestra. – 1995. – 1 textual record. File containing an autograph manuscript of a short score (99 p.).“In Memory of László Gyopár, István Székely, Ödön Taubner, László Weiner, fellow composition students of mine at the Ferenc Liszt Hungarian Academy of Music during 1937-1940, who lost their lives while serving in forced-labour units for Jews in the Hungarian Army during World War II.” 
MUS 164/D1,106 	Millennial Mall (Lady Diotima’s Walk)–Research. – 1994-1997. – 0.5 cm of textual records. File containing poems and articles. Copies. 
MUS 164/D1,107 	Millennial Mall (Lady Diotima’s Walk)–Research. – 1996-2000. – 2 cm of textual records. File containing press clippings. Copies. 
MUS 164/D1,108 	Millennial Mall (Lady Diotima’s Walk). – 1997. – 2 cm of textual records. File consisting of notes and fragments from the libretto. Originals. 
MUS 164/D1,109 	Millennial Mall (Lady Diotima’s Walk). – 1997. – 2 cm of textual records. File consisting of autograph manuscripts and annotated copies of the libretto. 
MUS 164/D1,110 	Millennial Mall (Lady Diotima’s Walk). – 1997. – 1.5 cm of textual records. File containing manuscript fragments and copies, sometimes annotated, of the libretto. 
MUS 164/D1,111 	Millennial Mall (Lady Diotima’s Walk). – 1997-1998. – 2 cm of textual records. File containing manuscript fragments and copies, sometimes annotated, of the libretto. 
MUS 164/D1,112 	Millennial Mall (Lady Diotima’s Walk). – 1997. – 2 cm of textual records. File containing sketches and drafts (141 p.). 
MUS 164/D1,113 	Millennial Mall (Lady Diotima’s Walk). – 1997. – 2 cm of textual records. File containing sketches and drafts (153 p.). 
MUS 164/D1,114 	Millennial Mall (Lady Diotima’s Walk). – 1997. – 2 cm of textual records. File containing notes, sketches and drafts (129 p.). 
MUS 164/D1,115 	Millennial Mall (Lady Diotima’s Walk). – 1997-1998. – 2 cm of textual records. File containing sketches and drafts: sections I to V (113 p.). Titles of sections: Enter Lady Diotima, The Mall Flag-Song (1) , Reality Check (Mall Style), The Mall Work-Out and Spa, The Scent-Shop (Many Scents). 
MUS 164/D1,116 	Millennial Mall (Lady Diotima’s Walk). – 1997-1998. – 2 cm of textual records. File containing sketches, drafts and notes: sections VI to XII (159 p.). Titles of sections: The Mall Flag-Song (2), The Fashion Show, Bamboozle Video, Advertising Unlimited (Lesson in Magic), The Mall Flag-Song (3), Millennial Tanking Now! (The Global Carnival), Diotima Leaves de Mall (Dialogue). 
MUS 164/D1,117 	Millennial Mall (Lady Diotima’s Walk). – 1999-2000. – 1 textual record. File consisting of an autograph manuscript of the score: sections I to VI (115 p.). The record also includes a page of dedications. Titles of sections: Enter Lady Diotima, The Mall Flag-Song (1) , Reality Check (Mall Style), The Mall Work-Out and Spa, The Scent-Shop (Many Scents), The Mall Flag-Song (2) . Instrumentation: 2(picc).2(EH).2(b cl).2 – 2.2.2.0, perc, timp, cel, kbd, hp, str, solo soprano, chamber ch of six soloists (SMezATBarB), ch (SMezATBarB). 
MUS 164/D1,118 	Millennial Mall (Lady Diotima’s Walk). – 1999-2000. – 1 textual record. File consisting of an autograph manuscript of the score: sections VII to XII (132 p.). Titles of sections: The Fashion Show, Bamboozle Video, Advertising Unlimited (Lesson in Magic), The Mall Flag-Song (3), Millennial Tanking Now! (The Global Carnival), Diotima Leaves de Mall (Dialogue). Instrumentation: 2(picc).2(EH).2(b cl).2 – 2.2.2.0, perc, timp, cel, kbd, hp, str, solo soprano, chamber ch of six soloists (SMezATBarB), ch (SMezATBarB). 
MUS 164/D1,119 	Millennial Mall (Lady Diotima’s Walk). – 1999-2000. – 1 textual record. File containing an autograph manuscript of a short score (208 p.). The record also includes a page of dedications. Titles of sections: Enter Lady Diotima, The Mall Flag-Song (1) , Reality Check (Mall Style), The Mall Work-Out and Spa, The Scent-Shop (Many Scents), The Mall Flag-Song (2), The Fashion Show, Bamboozle Video, Advertising Unlimited (Lesson in Magic), The Mall Flag-Song (3), Millennial Tanking Now! (The Global Carnival), Diotima Leaves de Mall (Dialogue). 
MUS 164/D1,120 	Millennial Mall (Lady Diotima’s Walk). – 2000. – 1 textual record. File containing an annotated copy of an autograph manuscript of a short score (211 p.). The record also includes notes, dedications and signatures from many members of the Winnipeg Symphony Orchestra. Titles of sections: Enter Lady Diotima, The Mall Flag-Song (1), Reality Check (Mall Style), The Mall Work-Out and Spa, The Scent-Shop (Many Scents), The Mall Flag-Song (2), The Fashion Show, Bamboozle Video, Advertising Unlimited (Lesson in Magic), The Mall Flag-Song (3), Millennial Tanking Now! (The Global Carnival), Diotima Leaves de Mall (Dialogue). 
MUS 164/D2 ORCHESTRA 
MUS 164/D2,1 	Concerto (In stilo di Handel). – 1946. – 1 textual record. File containing a draft of the score (31 p.). Instrumentation: 
0.2.0.1 – 2.0.0.0, hpsd, str. This concerto grosso was composed in Paris. 
MUS 164/D2,2 	Concerto per orchestra. – [ca. 1948]. – 1 textual record. File containing a draft of the score (83 p.). The manuscript also includes a page of sketches. Instrumentation: 3(picc).2+EH.3(picc cl, A cl, b cl).2+cbn – 4.3.3.1, timp, perc, cel, hp, pno, str. 
MUS 164/D2,3 	Interludium, for small orchestra. – 1949. – 7 textual records. File containing sketches and drafts (27 p.). Work for strings, piano and timpani. 
MUS 164/D2,4 	Interludium, for small orchestra. – 1949. – 1 textual record. File containing an annotated copy of an autograph manuscript of the score (19 p.). Work for strings, piano and timpani. “Dedicated to Lady Davis.” 

MUS 164/D2,5 	Funeral Music, for small orchestra. – [1951?]. – 0.5 cm of textual records. 	
	File containing sketches and a draft of the score (30 p.). Instrumentation: 1.0.1.1 – 1.0.0.0, 2 vln, 2 vla, 2 vcl. 	
MUS 164/D2,6 	Funeral Music, for small orchestra. – 1972. – 1 textual record. 	
	File consisting of an autograph manuscript of the score on transparent paper (17 p.). Instrumentation: 1.0.1.1 – 1.0.0.0, 2 vln, 2 vla, 2 vcl. 	
	“To László Gyopár.” 	
MUS 164/D2,7 	Symphony. – [1957?]. – 0.5 cm of textual records. File containing notes and graphics (31 p.). 	
MUS 164/D2,8 	Symphony. – [1957?]. – 1.5 cm of textual records. File containing sketches (148 p.). 	
MUS 164/D2,9 	Symphony. – [1957?]. – 1 cm of textual records. File containing sketches of a partial orchestration (82 p.). 	
MUS 164/D2,10 	Symphony. – 1957. – 1 textual record. File consisting of a draft of the score (135 p.). Instrumentation: 2+picc.2+EH.2+picc cl +b cl.2+cbn – 4.3.3.1, timp, perc, cel, hp, pno, str. 	
MUS 164/D2,11 	Symphony. – [1959?]. – 1 textual record. File consisting of an autograph manuscript of the score on transparent paper (104 p.). Instrumentation: 2+picc.2+EH.2+picc cl +b cl.2+cbn – 4.3.3.1, timp, perc, cel, hp, pno, str. “Dedicated to the Bicentenary of Canadian Jewry.” 	
MUS 164/D2,12 	Symphony. – [1959?]. – 1 textual record. File containing an annotated copy of an autograph manuscript of the score (102 p.). Instrumentation: 2+picc.2+EH.2+picc cl +b cl.2+cbn – 4.3.3.1, timp, perc, cel, hp, pno, str. 	
MUS 164/D2,13 	Symphony. – [1959?]. – 7 textual records. File consisting of fragments of the score (18 p.). Instrumentation: 2+picc.2+EH.2+picc cl +b cl.2+cbn – 4.3.3.1, timp, perc, cel, hp, pno, str. 	
MUS 164/D2,14 	Symphony of Modules. – [1967?]. – 1 cm of textual records. File containing notes (119 p.). 	

MUS 164/D2,15 	Symphony of Modules. – [1967?]. – 1.5 cm of textual records. File containing sketches (113 p.). 	
MUS 164/D2,16 	Symphony of Modules. – [1967?]. – 2 cm of textual records. File containing, among other items, rhythmic sequences, notes and graphics (174 p.). 	
MUS 164/D2,17 	Symphony of Modules. – [1967?]. – 1.5 cm of textual records. File containing sketches, graphics and autograph manuscripts of various sections of the work (137 p.). 	
MUS 164/D2,18 	Symphony of Modules. – 1967. – 1.5 cm of textual records. File containing drafts of the score (75 p.). 	
MUS 164/D2,19 	Symphony of Modules. – 1967. – 1.5 cm of textual records. File containing drafts of the score (84 p.). 	
MUS 164/D2,20 	Symphony of Modules. – 1967. – 1 textual record. File consisting of an autograph manuscript of the score (86 p.). Instrumentation: 4(picc, al fl).2+EH.2+picc cl+b cl.3+cbn – 6.3.4.2, timp, perc, cel, hp, pno, hpsd, acc, gtr, str, audio tapes. “Through the initiative of R. Murray Schafer this work was commissioned by Simon Fraser University (Communications Centre) with the collaboration of the Canadian Music Centre under a grant from the Centennial Commission for premiere performance during Canada’s Centennial Year, 1967.” 	
MUS 164/D2,21 	Symphony of Modules. – 1967. – 1 textual record. 	
	File containing autograph manuscripts of the score: fragments (33 p.). Instrumentation: 4(picc, al fl).2+EH.2+picc cl +b cl.3+cbn – 6.3.4.2, timp, perc, cel, hp, pno, hpsd, acc, gtr, str, audio tapes. 	
MUS 164/D2,22 	Simulacrum. – [1987?]. – 2 cm of textual records. File consisting of notes (118 p.). 	
MUS 164/D2,23 	Simulacrum. – [1987?]. – 2 cm of textual records. File consisting of sketches (211 p.). 	
MUS 164/D2,24 	Simulacrum. – 1987. – 1 cm of textual records. File containing sketches and a draft (76 p.). “For the National Arts Centre Orchestra and its Music 	
	Director Designate, Gabriel Chmura.” 	

MUS 164/D2,25 	Simulacrum. – 1987. – 1 textual record. File consisting of an autograph manuscript of the score (111 p.). Instrumentation: 2(picc, al fl).2(EH).2(picc cl, A cl, b cl).2(cbn) – 2.2.0.0, perc, str, optional instruments (1 or 2 kbd, 2 hn, tpt, 2 trb, hp). “For the National Arts Centre Orchestra and its Music 	
	Director Designate, Gabriel Chmura.” 	
MUS 164/D2,26 	Simulacrum. – 1987. – 1 textual record. File containing an annotated copy of an autograph manuscript of the score (112 p.). Instrumentation: 2(picc, al fl).2(EH).2(picc cl, al cl, b cl).2(cbn) – 2.2.0.0, perc, str, optional instruments (1 or 2 kbd, 2 hn, tpt, 2 trb, hp). “For the National Arts Centre Orchestra and its Music 	
	Director Designate, Gabriel Chmura.” 	
MUS 164/D2,27 	Simulacrum. – 1987. – 1 textual record. File containing an annotated copy of an autograph manuscript of the score (112 p.). Instrumentation: 2(picc, al fl).2(EH).2(picc cl, al cl, b cl).2(cbn) – 2.2.0.0, perc, str, optional instruments (1 or 2 kbd, 2 hn, tpt, 2 trb, hp). “For the National Arts Centre Orchestra and its Music 	
	Director Designate, Gabriel Chmura.” 	
MUS 164/D2,28 	Simulacrum. – 1987. – 1 textual record. File containing an annotated copy of an autograph manuscript of the score (112 p.). Instrumentation: 2(picc, al fl).2(EH).2(picc cl, al cl, b cl).2(cbn) – 2.2.0.0, perc, str, optional instruments (1 or 2 kbd, 2 hn, tpt, 2 trb, hp). “For the National Arts Centre Orchestra and its Music 	
	Director Designate, Gabriel Chmura.” 	
MUS 164/D2,29 	Simulacrum. – 1987. – 13 textual records. File containing lists of corrections (15 p.) and annotated copies of the parts for cello and percussion (14 p.). 	
MUS 164/D2,30 	SparkskrapS. – [1987?]. – 2 cm of textual records. File containing sketches (194 p.). 	
MUS 164/D2,31 	SparkskrapS. – [1987?]. – 1 cm of textual records. File containing sketches and notes (102 p.). 	
MUS 164/D2,32 	SparkskrapS. – 1987. – 1 cm of textual records. File containing a draft and sketches (124 p.). 	

MUS 164/D2,33 	SparkskrapS. – 1987. – 1 textual record. File consisting of an autograph manuscript of the score (109 p.). Instrumentation: 2(al fl).2(EH).2(picc cl, b cl).2(cbn) – 2.2.2.1(bar), timp, perc, kbd, hp, str, optional instruments (fl, 2 hn, tpt, trb). “For the Esprit Orchestra and its Music Director Alex Pauk.” 	
MUS 164/D2,34 	SparkskrapS. – [1987?]. – 1.5 cm of textual records. File containing copies of autograph manuscripts of the parts for fl I, II and III; ob I and II; cl I and II; bn I and II; hn I, II, III and IV; tpt I, II and III; trb I, II and III; tb (165 p.). 	
MUS 164/D2,35 	SparkskrapS. – [1987?]. – 1 cm of textual records. File containing copies of autograph manuscripts of the parts for kbd, hp, perc, str (144 p.). 	
MUS 164/D2,36 	SparkskrapS. – 1988. – 0.5 cm of textual records. File containing notes and lists of corrections (46 p.). 	
MUS 164/D2,37 	Sonance•Resonance (Welche Töne?). – 1988-1989. – 1.5 cm of textual records. 	
	File consisting of sketches, notes and lists of series (127 p.). 	
MUS 164/D2,38 	Sonance•Resonance (Welche Töne?). – 1988-1989. – 1.5 cm of textual records. 	
	File consisting of sketches (156 p.). 	
MUS 164/D2,39 	Sonance•Resonance (Welche Töne?). – 1988-1989. – 1.5 cm of textual records. 	
	File consisting of sketches and notes (153 p.). 	
MUS 164/D2,40 	Sonance•Resonance (Welche Töne?). – 1988-1989. – 1.5 cm of textual records. 	
	File containing sketches and notes (149 p.). 	
MUS 164/D2,41 	Sonance•Resonance (Welche Töne?). – 1988-1989. – 1.5 cm of textual records. 	
	File consisting of sketches and a draft (110 p.). Instrumentation: 3(picc).2+EH.3(picc cl, b cl).2+cbn-4.3.3+bar.1, timp, kbd(piano, electric organ or synthesizer), str. “For the Toronto Symphony and its Music Director Gunther Herbig.” 	

MUS 164/D2,42 	Sonance•Resonance (Welche Töne?). – 1989. – 1 textual record. File consisting of an autograph manuscript of the score (116 p.). Instrumentation: 3(picc).2+EH.3(picc cl, b cl).2+cbn-4.3.3+bar.1, timp, kbd(piano, electric organ or synthesizer), str. “A joint commission by the Toronto Symphony, the Calgary Philharmonic and l’Orchestre symphonique de Montréal, with financial assistance from the Canada Council.” “For the Toronto Symphony and its Music Director Gunther Herbig who initiated and inspired….” 
MUS 164/D3 CHAMBER MUSIC 
MUS 164/D3,1 	Quartetto, for strings. – [194-?]. – 0.5 cm of textual records. File consisting of sketches and drafts (87 p.). 
MUS 164/D3,2 	Quartetto, for strings. – [194-?]. – 2 cm of textual records. File containing autograph manuscripts of the score (83 p.) and the parts (77 p.). 
MUS 164/D3,3 	Trio for Violin, Violoncello and Piano. – [1953?]. – 1.5 cm of textual records. File consisting of sketches and drafts (117 p.). 
MUS 164/D3,4 	Trio for Violin, Violoncello and Piano. – 1972. – 1 cm of textual records. File containing autograph manuscripts of the score on transparent paper (43 p.) and of the violin and cello parts (21 p.). “Dedicated to Theresa and Eugene de Kerpely.” 
MUS 164/D3,5 	Sonata for Violin and Piano. – 1972. – 2 textual records. File containing autograph manuscripts of the score on transparent paper (23 p.) and of the violin part (13 p.). “To my Father.” 
MUS 164/D3,6 	Sonata for Violin and Piano. – [1972?]. – 2 textual records. File containing autograph manuscripts of the score on transparent paper (14 p.) and of the violin part (8 p.). The score is incomplete. “To my Father.” 
MUS 164/D3,7 	Doors… Shadows (Glenn Gould in Memory), for string quartet. – 1992. – 1 cm of textual records. File consisting of sketches and a draft (84 p.). 

MUS 164/D3,8 	Doors… Shadows (Glenn Gould in Memory), for string quartet. – 1992. – 1 cm of textual records. File consisting of an autograph manuscript of the score (18 p.). “For the Glenn Gould String Quartet.” “Commissioned by the Canadian Broadcasting Corporation.” 	
MUS 164/D3,9 	Doors… Shadows (Glenn Gould in Memory), for string quartet. – 1992. – 1.5 cm of textual records. File containing lists of corrections (3 p.), annotated copies of the score (33 p.) and the set of parts (90 p.). “For the Glenn Gould String Quartet.” “Commissioned by the Canadian Broadcasting Corporation.” 	
MUS 164/D3,10 	Doors… Shadows (Glenn Gould in Memory), for string quartet. – 1992. – 1 cm of textual records. File containing copies of the set of parts (56 p.). “For the Glenn Gould String Quartet.” “Commissioned by the Canadian Broadcasting Corporation.” 	
MUS 164/D4 PIANO 		
MUS 164/D4,1 	Capriccio. – 1946. – 1 textual record. File consisting of a draft (3 p.). 	
MUS 164/D4,2 	Sonata. – 1947-1948. – 0.5 cm of textual records. File containing sketches and drafts (37 p.). 	
MUS 164/D4,3 	Sonata. – [1948?]. – 1 textual record. File consisting of an autograph manuscript (53 p.). The record also includes a page of sketches. 	
MUS 164/D4,4 	Sonata. – [1951?]. – 1 textual record. File consisting of an autograph manuscript on transparent paper (33 p.). 	
MUS 164/D4,5 	Arc en ciel, ballet. – [1951?]. – 1 cm of textual records. File containing sketches and drafts (83 p.) as well as a page of notes. 	
MUS 164/D4,6 	Arc en ciel, ballet. – [1951?]. – 1 textual record. File consisting of an autograph manuscript (43 p.). 	

MUS 164/D4,7 	Arc en ciel, ballet. – [1951?]. – 1 textual record. File containing an autograph manuscript of a section of the work for two pianos (13 p.). 
MUS 164/D4,8 	Arc en ciel, ballet. – 1951. – 1 textual record. File containing an autograph manuscript of an arrangement for two pianos (94 p.). 
MUS 164/D4,9 	Arc en ciel, ballet. – 1951. – 1 textual record. File containing an autograph manuscript on transparent paper of an arrangement for two pianos (93 p.). 
MUS 164/D4,10 	Fantasia. – [1954?]. – 2 textual records. File consisting of autograph manuscripts (17 p.). The record in pencil also includes a page of sketches. 
MUS 164/D5 CHOIR OR VOICE 
MUS 164/D5,1 	Ünnepek (Gábor Devecseri), for choir (SSMezATB). – [1942?]. 
– 1 textual record. File consisting of an autograph manuscript of the score (36 p.). Work in three movements. 
MUS 164/D5,2 	Six Songs from Na Conxy Pan (Sándor Weöres), for voice and piano. – 1945-1947. – 0.5 cm of textual records. File consisting of sketches and drafts (32 p.). 
MUS 164/D5,3 	Six Songs from Na Conxy Pan (Sándor Weöres), for baritone and piano. – 1947-1949. – 0.5 cm of textual records. File containing autograph manuscripts of the score (57 p.). Each section carries a dedication: 1 – “To Miss Nadia Boulanger,” (translation) 2 – “Klárinak Devecseri,” 3 – “Raymond Depraz,” 4 – “Eveline Accart,” 5 – “To Gaby Ly,” (translation) 6 – “To Pia Sebastiani.” (translation) 
MUS 164/D5,4 	Six Songs from Na Conxy Pan (Sándor Weöres), for baritone and piano. – 1984. – 1 textual record. File consisting of an autograph manuscript of the score (24 p.). English version. Each section carries a dedication: 1 – “To Miss Nadia Boulanger,” (translation)2 – “Klárinak Devecseri,” 3 – “Raymond Depraz,” 4 – “Eveline Accart,” 5 – “ To Gaby Ly,” (translation) 6 – “To Pia Sebastiani.” (translation) 
MUS 164/D5,5 	Külvárosi éj (Attila József), for choir. – 1945. – 1 textual record. File consisting of a draft of the score (19 p.). Incomplete. 

MUS 164/D5,6 	I Dream’d in a Dream (Walt Whitman), for voice and piano. – 1949. – 1 textual record. 	
	File containing a draft of the score (23 p.). The record also includes a page of sketches. 	
MUS 164/D5,7 	From Paumanok Starting I Fly Like a Bird (Walt Whitman), for choir (SATB) and piano. – 1949. – 0.5 cm of textual records. 	
	File consisting of sketches and a draft of the score (71 p.). 	
MUS 164/D5,8 	Misinterpreted Fragment (Walt Whitman), for choir (SATB) and piano. – 1949. – 1 textual record. File consisting of a draft of the score (37 p.) 	
MUS 164/D5,9 	Reconciliation (Walt Whitman), for choir (SATB) and piano. – 1949. – 1 textual record. 	
	File containing an incomplete draft of the score (9 p.). 	
MUS 164/D5,10 	Look Down, Fair Moon (Walt Whitman), for voice and piano. – 1949. – 2 textual records. 	
	File consisting of a draft (11 p.) and an autograph manuscript of the score (10 p.). 	
MUS 164/D5,11 	Sonnet (Beatrice R. Hayes), for voice and piano. – 1949-1951. – 3 textual records. 	
	File containing sketches (16 p.) and an autograph manuscript of the score (10 p.). The poem is signed by B.R. Hayes. 	
MUS 164/D5,12 	Sea Winds Blown from the East and West (Walt Whitman), for choir (SATB) and piano. – [1949?]. – 1 textual record. File containing sketches (12 p.). 	
MUS 164/D5,13 	Hallelujah, for choir (SATB). – [1949?]. – 1 textual record. File consisting of an autograph manuscript of the score (4 p.). 	
MUS 164/D5,14 	Tétel Vázlata, for choir (SATB) and piano. – [194-?]. – 1 textual record. 	
	File containing sketches (5 p.). 	

MUS 164/D5,15 
MUS 164/D5,16 
MUS 164/D5,17 
MUS 164/D5,18 
MUS 164/D5,19 
MUS 164/D5,20 
Three Songs of Love (Walter de la Mare and anonymous author), for choir (SSA). – 1951. – 0.5 cm of textual records. File containing sketches and drafts (49 p.), as well as autograph manuscripts of the score (7 p.) and set of parts for the first section of the work (12 p.). Titles of pieces: The Song of the Mad Prince, The Maid of the Moor, The Two Magicians. Each section carries a dedication: 1 – “Berkovics Ági,” 2 – “To Jean and Isabelle Papineau-Couture,” (translation) 3 – “To Beate Frankenberg.” 
Three Songs of Love (Walter de la Mare and anonymous author), for choir (SSA). – 1951. – 1 textual record. File consisting of an autograph manuscript on transparent paper of the score (32 p.). Titles of pieces: The Song of the Mad Prince, The Maid of the Moor, The Two Magicians. Each section carries a dedication: 1 – “Berkovics Ági,” 2 – “To Jean and Isabelle Papineau-Couture,” (translation) 3 – “To Beate Frankenberg.” 
Three Songs of Love (Walter de la Mare and anonymous author), for choir (SSA), flute and clarinet. – 1997. – 1 textual record. File consisting of an autograph manuscript of the score (29 p.). Titles of pieces: The Song of the Mad Prince, The Maid of the Moor, The Two Magicians. Each section carries a dedication: 1 – “Berkovics Ági,” 2 – “To Jean and Isabelle Papineau-Couture,” (translation) 3 – “To Beate Frankenberg.” 
Psalm XIX–A Benediction (A.M. Klein), for voice and piano. – 1951. – 2 textual records. File consisting of a draft (6 p.) and an autograph manuscript of the score (7 p.). 
Seu Scheorim, for choir (SATB) and organ. – 1951. – 1 textual record. File containing autograph manuscripts of the score (9 p.) and vocal part (2 p.). 
Journey of the Magi (T.S. Eliot), for voice and piano. – 1952. 
– 2 textual records. File containing sketches (16 p.) and an autograph manuscript of the score on transparent paper (15 p.). “To Fadlou A. Shehadi.” 

MUS 164/D5,21 	Three Songs of Death (William Davenant, Robert Herrick), for choir (SATB). – 1952. – 0.5 cm of textual records. File consisting of sketches (19 p.) and an autograph manuscript of the score (26 p.). Titles of pieces: Song, The Bell-Man, The White Island: Or Place of the Blest. 	
MUS 164/D5,22 	Three Songs of Death (William Davenant, Robert Herrick), for choir (SATB). – 1952. – 1 textual record. File containing an autograph manuscript of the score on transparent paper (23 p.). Titles of pieces: Song, The Bell-Man, The White Island: Or Place of the Blest. 	
MUS 164/D5,23 	Cento: Cantata Urbana (Eldon Grier), for choir (SSSAAATTTBBB) and audio tape. – [ca. 1967]. – 9 audio tape reels (ca. 6 hr.): polyester; 19 and 38 cm/sec.; reel: 25 cm. 	
	Sound recordings containing composition material. Reference numbers: T10 14, T10 841 to T10 848. 	
MUS 164/D5,24 	Cento: Cantata Urbana (Eldon Grier), for choir (SSSAAATTTBBB) and audio tape. – 1967. – 0.5 cm of textual records. – 1 audio tape reel (10 min. 40 sec.): polyester; 19 cm/sec.; reel: 18 cm. File consisting of an autograph manuscript of the score (51 p.) and the audio tape of the work. “To Paul Rochberg.” “This work was commissioned by the University Chamber Singers (Cortland Hultberg, Director) with the collaboration of the Canadian Music Centre under a grant from the Centennial Commission for premiere performance during Canada’s Centennial Year, 1967.” Reference number: T7 1868. 	
MUS 164/D5,25 	Cento: Cantata Urbana (Eldon Grier), for choir (SSSAAATTTBBB) and audio tape. – ©1963. – 1 textual record. 	
	File containing an annotated copy of Eldon Grier’s book of 	
	poetry. 	
MUS 164/D5,26 	Cento: Cantata Urbana (Eldon Grier), for choir (SSSAAATTTBBB) and audio tape. – 1966-1967. – 2 cm of textual records. 	
	File containing notes and autograph manuscripts, as well as annotated copies of a poem by Eldon Grier. 	

MUS 164/D5,27 	Cento: Cantata Urbana (Eldon Grier), for choir (SSSAAATTTBBB) and audio tape. – [1967?]. – 4 textual records. 	
	File containing fragments of the work (5 p.) 	
MUS 164/D5,28 	Chansons d’aurore (André Verdet), for soprano, flute and piano. – [1972?]. – 2 textual records. File consisting of autograph manuscripts of the score on transparent paper (14 p.) and the vocal part (6 p.). Titles of sections: J’ai dormi, Aurore, À cet instant , Petites surprises. 	
MUS 164/D5,29 	Comments, for voice, violin, cello and piano. – [1972?]. – 0.5 cm of textual records. 	
	File consisting of autograph manuscripts of the score on transparent paper (37 p.) and parts for the violin and cello (12 p.). “To Maureen Forrester.” 	
MUS 164/D5,30 	Comments, for voice, violin, cello and piano. – [1972?]. – 1 cm of textual records. 	
	File consisting of autograph manuscripts on transparent paper of the score (46 p.) and parts for the violin and cello (21 p.). Incomplete. “To Maureen Forrester.” 	
MUS 164/D5,31 	The Bell-Man (Robert Herrick), for choir (SATBarB). – 1978. – 1 textual record. 	
	File containing an autograph manuscript of the score on transparent paper (10 p.). Another version of the second piece in the cycle Three Songs of Death. 	
MUS 164/D5,32 	The Bell-Man (Robert Herrick), for choir (SATBarB), bells and organ. – 1980. – 2 textual records. File containing a draft (14 p.) and an autograph manuscript of the score on transparent paper (15 p.). Another version of the second piece in the cycle Three Songs of Death. 	
MUS 164/D5,33 	A Little Wedding Music, for voice and piano (or organ). – 1983-1984. – 1 textual record. 	
	File consisting of autograph manuscripts of the score (17 p.). Titles of sections: Entry of the Bride, At the Wedding March, March of the Newlyweds. “For Helen and Axel.” 	

MUS 164/D5,34 	A Wedding Carol, for voice and organ. – 1985. – 3 textual records. File containing sketches (5 p.) and an autograph manuscript of the score (10 p.) as well as drafts and a copy of the text (13 p.). “For Carol and Branch.” 
MUS 164/D5,35 	For Gene and George on Their 50th Together. – 1991. – 1 textual record. File containing a copy of the score (2 p.). Work composed for George Rochberg and his wife Gene. 
MUS 164/D6  ELECTROACOUSTIC MUSIC 

MUS 163/D6,1 	Electronic Composition No. 2. – [ca. 1960]. – 5 audio tape reels (ca. 2 hr.): polyester; 38 cm/sec.; reels: 13 and 25 cm. Sound recordings containing composition material. Reference numbers: T5 525, T10 19 to T10 22. 	
MUS 163/D6,2 	Electronic Composition No. 2. – [ca. 1960]. – 1 audio tape reel (ca. 9 min.): polyester; 38 cm/sec.; reel: 18 cm. Reference number: T7 1867. 	
MUS 164/D6,3 	Electronic Composition No. 3 (Birds and Bells). – [1960?]. – 2 textual records. – 4 photographs: b&w; 21.5 x 28 cm and 10 x 28 cm. 	
	File containing a diagram and spectrograms (13 p.). 	
MUS 163/D6,4 	Electronic Composition No. 3 (Birds and Bells). – [ca. 1960]. – 5 audio tape reels (ca. 2 hr.): polyester; 38 cm/sec.; reels: 13 and 25 cm. Sound recordings containing composition material. Reference numbers: T5 526, T10 15 to T10 18. 	
MUS 163/D6,5 	Electronic Composition No. 3 (Birds and Bells). – [ca. 1960]. – 1 audio tape reel (ca. 10 min.): polyester; 38 cm/sec.; reel: 25 cm. 	
	Reference number: T10 851. 	
MUS 163/D6,6 	Electronic Composition No. 4. – 1961. – 1 audio tape reel (ca. 14 min.): polyester; 38 cm/sec.; reel: 25 cm. File containing composition material. Reference number: T10 852. 	
MUS 163/D6,7 	Electronic Composition No. 4. – 1961. – 1 audio tape reel (ca. 13 min.): polyester; 38 cm/sec.; reel: 25 cm. Reference number: T10 853. 	

MUS 164/D7 MISCELLANEOUS 

MUS 164/D7,1 	Galambabmalag: The Halloween Witch and 24 Other Easy Pieces for Recorder (solos and duets). – 1993-1995. – 1 cm of textual records. 	
	File consisting of a manuscript (26 p.) and copies (49 p.). “For Astrid, Claudia, Walker and their friends.” 	
MUS 164/D7,2 	Sketches. – [194-?]-[195-?]. – 2 cm of textual records. File containing various sketches (49 p.). Titles: Sinfonia, Preludio, Postludium, Serenade, Concerto, On the Day Theresa de Kerpely Died. 	
MUS 164/D7,3 	Sketches. – [194-?]-[195-?]. – 2 cm of textual records. File containing various sketches (243 p.). 	
MUS 164/D7,4 	Sketches. – [194-?]-[195-?]. – 2 cm of textual records. File containing various sketches (218 p.). 	
MUS 164/D7,5 	Sketches. – [194-?]-[195-?]. – 2 cm of textual records. File containing various sketches (215 p.). 	
MUS 164/D7,6 	Sketches. – [194-?]-[195-?]. – 2 cm of textual records. File containing various sketches (213 p.). 	
MUS 164/D7,7 	Sketches. – [194-?]-[199-?]. – 2 cm of textual records. File containing various sketches (256 p.). 	
MUS 164/D7,8 	Arrangements. – [194-?]-[195-?]. – 2 cm of textual records. File containing manuscripts and copies of several pieces, including Four Arms, Two Necks, One Wreathing; Come Let’s Begin to Revel’t Out; Lord When I Think; La Pastorella mia; Leave Now, Mine Eyes, Lamenting; and Come Shepherds Follow Me. 	
MUS 164/D7,9 	Missa (László Gyopár), for choir and orchestra. – 1942. – 1 textual record. 	
	File containing a manuscript copy of the score (118 p.). This record was given to István Anhalt by László Gyopár’s father in the 1950s. 	
MUS 164/D7,10 	Oberon (K.M. von Weber), for orchestra. – 1946. – 1 textual record. 	
	File containing a manuscript copy of the score prepared by Claire Labrosse. 	

MUS 164/E 	FILES PERTAINING TO MUSICAL WORKS. – 1948-2000. – 82 cm of textual records. – 3 photographs: col.; 10 x 15.5 cm. 
The records in this series focus on activities pertaining to musical works (concerts, promotion, etc.) and also provide a range of information enabling us to trace the progress of the works through the years. It contains, among other items, correspondence (Mario Bernardi, John Murrell, Gunther Herbig, John Beckwith, Marius Constant, George Whalley, Ruby Mercer, John Meisel, Udo Kasemets, Harry Freedman, Serge Garant, R. Murray Schafer, Jean Papineau-Couture, Raffi Armenian, Elmer Iseler, Maureen Forrester, Norma Beecroft, Flora MacDonald, John Rea, Bruce Mather, Edward Bisha, Rick MacMillan, etc.), contracts, reports, diaries, concert programs, program notes, schedules, notes, drawings by Sylvia Tait, promotional material, periodicals and press clippings. 
The following files are subject to access restrictions: E,17; E,33 (one letter only); E,48. 
Originals and copies. 

MUS 164/E,1 	Alexandor Pax. – [ca. 1986]. – 2 cm of textual records. File containing notebooks pertaining to a projected opera. Originals. 	
MUS 164/E,2 	Alexandor Pax. – [ca. 1986]-1988. – 1 cm of textual records. File consisting mainly of notes pertaining to a projected 	
	opera. Originals and copies. 	
MUS 164/E,3 	Cento: Cantata Urbana. – 1966-1971. – 1 cm of textual records. 	
	File containing correspondence with, among others, the University of British Columbia, the Centennial Commission, Laval University, the Mid-America Chorale and the Canadian Music Centre. 	
	Originals and copies. 	
MUS 164/E,4 	Cento: Cantata Urbana. – 1967-1990. – 1 cm of textual records. 	
	File consisting of concert programs, program notes, promotional material, notes and press clippings. Originals and copies. 	
MUS 164/E,5 	Chansons d’aurore. – 1955-1982. – 5 textual records. File containing concert programs and press clippings. Copies. 	

MUS 164/E,6 	Doors… Shadows (Glenn Gould in Memory). – 1992. – 1 cm of textual records. 	
	File consisting of correspondence, a contract, programs, notes and press clippings. Originals and copies. 	
MUS 164/E,7 	Electronic Composition Nos. 1-4. – 1959-1966. – 2 cm of textual records. 	
	File containing correspondence, concert programs, program notes, a report and press clippings. Originals and copies. 	
MUS 164/E,8 	Electronic Composition Nos. 1-4. – 1967-1988. – 1 cm of textual records. 	
	File containing a letter, a concert program, program notes, a report and a periodical. Originals and copies. 	

István Anhalt at a rehearsal of his work Foci in Redpath Hall, 1971. 

MUS 164/E,9 	Foci. – 1969-1984. – 1 cm of textual records. File containing, among other items, concert programs, program notes, periodicals and press clippings. Original and copies. 	
MUS 164/E,10 	Millennial Mall (Lady Diotima’s Walk). – 1996-1999. – 2 cm of textual records. 	
	File containing, among other items, correspondence, notes and press clippings. Originals and copies. 	
MUS 164/E,11 	Millennial Mall (Lady Diotima’s Walk). – 2000. – 1.5 cm of textual records. 	
	File consisting of correspondence, concert programs, promotional material and press clippings. Originals and copies. 	
MUS 164/E,12 	Millennial Mall (Lady Diotima’s Walk). – 2000. – 1 cm of textual records. 	
	File containing, among other items, correspondence, program notes and a periodical. Originals and copies. 	
MUS 164/E,13 	Oppenheimer. – 1988-1991. – 0.5 cm of textual records. File containing correspondence with Peter Oppenheimer. Originals and copies. 	
MUS 164/E,14 	Oppenheimer. – 1990-1991. – 1 cm of textual records. – 3 photographs: col.; 10 x 15.5 cm. File containing correspondence with John Murrell. Originals and copies. 	
MUS 164/E,15 	Oppenheimer. – 1988-1990. – 2 cm of textual records. File containing correspondence with, among others, the Canadian Broadcasting Corporation, the American Institute of Physics, the Library of Congress, Sandy Thorburn, the Canadian Opera Company and Mavor Moore. Originals and copies. 	
MUS 164/E,16 	Oppenheimer. – 1991-1999. – 2 cm of textual records. File containing correspondence with, among others, the J. Robert Oppenheimer Memorial Committee, the Canadian Opera Company, Susan Schulman and Robin Phillips. The file also contains some contracts and schedules. 	
	Originals and copies. 	

MUS 164/E,17 	Oppenheimer. – 1988-1991. – 1 textual record. File containing Anhalt’s memoirs concerning his work. Access is restricted until the death of the donor or unless 	
	written permission is obtained from István Anhalt. Original. 	
MUS 164/E,18 	Simulacrum. – 1986-1990. – 1 cm of textual records. File consisting mainly of correspondence. Originals and copies. 	
MUS 164/E,19 	Simulacrum. – 1987-1990. – 1.5 cm of textual records. File consisting of concert programs, program notes, news releases, schedules, an invitation card and promotional material. 	
	Originals and copies. 	
MUS 164/E,20 	Simulacrum. – 1987-1988. – 19 textual records. File consisting of press clippings. Copies. 	
MUS 164/E,21 	Sonance•Resonance (Welche Töne?). – 1988-1989. – 2 cm of textual records. 	
	File containing correspondence with, among others, Loie Fallis, Gunther Herbig, Elma Miller, Robin Elliott, Mark Abbott, John Hawkins, David Kent, John Beckwith, M. Zimmering and Sylvia Tait. 	
MUS 164/E,22 	Sonance•Resonance (Welche Töne?). – 1989-1994. – 1 cm of textual records. 	
	File containing correspondence with, among others, Walter Curtin, Sylvia Tait, John Roberts, Rajeev H. Dehejia, Alan Gillmor, Kathryn McDermott, Helen Weinzweig and Mario Bernardi. 	
	Originals and copies. 	
MUS 164/E,23 	Sonance•Resonance (Welche Töne?). – 1989. – 1 cm of textual records. 	
	File containing notes. Originals. 	
MUS 164/E,24 	Sonance•Resonance (Welche Töne?). – 1989-1992. – 0.5 cm of textual records. 	
	File containing concert programs, the text of an interview and press clippings. Copies. 	

MUS 164/E,25 	SparkskrapS. – 1986-1993. – 1 cm of textual records. File containing, among other items, correspondence, news releases, concert programs, program notes and press clippings. Originals and copies. 	
MUS 164/E,26 	Symphony. – 1959-1967. – 2 cm of textual records. File containing correspondence, concert programs, program notes, a contract, a report and press clippings. Originals and copies. 	
MUS 164/E,27 	Symphony of Modules. – 1966-1995. – 1.5 cm of textual records. 	
	File consisting of correspondence, a report and notes. Originals and copies. 	
MUS 164/E,28 	Thisness. – 1972-1988. – 1 cm of textual records. File containing correspondence with, among others, John Roberts, Paul Grant, Phyllis Mailing, Rosemarie Landry, Sylvia Tait, Lucille Cousineau-Allard and R. Lewis Morrison. Originals and copies. 	
MUS 164/E,29 	Thisness. – 1985-1986. – 0.5 cm of textual records. File containing concert programs, press clippings and notes. Originals and copies. 	
MUS 164/E,30 	Thisness. – 1986. – 1 cm of drawings. File containing drawings by Sylvia Tait. Originals. 	
MUS 164/E,31 	Thisness. – 1986. – 1 cm of drawings. File containing drawings by Sylvia Tait. Originals and copy. 	
MUS 164/E,32 	La Tourangelle. – 1970-1975. – 2 cm of textual records. File containing correspondence with, among others, the Canadian Broadcasting Corporation, Marie-Emmanuel Chabot, George Whalley, George Maybee, Charles Dupuis, L. Mousseau, T. Sullivan, Maurice Werner, Marius Constant, the Archives des Ursulines de Québec, Harry Freedman and Louis Applebaum. Originals and copies. 	

MUS 164/E,33 	La Tourangelle. – 1975-1983. – 1 cm of textual records. File containing correspondence with, among others, the Canadian Broadcasting Corporation, the Archives des Ursulines de Québec, Serge Garant, Hugh Davidson, Marius Constant, Mario Bernardi and Berandol Music Limited. One of the letters is confidential until April 2025. Originals and copies. 	
MUS 164/E,34 	La Tourangelle. – 1970-1984. – 0.5 cm of textual records. File consisting of concert programs, a leaflet, notes and press clippings. Originals and copies. 	
MUS 164/E,35 	Traces (Tikkun). – 1992-1996. – 2 cm of textual records. File containing correspondence with, among others, Loie Fallis, Kevin McMillan, Richard Bradshaw, the Canadian Broadcasting Corporation, Michael Davies, David Nichol, Sandy Thorburn, Ted Labow, Soundstreams Canada, Barbara Castel, Alfred Fisher, Helmut Kallmann, David Easton, Austin Clarkson, Ruby Mercer, Joanne Morrow, John Meisel, John Roberts, Rick MacMillan and Robert Finn. Originals and copies. 	
MUS 164/E,36 	Traces (Tikkun). – 1996-1997. – 2 cm of textual records. File containing correspondence with, among others, Ted Labow, Soundstreams Canada, the Canadian Broadcasting Corporation, Rick MacMillan, Carl Morey, R. Murray Schafer, Douglas MacNaughton, Gary Kulesha, Michael Davies, Helmut Kallmann, Ruby Mercer, Udo Kasemets, John Meisel, Sylvia Tait, John Beckwith, Jean La Rue and David Murray. Originals and copies. 	
MUS 164/E,37 	Traces (Tikkun). – 1992-1999. – 2 cm of textual records. File containing, among others items, a diary, a concert program, program notes and press clippings. Originals and copies. 	
MUS 164/E,38 	Traces (Tikkun). – [1996?]-1997. – 1.5 cm of textual records. File consisting of notes. Originals. 	
MUS 164/E,39 	Traces (Tikkun). – 1996. – 1 drawing. File containing a drawing by Sylvia Tait. Original. 	

MUS 164/E,40 	Trio for Violin, Violoncello and Piano. – 1961-1984. – 0.5 cm 	
	of textual records. 	
	File containing letters from Edward Bisha, programs, 	
	program notes, a news release and a press clipping. 	
	Originals and copies. 	
MUS 164/E,41 	Winthrop. – 1975-1983. – 1.5 cm of textual records. 	
	File consisting of records pertaining to grant applications. 	
	Included are correspondence, forms, leaflets and news 	
	releases. 	
	Originals and copies. 	
MUS 164/E,42 	Winthrop. – 1978-1986. – 1.5 cm of textual records. 	
	File containing correspondence pertaining to a fundraising 	
	campaign. 	
	Originals and copies. 	
MUS 164/E,43 	Winthrop. – 1979-1985. – 2 cm of textual records. 	
	File containing correspondence with, among others, John 	
	Beckwith, Norma Beecroft, the Canadian Broadcasting 	
	Corporation, Robert Aitken, Norman Gladney, Elmer Iseler, 	
	John Roberts, Louis Applebaum, Alan Gillmor, Billie 	
	Bridgman, Costa Pilavachi, Barry Cole and Raffi Armenian. 	
	Originals and copies. 	
MUS 164/E,44 	Winthrop. – 1986. – 2 cm of textual records. 	
	File containing correspondence with, among others, the 	
	Canadian Broadcasting Corporation, Raffi Armenian, Barry 	
	Cole, Jean Papineau-Couture, Louis Applebaum, Maureen 	
	Forrester, John Meisel, Ruby Mercer, Flora MacDonald and 	
	Genevra de Csipkay. 	
	Originals and copies. 	
MUS 164/E,45 	Winthrop. – 1986. – 2 cm of textual records. 	
	File containing correspondence with, among others, Elmer 	
	Iseler, Patrick Donovan, Bill Maust, R. Murray Schafer, 	
	Bruce Mather, Ian Henderson, Jean Papineau-Couture, 	
	Karen Kieser, Mavor Moore, Harry Somers, Jacob Siskind, 	
	Flora MacDonald, Glyn Evans, Barry Cole, William 	
	Benjamin, Rick MacMillan, Colleen A. Johnston, Gayle 	
	Young, Lois Logan, Douglas Walker, John Rea and 	
	Gordon D. Scott. 	
	Originals and copies. 	

MUS 164/E,46 	Winthrop. – 1987-1990. – 0.5 cm of textual records. File containing correspondence with, among others, Ruby Mercer, Karen Peperkorn, the Canadian Broadcasting Corporation, Jon Solins, Heinz-Klaus Metzger, Brian Watson, Rick MacMillan and Andrew Davis. Originals and copies. 	
MUS 164/E,47 	Winthrop. – ©1980-1986. – 1.5 cm of textual records. File containing correspondence with John Winthrop. There are also various poems by John Winthrop, including the collection Animal Sketches. 	
	Originals and copies. 	
MUS 164/E,48 	Winthrop. – 1985-1986. – 1 cm of textual records. File containing a diary and notes. The diary is confidential until 2016. Originals. 	
MUS 164/E,49 	Winthrop. – 1986. – 1 cm of textual records. File containing appointment books. Originals. 	
MUS 164/E,50 	Winthrop. – 1986. – 0.5 cm of textual records. File containing notes pertaining to the performance of the work. The notes were written by István Anhalt for the conductor Raffi Armenian. 	
	Originals. 	
MUS 164/E,51 	Winthrop. – 1986-1987. – 1 cm of textual records. File consisting of press clippings. Copies. 	
MUS 164/E,52 	Winthrop. – 1984-1987. – 1.5 cm of textual records. File containing, among other items, concert programs, a certificate from the Canadian Music Council, news releases, promotional material and notes. Originals and copies. 	
MUS 164/E,53 	Other. – 1948-1985. – 0.5 cm of textual records. File consisting of records pertaining to various works, including The Bell-Man, Comments, Funeral Music and the Sonata for Violin and Piano. It contains, among other items, correspondence, concert programs, program notes, a poster and press clippings. Originals and copies. 	

MUS 164/E,54 	Other. – 1952-1975. – 2 cm of textual records. 	
	File consisting of records pertaining to various works. It 	
	contains, among other items, correspondence, concert 	
	programs, promotional material and press clippings. 	
	Originals and copies. 	
MUS 164/E,55 	Other. – 1972-1996. – 0.5 cm of textual records. 	
	File consisting of records pertaining to various works. It 	
	contains, among other items, correspondence and a 	
	program. 	
	Originals and copies. 	

MUS 164/F WRITINGS. – 1943-2000. – 2.51 m of textual records. – 
1 photograph: col.; 10 x 15 cm. – 1 audio tape cassette 
(ca. 30 min.). 
This series contains writings by István Anhalt and colleagues and friends, including George Rochberg, Theresa de Kerpely, Hugh Le Caine, John Meisel, William Benjamin, Lejaren A. Hiller, János-György Szilágyi, Iván Fónagy, Otto-Ernst Laske, Hugh Thorburn, David Easton, John McKay, R. Murray Schafer, Alan Gillmor, Gordon E. Smith, Pierre Schaeffer, George Weber and George Whalley. Among István Anhalt’s writings are In Search of the Voice Today; Word, Music and Experience; Alternative Voices: Essays on Contemporary Vocal and Choral Composition; Music: Context, Text, Counter-Text; and A Weave of Life Lines. In 2001, the book István Anhalt: Pathways and Memory , edited by Robin Elliott and Gordon E. Smith, was published by McGill-Queen’s University Press; it is an extensive study of the life and work of István Anhalt. The series also includes a number of Anhalt’s writings, such as The Story of Three Operas in Ten Texts and Winthrop: The Role of the Herault. 
The series includes autograph manuscripts and typescripts, as well as copies of various texts, correspondence, bibliographic notes, reports, a publication contract, spectrograms, mock-ups and press clippings. 
The series consists of the following sub-series: MUS 164/F1 Writings by István Anhalt and MUS 164/F2 Writings by Colleagues and Friends. 
The following files are subject to access restrictions: F1,77 to F1,79. 
Several records in Hungarian. 
Originals and copies. 
MUS164/F1 WRITINGS BY ISTVÁN ANHALT 
MUS 164/F1,1 	John Beckwith–Encyclopedia of Music in Canada. – 1958-[1975?]. – 2 cm of textual records. File containing notes and research material. Originals and copies. 
MUS 164/F1,2 	John Beckwith–Encyclopedia of Music in Canada. – 1974-1979. – 0.5 cm of textual records. File containing correspondence, corrections and several versions of the article. Originals and copies. 

MUS 164/F1,3 	John Beckwith–Encyclopedia of Music in Canada (second edition). – 1988-1990. – 2 cm of textual records. File consisting of research material, correspondence and versions of the article. 	
	Originals and copies. 	
MUS 164/F1,4 	Reports. – 1961-1996. – 1.5 cm of textual records. File containing reports pertaining to a sound recording of Varèse, a book by Lejaren A. Hiller and Leonard M. Isaacson, as well as the book Taking a Stand: Essays in Honour of John Beckwith. 	
	Originals and copies. 	
MUS 164/F1,5 	Music: Mode of Human Communication. – 1962. – 2 textual records. 	
	File containing annotated typescripts. One version is in Hungarian. Originals. 	
MUS 164/F1,6 	The Making of “Cento.” – 1968-1970. – 1 cm of textual records. 	
	File consisting of annotated typescripts. Originals. 	
MUS 164/F1,7 	In Search of the Voice Today. – 1968-[1978?]. – 2 cm of textual records. 	
	File consisting mainly of notes and bibliographic lists. Originals and copies. 	
MUS 164/F1,8 	In Search of the Voice Today. – 1976-1977. – 1 cm of textual records. 	
	File containing notes and spectrograms. Originals and copies. 	
MUS 164/F1,9 	In Search of the Voice Today. – [1977?]. – 3 textual records. File consisting of spectrograms. Originals. 	
MUS 164/F1,10 	In Search of the Voice Today. – 1978. – 1.5 cm of textual records. 	
	File containing drafts of the first version of the text. Originals. 	
MUS 164/F1,11 	In Search of the Voice Today. – 1978. – 2 cm of textual records. 	
	File containing drafts of the first version of the text. Originals. 	

MUS 164/F1,12 	In Search of the Voice Today. – 1978. – 2 cm of textual records. 	
	File containing typescripts of the first and second versions of the text. Two of the typescripts are annotated. Originals. 	
MUS 164/F1,13 	About “Foci.” – 1969-1972. – 0.5 cm of textual records. File containing typescripts and an annotated copy of the text published in Artscanada. One version in Hungarian. Originals and copy. 	
MUS 164/F1,14 	Luciano Berio’s “Sequenza III.” – 1972-1973. – 1 cm of textual records. 	
	File containing notes and typed texts. This text would become one of the chapters in the book Alternative Voices: Essays on Contemporary Vocal and Choral Composition. One version in Hungarian. Original and copies. 	
MUS 164/F1,15 	About One’s Place and Voice. – 1973-1976. – 0.5 cm of textual records. 	
	File consisting of typed texts, a letter and a leaflet. Originals and copies. 	
MUS 164/F1,16 	Words, Music and Experience. – [1973?]. – 2 cm of textual records. 	
	File containing annotated typescripts. Originals and copy. 	
MUS 164/F1,17 	A Small Group as a Model for a Composition By Ligeti: An Analysis of “Nouvelles aventures.” – 1976. – 2 cm of textual records. 	
	File containing a draft and typed texts. This text would become one of the chapters in the book Alternative Voices: Essays on Contemporary Vocal and Choral Composition. One version in Hungarian. Originals and copies. 	

MUS 164/F1,18 
MUS 164/F1,19 
MUS 164/F1,20 
MUS 164/F1,21 
MUS 164/F1,22 
MUS 164/F1,23 
MUS 164/F1,24 
Witold Lutoslawski’s “Trois poèmes d’Henri Michaux”: An Analysis. – [ca. 1976]. – 1 cm of textual records. File containing notes and typed texts. This text would become one of the chapters in the book 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. One version in Hungarian. Originals and copies. 
Witold Lutoslawski’s “Trois poèmes d’Henri Michaux”: An Analysis. – [ca. 1976]. – 1 textual record. File containing an annotated typescript. This text would become one of the chapters in the book 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. Original. 
New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – 1977-[1978?]. – 1 cm of textual records. File containing notes and research material. Several sections of this text would be used in the book 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. Originals. 
New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – [1978?]. – 1 textual record. File consisting of a draft. Original. 
New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – [1978?]. – 1 textual record. File consisting of a draft. Original. 
New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – 1978. – 1 textual record. File containing an annotated typescript of the first section of the book (Theme and Recent Background). Original. 
New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – 1978. – 1 textual record. File containing a typescript of the third section of the book (Elements of a Systematic View). Original. 

MUS 164/F1,25 	New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – 1978. – 1 textual record. File containing annotated typescripts of the fourth section of the book (A Framework for Understanding). Originals. 	
MUS 164/F1,26 	New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition. – [1978?]-1981. – 2 textual records. 	
	File consisting of a bibliography and a preface. Originals. 	
MUS 164/F1,27 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,28 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,29 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File containing notes. Originals. 	
MUS 164/F1,30 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File containing notes. Originals. 	
MUS 164/F1,31 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,32 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,33 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 4 cm of textual records. File containing notes. Originals. 	

MUS 164/F1,34 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,35 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,36 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File consisting of notes. Originals. 	
MUS 164/F1,37 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File containing notes. Originals. 	
MUS 164/F1,38 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File containing notes. Originals. 	
MUS 164/F1,39 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File containing bibliographic lists. Originals and copies. 	
MUS 164/F1,40 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 3 cm of textual records. File containing bibliographic records. Originals. 	
MUS 164/F1,41 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 3 cm of textual records. File containing bibliographic records. Originals. 	
MUS 164/F1,42 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 6 cm of textual records. File containing bibliographic records. Originals. 	

MUS 164/F1,43 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 3 cm of textual records. File containing bibliographic records. Originals. 	
MUS 164/F1,44 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 1 textual record. File consisting of a draft of the chapters Theme and Recent Background, Blurred Boundaries and Deep Themes, Not-So-Hidden. 	
	Original. 	
MUS 164/F1,45 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 1 textual record. File consisting of a draft of the chapters Orpheus Resurgent… Perhaps and Alternative Voices. Original. 	
MUS 164/F1,46 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1981. – 1 textual record. File consisting of an annotated typescript of chapters 1 to 4: Theme and Recent Background, L. Berio’s “Sequenza III” A Portrait, G. Ligeti’s “Nouvelles aventures” - A Small Group as a Model for a Composition, and W. Lutoslawski’s “Trois poèmes d’Henri Michaux” - Voices of a Multitude. 	
	Original. 	
MUS 164/F1,47 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1981. – 1 textual record. File consisting of an annotated typescript of chapters 5 to 8: Blurred Boundaries; Deep Themes, Not-So-Hidden; Orpheus Resurgent… Perhaps; and Alternative Voices. Original. 	
MUS 164/F1,48 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [1981?]. – 1 textual record. File consisting of an annotated typescript of chapters 1 to 4: Theme and Recent Background, L. Berio’s “Sequenza III” A Portrait, G. Ligeti’s “Nouvelles aventures” - A Small Group as a Model for a Composition, and W. Lutoslawski’s “Trois poèmes d’Henri Michaux” - Voices of a Multitude. 	
	Original. 	

MUS 164/F1,49 
MUS 164/F1,50 
MUS 164/F1,51 
MUS 164/F1,52 
MUS 164/F1,53 
MUS 164/F1,54 
MUS 164/F1,55 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [1981?]. – 1 textual record. File consisting of an annotated typescript of chapters 5 to 8: Blurred Boundaries; Deep Themes, Not-So-Hidden; Orpheus Resurgent… Perhaps; and Alternative Voices. Also included are a section of notes, a list of compositions and a bibliography. Original. 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1983. – 1 textual record. File containing the proofs of chapters 1 to 4: Theme and Recent Background, L. Berio’s “Sequenza III” - A Portrait, 
G. Ligeti’s “Nouvelles aventures” - A Small Group as a Model for a Composition, and W. Lutoslawski’s “Trois poèmes d’Henri Michaux” - Voices of a Multitude. Original. 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1983. – 1 textual record. File containing the proofs of chapters 5 to 8: Blurred Boundaries; Deep Themes, Not-So-Hidden; Orpheus Resurgent… Perhaps; and Alternative Voices. Also included are a section of notes, a list of compositions and a bibliography. Original. 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 0.5 cm of textual records. File containing fragments of the work. Originals. 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – [ca. 1980]. – 2 cm of textual records. File containing spectrograms and mock-ups. Copies. 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1975-1982. – 2 cm of textual records. File containing, among other items, correspondence, grant application forms, reports and a publishing contract. Originals and copies. 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1982-1987. – 2 cm of textual records. File consisting mainly of correspondence. Originals and copies. 

MUS 164/F1,56 	Alternative Voices: Essays on Contemporary Vocal and Choral Composition. – 1983-1987. – 2 cm of textual records. File containing newsletters, a periodical, a brochure and press clippings. Copies. 	
MUS 164/F1,57 	Pst… Pst… Are You Listening? Hearing Voices from Yesterday. – 1984-1986. – 1.5 cm of textual records. 	
	File consisting of drafts and annotated typescripts. Originals. 	
MUS 164/F1,58 	What Tack to Take?. – 1984-1985. – 2 cm of textual records. File containing correspondence, drafts and typescripts. Several texts are annotated. 	
	Originals and copy. 	
MUS 164/F1,59 	Text, Context, Music. – 1986-1988. – 2 cm of textual records. 	
	File containing mainly notes. Originals and copies. 	
MUS 164/F1,60 	Text, Context, Music. – 1987. – 2 cm of textual records. File containing drafts and annotated typescripts. Originals. 	
MUS 164/F1,61 	Text, Context, Music. – 1988. – 2 cm of textual records. File containing drafts and annotated typescripts. Originals. 	
MUS 164/F1,62 	Thisness: Marks and Remarks. – 1986. – 1.5 cm of textual records. 	
	File containing notes, a draft, annotated typescripts and the published text. Originals and copy. 	
MUS 164/F1,63 	Remembering George Whalley (How to Name a Relationship?). – 1987. – 0.5 cm of textual records. 	
	File consisting of drafts and a typescript. Originals. 	
MUS 164/F1,64 	Music: Context, Text, Counter-Text. – [1988?]. – 2 cm of textual records. 	
	File containing notes. Originals. 	

MUS 164/F1,65 	Music: Context, Text, Counter-Text. – [1988?]. – 2 cm of textual records. 	
	File consisting mainly of notes. Originals and copies. 	
MUS 164/F1,66 	Music: Context, Text, Counter-Text. – [1988?]. – 2 cm of textual records. 	
	File containing notes. Originals and copies. 	
MUS 164/F1,67 	Music: Context, Text, Counter-Text. – [1988?]. – 2 cm of textual records. 	
	File consisting mainly of notes. Originals and copies. 	
MUS 164/F1,68 	Music: Context, Text, Counter-Text. – [1988?]. – 2 cm of textual records. 	
	File consisting mainly of notes. Originals and copies. 	
MUS 164/F1,69 	Music: Context, Text, Counter-Text. – [1988?]-1989. – 2 cm of textual records. 	
	File consisting mainly of notes. Originals and copies. 	
MUS 164/F1,70 	Music: Context, Text, Counter-Text. – 1988. – 1 textual record. 	
	File consisting of the manuscript of the first version of the 	
	text. 	
	Original. 	
MUS 164/F1,71 	Music: Context, Text, Counter-Text. – 1988. – 1 textual record. 	
	File containing an annotated copy of the first version of the text. 	
	Original. 	
MUS 164/F1,72 	Music: Context, Text, Counter-Text. – 1988. – 1 textual record. 	
	File consisting of the manuscript of the second version of the text. 	
	Original. 	

MUS 164/F1,73 	Music: Context, Text, Counter-Text. – 1988. – 1 textual record. 	
	File containing an annotated copy of the second version of the text. 	
	Original. 	
MUS 164/F1,74 	Music: Context, Text, Counter-Text. – 1988. – 2 cm of textual records. 	
	File containing annotated copies of the third version of the 	
	text. 	
	Originals. 	
MUS 164/F1,75 	From “Mirage” to “Simulacrum” and “Afterthought.” – 1988. – 1.5 cm of textual records. 	
	File containing notes, versions of the text and a program. Originals and copies. 	
MUS 164/F1,76 	The Bridge. – 1990-1991. – 1 cm of textual records. File containing drafts and typescripts. Originals. 	
MUS 164/F1,77 	A Weave of Life Lines. – 1992. – 1 cm of textual records. File containing notes and the first section of István Anhalt’s memoirs. 	
	Access restricted without written permission from the donor. 	
	Originals and copy. 	
MUS 164/F1,78 	A Weave of Life Lines. – 1992. – 1 textual record. File containing the second section of István Anhalt’s memoirs. 	
	Access restricted without written permission from the donor. 	
	Original. 	
MUS 164/F1,79 	A Weave of Life Lines. – 1992-2000. – 2 textual records. File containing the third section of István Anhalt’s memoirs and an appendix. Access restricted without written permission from the donor. 	
	Originals. 	
MUS 164/F1,80 	An After-Dinner Talk. – 1993. – 1 cm of textual records. File consisting of notes, drafts and a typescript. Originals. 	

MUS 164/F1,81 	On the Way to “Traces” and More About “Traces.” – 1996-1997. – 2 cm of textual records. 	
	File consisting of notes, drafts, annotated typescripts and a small poster. Originals and copies. 	
MUS 164/F1,82 	István Anhalt: Pathways and Memory. – 1996. – 1.5 cm of textual records. 	
	File containing versions of the chapter The Electroacoustic Music of István Anhalt, written by David Keane. Also included are a few letters. 	
	The book István Anhalt: Pathways and Memory is a collective work which also includes articles by István Anhalt. Originals and copies. 	
MUS 164/F1,83 	István Anhalt: Pathways and Memory. – 1997-1998. – 2 cm of textual records. 	
	File containing different versions of the chapter Life in Europe, written by Robin Elliott. Also included are a few letters. 	
	Originals and copies. 	
MUS 164/F1,84 	István Anhalt: Pathways and Memory. – 1998-1999. – 1 cm of textual records. 	
	File containing versions of the chapter Life in Europe, written by Robin Elliott. Also included are a few letters. Originals and copies. 	
MUS 164/F1,85 	István Anhalt: Pathways and Memory. – 1997-1999. – 2 cm of textual records. 	
	File containing versions of the chapter The Kingston Years, written by Gordon E. Smith. Also included are a few letters. Originals and copies. 	
MUS 164/F1,86 	István Anhalt: Pathways and Memory. – 1997-1999. – 2 cm of textual records. 	
	File containing sections of the work written by István Anhalt, including A Continuing Thread?… Perhaps, Winthrop: The Role of the Herault and Three Songs of Love. Originals and copies. 	
MUS 164/F1,87 	István Anhalt: Pathways and Memory. – 1998. – 1 textual record. 	
	File containing the section The Story of Three Operas in Ten Texts, written by István Anhalt. Copy. 	

MUS 164/F1,88 
MUS 164/F1,89 
MUS 164/F1,90 
MUS 164/F1,91 
MUS 164/F1,92 
MUS 164/F1,93 
MUS 164/F1,94 
MUS 164/F1,95 
István Anhalt: Pathways and Memory. – 1998. – 2 cm of textual records. File containing the chapter Alternatives of Voice: István Anhalt Odyssey from Personalized Style to Suprapersonal Expression, written by William Benjamin. Also included are a few letters. Originals and copies. 
István Anhalt: Pathways and Memory. – 1998-1999. – 2 cm of textual records. File containing the proofs of various sections of the book. Originals and copies. 
István Anhalt: Pathways and Memory. – [1999?]. – 2 cm of textual records. File containing the proofs of various sections of the book. Originals and copies. 
About the “Unidentifiable Righteous Among the Nations.” – 1999. – 2 textual records. File consisting of a draft and a typescript. Originals. 
Other texts. – 1943-2000. – 2 cm of textual records. File containing various texts, including Aims and Procedures of Theory Teaching in the Undergraduate Curriculum; Language as Music on Tape; Composing with Speech; Towards a Theory of Mass Structure in Music; Winthrop: The Work, the Theme; A Brief Account of My Four Escapes; A Few Words About “Comments”; On Becoming a Canadian Composer: István Anhalt (1919… 1949… 1999…). Originals and copies. 
Other texts. – [196-?]-[199-]. – 1 cm of textual records. File containing various texts, including The Art of Berio and Berberian, SparkskrapS, Stories My Mother Told Me and More. Originals. 
Miscellaneous. – [196-?]-1986. – 1 cm of textual records. File containing notes pertaining to projected books. Originals. 
Miscellaneous. – [196-?]. – 1 cm of textual records. File containing notes and bibliographic lists used in preparing a text for a lecture. Originals. 
MUS 164/F1,96 	Miscellaneous. – [197-?]. – 2 cm of textual records. File containing notes and bibliographic lists used in preparing texts for lectures. Originals and copies. 
MUS 164/F1,97 	Miscellaneous. – [196-?]-[197-?]. – 2 cm of textual records. File consisting of bibliographic notes. Originals and copies. 
MUS 164/F1,98 	Miscellaneous. – [197-?]. – 4 cm of textual records. File consisting of bibliographic notes. Originals. 
MUS 164/F1,99 	Miscellaneous. – [196-?]-[198-?]. – 2 cm of textual records. File consisting of notes. Originals and copies. 
MUS 164/F1,100 	Miscellaneous. – [196-?]-2000. – 2 cm of textual records. File consisting of notes. Originals and copies. 
MUS 164/F2 WRITINGS BY COLLEAGUES AND FRIENDS 
MUS 164/F2,1 	Clarkson, Austin. – 1974-1992. – 0.5 cm of textual records. File containing various texts, including Carmen: Bride of Dionysus and The Agony of Ecstasy: Glenn Gould’s Concept of Aesthetic Reception and the Performance Event. Copies. 
MUS 164/F2,2 	Dehejia, Rajeev H. – 1988. – 1 textual record. File consisting of the text Simulacrum. Copie. 
MUS 164/F2,3 	Fónagy, Iván. – 1960-1970. – 1.5 cm of textual records. File containing various texts, including Viccel A Bácsi. The records are in Hungarian. Copies. 
MUS 164/F2,4 	Franks, C.E.S. – 1984-1991. – 1 cm of textual records. File containing various texts, including Towards a Deconstruction of Meech Lake: A Preliminary Exploration of the Myths, Symbols, and Terms of Discourse of Confederation. Original and copies. 

MUS 164/F2,5 	Gillmor, Alan. – 1975-1993. – 1.5 cm of textual records. File containing the texts Contemporary Music in Canada and Echoes of Time and the River: Homage to István Anhalt. Originals and copies. 	
MUS 164/F2,6 	Hiller, Lejaren A. – [196-]. – 2 cm of textual records. File consisting of various texts, including Music Composed with Computers: An Historical Survey. Copies. 	
MUS 164/F2,7 	Kerpely, Theresa de. – ©1952. – 1 textual record File containing the novel A Crown for Ashes, with a dedication by the author. Kerpely based the character Andrew on some incidents from Anhalt’s life. 	
	Copy. 	
MUS 164/F2,8 	Kerpely, Theresa de. – 1976-1992. – 0.5 cm of textual records. 	
	File consisting of a biographical text and poems. Originals and copies. 	
MUS 164/F2,9 	Kerpely, Theresa de. – ©1984. – 1 textual record. File containing the autobiographical novel Of Love and Wars. The author also writes about her friendship with István Anhalt. 	
	Copy. 	
MUS 164/F2,10 	Laske, Otto-Ernst. – 1973-1988. – 1.5 cm of textual records. 	
	File consisting of various texts, including On the Methodology and Implementation of a Procedural Theory of Music, A Methodologic Inquiry into Computer Composition and Subscore Manipulation as a Tool for Compositional and Sonic Design. Originals and copies. 	
MUS 164/F2,11 	Le Caine, Hugh. – 1959-1964. – 1.5 cm of textual records. File containing various texts, including The Problems of Sound-Shaping and Recherches au temps perdu. Original and copies. 	

MUS 164/F2,12 
MUS 164/F2,13 
MUS 164/F2,14 
MUS 164/F2,15 
MUS 164/F2,16 
MUS 164/F2,17 
MUS 164/F2,18 
Letemendia, Felix and Emily. – 1980-1988. – 0.5 cm of textual records. – 1 audio tape cassette (ca. 30 min.): polyester. File consisting of various texts, including Understanding Others. Originals and copies. Reference number: C 658. 
Meisel, John. – 1973-1999. – 2 cm of textual records. File containing various texts, including Cleavages, Parties and Value in Canada, Political Culture and the Politics of Culture, Citizen Demand and Government Response and Living in a Bilingual Society. Originals and copies. 
Nattiez, Jean-Jacques. – 1971-[197-?]. – 1.5 cm of textual records. File consisting of various texts, including Propositions pour une épistémologie de la sémantique and “Densité 21.5” de Varèse: essai d’analyse sémiologique. Copies. 
Rochberg, George. – 1971-1985. – 1.5 cm of textual records. File containing various texts, including Music: Humanism vs. Science, The Second Commandment and Idolatry and Fiddlers and Fribbles or Is Art a Separate Reality? 
Originals and copies. 
Rochberg, George. – 1985-1986. – 3 textual records. File containing versions of the text The Iconography of the Mind: Inward Seeing and Iconic Thinking. Originals and copy. 
Rochberg, George. – 1988. – 3 textual records. File containing the texts Poems and Stories, News of the Music or News of the Universe? and A Three-Way Mirror. Original and copies. 
Rochberg, George. – 1993-1994. – 1 textual record. File containing the text Chromaticism: Symmetry in Atonal and Tonal Music. Copy. 

MUS 164/F2,19 	Smith, Gordon E. – 1990-1991. – 0.5 cm of textual records. File containing versions of the text Deep Themes, Not So Hidden in the Music of István Anhalt. 	
	Original and copies. 	
MUS 164/F2,20 	Szilágyi, János-György. – 1972-1984. – 1.5 cm of textual records. 	
	File containing various texts, including A Praxias Csoport and Arachné. 	
	The records are in Hungarian. Copies. 	
MUS 164/F2,21 	Weber, George. – 1992. – 1.5 cm of textual records. – 1 photograph: col.; 10 x 15 cm. File containing excerpts from the autobiography of George Weber. There is also a photograph of the author. Copy. 	
MUS 164/F2,22 	Whalley, George. – 1973-[197-?]. – 1.5 cm of textual records. 	
	File consisting of various texts, including Literature: An Instrument of Inquiry, Poetry as Education of the Senses and The Humanities in the World at Large. The file also contains two letters. 	
	Originals and copies. 	
MUS 164/F2,23 	Other texts. – [197-?]-1995. – 1.5 cm of textual records. File containing texts by Almen L. Barron, David V. Bates, Kurt Blaukopf, Ronald Blumer, E.J. Bond, Mireille Calle-Gruber, Humphrey Carpenter, Henry W. Castner and Melville Clark. 	
	Originals and copies. 	
MUS 164/F2,24 	Other texts. – 1973-1994. – 1 cm of textual records. File containing texts by Donald Coates, J. Alexander Colpa and Mario Creek. 	
	Original and copies. 	
MUS 164/F2,25 	Other texts. – [197-]-1991. – 2 cm of textual records. File containing texts by Jon Darius, Gerhard Dünnhaupt, David Easton, Robert Falck and Gerald Finley. Originals and copies. 	

MUS 164/F2,26 	Other texts. – 1961-1997. – 2 cm of textual records. File containing texts by Fred Flindell, André Fortier, M. Gopnik, Eberhard Gruber, Newman Guttman, Frank Harrison and Otto W. Henry. Originals and copies. 	
MUS 164/F2,27 	Other texts. – 1959-1990. – 2 cm of textual records. File containing texts by James Inglis, G.W. Ireland, Werner Kaegi, Michael Kassler, David Keane, Ross Kilpatrick, Gottfried Michael Koenig and Jonathan D. Kramer. Originals and copies. 	
MUS 164/F2,28 	Other texts. – 1959-1999. – 1.5 cm of textual records. File containing texts by Joachim Lambek, David Lidov, John McKay and Olga Malyshko. Originals and copies. 	
MUS 164/F2,29 	Other texts. – 1952-[199-?]. – 2 cm of textual records. File containing texts by Max V. Mathews, Donald M. McCorkle, Lorne Mendell, Ismael Méndez-Zebadúa, 	
	Johannes Mohr, G.G. Prado, Raymond Prince, James Reaney and Rosette Renshaw. Originals and copies. 	
MUS 164/F2,30 	Other texts. – [196-?]-1995. – 2 cm of textual records. File containing texts by Anthony W. Riley, Joan Rimmer, H. Grant Sampson, Pierre Schaeffer, R. Murray Schafer and Rudolph Schnitlzer. Copies. 	
MUS 164/F2,31 	Other texts. – 1970-[199-]. – 2 cm of textual records. File containing texts by Campbell L. Searle, Minao Shibata, Hugh Thorburn, Douglas Walker and Dixon Ward. Copies. 	
MUS 164/F2,32 	Other texts. – 1973-1997. – 1 cm of textual records. File containing texts by Ronald L. Watts, William C. Wees, Peter Wicke and Gerald J.S. Wilde. 	
	Copies. 	

MUS 164/G OTHER ACTIVITIES AND INTERESTS. – 1939-1999. – 1.06 m of 
textual records. – 13 photographs: b&w and col.; 
17.5 x 25.5 cm and 7.5 x 11.5 cm. 
The records in this series illustrate István Anhalt’s various interests and activities, including his research into electronic and contemporary music, linguistics, semiotics, vocal techniques and religion. They also document his activities with the Canadian League of Composers, the Canadian Association of University Schools of Music, the International Society for Music Education and the University of Western Ontario. The series consists primarily of correspondence, minutes of meetings, reports, notes, texts, member lists, concert programs, leaflets and press clippings. 
Some records in Italian. 
Originals and copies. 

MUS 164/G,1 	Research. – 1939-1981. – 1.5 cm of textual records. File consisting of various texts pertaining to electronic music. 	
	Original and copies. 	
MUS 164/G,2 	Research. – 1969-1982. – 2 cm of textual records. File consisting of various texts pertaining to electronic music. Copies. 	
MUS 164/G,3 	Research. – 1942-1988. – 2 cm of textual records. File containing various texts on contemporary music. Copies. 	
MUS 164/G,4 	Research. – [195-?]-[197-?]. – 1 cm of textual records. File containing various texts on contemporary music. Copies. 	
MUS 164/G,5 	Research. – [194-]-1972. – 2 cm of textual records. File containing various texts on language and speech. Copies. 	
MUS 164/G,6 	Research. – [196-]-[197-?]. – 2 cm of textual records. File consisting of notes and texts on language. Originals and copies. 	
MUS 164/G,7 	Research. – [196-]-[198-?]. – 2 cm of textual records. File consisting of bibliographic lists pertaining to language. Copies. 	

MUS 164/G,8 	Research. – [196-?]-1982. – 2 cm of textual records. File containing notes and various texts on linguistics and semiotics. Originals and copies. 	
MUS 164/G,9 	Research. – [196-?]-[197-]. – 2 cm of textual records. File containing notes and various texts on phonetics. Originals and copies. 	
MUS 164/G,10 	Research. – [196-?]-[197-]. – 2 cm of textual records. File consisting of notes and various texts on speech and music. Originals and copies. 	
MUS 164/G,11 	Research. – [1976?]. – 1 textual record. File consisting of a text by Werner Klüppelholz on speech and music. 	
	Copy. 	
MUS 164/G,12 	Research. – [195-]-[198-]. – 2 cm of textual records. File consisting mainly of texts pertaining to various composers, including Igor Stravinsky, Alban Berg and Luciano Berio. Originals and copies. 	
MUS 164/G,13 	Research. – 1968-1975. – 2 cm of textual records. File consisting of texts and leaflets pertaining to Luigi Nono. Copies. 	
MUS 164/G,14 	Research. – 1956-[198-]. – 1.5 cm of textual records. File containing notes and various texts about music notation. 	
	Originals and copies. 	
MUS 164/G,15 	Research. – [196-?]-[198-]. – 1.5 cm of textual records. File consisting of notes and texts on vocal techniques. Originals and copies. 	
MUS 164/G,16 	Research. – [196-?]-[197-]. – 1.5 cm of textual records. File containing notes and texts on singing. Originals and copies. 	
MUS 164/G,17 	Research. – [196-?]-[198-]. – 2 cm of textual records. File consisting of notes and texts on religion and trance. Originals and copies. 	

MUS 164/G,18 	Research. – [196-?]. – 1.5 cm of textual records. File consisting of texts on mysticism and magic. Copies. 	
MUS 164/G,19 	Research. – [197-?]-[198-]. – 1.5 cm of textual records. File consisting of notes and texts on mysticism and magic. Originals and copies. 	
MUS 164/G,20 	Research. – [196-?]. – 2 cm of textual records. File containing notes and a text by Jules Combarieu on music and magic. Originals and copy. 	
MUS 164/G,21 	Research. – [196-?]-[198-] . – 2 cm of textual records. File containing notes and various texts on ethnomusicology. Original and copies. 	
MUS 164/G,22 	Research. – 1968-1976. – 1 cm of textual records. File consisting of texts on culture. Copies. 	
MUS 164/G,23 	Research. – 1968-1994. – 1.5 cm of textual records. File containing notes, various texts and a program. Originals and copies. 	
MUS 164/G,24 	Research. – [196-?]-[198-?]. – 2 cm of textual records. File containing notes and various texts. Originals and copies. 	
MUS 164/G,25 	Research. – [196-?]-[198-?]. – 2 cm of textual records. File consisting of notes. Originals. 	
MUS 164/G,26 	Contemporary music. – 1950-1969. – 2 cm of textual records. File consisting mainly of concert programs and promotional material. 	
	Copies. 	
MUS 164/G,27 	Contemporary music. – 1970-1979. – 2 cm of textual records. 	
	File consisting mainly of concert programs and promotional material. Copies. 	

MUS 164/G,28 	Contemporary music. – 1980-1988. – 2 cm of textual records. 	
	File consisting mainly of concert programs and promotional material. Copies. 	
MUS 164/G,29 	Contemporary music. – [196-]-[198-]. – 2 cm of textual records. File containing records pertaining to various composers. There are, among other items, brochures and press clippings. Copies. 	
MUS 164/G,30 	Contemporary music. – 1972-1977. – 1.5 cm of textual records. File consisting of playlists. Copies. 	
MUS 164/G,31 	Canadian League of Composers. – 1951-1979. – 2 cm of textual records. 	
	File containing, among other items, correspondence, minutes of meetings, reports and member lists. Originals and copies. 	
MUS 164/G,32 	Canadian League of Composers. – 1980-1990. – 2 cm of textual records. File containing, among other items, correspondence, minutes of meetings, reports and press clippings. Originals and copies. 	
MUS 164/G,33 	Electronic music. – 1959-1969. – 2 cm of textual records. File containing, among other items, concert programs, newsletters, leaflets and promotional material. Copies. 	
MUS 164/G,34 	Electronic music. – 1970-1999. – 2.5 cm of textual records. File containing, among other items, concert programs, bulletins and leaflets. 	
	Originals and copies. 	
MUS 164/G,35 	Electronic music. – [196-?]-[198-?]. – 1 cm of textual records. 	
	File consisting mainly of newsletters and leaflets. Copies. 	

MUS 164/G,36 	Electronic music. – [196-]-[198-]. – 2 cm of textual records. File consisting mainly of notes. Originals and copies. 	
MUS 164/G,37 	Stratford Shakespearean Festival. – 1960. – 1 cm of textual records. 	
	File consisting of a program, biographical notes and texts of lectures. Copies. 	
MUS 164/G,38 	Psaume pour abri (Pierre Mercure). – 1963. – 0.5 cm of textual records. – 13 photographs: b&w and col.; 17.5 x 25.5 cm and 7.5 x 11.5 cm. 	
	File consisting of a work plan, a technical report and photographs mainly of studio equipment. Copies. 	
MUS 164/G,39 	Canadian Association of University Schools of Music. – 1964-1966. – 2 cm of textual records. File consisting of correspondence, minutes of meetings, texts of lectures, reports and brochures. Originals and copies. 	
MUS 164/G,40 	Canadian Association of University Schools of Music. – 1967-1974. – 2 cm of textual records. 	
	File consisting of correspondence, minutes of meetings, schedules, texts of lectures and member lists. Originals and copies. 	
MUS 164/G,41 	Canadian Association of University Schools of Music. – 1975-1979. – 2 cm of textual records. 	
	File containing correspondence, minutes of meetings, schedules, course descriptions and the text of a lecture. Originals and copies. 	
MUS 164/G,42 	Performing Rights Organization of Canada Ltd. – 1965-1988. – 2 cm of textual records. File containing correspondence, royalty statements and a brochure. 	
	Originals and copies. 	
MUS 164/G,43 	Canadian Music Council. – 1965-1988. – 1.5 cm of textual records. 	
	File containing, among other items, correspondence, press releases, a report and notes. Originals and copies. 	

MUS 164/G,44 	American Society of University Composers. – 1966-1986. – 2 cm of textual records. 	
	File containing, among other items, correspondence, concert programs and reports. Originals and copies. 	
MUS 164/G,45 	Maggio Musicale Fiorentino. – 1967-1969. – 2 cm of textual records. File consisting of correspondence, texts, a leaflet and notes. Some records in Italian. 	
	Originals and copies. 	
MUS 164/G,46 	Société de musique contemporaine du Québec. – 1967-1982. – 1 cm of textual records. 	
	File containing a letter, concert programs, promotional material and a newsletter. 	
	Original and copies. 	
MUS 164/G,47 	International Society for Music Education. – 1968-1978. – 2 cm of textual records. 	
	File containing, among other items, correspondence, programs and texts of lectures. Originals and copies. 	
MUS 164/G,48 	Education. – [196-]-[198-]. – 2 cm of textual records. File consisting mainly of texts, brochures and notes. Originals and copies. 	
MUS 164/G,49 	Broadcasting. – 1970-1976. – 2 cm of textual records. File consisting of a letter and reports. Copies. 	
MUS 164/G,50 	World Music Week. – 1975. – 2 cm of textual records. File containing, among other items, correspondence, a program and notes. Originals and copies. 	
MUS 164/G,51 	IRCAM (Institute of Research and Coordination in Acoustics - Music). – 1977-1983. – 1 cm of textual records. File containing programs, reports and leaflets. Copies. 	
MUS 164/G,52 	Canadian University Music Society. – 1981-1984. – 0.5 cm of textual records. 	
	File containing correspondence and a brochure. Originals and copies. 	

MUS 164/G,53 	The Concordia Electro-acoustic Composers’ Group. – 1984-1986. – 1 cm of textual records. 	
	File containing concert programs and bulletins. Copies. 	
MUS 164/G,54 	The Mask of Orpheus (Harrison Birtwistle). – 1984-1987. – 0.5 cm of textual records. 	
	File consisting of a concert program, articles and notes. Originals and copies. 	
MUS 164/G,55 	University of Western Ontario. – 1985. – 2 cm of textual records. File consisting of records pertaining to István Anhalt’s work as a consultant for the University of Western Ontario’s Department of Theory and Composition. It includes correspondence and reports. Originals and copies. 	
MUS 164/G,56 	University of Western Ontario. – 1985. – 1 textual record. File containing a report used by consultants. Copy. 	
MUS 164/G,57 	Canada Music Week. – 1986. – 0.5 cm of textual records. File consisting of correspondence and programs. Originals and copies. 	
MUS 164/G,58 	A Compendium of Contemporary Musical Thought. – 1988-1992. – 1 cm of textual records. 	
	File containing correspondence, a brochure and texts by István Anhalt. Originals and copies. 	
MUS 164/G,59 	Canadian Opera Company. – 1989-1992. – 0.5 cm of textual records. File containing correspondence, a schedule, a program and press clippings. Also included is a letter from Bob Rae. Originals and copies. 	
MUS 164/G,60 	Miscellaneous. – 1967-1992. – 2 textual records. File containing a leaflet and a brochure. Copies. 	

MUS 164/H 	PHOTOGRAPHS. – [ca. 1890]-2000. – 1,721 photographs: b&w and col.; 25.5 x 33 cm or smaller. – 98 slides: b&w and col. – 51 negatives: b&w and col.; 4 x 4 cm and 2.5 x 3.5 cm. 
The series contains primarily photographs of István Anhalt, members of his family and various people, including John Beckwith, John Meisel, Jean Papineau-Couture, George Rochberg, R. Murray Schafer, Igor Stravinsky, André Prévost, Maureen Forrester, Otto-Ernst Laske, Eugene Kash, Eldon Grier, Sylvia Tait, Marius Constant, Gilles Tremblay, Phyllis Mailing, Henry Finkel, Louis Applebaum, Rosemarie Landry, Raffi Armenian, Alex Pauk, Theodore Baerg, John Weinzweig, Gabriel Chmura, Elmer Iseler, Klára Devecseri, Jon Darius, David Easton, Eugene and Theresa de Kerpely, Hugh Le Caine, Paul Pedersen, Louis Charbonneau, Bramwell Tovey, János-György Szilágyi, Gabrielle Ly thi Ty, Linda Bouchard, Gerrit Tetenburg, Micheline Roi, Oskar Morawetz, Vincent Tovell, Eva Badura-Skoda, Harry Somers, William Benjamin, Micheline Focheux-Lemoine, Felix Letemendia and Ireneus Zuk. There are many photographs taken during rehearsals and concerts, as well as at events such as the Symposium for Student Composers and the launch of the book Musical Canada. There are also photographs of spectrograms and electronic equipment. 
The series comprises the following sub-series: MUS 164/H1 Family; MUS 164/H2 Others; MUS 164/H3 Musical Works; and MUS 164/H4 Miscellaneous. 
MUS 164/H1 	FAMILY 
MUS 164/H1,1 	Grandparents (maternal). – [ca. 1890]-1935. – 15 photographs: b&w; 22.5 x 16.5 cm or smaller. File containing photographs of István Anhalt’s grandparents (Béla Herzfeld and Helén Herzfeld). Also included are several photographs of István Anhalt with his grandparents, and of Katalin Herzfeld (István Anhalt’s mother) with her parents. 
MUS 164/H1,2 	Grandfather (paternal). – 1938. – 1 photograph: b&w; 8 x 6 cm. File consisting of a photograph of István Anhalt’s grandfather (Simon Anhalt). 
MUS 164/H1,3 	Katalin Herzfeld. – 1894-1985. – 16 photographs: b&w; 17 x 8 cm or smaller. File containing photographs of Katalin Herzfeld alone (István Anhalt’s mother). 
MUS 164/H1,4 	Katalin Herzfeld and Arnold Anhalt. – [191-]. – 2 photographs: b&w; 22.5 x 16.5 cm and 9 x 13.5 cm. File containing photographs of István Anhalt’s parents. 

István Anhalt and his mother Katalin Herzfeld, István Anhalt, Budapest, 1921. 1921. 

MUS 164/H1,5 	Katalin Herzfeld and Sándor Somló. – 1918-[196-]. – 17 photographs: b&w; 9 x 12.5 cm or smaller. File containing photographs of Katalin Herzfeld and Sándor Somló (István Anhalt’s stepfather). 	
MUS 164/H1,6 	Katalin Herzfeld and others. – 1912-[199-?]. – 22 photographs: b&w and col.; 10 x 15 cm or smaller. – 27 negatives: col.; 2.5 x 3.5 cm. File containing photographs and negatives of Katalin Herzfeld with various people. 	
MUS 164/H1,7 	Arnold Anhalt. – [192-]. – 1955. – 9 photographs: b&w; 13 x 8 cm or smaller. 	
	File containing photographs of Arnold Anhalt alone (István Anhalt’s father). Also included are two photographs of his tombstone. 	

MUS 164/H1,8 	Arnold Anhalt and Bözsi Anhalt. – [193-?]-[195-?]. – 11 photographs: b&w; 9 x 12 cm or smaller. File containing photographs of Arnold Anhalt and Bözsi Anhalt (István Anhalt’s stepmother). There are also a number of photographs of Judit Anhalt with her parents. 	
MUS 164/H1,9 	Parents. – 1921-[198-?]. – 11 photographs: b&w; 13 x 8.5 cm or smaller. 	
	File containing photographs of István Anhalt with his 	
	parents. 	
MUS 164/H1,10 	Judit Anhalt. – [1940?]-[196-]. – 40 photographs: b&w and col.; 14 x 8.5 cm or smaller. File containing photographs of Judit Anhalt (István Anhalt’s half-sister). 	
MUS 164/H1,11 	Beate Anhalt. – 1951-1994. – 32 photographs: b&w and col.; 19 x 24.5 cm or smaller. File containing photographs of Beate Anhalt alone (István Anhalt’s wife) or with friends. 	
MUS 164/H1,12 	István Anhalt and Beate Anhalt. – 1951-1984. – 13 photograhies: b&w and col.; 24 x 18.5 cm. File containing photographs of István Anhalt and his wife, Beate Anhalt. 	
MUS 164/H1,13 	Anhalt family. – 1953-1955. – 17 photographs: b&w; 14 x 9.5 cm or smaller. 	
	File containing photographs of István Anhalt and Beate Anhalt with their children, Carol and Helen Anhalt. 	
MUS 164/H1,14 	Anhalt family. – 1956-1991. – 22 photographs: b&w and col.; 19 x 24.5 cm or smaller. File containing photographs of István Anhalt and Beate Anhalt with their children, Carol and Helen Anhalt. 	
MUS 164/H1,15 	Anhalt family. – 1952-1990. – 8 photographs: b&w and col.; 24 x 18.5 cm or smaller. File containing photographs of István Anhalt with various members of his family. 	
MUS 164/H1,16 	Carol and Helen Anhalt. – 1954-[1963?]. – 18 photographs: b&w and col.; 17 x 12 cm or smaller. File containing photographs of Carol and Helen Anhalt (István Anhalt’s daughters). 	

MUS 164/H1,17 
MUS 164/H1,18 
MUS 164/H1,19 
MUS 164/H1,20 
MUS 164/H1,21 
MUS 164/H1,22 
MUS 164/H1,23 
MUS 164/H2 OTHERS 
MUS 164/H2,1 
MUS 164/H2,2 
Carol and Helen Anhalt. – 1965-1973. – 9 photographs: b&w and col.; 17 x 12 cm or smaller. File containing photographs of Carol and Helen Anhalt (István Anhalt’s daughters). 
Carol and Helen Anhalt. – 1983-1985. – 10 photographs: col.; 15 x 10 cm or smaller. File containing wedding photographs. 
Grandchildren. – 1987-1992. – 17 photographs: col.; 15 x 10 cm or smaller. File containing photographs of István Anhalt’s grandchildren. 
Family. – [ca. 1958]-1983. – 8 photographs: b&w and col.; 15 x 10 cm or smaller. File containing photographs of Emma Frankenberg (Beate Anhalt’s mother), as well as members of her family and friends. 
Family. – [195-?]. – 13 photographs: b&w; 11.5 x 7.5 cm or smaller. File containing photographs of the Gács and Anderson families, István Anhalt’s cousins. 
Family. – 1913-[196-]. – 26 photographs: b&w; 
11.5 x 14.5 cm or smaller. File containing photographs of various members of István Anhalt’s family. 
Family. – 1971-1987. – 31 photographs: b&w and col.; 
13.5 x 9 cm or smaller. File containing photographs of various members of István Anhalt’s family. 
Audrey M. Arnold. – 1946-1947. – 6 photographs: b&w; 
15.5 x 9.5 cm or smaller. File containing photographs of Audrey Arnold. 
John Beckwith. – [196-?]-1998. – 15 photographs: b&w and col.; 23.5 x 19 cm or smaller. File containing photographs of István Anhalt, John Beckwith and members of his family. Also included are a number of photographs taken when John Beckwith was conferred with an honorary doctorate. 

MUS 164/H2,3 	Michèle Bonhomme. – 1948-[1950?]. – 9 photographs: b&w; 14 x 9.5 cm or smaller. File containing photographs of Michèle Bonhomme. 	
MUS 164/H2,4 	Klára Devecseri. – [195-?]. – 6 photographs: b&w; 8.5 x 5.5 cm and 7.5 x 5 cm. 	
	File containing photographs of Klára Devecseri and members of her family. 	
MUS 164/H2,5 	David and Sylvia Easton. – 1979-1983. – 7 photographs: b&w and col.; 10 x 15 cm and 9 x 12.5 cm. File containing photographs of István Anhalt and David Easton, as well of his wife, Sylvia Easton. 	
MUS 164/H2,6 	Eldon Grier and Sylvia Tait. – [198-]-1992. – 12 photographs: col.; 15 x 10 cm or smaller. File containing photographs of István Anhalt, Eldon Grier and Sylvia Tait. Also included are two photographs of works by Sylvia Tait. 	
MUS 164/H2,7 	Michèle Harand. – 1946-1947. – 7 photographs: b&w; 11 x 8 cm or smaller. 	
	File containing photographs of Michèle Harand, one of which shows him with István Anhalt. 	
MUS 164/H2,8 	Eugene and Theresa de Kerpely. – 1938-1989. – 11 photographs: b&w and col.; 22.5 x 18 cm or smaller. File consisting of photographs of Eugene and Theresa de Kerpely. 	
MUS 164/H2,9 	Gabrielle Ly thi Ty. – 1947-1948. – 82 photographs: b&w; 13 x 8 cm or smaller. 	
	File containing photographs of Gabrielle Ly thi Ty, alone and with István Anhalt. 	
MUS 164/H2,10 	John Meisel. – [197-?]-[198-?]. – 9 photographs: col.; 15 x 10 cm and 11.5 x 8 cm. 	
	File containing photographs of, among others, István Anhalt and John Meisel. 	
MUS 164/H2,11 	Jean Papineau-Couture. – [ca. 1950]-1990. – 9 photographs: b&w and col.; 10 x 15 cm or smaller. File containing photographs of István Anhalt, Jean Papineau-Couture and members of his family. 	

MUS 164/H2,12 	George Rochberg. – 1982-1991. – 9 photographs: b&w and col.; 23 x 15 cm. 	
	File containing photographs of George Rochberg and István Anhalt. There is also a signed photograph of a drawing depicting Rochberg. 	
MUS 164/H2,13 	R. Murray Schafer. – 1980-1987. – 20 photographs: col.; 9 x 12, 5 cm and 8.5 x 12.5 cm. File containing photographs of, among others, István Anhalt, R. Murray Schafer and John Beckwith. Several photographs were taken in Peterborough at a fair where the work Greatest Show on Earth was to be presented. 	
MUS 164/H2,14 	Students. – [195-]-1984. – 16 photographs: b&w and col.; 19 x 24.5 cm or smaller. 	
	File containing photographs of István Anhalt and of his students: Gerrit Tetenburg, Charles Palmer, Gian Lyman, Pierre Perron, Alan Heard, John McKay, Alice Postner and Micheline Roi. 	
MUS 164/H2,15 	Miscellaneous. – [193-]-[194-]. – 35 photographs: b&w; 14.5 x 11 cm or smaller. 	
	File containing mainly photographs of István Anhalt’s friends and colleagues. Included are photographs of János Antal, Karinthy Gábor, Andy Kelemen, Micheline Focheux-Lemoine, Marjorie Morse, S. Heimler, Mary Kleinlein, Eveline Accart and György Kósa. 	
MUS 164/H2,16 	Miscellaneous. – [195-]-1979. – 45 photographs: b&w and col.; 19.5 x 24 cm or smaller. 	
	File containing mainly photographs of István Anhalt’s friends and colleagues. Included are photographs of János Starker, Jon Darius, Henry Finkel, Rose Goldblatt, John Weinzweig, Louis Charbonneau, Micheline Focheux-Lemoine, Harry Somers, Israel J. Katz, Paul Epstein, Reginald H. Fink, Otto-Ernst Laske, Igor Stravinsky, Maureen Forrester, Eugene Kash, Graham George, Frank Harrison, Felix Letemendia, Marius Constant, Eva Badura-Skoda and Hugo McPherson. 	

MUS 164/H2,17 	Miscellaneous. – 1980-1985. – 23 photographs: b&w and col.; 15 x 10 cm or smaller. File containing mainly photographs of István Anhalt’s friends and colleagues. Included are photographs of Rose Goldblatt, Marius Constant, Eveline Accart, Micheline Focheux-Lemoine, Ireneus Zuk, Otto-Ernst Laske, Philip Hayden, Jana Skarecky, David Colwell, André Prévost, János György Szilágyi, Marianne Fleece, Gilles Tremblay, Phyllis Mailing and Michael Longuet-Higgins. 
MUS 164/H2,18 	Miscellaneous. – 1986-1992. – 24 photographs: col.; 10 x 15 cm or smaller. File containing mainly photographs of István Anhalt’s friends and colleagues. Included are photographs of Wallace Berry, Eugene Wilson, William Benjamin, John Perry, Henry Finkel, Robin Elliott, Elizabeth Whalley, Luba and Ireneus Zuk, Walter Curtin, Helmut Blume, Leonard Brooks and George Weber. 
MUS 164/H3 MUSICAL WORKS 

MUS 164/H3,1 	Cento: Cantata Urbana. – 1967. – 8 photographs: b&w and col.; 19 x 24 cm and 8 x 8 cm. – 9 negatives: b&w; 4 x 4 cm. 	
	File containing mainly photographs and negatives of the University of British Columbia Chamber Singers, taken at a reception held at István Anhalt’s home. 	
MUS 164/H3,2 	Doors… Shadows (Glenn Gould in Memory). – 1992. – 6 photographs: col.; 10 x 15 cm. File consisting of photographs taken at the premiere of the work in Toronto. Included are photographs of István Anhalt with Oskar Morawetz, Vincent Tovell, Alexina Louie, Steve Dann and Mayumi Seiler. 	
MUS 164/H3,3 	Foci. – [ca. 1970]. – 98 slides: b&w and col. File containing slides of drawings, electronic equipment, scores and other items. 	
MUS 164/H3,4 	Foci. – 1971. – 150 photographs: b&w; 24.5 x 17.5 cm or smaller. – 15 negatives: b&w; 2.5 x 3.5 cm. File consisting mainly of photographs taken at a rehearsal at Redpath Hall. 	

MUS 164/H3,5 	Millennial Mall (Lady Diotima’s Walk). – 2000. – 70 photographs: col.; 10 x 17.5 or smaller. File containing photographs taken at the premiere of the work in Winnipeg. Included are photographs of István Anhalt with members of his family and various musicians, including Bramwell Tovey, Valdine Anderson, Lydia Adams, Nelson Lohnes, Elmer Iseler, Harry Freedman and Linda Bouchard. 	
MUS 164/H3,6 	Simulacrum. – 1987. – 8 photographs: b&w; 14.5 x 20 cm and 12.5 x 8.5 cm. 	
	File containing mainly photographs of István Anhalt and Gabriel Chmura at a rehearsal for the premiere of the work in Ottawa. 	
MUS 164/H3,7 	Simulacrum. – 1988. – 9 photographs: col.; 12.5 x 9 cm or smaller. 	
	File containing photographs of István Anhalt and Gabriel Chmura at a rehearsal in Toronto. 	
MUS 164/H3,8 	Six Songs from Na Conxy Pan. – 1986. – 1 photograph: col.; 8.5 x 12.5 cm. 	
	File containing a photograph of a rehearsal with Phyllis Mailing and Richard Epp. 	
MUS 164/H3,9 	Sonance•Resonance (Welche Töne?). – 1989. – 39 photographs: b&w and col.; 15 x 23 cm or smaller. File including photographs taken at a rehearsal for the premiere of the work in Toronto. There are also photographs of István Anhalt’s friends and family members, including Gunther Herbig, Austin Clarkson, Jack Edward, David Easton, John Beckwith, Carl Morey and Beate Anhalt. 	
MUS 164/H3,10 	Sonance•Resonance (Welche Töne?). – 1992. – 14 photographs: col.; 15 x 10 cm and 9.5 x 9.5 cm. File containing mainly photographs taken at a rehearsal in Montreal. Included are photographs of István Anhalt, Louis Charbonneau, Ivan Fisher and Denis Gougeon. 	
MUS 164/H3,11 	SparkskrapS. – 1988. – 20 photographs: col.; 9 x 13 cm. File containing mainly photographs of István Anhalt, Alex Pauk and the Esprit Orchestra at a rehearsal and at the premiere of the work in Toronto. 	
MUS 164/H3,12 	Thisness. – 1986. – 29 photographs: col.; 15 x 10 cm. File consisting mainly of photographs taken at a rehearsal. 	

MUS 164/H3,13 La Tourangelle. – 1975. – 16 photographs: b&w and col.; 
25.5 x 33 cm and smaller. File containing mainly photographs taken at a rehearsal for the premiere of the work in Toronto. Included are photographs of István Anhalt, Marius Constant and Phyllis Mailing. 
MUS 164/H3,14 	Traces (Tikkun). – Album. – 1995-1996. – 56 photographs: col.; 15 x 10 cm or smaller. File containing photographs of a trip to Hungary and the premiere of the work in Toronto. 
MUS 164/H3,15 	Winthrop. – Album. – [197-]-1986. – 62 photographs: b&w; 19 x 24 cm or smaller. File containing mainly photographs of trips, rehearsals and the premiere of the work. Included are photographs of István Anhalt and various people, including Elmer Iseler, Maureen Forrester, Glyn Evans, Theodore Baerg, Louis Applebaum, Rosemarie Landry, John Roberts, David Jaeger, Gilles Potvin, Ulla Colgrass, Raffi Armenian, William Benjamin and Barry Cole. 
MUS 164/H3,16 	Winthrop. – [197-]-1986. – 36 photographs: col.; 18 x 12 cm or smaller. File containing photographs of trips, a rehearsal, the premiere of the work and portraits of John Winthrop. There are photographs of István Anhalt and various other people, including Glyn Evans, Theodore Baerg, Rosemarie Landry, Barry Cole, David Easton and John Meisel. 
MUS 164/H3,17 	Winthrop. – 1986. – 17 photographs: b&w; 19 x 24 cm or smaller. File containing mainly photographs taken at a rehearsal and at the premiere of the work. There are photographs of István Anhalt and various people, including Elmer Iseler, Glyn Evans, Theodore Baerg, Louis Applebaum, Rosemarie Landry, Raffi Armenian and Barry Cole. 
MUS 164/H4 MISCELLANEOUS 
MUS 164/H4,1 	István Anhalt. – 1919-[1930?]. – 12 photographs: b&w; 17 x 23 cm or smaller. File containing photographs of István Anhalt as a child. 
MUS 164/H4,2 	István Anhalt. – [193-]-[194-]. – 22 photographs: b&w; 11 x 7.5 cm or smaller. File containing photographs of István Anhalt alone. 

MUS 164/H4,3 	István Anhalt. – [195-]. – 24 photographs: b&w; 19.5 x 24 cm or smaller. 	
	File containing photographs of István Anhalt alone. 	
MUS 164/H4,4 	István Anhalt. – [196-]-[197-]. – 35 photographs: b&w and col.; 19 x 23.5 cm or smaller. File containing photographs of István Anhalt alone. 	
MUS 164/H4,5 	István Anhalt. – [198-]-1992 – 33 photographs: b&w and col.; 21.5 x 15 cm or smaller. File containing photographs of István Anhalt alone. 	
MUS 164/H4,6 	Houses. – 1952-1973. – 37 photographs: b&w and col.; 11.5 x 7.5 cm and 10 x 7 cm. 	
	File containing photographs of the various houses in which István and Beate Anhalt lived. 	
MUS 164/H4,7 	Electroacoustic music. – 1960-1961. – 16 photographs: 19 x 24.5 cm or smaller. 	
	File containing photographs of spectrograms drawn by István Anhalt, as well as of electronic equipment designed by Hugh Le Caine. 	
MUS 164/H4,8 	Electroacoustic music. – 1961. – 31 photographs: b&w; 22 x 27.5 cm 	
	File containing photographs of spectrograms made at the Bell Telephone Laboratories (Murray Hill, NJ). 	
MUS 164/H4,9 	Electronic Music Studio (McGill University). – [ca. 1964]. – 40 photographs: b&w; 24.5 x 19 cm or smaller. File consisting of photographs of István Anhalt, Paul Pedersen, Hugh Le Caine and Helmut Blume. Also included are photographs of electronic equipment. 	
MUS 164/H4,10 	Symposium for Student Composers. – 1969. – 31 photographs: b&w; 12 x 19.5 cm. File containing photographs taken at the Symposium for Student Composers at McGill University. 	
MUS 164/H4,11 	Convocation. – 1982-1991. – 34 photographs: col.; 10 x 15 cm or smaller. 	
	File consisting of photographs taken at various convocation ceremonies at McGill University and Queen’s University. 	

McGill University Electronic Music Studio, [ca. 1964]. From left to right: István Anhalt, Hugh LeCaine, Helmut Blume. Photography: Wilkinson Studios Ltd. 

MUS 164/H4,12 	Retirement. – 1984. – 30 photographs: col.; 13 x 18 cm and 9 x 12.5 cm. 	
	File consisting of photographs taken at a farewell dinner organized by McGill University in honour of István Anhalt’s retirement. 	
MUS 164/H4,13 	Chalmers House. – 1984. – 6 photographs: col.; 10 x 15 cm and 8.5 x 15 cm. File containing photographs taken at the inauguration of Chalmers House in Toronto. 	
MUS 164/H4,14 	Musical Canada. – 1988. – 20 photographs: col.; 10 x 15 cm and 12.5 x 9 cm. 	
	File containing photographs taken at the book launch for Musical Canada at the University of Toronto Faculty of Music. Included are photographs of István Anhalt, Helmut Kallmann, John Beckwith and John Weinzweig. 	
MUS 164/H4,15 	Album. – 1992. – 73 photographs: col.; 10.5 x 16.5 cm or smaller. 	
	File containing photographs of István and Beate Anhalt’s house in Kingston. Also included are photographs of friends and members of his family. 	
MUS 164/H4,16 	Other. – 1947-[199-]. – 23 photographs: b&w and col.; 23.5 x 19 cm or smaller. File containing travel photographs, photographs of a building in which István Anhalt lived and other subjects. 	

MUS 164/I SOUND RECORDINGS. – [196-?]-1990. – 107 audio tape reels 
(ca. 37 hr.). – 9 audio tape cassettes (ca. 7 hr.). – 2 audio discs 
(ca. 35 min.). 
This series contains sound recordings of István Anhalt’s works (Electronic Composition Nos. 2-4; La Tourangelle; Winthrop), as well as of works by various composers, including Louis Angelini, John Beckwith, Luciano Berio, Pierre Boulez, Robert Erickson, Lucien Goethals, Lejaren A. Hiller, Otto-Ernst Laske, György Ligeti, Witold Lutoslawski, Bruce Mather, George Rochberg, R. Murray Schafer, Elizabeth Szönyi and Iannis Xenakis. Also included are excerpts from works used in lectures given by István Anhalt, interviews, a reading of an autobiographical text by Anhalt and research material. 
The series consists of the following sub-series: MUS 164/I1 Musical Works; MUS 164/I2 Lectures and Interviews; and MUS 164/I3 Miscellaneous 
Originals and copies. 
MUS 164/I1 MUSICAL WORKS
 MUS 164/ I1/1  Works by István Anhalt 
MUS 164/I1/1,1 	Electronic Composition Nos. 2-4.– [197-]. – 2 audio discs (ca. 35 min.): metal; 33 1/3 rpm; 35 cm. Sound recordings (masters) used in the production of an album in the series Anthology of Canadian Music. Reference numbers: M14 1 and M14 2. 
MUS 164/I1/1,2 	La Tourangelle. – 1984. – 2 audio tape reels (ca. 1 hr.): polyester; 19 cm/sec.; reels: 18 and 25 cm. Sound recordings produced during the creation of the work with chamber orchestra and soloists Mary Morrison, Roxolana Roslak, Phyllis Mailing, Albert Greer and Gary Relyea, conducted by Marius Constant. CBC tape, 1975. Reference numbers: T7 1870, T10 855. 
MUS 164/I1/1,3 	La Tourangelle. – [1982?]. – 1 audio tape reel (ca. 1 hr.): polyester; 19 cm/sec.; reel: 15 cm. Sound recording containing an arrangement for piano from a section of the work (La Fuite). Also included are works by various composers. Reference number: T6 28. 
MUS 164/I1/1,4 	Winthrop. – 1986. – 3 audio cassettes (ca. 2 hr. 20 min.): polyester. Sound recordings produced at the premiere with the Kitchener-Waterloo Symphony Orchestra and singers Glyn Evans, Theodore Baerg, Giulio Kukurugya, Martin Chambers, Carol Ann Feldstein and Rosemarie Landry, conducted by Raffi Armenian. Reference numbers: C 977 to C 979. 
MUS 164/I1/2 Works by Other Composers 
MUS 164/I1/2,1 	Louis Angelini. – [196-?]. – 2 audio tape reels (ca. 40 min.): polyester; 19 cm/sec.; reels: 13 and 18 cm. Sound recordings of the works Hosanna (Choruses of Lincoln Public Schools), Acquainted with the Night, Evocation, Woodwind Sextet, Two Graphs for Strings and Derivations No. 5. Reference numbers: T5 509, T7 1902. 
MUS 164/I1/2,2 	Kevin Austin. – 1971. – 1 audio tape reel (ca. 20 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work King Bob’s Fantasy. Reference number: T7 1899. 
MUS 164/I1/2,3 	John Beckwith. – [197-?]-[198-?]. – 8 audio tape reels (ca. 3 hr. 15 min.): polyester; 9.5 and 19 cm/sec.; reel: 18 cm. Sound recordings of the works Circle, with Tangents (University of Toronto Student String Ensemble; Sandra Erdman, harpsichord), Concerto Fantasy, String Quartet , Jonah, Musical Chairs, Elastic Band Studies, Taking a Stand, The Trumpets of Summer, The Sun Dance and Sharon Fragments. Reference numbers: T7 180 to T7 187. 
MUS 164/I1/2,4 	Luciano Berio. – [196-?]. – 3 audio tape reels (ca. 55 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings of the works Différences, Laborintus II, Sequenza I (Severino Gazzelloni, flute) and Sequenza II (Juilliard Ensemble). Reference numbers: T7 1888 to T7 1890. 
MUS 164/I1/2,5 	Pierre Boulez. – [196-]. – 2 audio tape reels (ca. 40 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings of the works Structures – book II (Bruce Mather and Paul Helmer, pianos) and Figures, Doubles, Prisme. Reference numbers: T7 1886 and T7 1887. 
MUS 164/I1/2,6 	John Bowsher. – [197-?]. – 1 audio tape reel (ca. 11 min. 30 sec.): 38 cm/sec.; reel: 13 cm. Sound recording of an electroacoustic arrangement of the Sonata Pian e Forte by Giovanni Gabrieli. Reference number: T5 531. 
MUS 164/I1/2,7 	Gustav Ciamaga. – 1967. – 1 audio tape reel (4 min.): polyester; 38 cm/sec.; reel: 13 cm. Sound recording of the work Two-Part Invention No. 3. Reference number: T5 507. 
MUS 164/I1/2,8 	George Crumb. – [196-?]. – 1 audio tape reel (ca. 8 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the work Madrigals (book I). Reference number: T5 529. 
MUS 164/I1/2,9 	Mario Davidowski. – [196-?]. – 1 audio tape reel (2 min. 20 sec.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Synchronisms No. 1. Reference number: T7 1880. 
MUS 164/I1/2,10 Robert Erickson. – [196-?]. – 1 audio tape reel (ca. 10 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work The End of the Mime of Mick, Nick and the Maggies. Reference number: T7 1879. 
MUS 164/I1/2,11 Morton Feldman. – [197-?]. – 1 audio tape reel (ca. 6 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the work The Swallows of Salangan. Reference number: T5 508. 
MUS 164/I1/2,12 Luc Ferrari. – [196-?]. – 2 audio tape reels (ca. 45 min.): polyester; 19 cm/sec.; reels: 13 and 18 cm. Sound recordings of the works Und So Weiter, Visage IV and Flashes. Reference numbers: T5 527, T7 1869. 
MUS 164/I1/2,13 Lucien Goethals. – [196-?]. – 3 audio tape reels (ca. 1 hr.): polyester; 19 and 38 cm/sec.; reels: 15, 18 and 25 cm. Sound recordings of the works Cellotape, Vensters, Contrapuntos and Sinfonia en gris major. Reference numbers: T6 27, T7 1891, T10 854. 
MUS 164/I1/2,14 Jacques Guyonnet. – [196-?]. – 1 audio tape reel (11 min. 30 sec.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the work The Approach to the Hidden Man. Reference number: T5 511. 
MUS 164/I1/2,15 Hugh Hartwell. – [197-]. – 1 audio tape reel (ca. 9 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the work Resta Di Darmi Noia (Lyric Arts Trio). Reference number: T5 67. 
MUS 164/I1/2,16 Alan Heard. – 1967. – 1 audio tape reel (ca. 18 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work String Trio (Penn Contemporary Players). Reference number: T7 1875. 
MUS 164/I1/2,17 Lejaren A. Hiller. – [197-?]. – 6 audio tape reels (ca. 3 hr.): polyester; 19 cm/sec.; reels: 18 and 25 cm. Sound recordings of the following works: Sonata No. 3 for Violin and Piano (Mark Sogol, violin; Roger Shields, piano); Sonata No. 4 for Piano (Kenwyn Boldt); Sonata No. 5 for Piano (Kenwyn Boldt); Sonata No. 6 for Piano “Rage Over the Lost Beethoven (text by Frank Parman); String Quartet No. 4 (Concord String Quartet); and Algorithms I – two versions (Evenings for New Music Ensemble conducted by Lejaren A. Hiller). Reference numbers: T7 1894 and 1895, T7 1897 and T7 1898, T10 850, T10 856. 
MUS 164/I1/2,18 Sydney P. Hodkinson. – [197-?]. – 1 audio tape reel (ca. 6 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Armistice. Reference number: T7 194. 
MUS 164/I1/2,19 Jonathan D. Kramer. – 1978. – 1 audio tape reel (24 min. 56 sec.): 19 cm/sec.; reel: 18 cm. Sound recording of the work Moving Music (Redlands Clarinet Ensemble conducted by Phillip Rehfeldt). Reference number: T7 1884. 
MUS 164/I1/2,20 Helmut Lachenmann. – [196-?]. – 1 audio tape reel (ca. 9 min.): polyester; 19 cm/sec.; reel: 7 cm. Sound recording of the work Consolation I (Schola Cantorum Stuttgart). Reference number: T3 5. 
MUS 164/I1/2,21 Otto-Ernst Laske. – [197-]-[198-]. – 5 audio tape reels (ca. 1 hr. 40 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings of the works Structure III No. 1, Structure III No. 2, Structure IV, VI, VII and Message to the Messiah. Reference numbers: T7 197 to T7 200, T7 1893. 
MUS 164/I1/2,22 Hugh Le Caine. – [196-?]. – 2 audio tape reels (3 min. 20 sec.): polyester; 19 cm/sec.; reel: 13 cm. Sound recordings of the works A Noisome Pestilence and Study No. 1 for Player Piano and Tape. Reference numbers: T5 73 and T5 74. 
MUS 164/I1/2,23 György Ligeti. – [196-?]. – 1 audio tape reel (ca. 11 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording containing the work Atmosphères, as well as a presentation by Leonard Bernstein. Reference number: T5 528. 
MUS 164/I1/2,24 Denis Lorrain. – [197-?]. – 1 audio tape reel (ca. 11 min.); polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the third version of the work P-A. Reference number: T5 72. 
MUS 164/I1/2,25 Witold Lutoslawski. – [197-?]. – 1 audio tape reel (20 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Trois poèmes d’Henri Michaux. Reference number: T7 201. 
MUS 164/I1/2,26 Bruce Mather. – 1965. – 1 audio tape reel (7 min. 28 sec.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Symphonic Ode (Toronto Symphony Orchestra conducted by Walter Susskind). Reference number: T7 195. 
MUS 164/I1/2,27 Per Nørgård. – [197-?]. – 1 audio tape reel (ca. 45 min.): polyester; 19 cm/sec.; reel: 25 cm. Sound recording of the work Babel. Reference number: T10 849. 
MUS 164/I1/2,28 John Oswald. – [197-]. – 1 audio tape reel (ca. 11 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the work Burroughs. Reference number: T5 510. 
MUS 164/I1/2,29 Angelo Paccagnini. – [196-?]. – 1 audio tape reel (10 min. 25 sec.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Stimmen. Reference number: T7 1885. 
MUS 164/I1/2,30 Henri Pousseur. – 1968. – 1 audio tape reel (ca. 20 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from the work Votre Faust. Reference number: T7 1892. 
MUS 164/I1/2,31 George Rochberg. – [196-]-[197-]. – 3 audio tape reels (ca. 1 hr. 30 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings containing mainly the works Contra Mortem et Tempus, Blacks Sounds, Music for the Magic Theater (University of Chicago Contemporary Chamber Players) and Symphony No. 3. Reference numbers: T7 188 to T7 190. 
MUS 164/I1/2,32 R. Murray Schafer. – 1967. – 1 audio tape reel (ca. 14 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Gita. Reference number: T7 192. 
MUS 164/I1/2,33 Donald Sur. – [197-?]. – 1 audio tape reel (21 min. 40 sec.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the works Intonation and The Sleepwalker’s Ballad (Speculum Musicae conducted by Charles Wuorinen; Bethany Beardslee, soprano). Reference number: T5 504. 
MUS 164/I1/2,34 Elizabeth Szönyi. – [197-?]. – 2 audio tape reels (ca. 1 hr. 15 min.): polyester; 9.5 and 19 cm/sec.; reel: 18 cm. Sound recordings of the works A Makrancos Királylány and Didergö Király. Reference numbers: T7 1881 and T7 1882. 
MUS 164/I1/2,35 Barry Truax. – 1974. – 1 audio tape reel (13 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work She, a Solo (Phyllis Mailing, mezzo-soprano). Reference number: T7 196. 
MUS 164/I1/2,36 Phillip Werren. – [196-?]. – 1 audio tape reel (ca. 5 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of the work Whale Piece. Reference number: T5 530. 
MUS 164/I1/2,37 Iannis Xenakis. – [197-]. – 1 audio tape reel (8 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of the work Pithoprakta. Reference number: T7 1883. 
MUS 164/I1/2,38 Other. – 1969. – 2 audio tape reels (ca. 50 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings produced at McGill University during the fifth Symposium of Student Composers. Included are works by Christopher Lewis, Donald Steven, Richard Hunt, Alexander Tilley, Steven Freygood and John Hawkins. Reference numbers: T7 1863 and T7 1864. 
MUS 164/I1/2,39 Other. – [196-]. – 3 audio tape reels (ca.1 hr. 30 min.): polyester; 19 cm/sec.; reels: 18 and 25 cm. Sound recordings of electroacoustic works by Bülent Arel, Milton Babbitt, Konrad Boehmer, Lejaren A. Hiller, James Hoffmann, Rainer Riehn, Robert Shallenberg, Thorkell Sigurbjörnsson, James Tenney and Ramon Zupko. Reference numbers: T7 1896, T7 1900, T10 857. 
MUS 164/I1/2,40 Other. – [197-?]-1983. – 3 audio tape reels (ca. 40 min.): polyester; 19 cm/sec.; reel: 13 cm. – 1 audio tape cassette (ca. 20 min.): polyester. Sound recordings of works by various composers, including Johann Sebastian Bach and Ludwig van Beethoven. Reference numbers: T5 502, T5 505, T5 556, C 548. 
MUS 164/I2 LECTURES AND INTERVIEWS 
MUS 164/I2,1 	Lecture. – 1967. – 1 audio tape reel (ca. 21 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from works by István Anhalt (Chansons d’aurore, Symphony, Electronic Composition No. 3) used in a lecture given by István Anhalt at the University of British Columbia. Reference number: T7 216. 

MUS 164/I2,2 	Lecture. – 1969. – 1 audio tape reel (ca. 14 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from poems and interviews used in a lecture given by István Anhalt at the State University of New York at Buffalo (Slee Lecture/Recital Series). Reference number: T7 205. 	
MUS 164/I2,3 	Lecture. – [196-?]. – 1 audio tape reel (ca. 11 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of various electronic sounds used in a lecture given by István Anhalt on the subject of electroacoustic music. 	
	Reference number: T5 71. 	
MUS 164/I2,4 	Lecture–Luciano Berio’s “Sequenza III.” – 1972. – 1 audio tape reel (ca. 6 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of excerpts from the work Sequenza III, used in a lecture given by István Anhalt at the Ferenc Liszt Hungarian Academy of Music. Reference number: T5 59. 	
MUS 164/I2,5 	Lecture–About One’s Place and Voice. – 1973. – 1 audio tape reel (ca. 26 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from works by various composers used in a lecture given by István Anhalt. Reference number: T7 206. 	
MUS 164/I2,6 	Lecture–A Small Group as a Model for a Composition By Ligeti: An Analysis of “Nouvelles aventures.” – 1976. – 1 audio tape reel (ca. 22 min.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of excerpts from the work Nouvelles aventures used in a lecture given by István Anhalt Reference number: T5 60. 	
MUS 164/I2,7 	Lecture–In Search of the Voice Today. – 1978. – 1 audio tape reel (ca. 4 min. 30 sec.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording of excerpts from works used in a lecture given by István Anhalt at the conference of the International Society for Music Education. Reference number: T5 58. 	
MUS 164/I2,8 	Lecture–Words, Music and Experience. – [197-]. – 2 audio tape reels (ca. 50 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings of excerpts from works by various composers used in a lecture given by István Anhalt. Reference numbers: T7 203 and T7 204. 	

MUS 164/I2,9 	Lecture–The Art of Berio and Berberian. – [197-?]. – 1 audio tape reel (ca. 30 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from works by Luciano Berio and Cathy Berberian, used in a lecture given by István Anhalt at Queen’s University. Reference number: T7 210. 	
MUS 164/I2,10 	Lecture. – [197-?]. – 1 audio tape reel (ca. 17 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from works by various composers used in a lecture given by István Anhalt at Queen’s University. Reference number: T7 202. 	
MUS 164/I2,11 	Lecture. – [197-?]. – 1 audio tape reel (ca. 10 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from works by various composers used in a lecture given by István Anhalt at the Psychiatry Department of Queen’s University. Reference number: T7 211. 	
MUS 164/I2,12 	Lecture–Pst… Pst… Are You Listening? Hearing Voices from Yesterday. – [ca. 1985]. – 1 audio tape reel (16 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording of excerpts from works by various composers used in a lecture given by István Anhalt. Reference number: T7 209. 	
MUS 164/I2,13 	Lecture–Simulacrum. – 1988. – 1 audio tape cassette (ca. 50 min.): polyester. Sound recording of a lecture given by István Anhalt at the University of Toronto Faculty of Music. Reference number: C 551. 	
MUS 164/I2,14 	Interviews. – 1990. – 3 audio cassettes (ca. 2 hr.): polyester. Sound recordings of interviews with István Anhalt by Robin Elliott. 	
	Reference numbers: C 552 to C 554. 	
MUS 164/I2,15 	Interview. – 1990. – 1 audio tape cassette (ca. 1 hr. 20 min.): polyester. Sound recording of Gordon Smith interviewing István Anhalt. 	
	Reference number: C 555. 	

MUS 164/I3 MISCELLANEOUS 

MUS 164/I3,1 	What Tack to Take?. – [1985?]. – 2 audio tape reels (ca. 50 min): polyester; 19 cm/sec.; reel: 18 cm. Sound recordings of the reading of an autobiographical text by István Anhalt. Reference numbers: T7 207 and T7 208. 	
MUS 164/I3,2 	Conversation in Yiddish. – [197-?]. – 1 audio tape reel (ca. 23 min.): polyester; 9.5 cm/sec.; reel: 13 cm. Sound recording of a conversation with, among others, Shimon Dzigan, Ysrael Schumacher and David Rome. Reference number: T5 68. 	
MUS 164/I3,3 	Research—Voice. – 1961-1977. – 6 audio tape reels (ca. 1 hr. 30 min.): polyester; 9.5 and 19 cm/sec.; reels: 13 cm and 18 cm. 	
	Sound recordings containing studies of the voice by John Laver, as well as voice transformation experiments using electronic devices. 	
	Reference numbers: T5 61 to T5 64, T5 70, T7 215. 	
MUS 164/I3,4 	Research—Electroacoustic music. – [196-?]-1977. – 3 audio tape reels (ca. 1 hr. 20 min.): polyester; 19 cm/sec.; reels: 7 and 18 cm. 	
	Sound recordings containing, among other things, presentations about electronic instruments such as the sackbut and electronic organ with touch-sensitive keys. One of the recordings includes comments by Hugh Le Caine. Reference number: T3 4, T7 193, VT 1. 	
MUS 164/I3,5 	Research, Religion and ethnomusicology. – [196-?]-1973. – 7 audio tape reels (ca. 4 hr.): polyester; 9.5 and 19 cm/sec.; reels: 10, 13, 15 and 18 cm. 	
	Sound recordings containing, among other things, songs from the Sudan and healers’ songs (Africa, Asia, America) as well as demonstrations of Aboriginal voices and incantations. One of the recordings also has presentations by Roxane Carlisle (Queen’s University). Reference numbers: T4 3, T5 57, T5 66, T5 69, T6 2, 	
	T7 213 and T7 214. 	

INDEX OF FILES 
Files 
A,1 A,2 A,3 A,4 to A,17 A,18 A,19 and A,20 A,21 A,22 A,23 and A,24 A,25 A,26 A,27 and A,28 A,29 A,30 A,31 and A,32 A,33 A,34 to A,38 B1,1 to B1,3 B1,4 to B1,10 B1,11 B1,12 to B1,17 B1,18 to B1,23 B2,1 to B2,10 B2,11 to B2,25 B2,26 to B2,29 B2,30 B2,31 to B2,45 B2,46 to B2,59 B2,60 B2,61 to B2,63 B2,64 B2,65 to B2,76 B2,77 B2,78 to B2,87 B2,88 to B2,93 B2,94 B2,95 to B2,109 B2,110 B2,111 to B2,125 B2,126 B2,127 to B2,129 B2,130 
Box(es) 
1, 51 1 1, 88 1 1, 87 2, 80 2 51 2 2, 80 2, cab. 2 87 2, 88 2 3, 88 3 3 4 4, 80 4 5 5 6 7 7, 80 7 8 8, 80 8 9, 88 9 9, 80 9 10 10, 80 10 10, 80 10 11, cab. 11 11, 88 
Files Box(es) 
B2,131 to B2,133 11 B2,134 and B2,135 11, 80 B2,136 and B2,137 11 B2,138 to B2,156 12 B2,157 12, 80 B2,158 to B2,167 12 B2,168 to B2,178 13 B3,1 to B3,6 13 B3,7 to B3,10 14 B3,11 14, 51 B3,12 to B3,15 14 B3,16 14, 80 B3,17 14 B3,18 to B3,30 15 B4,1 to B4,5 16 C1/1,1 and C1/1,2 16 C1/1,3 16, 51 C1/1,4 to C1/1,6 16 C1/1,7 and C1/1,8 17 C1/1,9 and C1/1,10 17, 88 C1/1,11 to C1/1,22 17 C1/1,23 and C1/1,24 18 C1/1,25 18, 51 C1/1,26 to C1/1,38 18 C1/2,1 and C1/2,2 19, 51 C1/2,3 and C1/2,4 51 C1/2,5 19 C1/2,6 51, 88 C1/2,7 19 C1/2,8 19, 51 C1/2,9 to C1/2,11 52 C1/2,12 to C1/2,16 19 C1/2,17 52 C1/2,18 to C1/2,20 19 C1/2,21 19, 52 C1/3,1 19 C1/3,2 to C1/3,6 20 C1/4,1 20, 52 C1/4,2 to C1/4,6 20 C2/1,1 to C2/1,4 20 C2/1,5 to C2/1,13 21 C2/1,14 21, 88 
Files 
C2/1,15 to C2/1,20 C2/1,21 C2/1,22 C2/1,23 C2/1,24 to C2/1,31 C2/1,32 C2/1,33 C2/1,34 and C2/1,35 C2/1,36 C2/2,1 C2/2,2 C2/2,3 to C2/2,8 C2/2,9 to C2/2,15 C2/2,16 to C2/2,18 C2/2,19 to C2/2,21 C2/2,22 to C2/2,25 C2/2,26 C2/2,27 C2/2,28 C3,1 to C3,3 C3,4 C3,5 to C3,14 C3,15 C4,1 C4,2 D1,1 and D1,2 D1,3 and D1,4 D1,6 D1,7 and D1,8 D1,9 to D1,13 D1,14 and D1,15 D1,16 D1,17 D1,19 D1,20 D1,21 to D1,23 D1,24 and D1,25 D1,26 to D1,30 D1,31 to D1,35 D1,36 D1,37 and D1,38 D1,39 to D1,41 D1,42 to D1,45 D1,46 to D1,49 
Box(es) 
22 22, 80 22 52 22 23 23, cab. 23 23, 52 23 23, 52, 88 23 24 24, 52 24 25 52 25 25, 53 25 25, 53 25 25, 87 25 88 25 26 53, 80 80 26 53 54 26, 80 88 87 89 90 26 27 27, 54 54 55 56 57 
Files Box(es) 
D1,50 and D1,51 58 D1,52 to D1,54 81 D1,55 to D1,57 82 D1,58 58 D1,59 59 D1,60 and D1,61 27 D1,62 and D1,63 59 D1,64 60 D1,65 to D1,68 27 D1,69 82 D1,70 to D1,79 28 D1,80 to D1,90 29 D1,91 and D1,92 60 D1,93 61, 83 D1,94 and D1,95 61 D1,96 and D1,97 62 D1,98 and D1,99 30 D1,100 to D1,102 63 D1,103 64 D1,104 83 D1,105 64 D1,106 30 D1,107 90 D1,108 to D1,111 30 D1,112 64 D1,113 to D1,115 65 D1,116 66 D1,117 83 D1,118 84 D1,119 66 D1,120 67 D2,1 to D2,6 67 D2,7 30 D2,8 67 D2,9 and D2,10 68 D2,11 to D2,13 91 D2,14 30 D2,15 68 D2,16 69 D2,17 91, cab. D2,18 and D2,19 92 D2,20 and D2,21 cab. D2,22 30 D2,23 and D2,24 69 
154 
Files 
D2,25 to D2,28 D2,29 D2,30 and D2,31 D2,32 D2,33 D2,34 D2,35 D2,36 D2,37 to D2,39 D2,40 to D2,42 D3,1 to D3,6 D3,7 to D3,9 D3,10 D4,1 to D4,5 D4,6 to D4,8 D4,9 D4,10 D5,1 to D5,8 D5,9 to D5,22 D5,24 D5,25 and D5,26 D5,27 D5,28 to D5,30 D5,31 to D5,34 D5,35 D6,3 D7,1 to D7,3 D7,4 to D7,6 D7,7 to D7,9 E,1 and E,2 E,3 E,4 E,5 E,6 E,7 to E,9 E,10 E,11 E,12 to E,16 E,17 to E,19 E,20 E,21 to E,23 E,24 E,25 E,26 
Box(es) 
84 69 70 70, 85 85 70 71 30 71 85 72 73 30 73 74 92 74 74 75 86 30 86 75 76 86 86 76 77 78 30 31 31, 92 31 31, 86 31 31, 86 31, 92 31 32 32, 92 32 32, 92 32 32, 79, 92 
Files Box(es) 
E,27 to E,30 32 E,31 79 E,32 and E,33 33 E,34 33, 79 E,35 to E,36 33 E,37 33, 92 E,38 33 E,39 79 E,40 to E,45 33 E,46 to E,50 34 E,51 34, 86 E,52 and E,53 34, cab. E,54 93 E,55 34 F1,1 34, 93 F1,2 to F1,7 34 F1,8 35, 79 F1,9 35, cab. F1,10 to F1,19 35 F1,20 35, 86 F1,21 35 F1,22 to F1,32 36 F1,33 to F1,42 37 F1,43 to F1,50 38 F1,51 and F1,52 39 F1,53 79 F1,54 to F1,62 39 F1,63 to F1,76 40 F1,77 to F1,88 41 F1,89 to F1,91 42 F1,92 42, 86 F1,93 to F1,100 42 F2,1 to F2,11 43 F2,12 to F2,24 44 F2,25 to F2,32 45 G,1 to G,3 45 G,4 to G,14 46 G,15 to G,25 47 G,26 to G,28 48, 93 G,29 to G,32 48 G,33 48, 87, 93 G,34 48, 93 G,35 48 G,36 48, 79 
155 
Files 
G,37 to G,45 G,46 G,47 G,48 to G,53 G,54 G,55 to G,57 G,58 G,59 G,60 
Box(es) 
49 49, 93 49 50 50, 79 50 50, 86 50, 93 50 
INDEX OF PROPER NAMES AND TITLES 
A 
À cet instant D5,28 Abbott, Mark E,21 About “Foci” F1,13 About One’s Place and Voice F1,15; I2,5 About the “Unidentifiable Righteous Among 
the Nations” F1,91 About This Song D1,63 and D1,64 Accart, A. B2,1 Accart, Eveline B2,1; D5,3 and D5,4; 
H2,15; H2,17 Acquainted with the Night I1/2,1 Adams, Lydia H3,5 
Advertising Unlimited (Lesson in Magic) 
D1,116; D1,118 and D1,120 Algiers City Hall B3,1 An After-Dinner Talk F1,80 The Agony of Ecstasy: Glenn Gould’s 
Concept of Aesthetic Reception and the Performance Event F2,1 Aims and Procedures of Theory Teaching in 
the Undergraduate Curriculum F1,92 Aitken, Robert B3,28; E,43 Akos, Francis B3,22 and B3,23 Alain, Marie-Claire B3,9 Alain, Olivier B3,1 Alexander, Howard B3,10 Alexandor Pax E,1 and E,2 Alfred A. Kalmus Ltd. B3,5 and B3,6 Algorithms I I1/2,17 Alternative Voices F1,45; F1,47; F1,49; 
F1,51 
Alternative Voices: Essays on Contemporary Vocal and Choral Composition 
MUS 164; F1,14; F1,17 to F1,20; F1,27 to F1,56 
Alternatives of Voice: István Anhalt Odyssey from Personalized Style to Suprapersonal Expression F1,88 
American Institute of Physics E,15 American Joint Distribution Committee B3,1 
American Society of University Composers G,44 
Anderson, Valdine H3,5 
Andrews, H.K. B3,3 
Andrist, Audrey B3,20 
Angelini, Louis I; I1/2,1 
Anhalt, Arnold A,1; B1,20; H1,4; H1,7 and H1,8 
Anhalt, Beate B1,1; B1,9; D1,52 to D1,57; D5,15 to D5,17; H1,11 to H1,14; H1,20; H3,9; H4,6; H4,15 
Anhalt, Bözsi H1,8 
Anhalt, Carol B1,2 and B1,3; D5,34; H1,13 and H1,14; H1,16 to H1,18 Anhalt, Helen B1,2 and B1,3; D5,33; H1,13 and H1,14; H1,16 to H1,18 
Anhalt, István MUS 164; A; A,1 and A,2; A,10; A,12 to A,16; B1,5 to B1,8; B1,10; B1,22; B2,2; B2,9; B2,85; C; D; D7,9; E,17; E,50; F; F1; F1,77 to F1,79; F1,82; F1,86 and F1,87; F2,7; F2,9; G; G,55; G,58; H; H1,1 to H1,5; H1,7 to H1,17; H1,19; H1,21 to H1,23; H2,2; H2,5 to H2,7; H2,9 to H2,18; H3,1 and H3,2; H3,5 to H3,7; H3,10 and H3,11; H3,13; H3,15 to H3,17; H4,1 to H4,7; H4,9; H4,12; H4,14 to H4,16; I; I1/1; I2,1 to I2,15; I3,1 
Anhalt, Judit B1,5 to B1,7; H1,8; H1,10 
Anhalt, Simon H1,2 
Animal Sketches E,47 
Antal, Pater János B2,2; B2,173; D1,19; D1,21 to D1,25; H2,15 
Anthology of Canadian Music B2,126; I1/1,1 
Applebaum, Louis B2,3; E,32; E,43 and E,44; H; H3,15; H3,17 
The Approach to the Hidden Man I1/2,14 
Arachné F2,20 
Arc en ciel D4,5 to D4,9 
L’Architecture d’Aujourd’hui B3,2 
Archives des Ursulines de Québec E,32 and E,33 
Arel, Bülent I1/2,39 
Armenian, Raffi B3,16; E; E,43 and E,44; E,50; H; H3,15; H3,17; I1/1,4 
Armistice I1/2,18 
Arnold, Audrey M. B2,4; H2,1 
The Art of Berio and Berberian F1,93; I2,9 
Artscanada F1,13 
Assels, Margaret B3,13 and B3,14 
Association d’initiatives musicales en France B3,2 
At the Wedding March D5,33 
Atmosphères I1/2,23 
Auger, Simone B3,27 and B3,28 
Aurore D5,28 
Austin, Kevin B2,5; I1/2,2 
Austrian Society B3,3 
B 
Babbitt, Milton B2,6; I1/2,39 
Babel I1/2,27 
Bach, Johann Sebastian I1/2,40 
Badura-Skoda, Eva B3,13; H; H2,16 
Baerg, Theodore H; H3,15 to H3,17; I1/1,4 
Baker, Susie B3,14 
Balla, Nick B3,21 
Ballon, Ellen B3,4 
Bamboozle Video D1,116; D1,118 to D1,120 
The Banff Centre School of Fine Arts B3,13 
Barnett, Abe B3,28 
Barron, Almen L. F2,23 
Bartók, János B3,3 
Bashaw, Howard B3,15 
Bater, Robert B3,16; B3,24 and B3,25 
Bates, David V. F2,23 
Bauman, Marcia B3,24 
Beardslee, Bethany I1/2,33 
Beaudet, Pierre B1; B3,20 
Beckwith, John B; B2,7 to B2,13; E; E,21; E,36; E,43; F1,1 to F1,3; H; H2,2; H2,13; H3,9; H4,14; I; I1/2,3 
Bédard, André D1,18 Beecroft, Norma E; E,43 Beethoven, Ludwig van I1/2,40 Béla Bartók International Competition 
B; B3,1 and B3,2 Belch, Krista B3,22 Bell Telephone Laboratories H4,8 The Bell-Man D5,21 and D5,22; D5,31 
and D5,32; E,53 Benjamin, William B2,14; C; E,45; F; 
F1,88; H; H2,18; H3,15 Benson, Andrew B3,24 Berandol Music Limited B2,15 and 
B2,16; E,33 Berberian, Cathy I2,9 Berg, Alban G,12 Berio, Luciano B; B2,17; G,12; I; I1/2,4; 
I1/2,9Berkovics, Ági D5,15 to D5,17 Berljawsky, Paula B; B3,12 and B3,13; 
B3,15 Bernardi, Mario E; E,22; E,33 Bernstein, Leonard I1/2,23 Berry, Wallace B3,13; B3,15; H2,18 Beyond D1,63 and D1,64 Bicentenary of Canadian Jewry D2,11 Biro, André B3,1 Birtwistle, Harrison G,54 Bisha, Edward E; E,40 Blacks Sounds I1/2,31 Blaukopf, Kurt B2,18; F2,23 Blauvelt, R. C3,1 Blume, Helmut B2,19; H2,18; H4,9 Blumer, Ronald F2,23 Blurred Boundaries F1,44; F1,47; F1,49; 
F1,51 Boehmer, Konrad I1/2,39 Boldt, F. C3,2 Boldt, Kenwyn I1/2,17 Bond, E.J. F2,23 Bonham, David B3,12; B3,28 Bonhomme, Michèle H2,3 Boosey & Hawkes (Canada) Ltd. 
B3,2; B3,7 Boston . . . a City D1,48; D1,55; D1,59 Bottenberg, Wolfgang B3,6 
Bouchard, Linda H; H3,5 Boudreau, Walter B; B3,20 Boulanger, Nadia MUS 164; B; B2,20; 
D5,3 and D5,4 Boulay, Jean-Michel B3,26 Boulet, Danielle B3,11 Boulez, Pierre I; I1/2,5 Bowker, Mel B3,4 Bowsher, John I1/2,6 Bradshaw, Richard E,35 Brainerd, F. C3,3 Brant, Henry B3,4 The Bridge F1,76 Bridgman, Billie E,43 A Brief Account of My Four Escapes F1,92 Broadbent, R. Alan B3,18 Brock University B3,9 Brooks, Leonard B2,21; H2,18 Brouillard, Daniel B3,21 Brown, C.F. B3,11 Brown, Norman B3,21 Browning, Alexandra B3,14; B3,16 Brunet, Guy B3,13 The Buffalo Philharmonic Orchestra 
Society 
B3,5 and B3,6 Budapest Academy of Music MUS 164 Burge, John B3,16 Burroughs I1/2,28 Byrne, Andrew B3,10 
Cadrin, Paul B3,7 and B3,8; B3,14 Cage, John B; B2,22 The Canada Music Book B3,8 The Calgary Philharmonic D2,42 Call and Response D1,46; D1,54 Calle-Gruber, Mireille B3,23; B3,25; 
F2,23 The Cambridge University Society for 
Visiting Scholars B3,9 and B3,10 Cameron, David B3,6 Campbell, Francean C1/1,14 Campo, Elvira del D1,68 
Canada Council B2,23 and B2,24; 
D1,64 Canada Music Week G,57 Canada’s Centennial Year 1967 
D2,20; D5,24 Canadian Association of University Schools of Music G; G,39 to G,41 
Canadian Broadcasting Corporation MUS 164; B; B2,25; E,15; E,32 and E,33; E,35 and E,36; E,43 and E,44; E,46; I1/1,2 
Canadian Commission for Unesco B; B3,5 
Canadian Contemporary Music Workshop B3,14 and B3,15 
Canadian Cultural Centre B3,10 Canadian Electroacoustic Community B; B3,26 and B3,27 Canadian Federation of Music Teachers’ 
Associations B3,16 Canadian Jewish Congress B3,3; B3,9 Canadian League of Composers G; G,31 
and G,32 Canadian Music Centre B; B2,26 to 
B2,28; E,3 Canadian Music Council E,52; G,43 Canadian Opera Company E,15 and 
E,16; G,59 Canadian University Music Society 
G,52 The Canadian Wind Quintet B3,9 Canton Central School B3,6 Capriccio D4,1 Carlisle, Roxane I3,5 Carmen: Bride of Dionysus F2,1 Carmichael, Dorion B2,29 Carpenter, Humphrey F2,23 Carty, Michael W. B3,22; B3,24 Cary, Tristram B3,5 Cassells, M. B3,24 Castel, Barbara E,35 Castner, Henry W. F2,23 Cellotape I1/2,13 Centennial Commission E,3 Centennial Medal A; A,17 
Center for Advanced Study in the Behavioral Sciences B3,9 
Center of the Creative and Performing Arts B3,6 
Cento: Cantata Urbana MUS 164; D; D5,23 to D5,27; E,3 and E,4; H3,1 
The Central Archives for the History of the Jewish People B3,24 
Centre in the Square MUS 164 
Chabot, Sœur Marie-Emmanuel D1,9; E,32 
Chalmers, Floyd S. D1,52 to D1,57 
Chambers, Martin I1/1,4 
Champagne, Claude B3,3 
Chansons d’aurore D5,28; E,5; I2,1 
Charbonneau, Louis H; H2,16; H3,10 
Chatterji, N. B3,5 
The Chicago Conservatory B3,3 
Chmura, Gabriel B3,16; D2,24 to D2,28; H; H3,6 and H3,7 
Choruses of Lincoln Public Schools I1/2,1 
Chromaticism: Symmetry in Atonal and Tonal Music F2,18 
Ciamaga, Gustav I1/2,7 
Circle, with Tangents I1/2,3 
Citizen Demand and Government Response F2,13 
City of Philadelphia B3,3 
Cixous, Hélène B; B2,30 
Clark, George B3,26 
Clark, Melville B3,3; F2,23 
Clarke, F.R.C. B2,31 
Clarkes, Gerard B2,32 
Clarkson, Austin B2,33; E,35; F2,1; H3,9 
Claussen, Elizabeth B2,86 
Cleavages, Parties and Value in Canada F2,13 
Cluytens, A. B3,1 
Coates, Donald F2,24 
Cohanim, Moussa B3,25 
Cole, Barry E,43 to E,45; H3,15 to H3,17 
Colgrass, Ulla B; B2,34; H3,15 
Collins, G.S. B3,8 
Colpa, Hans B3,13 Colpa, J. Alexander F2,24 Colwell, David B2,35; H2,17 Combarieu, Jules G,20 Come Let’s Begin to Revel’t Out D7,8 Come Shepherds Follow Me D7,8 Commemorative Medal for the 125th 
Anniversary of the Confederation of 
Canada MUS 164; A; A,21 Comments D; D5,29 and D5,30; E,53 Communion D1,19 to D1,21; D1,23; 
D1,25 
A Compendium of Contemporary Musical 
Thought G,58 Composing with Speech F1,92 COMUS Music Theatre of Canada 
B2,36 Concordia Electro-acoustic Composers’ 
Group G,53 Concerto D7,2 Concerto Fantasy I1/2,3 Concerto (In stilo di Handel) D2,1 Concerto per orchestra D2,2 Concord String Quartet I1/2,17 Conservatoire de musique et d’art 
dramatique MUS 164; B3,3 Consolation I I1/2,20 Constant, Marius B; B2,37; E; E,32 and 
E,33; H; H2,16 and H2,17; H3,13; 
I1/1,2 Constant, Sonia B2,37 Consulate General of Paraguay B3,2 Contemporary Music in Canada F2,5 Contemporary Music Review B2,38 A Continuing Thread? . . . Perhaps F1,86 Contra Mortem et Tempus I1/2,31 Contrapuntos I1/2,13 Corker, Eve B3,7 Cornell University B3,5 Cornwall Symphony Orchestra B3,11 Courtney, Rosemary B3,12 Cousineau-Allard, Lucille E,28 Covenant and Lesson (The Voyage) D1,47; 
D1,54; D1,58 Cox, Linda B3,19 Cram, Robert B; B3,28 
Crawley, Clifford B3,20 Creek, Mario F2,24 A Crisis D1,49; D1,56; D1,59 Crowder, C. D1,18 A Crown for Ashes F2,7 Crumb, George B3,13; I1/2,8 Csapó, Gyula B; B2,39 Csipkay, Francesca de B2,84 and B2,85 Csipkay, Genevra de B2,82 to B2,85, 
E,44 Curtay, Jean-Paul B3,13 Curtin, John B3,22 Curtin, Walter B3,12 to B3,15 and 
B3,16; E,22; H2,18 
D 
D’Albert, François B3,21 Dalos, Anna B3,27 Dann, Steve H3,2 Darius, Jon B2,40; F2,25; H; H2,16 Dart, Thurston B3,44 Darvas, Tibor C. B3,15 Davenant, William D5,21 and D5,22 Davidowski, Mario I1/2,9 Davidson, Hugh B3,10; E,33 Davies, Michael B2,41; E,35 and E,36 Davis, Andrew E,46 Davis, Caroline B3,12; B3,15 Davis, Henriette D2,4 Deák, T.J. B3,4 Decsényi, János B3,18 
Deep Themes, Not-So-Hidden 
F1,44; F1,47; F1,49; F1,51 
Deep Themes, Not So Hidden in the Music of 
István Anhalt F2,19 Definition 2 D1,7 and D1,8 Definition 3 D1,7 and D1,8 Dehejia, Rajeev H. B; B2,42; E,22; F2,2 
“Densité 21.5” de Varèse: essai d’analyse sémiologique F2,14 Depraz, Raymond B2,43; D5,3 and 
D5,4 Derivations No. 5 I1/2,1 Destination D1,19 and D1,20; D1,22; 
D1,24 
Devecseri, Gábor D5,1 Devecseri, Klára B; B2,44; B2,64; D5,3 
and D5,4; H; H2,4 Devoy-Pineau, Françoise B3,20 Dialogue D1,63 and D1,64 Dickson, Jennifer B3,11 Didergö Király I1/2,34 Différences I1/2,4 Diotima Leaves de Mall (Dialogue) 
D1,116; D1,118 to D1,120 Discipline D1,19 to D1,21; D1,23; 
D1,25 Dixon, Gail B2,45 Donald, Merlin B3,18 Donn, Ken B3,6 Donovan, Patrick E,45 
Doors… Shadows (Glenn Gould in Memory) 
MUS 164; D; D3,7 to D3,10; E,6; 
H3,2 Dorenfeld, Joanne B3,15 Drake University B3,5 Dreisziger, N.F. B3,20 Dufourcq, Norbert B3,1 Duncan, Alain B3,22 Dünnhaupt, Gerhard B3,19 and B3,20; 
F2,25 Dupuis, Charles E,32 Dzigan, Shimon I3,2 
E 
Easton, David B2,46 and B2,47; E,35; F; F2,25; H; H2,5; H3,9; H3,16 Easton, Sylvia B2,46; H2,5 
Echoes of Time and the River: Homage to 
István Anhalt F2,5 Eckhardt, Ferdinand B3,11 Edmison, David R. B3,26 Edward B. Marks Music Corporation 
B3,5 Edward, Jack B2,48; H3,9 Edward, Joan B3,26 and B3,27 Elastic Band Studies I1/2,3 Electric Phoenix B3,11 
The Electroacoustic Music of István Anhalt 
F1,82 
Electronic Composition No. 1 E,7 and E,8 Electronic Composition No. 2 D6,1 and D6,2; E,7 and E,8; I; I1/1,1 
Electronic Composition No. 3 (Birds and Bells) D; D6,3 to D6,5; E,7 and E,8; I; I1/1,1; I2,1 
Electronic Composition No. 4 D6,6 and 
D6,7; E,7 and E,8; I; I1/1,1 Elements of a Systematic View F1,24 Eliot, T.S. D5,20 Elliott, Patricia B3,9 Elliott, Robin B2,49; E,21; F; F1,83 and 
F1,84; H2,18; I2,14 
Encyclopedia of Music in Canada 
A,10; F1,1 to F1,3 
The End of the Mime of Mick, Nick and the 
Maggies I1/2,10 English, James R. B3,18 Enter Lady Diotima D1,115; D1,117; 
D1,119 and D1,120 Entry of the Bride D5,33 Enyedi, György B3,1 Epp, Richard H3,8 Epstein, Paul H2,16 Erdély, Stephen B3,6 Erdman, Sandra I1/2,3 Erickson, Robert B3,5; I; I1/2,10 Esprit Orchestra MUS 164; B3,16; 
B3,18; B3,20; D2,33; H3,11 Evans, Glyn E,45; H3,15 to H3,17; I1/1,4 Evenings for New Music Ensemble 
I1/2,17 Evocation I1/2,1 Eyles, Sherelle B3,26 
F 
Falck, Robert B3,23; F2,25 Fallis, Loie E,21; E,35 Famous Brittany D1,45; D1,53; D1,58 Fantasia MUS 164; D4,10 The Fashion Show D1,116; D1,118 to 
D1,120 Feldman, Morton I1/2,11 
Feldstein, Carol Ann I1/1,4 Fell, Albert B3,17 Ferenc Liszt Hungarian Academy of 
Music D1,103 to D1,105; I2,4 Ferrari, Luc C1/1,15; I1/2,12 Festival of the Sound B3,18 A Few Words About “Comments” F1,92 Fiddlers and Fribbles or Is Art a Separate 
Reality? F2,15 Fieldman, Jos D. B3,2 Figures, Doubles, Prisme I1/2,5 Filled Pause D1,63 and D1,64 Fink, Reginald H. H2,16 Finkel, Henry B2,40; H; H2,16; H2,18 Finkel, Rose B2,40 Finley, Gerald F2,25 Finn, Robert E,35 Fischer, G.K. B3,16 Fischer, Sarah B3,3 Fisher, Alfred B3,14; B3,20; B3,22 to 
B3,24; E,35 Fisher, Ivan H3,10 Flashes I1/2,12 Fleece, Jeffrey B2,50 Fleece, Marianne B2,50; H2,17 Flindell, Fred F2,26 Flynn, Leslie B3,11 Focheux-Lemoine, Micheline B; B2,51; 
H; H2,15 to H2,17 Foci D; D1,1 to D1,8; E,9; H3,3 and 
H3,4 Földesi, Tamás B2,52 Fónagy, Iván F; F2,3 Fondation nationale de la Cité 
Universitaire de Paris B3,1 
For Gene and George on Their 50th Together 
D5,35 Forrai, Katalin B3,10 Forrester, Maureen B; B3,18; D5,29 
and D5,30; E; E,44; H; H2,16; H3,15 Fortier, André F2,26 
Four Arms, Two Necks, One Wreathing 
D7,8 Fourestier, Louis MUS 164; A; A,3 A Framework for Understanding F1,25 Frankenberg, Beate see Anhalt, Beate 
Frankenberg, Emma B1,9; H1,20 Frankenberg, Herbert B3,23 Franks, C.E.S. B2,53; F2,4 Franks, Peter B3,24 and B3,25 Freedman, Harry E; E,32; H3,5 Freygood, Ruth B3,4 Freygood, Steven B3,9; I1/2,38 Froehlich, Peter B3,13 
From “Mirage” to “Simulacrum” and “Afterthought” F1,75 From Paumanok Starting I Fly Like a Bird 
D5,7 Frontenac County Board of Education 
B3,7 La Fuite I1/1,3 Fundación mito juan pro-música B3,11 Funeral Music D2,5 and D2,6; E,53 Fylkingen B3,6 
G 
Gábor, Karinthy H2,15 Gabrieli, Giovanni I1/2,6 Gács, Suzan B1,8 Gagnon, Allison B2,54 
Galambabmalag: The Halloween Witch and 
24 Other Easy Pieces for Recorder D7,1 Garant, Serge E; E,33 Gazzelloni, Severino I1/2,4 Gedai, Károly B3,24 Gena, P. C3,4 George, Graham B2,55; C2/2,14; 
H2,16 Gergely, P. B2,56 Gerretsen, John B3,13 Gesing, Renka B3,22 Gibson, Sarah B3,11 Gilbert, Roger Paul B3,27 and B3,28 Gillmor, Alan B2,57; E,22; E,43; F; F2,5 Giron, Arsenio B3,14 Gita I1/2,32 Gladney, Norman B2,58; E,43 Glenn Gould String Quartet D3,8 to 
D3,10 Goethals, Lucien I; I1/2,13 Golberg, Nancy B3,23 
Goldblatt, Rose B3,4; H2,16 and H2,17 
Goldschmidt, Nicholas B3,7 
Gopnik, M. F2,26 
Gorst, Nina B3,21 
Gougeon, Denis H3,10 
Gould, Glenn B; B2,59 
Graig, Gordon B3,17 
Grandmaison, Hervé B3,2 
Grandville, Philip B3,13 
Grant, Paul E,28 
Grave, W.W. B3,10 
Gray, France B3,12 
Greatest Show on Earth H2,13 
Greaves, Astrid D7,1 
Greaves, Branch D5,34 
Greaves, Claudia D7,1 
Greenwood, Nadine B3,18 
Greer, Albert I1/1,2 
Grenier, Denise D1,18 
Grew, John B3,23 
Grier, Eldon B2,60 to B2,62; D5,23 to D5,27; H; H2,6 
Group D1,7 
Gruber, Eberhard F2,26 
Gunn, Hilda B3,15 
Guttman, Newman F2,26 
Guyonnet, Jacques I1/2,14 
Gyopár, László B2,63 to B2,65; D; D1,103 to D1,105; D2,6; D7,9 
H 
Haden, Jessica B3,10 Hallelujah D5,13 Hambraeus, Bengt B3,8 Hamel, Keith B2,66 Harand, Michèle B2,67; H2,7 Harris, Donald B3,15 Harrison, Frank B3,10; F2,26; H2,16 Harrison, Joan B3,10 Harrison-Le Caine Hall C2/1,21 Hartwell, Hugh B2,68; C; I1/2,15 Haughton, Tony B3,27 Hawkins, John B2,69; C; E,21; I1/2,38 Hayden, Philip H2,17 Hayes, Beatrice R. D5,11 
Heard, Alan B2,70; H2,14; I1/2,16 
Heimler, S. B3,1; H2,15 
Heitmannt, J. C3,5 
Helbo, André B3,8 
Helmer, Paul I1/2,5 
Helms, Hans G. B2,71 
Henderson, Ian E,45 
Henry, D.L. B3,24 
Henry, Otto W. F2,26 
Herbig, Gunther D2,41 and D2,42; E; E,21; H3,9 
Herendi, É. B3,2; B3,12 
Herrick, Robert D5,21 and D5,22; D5,31 and D5,32 
Hertz, Ken B3,18 to B3,20 
Herzfeld, Béla H1,1 
Herzfeld, Helén H1,1 
Herzfeld, Katalin A,1; B1,21 and B1,22; H1,1; H1,3 to H1,6 
Hetherington, C. D1,18 
Hiller, Lejaren A. B2,72; F; F1,4; F2,6; I; I1/2,17; I1/2,39 
Himes, Donald B3,7 
Hiscott, Jim B3,9 
Hodgkin, Margaret B3,10 
Hodkinson, Sydney P. B2,73; I1/2,18 
Hoffmann, James I1/2,39 
Holcomb, Bruce B3,3 
Horwood, S. C3,6 
Hosanna I1/2,1 
The Hugh Le Caine Project B3,12 
Hultberg, Cortland D5,24 
The Humanities in the World at Large F2,22 
Hungarian Institute B3,2 
Hunt, Richard I1/2,38 
Hutchison, Peter B3,7 
I Dream’d in a Dream D5,6 
The Iconography of the Mind: Inward Seeing and Iconic Thinking F2,16 
Icons D1,7 
Ihrke, Walter R. B2,74 
In Search of the Voice Today F; F1,7 to 
F1,12; I2,7 Incantation D1,63 and D1,64 Individuals D1,7 Inglis, James B3,19; F2,27 Inglis, Lily B3,27 and B3,28 Institute of International Education 
B3,4 Instituut Voor Muziekwetenschap B3,9 Instituut Voor Psychoacustica En 
Elektronische Muziek B3,8 and B3,9 
An Interim Account of My Search for Genealogical Information Pertaining to My Family’s Background A; A,33 
Interlude D1,50; D1,57; D1,59 Interlude (Voyage) D1,19 and D1,20; 
D1,22; D1,24 Interludium MUS 164; D2,3 and D2,4 International Council for Canadian 
Studies B3,19 International Society for Contemporary Music B3,13 
International Society for Music Education G; G,47; I2,7 
International Year of Canadian Music 
MUS 164; B3,15 Intonation I1/2,33 IRCAM G,51 Ireland, G.W. F2,27 Isaac D1,19 to D1,21; D1,23; D1,25 Isaacson, Leonard M. F1,4 Iseler, Elmer B; B3,15; E; E,43; E,45; H; 
H3,5; H3,15; H3,17 Iseler, Jessie B3,26 
István Anhalt: Pathways and Memory 
F; F1,82 to F1,90 
J 
J’ai dormi D5,28 
J. Robert Oppenheimer Memorial 
Committee E,16 Jacobs, Charles B3,9 Jaeger, David B2,75; H3,15 Jakobson, Roman B3,12 
James, Irene B3,3 Jeunesses musicales du Canada B; B3,3 and B3,4 Jewish Music Council of Montreal 
B3,2 and B3,3 JMC National Competitions 1967 B3,4 Joachim, Davis B3,8 John and Margaret D1,44; D1,53; 
D1,58 John B. Stirling Award A; A,20 Johnston, Colleen A. E,45 Johnston, Richard B3,6 Jonah I1/2,3 Jordan, Axel D5,33 Jordan, Walker D7,1 Journey of the Magi D5,20 József, Attila D5,5 Julien, David A. B3,17 Juilliard Ensemble I1/2,4 
K 
Kaegi, Werner F2,27 Kagel, Mauricio C; C1/1,15 Kallmann, Helmut B2,76; E,35 and 
E,36; H4,14 Kárpáti, János B2,63 Kasemets, Udo B2,77; E; E,36 Kash, Eugene H; H2,16 Kassler, Michael B2,78; F2,27 Katz, Israel J. B2,79; C1/1,16; H2,16 Kavásch, Deborah B2,80 Keane, Barbara B3,12 Keane, David B2,81; F1,82; F2,27 Kelemen, Andy H2,15 Kendergi, Maryvonne B3,4 Kent, David E,21 Kerpely, Eugene de B2,82; D3,4; H2,8 Kerpely, Theresa de B; B2,82 to B2,86; 
B2,174; D3,4; F; F2,7 to F2,9; H; H2,8 Khan, Ali Akbar B3,3 Kieser, Karen E,45 Kilpatrick, Ross F2,27 King Bob’s Fantasy I1/2,2 Kingston Symphony Association B2,87 
Kingston Symphony Orchestra 
MUS 164 The Kingston Years F1,85 Kinsman, Sara B3,11 Kitchener-Waterloo Symphony 
Orchestra I1/1,4 Kleen, L. C3,7 Klein, A.M. D5,18 Kleinlein, Mary H2,15 Klüppelholz, Werner G,11 Kobayashi, Audrey B3,26 Kodály Institute of Canada B3,10 Kodály International Symposium B3,7 Kodály, Zoltán MUS 164; A; A,3 Koenig, Gottfried Michael B2,88; F2,27 Komáromi, Gábor B2,63; B3,20 Kórodi, András Gideon B3,1 Kósa, György MUS 164; H2,15 Kramer, Jonathan D. F2,27; I1/2,19 Kraus, Eva B3,9; B3,11 Kraus, Herman B3,6 Kroo, György B2,64 Kukurugya, Giulo I1/1,4 Kulesha, Gary E,36 Külvárosi éj D5,5 Kungl. Musikaliska Akademien B3,11 Küpper, Leo B; B2,89 
L 
L. Berio’s “Sequenza III” - A Portrait 
F1,46; F1,48; F1,50 La Rue, Jean E,36 Laborintus II I1/2,4 Labow, Ted E,35 and E,36 Labrosse, Claire B2,90; D7,10 Lachenmann, Helmut B3,5; I1/2,20 Lady Davis Foundation MUS 164; 
B2,91 Lambek, Joachim F2,28 Landry, Rosemarie E,28; H; H3,15 to 
H3,17; I1/1,4 Laneri, R. C3,8 Language as Music on Tape F1,92 Languirand, Jacques D1,18 Lanza, Alcides B3,18 
Laske, Otto-Ernst B2,92; C1/1,17; F; 
F2,10; H; H2,16 and H2,17; I; I1/2,21 Laszkiewicz, Eugene B3,9 Laval University B3,11 and B3,12; E,3 Laver, John B2,93; I3,3 Layton, G.L. B3,2 Le Caine, Hugh B; B2,94 and B2,95; 
C1/2,20; F; F2,11; H; H4,7; H4,9; 
I1/2,22; I3,4 Le Caine, Trudi B3,16 and B3,17 Leave Now, My Eyes, Lamenting D7,8 Lefebvre, Françoise B; B3,5 and B3,6 Lefebvre, Simone B2,96 Lefebvre, Vladimir A. B3,24 Legány, Dezsö B3,12 Leibovitch, Pearl B3,3 Leith, Jim A. B3,14; B3,20; B3,24; 
B3,26 Letemendia, Claire B2,97 Letemendia, Emily B2,97; F2,12 Letemendia, Felix B2,97; F2,12; H; 
H2,16 Levasseur, Maurice D1,18 Levinson, Lottie B2,98 Levison, Mark B3,18 Levitas, Minna B3,1 Lewis, Christopher B2,99; I1/2,38 Lewis Morrison, R. E,28 Library of Congress B3,17 and B3,18; 
D1,65 to D1,67; E,15 Lidov, David F2,28 Liebel, Greta B3,13 Liebel, Susan B3,28 Life and Letters of John Winthrop D1,27 Life in Europe F1,83 and F1,84 Ligeti, György B; B2,100; I; I1/2,23 Lister, Warwick B3,5 
Literature: An Instrument of Inquiry 
F2,22 The Little Symphony of Montreal Inc. 
B3,2 A Little Wedding Music D5,33 Living in a Bilingual Society F2,13 Logan, Lois B3,15; E,45 Lohnes, Nelson H3,5 Longuet-Higgins, J. B3,8 
Longuet-Higgins, Michael B3,10 and 
B3,11; H2,17 Look Down, Fair Moon D5,10 Lord When I Think D7,8 Lorrain, Denis I1/2,24 Louie, Alexina H3,2 
Luciano Berio’s “Sequenza III” 
F1,14; F1,46; F1,48; F1,50; I2,4 Lutoslawski, Witold B3,5; B3,10; I; 
I1/2,25 Ly thi Ty, Gabrielle B2,101; H; H2,9 Lyman, Gian H2,14 Lyric Arts Trio I1/2,15 Lyric Opera Society of Canada B3,3 
M 
MacAdam, Philip B3,11 MacDonald, Flora B; B3,9; E; E,44 and 
E,45 Maceda, Jose B3,13 MacMillan, Rick B3,14; E; E,35 and 
E,36; E,45 and E,46 MacNaughton, Douglas E,36 Madrigals I1/2,8 Maggio Musicale Fiorentino G,45 The Maid of the Moor D5,15 to D5,17 Mailing, Phyllis B2,102; D1,64; E,28; 
H; H2,17; H3,8; H3,13; I1/1,2; 
I1/2,35 Maison Chalmers H4,13 The Making of “Cento” F1,6 A Makrancos Királylány I1/2,34 The Mall Flag-Song (1) D1,115; D1,117; 
D1,119 and D1,120 The Mall Flag-Song (2) D1,116 and D1,117, D1,119 and D1,120 The Mall Flag-Song (3) D1,116; D1,118 to D1,120 
The Mall Work-Out and Spa 
D1,115; D1,117; D1,119 and D1,120 Malyshko, Olga B3,27; F2,28 Mankiewicz, René H. B3,14 March of the Newlyweds D5,33 Mare, Walter de la D5,15 to D5,17 
Marie de l’Incarnation, d’après ses lettres 
D1,9 Marley, Susan B3,24 Marshall, Andrew B3,15 Marshall, Tony B3,11 and B3,12 The Mask of Orpheus G,54 Masse, Marcel B; B3,17 and B3,18 Mather, Bruce B; B3,5 and B3,6; B3,12; 
B3,15; E; E,45; I; I1/2,5; I1/2,26 Mathews, Max V. F2,29 Maust, Bill E,45 Maust, Miriam B2,103 Maybee, George E,32 McCorkle, Donald M. F2,29 McDermott, Kathryn B; B2,104; E,22 McGee, Timothy B3,19 McGill Association of University 
Teachers C1/4,5 McGill Chamber Orchestra B3,6 McGill-Queen’s University Press F McGill Sesquicentennial Celebration 
C1/1,37 McGill University MUS 164; A; A,5; 
A,18; C; C1; H4,9 to H4,12; I1/2,38 McHang, Joyce B3,1 and B3,2 McIntire, Denis K. B3,22; B3,27 McKay, John B; B2,105; F; F2,28; 
H2,14 McMaster University B3,14 McMillan, Brian B3,25 McMillan, Kevin E,35 McMorrow, Kathleen B3,15 McPherson, Hugo B2,106; H2,16 McPherson, Louise B2,106 Measures D1,7 and D1,8 Meisel, John B; B2,107; E; E,35 and 
E,36; E,44; F; F2,13; H; H2,10; H3,16 Mellnäs, Arne B3,5 Mendell, Lorne F2,29 Méndez-Zebadúa, Ismael F2,29 Mercer, Ruby B; B2,108; E; E,35 and 
E,36; E,44; E,46 Mercure, Pierre B; B3,3 and B3,4; G,38 Message to the Messiah I1/2,21 A Methodologic Inquiry into Computer 
Composition F2,10 
Metzger, Heinz-Klaus E,46 Meyer, Marion B3,24 Meyer, Robert B2,109 Mid-America Chorale E,3 
Millennial Mall (Lady Diotima’s Walk) 
A; D; D1,106 to D1,120; E,10 to E,12; H3,5 
Millennial Tanking Now! (The Global 
Carnival) D1,116; D1,118 to D1,120 Miller, Elma B2,110; E,21 Milliken, Peter B; B2,111 Mills, Brad B3,17 Milsome, Juliet B3,11 Mine Eyes D7,8 Misinterpreted Fragment D5,8 Missa B2,63 to B2,65; D; D7,9 Mission D1,19 and D1,20; D1,22; 
D1,24 Mitchell, Brenda B3,16 Mitchell, Susan B3,2 Mohr, Ingeborg B2,111 Mohr, Johannes F2,29 Moira Secondary School B3,11 Monton, Geneviève B3,2 The Montreal Council of Women B3,3 Montreal Symphony Orchestra D2,42 Moore, Mavor B3,14; E,15; E,45 Morawetz, Oskar H; H3,2 Morey, Carl A,10; B2,113; E,36; H3,9 Morin, Clément D1,18 Morrison, Mary I1/1,2 Morrow, Joanne B3,17; B3,20; B3,25; 
E,35 Morse, Marjorie B2,114; H2,15 Mosonyi, Pierre B2,115 Mousseau, L. E,32 Moving Music I1/2,19 Mulgan, Felicity B3,15 Mura, Peter B2,116 Murray, David B3,25; B3,28; E,36 Murrell, John B3,20; E; E,14 
Music Composed with Computers: An Historical Survey F2,6 Music: Context, Text, Counter-Text 
F; F1,64 to F1,74 Music for the Magic Theater I1/2,31 
Music: Humanism vs. Science F2,15 Music: Mode of Human Communication 
F1,5 Music Undergraduate Society B3,5 Musical Canada H; H4,14 Musical Chairs I1/2,3 Musicians’ Guild of Montreal B3,2 
N 
National Archives of Spain D1,68 National Arts Centre B3,16 to B3,19 National Arts Centre Orchestra 
MUS 164; D2,24 to D2,28 National Research Council of Canada 
B2,117 Nattiez, Jean-Jacques B; B2,118; F2,14 A New Land D1,51 New Massey Hall B3,12 
New Music for the Voice: Essays on Contemporary Innovative Vocal and Choral Composition 
F1,20 to F1,26 
News of the Music or News of the Universe? 
F2,17 Nichol, David E,35 Nielsen, Andrea B3,15; B3,19 Nixon, Wendy B3,28 A Noisome Pestilence I1/2,22 Nono, Luigi G,13 Nørgård, Per B; B3,5; I1/2,27 Norris, Al B3,7 Northumberland and Durham County 
Board of Education B3,8 Nouvelles aventures I2,6 
O 
Oberon D; D7,10 Obert, Michael B3,14 Of Love and Wars F2,9 Okamoto, Tsune B3,8; C3,9 
On Becoming a Canadian Composer: István Anhalt (1919...1949...1999...) 
F1,92 
On the Day Theresa de Kerpely Died D7,2 On the Methodology and Implementation of a Procedural Theory of Music F2,10 On the Way to “Traces” and More About “Traces” F1,81 Oppenheimer A; D1,65 to D1,97; E,13 to E,17 Oppenheimer, J. Robert D1,65 to 
D1,67; E,16 Oppenheimer, Peter E,13 Orpheus Resurgent . . . Perhaps F1,45; 
F1,47; F1,49; F1,51 Orr, Robin K. B2,119 Oswald, John B3,9 and B3,10; I1/2,28 Owens, Julie B3,18 
P 
P-A I1/2,24 Paccagnini, Angelo I1/2,29 Palda, Christian B3,15 Palda, Filip B3,28 Paldiel, Mordecai B3,28 Palmer, Charles B3,4; H2,14 Palmer, John B3,11 Pancotti, Maurizio B3,9 Panegyric D1,19 to D1,21; D1,23; 
D1,25 Papineau-Couture, Isabelle D5,15 to D5,17 Papineau-Couture, Jean D5,15 to 
D5,17; E; E,44 and E,45; H; H2,11 Parman, Frank I1/2,17 Parry, John S. B3,15 La Pastorella mia D7,8 Pattantyus, A. B3,6 and B3,7 Pauk, Alex B3,22; B3,25 and B3,26; 
D2,33; H; H3,11 Paynter, John B3,10 Payzant, Geoffrey B2,121 Pearce, Robin L. B3,8 Pedersen, Paul B; B2,122; H; H4,9 Penn Contemporary Players I1/2,16 Pennycook, Bruce B3,18 Peperkorn, Karen E,46 Pépin, Clermont B; B2,123 
Performing Rights Organization of 
Canada Ltd. G,42 Peroni, Gwen B3,25 Perron, Pierre H2,14 Perry, John H2,18 Petach, Y.R. B3,3 Petites surprises D5,28 Les Petits chanteurs du Mont-Royal 
D1,18 Petric, Joseph B2,124 The Philadelphia Composers’ Forum Inc. 
B3,5 Phillips, Robin E,16 Pilavachi, Costa E,43 Pilgrimage and Discovery D1,43; D1,52; 
D1,58 Pinecross, Aur B3,27 and B3,28 Pinecross, George B; B3,26 to B3,28 Pithoprakta I1/2,37 Poems and Stories F2,17 Poetry as Education of the Senses F2,22 Pogány de Lang, Maria H. B2,125 
Political Culture and the Politics of Culture 
F2,13 Postludium D7,2 Postner, Alice H2,14 Potvin, Gilles H3,15 Pousseur, Henri I1/2,30 Powles, W.E. B3,28 Prado, G.G. F2,29 A Praxias Csoport F2,20 Preludio D7,2 Preparation D1,7 and D1,8 Prévost, André H; H2,17 Prévost, Lise B3,13 Prince, Raymond F2,29 Princeton University B3,5 Pro Arte Singers of Kingston B3,16 The Problems of Sound-Shaping F2,11 Propositions pour une épistémologie de la 
sémantique F2,14 Psalm XIX – A Benediction D5,18 Psaume pour abri G,38 Pst… Pst… Are You Listening? Hearing 
Voices from Yesterday F1,57; I2,12 
Q 
Quality Records Limited B3,6 Quartetto for strings D3,1 and D3,2 Quebec, Department of Education B3,5 
and B3,6 Queen’s University MUS 164; A; A,19; 
C; C2; H4,11; I2,9 to I2,11; I3,5 Queen’s University Alumni A,20 Queen’s University Department of 
Psychiatry I2,11 Quest D1,63 and D1,64 
R 
Radio Canada International B2,126 Radio Corporation of America B3,3 Rayer, Philippe B3,20 Rea, John B2,127; E; E,45 Read, Carol B3,27 and B3,28 Reality Check (Mall Style) D1,115; 
D1,117; D1,119 and D1,120 Reaney, James F2,29 Reason D1,63 and D1,64 Recherches au temps perdu F2,11 Reck, David B3,4 Reconciliation D5,9 Redlands Clarinet Ensemble I1/2,19 Redpath Hall H3,4 Rehfeldt, Phillip I1/2,19 Relyea, Gary I1/1,2 
Remembering George Whalley (How to 
Name a Relationship?) F1,63 Remenyi House of Music B3,13 Renshaw, Rosette F2,29 Resta Di Darmi Noia I1/2,15 Révész, Hans B3,4; B3,13 Riddock, Brent B3,26 Riehn, Rainer I1/2,39 Riley, Anthony W. B2,128; F2,30 Rimmer, Joan F2,30 Riopelle, Françoise D1,18 Roberts, Arthur D1,73 Roberts, John B2,129; D1,19; D1,21 to 
D1,25; E,22; E,28; E,35; E,43; H3,15 
Robertson, Rocke B3,12 
Robinson, M.F. B3,4; B3,12 
Roblin, Nancy B3,6 
Rochberg, Gene D5,35 
Rochberg, George B; B2,130 to B2,140; D5,35; F; F2,15 to F2,18; H; H2,12; I; I1/2,31 
Rochberg, Paul D5,24 
Roi, Micheline B3,14; B3,21; H; H2,14 
Rolfe, James B3,17; B3,27 
Rome, David B3,6; I3,2 
Rosen, Regina B3,28 
Rosenberg, Seymour L. B3,24 
Rosenrauch, Paula B3,2 
Roslak, Roxolana I1/1,2 
Roth, Sherley B3,26 
Rowe, L. B3,10 
Rowe, Seff B3,28 
Royal Charter Society B3,19 to B3,21 
Rozsa-Nordell, Vera B3,24 
Rubinyi, Paul B3,19 
Russell, Toni B2,141 
S 
Sabbe, Herman B2,142 
Salaberry, Louis de B3,11 
Salesian order of St. John Bosco D1,19; D1,21 to D1,25 
Sallis, Fred B2,143 
Sampson, H. Grant B3,4; F2,30 
San Francisco Conservatory of Music B3,3 
The San Francisco Tape Music Centre Incorporated B3,4 
Santos, R. C3,10 
Saskatoon Public Library B3,15 
Sátory, Stephen B2,144 
The Scent-Shop (Many Scents) D1,115; D1,117; D1,119 and D1,120 
Schaeffer, Pierre C; C1/1,15; F; F2,30 
Schafer, David Paul B3,10 
Schafer, Jean B3,14 
Schafer, R. Murray B; B2,145 and B2,146; D2,20; E; E,36; E,45; F; F2,30; H; H2,13; I; I1/2,32 
Schimmerling, André B2,147 Schmidt, Hugo Wolfram C; C1/1,15 Schneier, Rodolphe B3,2 and B3,3; B3,6 Schnitlzer, Rudolph F2,30 Schola Cantorum Stuttgart I1/2,20 Schöll, Klaus B3,6 Schöning, Klaus B3,13 Schulman, Susan E,16 Schultz, Monica B3,15 Schumacher, Ysrael I3,2 Scott, David B3,15 Scott, Gordon D. E,45 
Sea Winds Blown from the East and West 
D5,12 Searle, Campbell L. F2,31 Sebastiani, Pia D5,3 and D5,4 
The Second Commandment and Idolatry 
F2,15 Seiler, Mayumi H3,2 Sequenza I I1/2,4 Sequenza II I1/2,4 Sequenza III I2,4 Serenade D7,2 Seu Scheorim D5,19 Shallenberg, Robert I1/2,39 Sharman, Rodney B3,15 Sharon Fragments I1/2,3 She, a Solo I1/2,35 Shehadi, Fadlou A. B3,3; D5,20 Sherman, J. C3,11 Shibata, Minao F2,31 Shields, Roger I1/2,17 Sigurbjörnsson, Thorkell I1/2,39 Silverman, Robert B3,3 Simon Fraser University B3,9; D2,20 Sims, Gwendolin B3,5 Simulacrum MUS 164; D; D2,22 to 
D2,29; E,18 to E,20; F2,2; H3,6 and 
H3,7; I2,13 Sinclair, Duncan B2,148 Sinclair, Peter B3,18 Sinfonia D7,2 Sinfonia en gris major I1/2,13 Sir Ernest MacMillan Memorial 
Foundation B3,16 Sir George Williams University B3,5 
Siskind, Jacob E,45 
Six Songs from Na Conxy Pan 
MUS 164; D; D5,2 to D5,4; H3,8 Skarecky, Jana B2,35; H2,17 The Sleepwalker’s Ballad I1/2,33 A Small Group as a Model for a 
Composition By Ligeti: An Analysis of “Nouvelles aventures” F1,17; F1,46; F1,48; F1,50; I2,6 
Smith, David C. B3,18 Smith, Gordon E. B3,18; B3,24; F; 
F1,85; F2,19; I2,15 Smith, Margaret B3,21 Social Sciences and Humanities Research 
Council of Canada B2,149 Société de musique contemporaine du Québec G,46 
Society of Composers, Authors and Music Publishers of Canada Limited B3,2 to B3,4 
Soester, Sylvie B3,16 and B3,17; B3,28 Sogol, Mark I1/2,17 Sokol, Casey B3,20 Solins, Jon E,46 Somers, Harry B2,150; E,45; H; H2,16 Somló, Sándor A,1; B1,21; B1,23; H1,5 
Sonance•Resonace (Welche Töne?) 
D; D2,37 to D2,42; E,21 to E,24; H3,9 
and H3,10 Sonata D4,2 to D4,4 Sonata for Violin and Piano 
MUS 164; D; D3,5 and D3,6; E,53 Sonata No. 3 for Violin and Piano [no.] 
I1/2,17 Sonata No. 4 for Piano I1/2,17 Sonata No. 5 for Piano I1/2,17 Sonata No. 6 for Piano “Rage Over the Lost 
Beethoven” I1/2,17 Sonata Pian e Forte I1/2,6 Sonder, Julie B3,3; B3,5; B3,8 Sonder, Richard B3,6 Sonder, Susan B3,17 Song D5,21 and D5,22 The Song of the Mad Prince D5,15 to 
D5,17 Sonnet D5,11 
Soproni, József B2,63; B3,19 Soundstreams Canada E,35 and E,36 SparkskrapS MUS 164; D2,30 to D2,36 Speculum Musicae I1/2,33 Spiteri, Vivienne B3,26 Spivek, Roberta B3,22 St. George’s Boys Choir D1,18 Stark, Richard M. B3,18 Starker, János H2,16 State University of New York at Buffalo 
MUS 164; C; C3; I2,2 Steiner, C. C3,12 Steven, Donald B2,151; I1/2,38 Stiller, A. C3,13 Stimmen I1/2,29 Stockhausen, Karlheinz B; B2,152; C; 
C1/1,15 Stocktaking D1,50; D1,57; D1,59 Stone, Kurt B2,153 
Stories My Mother Told Me and More 
F1,93 
The Story of Three Operas in Ten Texts 
F; F1,87 Straesser, Joep B3,5 Stratford Shakespearean Festival G,37 Strauss, Marty B3,5 Stravinsky, Igor G,12; H; H2,16 Stravinsky, Soulima MUS 164; B3,1 String Quartet I1/2,3 String Quartet No. 4 I1/2,17 String Trio I1/2,16 Structure III No. 1 I1/2,21 Structure III No. 2 I1/2,21 Structure IV I1/2,21 Structure VI I1/2,21 Structure VII I1/2,21 Structures I1/2,5 Study No. 1 for Player Piano and Tape 
I1/2,22 
Subscore Manipulation as a Tool for 
Compositional and Sonic Design F2,10 Sullivan, T. E,32 The Sun Dance I1/2,3 Sundberg, Johan B2,154 Sur, Donald I1/2,33 Susskind, Walter I1/2,26 
The Swallows of Salangan I1/2,11 Sweet, Marci B3,28 Swift, John E. B3,18 Switzer, Jill B3,24 Symphonic Ode I1/2,26 Symphony D2,7 to D2,13; E,26; I2,1 Symphony of Modules D2,14 to D2,21; 
E,27 Symphony No. 3 I1/2,31 Symposium for Student Composers 
C1/1,24 to C1/1,27; H; H4,10; 
I1/2,38 Synchronisms No. 1 I1/2,9 Székely, István D1,103 to D1,105 Szilágyi, János-György B2,64; B2,155; 
F; F2,20; H; H2,17 Szöllösy, András B; B2,63 to B2,65; B2,156 Szönyi, Elizabeth B2,157; I; I1/2,34 
T 
Tait, Sylvia MUS 164; B; B2,60 to B2,62; E; E,21 and E,22; E,28; E,30 and E,31; E,36; E,39; H; H2,6 
Taking a Stand I1/2,3 Taking a Stand: Essays in Honour of John 
Beckwith F1,4 Tal, Joseph B2,158 Talasi, Susan B2,159 Tapestry Music Theatre B3,15 and 
B3,16 Tardy, László B2,64 and B2,65 Taubner, Ödön D1,103 to D1,105 Taylor, Kendall B3,21 Taylor, Vivian B3,27 Tenney, James I1/2,39 Testimony D1,7 and D1,8 Tétel Vázlata D5,14 Tetenburg, Gerrit B; B2,160; H; H2,14 Text, Context, Music F1,59 to F1,61 Théâtre du nouveau monde B3,4 Theme and Recent Background F1,23; 
F1,44; F1,46; F1,48; F1,50 Third International Kodály Symposium B3,10 
Thisness MUS 164; D1,61 to D1,64; 
E,28 to E,31; H3,12 Thisness (Haecceitas) D1,63 and D1,64 Thisness: Marks and Remarks F1,62 The Thomas More Institute for Adult 
Education B3,3; B3,6 Thomson, Clive B3,18 Thorburn, Hugh B3,22; B3,25; F; F2,31 Thorburn, Sandy B2,61; E,15; E,35 Three Songs of Death D5,21 and D5,22; 
D5,31 and D5,32 Three Songs of Love D5,15 to D5,17; 
F1,86 A Three-Way Mirror F2,17 Tilley, Alexander B2,162; C; I1/2,38 Toronto Symphony D2,41 and D2,42 Toronto Symphony Orchestra 
B3,25; I1/2,26 
La Tourangelle MUS 164; A; D; D1,9 to D1,26; E,32 to E,34; H3,13; I; I1/1,2 and I1/1,3 
Tovell, Vincent H; H3,2 Tovey, Bramwell H; H3,5 
Towards a Deconstruction of Meech Lake: A Preliminary Exploration of the Myths, Symbols, and Terms of Discourse of Confederation F2,4 
Towards a Theory of Mass Structure in Music F1,92 Traces (Tikkun) A; D1,98 to D1,105; 
E,35 to E,39; H3,14 Tremblay, Gilles B; B3,5; H; H2,17 Trim, John B2,163 Trim, Marion B2,163 Trio for Violin, Cello and Piano D; D3,3 
and D3,4; E,40 Trois poèmes d’Henri Michaux I1/2,25 Truax, Barry I1/2,35 Trudeau, Claudette B3,25 The Trumpets of Summer I1/2,3 Tse-Perron, Margaret B3,7 Tulchinsky, Gerald B3,16; B3,18; B3,21 Turcotte, A. George B3,11 Twilight Fire MUS 164 Two Graphs for Strings I1/2,1 The Two Magicians D5,15 to D5,17 
Two-Part Invention No. 3 I1/2,7 
U 
Und So Weiter I1/2,12 Understanding Others F2,12 Union des étudiants juifs de France 
B3,1 and B3,2 The Unitarian Church of Montreal B3,5 United Israel Appeal of Canada Inc. 
B3,21 and B3,22 University Chamber Singers 
MUS 164; D5,24 University of Alberta B3,4 University of British Columbia B3,4; E,3; 
I2,1 University of British Columbia Chamber 
Singers H3,1 University of Calgary B3,14 University of Chicago Contemporary 
Chamber Players I1/2,31 University of Quebec B3,6 University of Reading B3,9; B3,13; 
C4,2 University of Regina B3,18 University of Saskatchewan B3,2 University of Toronto B3,8 and B3,9; 
B3,12 University of Toronto Student String Ensemble I1/2,3 University of Victoria B3,5 and B3,6; B3,12; B3,20 
University of Western Ontario B3,7; B3,9; B3,11; B3,14; G,55 and G,56 
Unkics, E. B3,1 Ünnepek D5,1 Unreason D1,63 and D1,64 
Valery, Nina B3,25 Vancouver New Music Society MUS 164; B3,14; D1,64 Várady, László B3,3 
Varèse, Edgard B; B2,164; F1,4 Varga, Ivan B3,23 Vega, Aurelio de la B2,165 Vensters I1/2,13 Verberne, Marijke B3,6 Verdet, André D5,28 Vértes, Aristides B2,166 Vertigo D1,63 and D1,64 Viccel A Bácsi F2,3 Vineberg, Yehuda B3,2 Virtue, John B3,23; B3,25 Visage IV I1/2,12 Votre Faust I1/2,30 
W 
W. Lutoslawski’s “Trois poèmes d’Henri Michaux” - Voices of a Multitude 
F1,46; F1,48; F1,50 Walker, Douglas B2,167; E,45; F2,31 Waller, R.W. D1,18 Walter, Arnold B2,168 Ward, Dixon F2,31 Watson, Brian E,46 Watts, Ronald L. F2,32 Watts, Valery B3,8 A Weave of Life Lines F; F1,77 to F1,79 Weber, George B2,64; B3,20; F; F2,21; 
H2,18 Weber, K.M. von D; D7,10 A Wedding Carol D5,34 Wees, William C. F2,32 Weiner, László D1,103 to D1,105 Weinzweig, Helen B2,169; E,22 Weinzweig, John B; B2,169; H; H2,16; 
H4,14 Weisberg, Ari B3,20 Weöres, Sándor D5,2 to D5,4 Werner, Maurice E,32 Werren, Philip I1/2,36 Westdeutscher Rundfunk B3,4 Whale Piece I1/2,36 Whalley, Elizabeth B2,170; H2,18 Whalley, George B2,170; D1,18; E; 
E,32; F; F2,22 What Tack to Take? F1,58; I3,1 
Wheeler, Edward A. B3,22 
The White Island: Or Place of the Blest 
D5,21 and D5,22 Whitman, Walt D5,6 to D5,10; D5,12 Wicke, Peter F2,32 Wilde, Gerald J.S. F2,32 Willmott, Jill A. B3,20 and B3,21 Wilson, Eugene H2,18 Wilson, Gary B3,21 Wilson, Gene B3,14 Winiarz, John B3,18 Winnipeg Symphony Orchestra 
B3,28; D1, 120 
Winthrop MUS 164; A; D; D1,27 to D1,60; E,41 to E,52; H3,15 to H3,17; I; I1/1,4 
Winthrop, John E,47; H3,16 Winthrop Papers D1,27 Winthrop: The Role of the Herault 
F; F1,86 Winthrop: The Work, the Theme F1,92 Wirtz, Warren B3,3 Wishart, Trevor B2,171 
Witold Lutoslawski’s “Trois poèmes d’Henri Michaux”: An Analysis F1,18 and F1,19 
The Women Associates of McGill B3,6 Woo, Carol B3,28 Woodwind Sextet I1/2,1 
Words, Music and Experience F; F1,16; 
I2,8 World Jewish Congress B; B3,1 World Music Week G,50 World Saxophone Congress B3,6 Wright, Don B2,172 Wuorinen, Charles I1/2,33 
X 
Xenakis, Iannis I; I1/2,37 
Y 
Yad Vashem B2,173 to B2,175 York University B2,176 Young, Gayle B2,177; E,45 Young John D1,43; D1,52; D1,58 Young, K. C3,14 Youth Science Foundation Canada B3,6 Yuasa, Joji B3,13 
Z 
Zimmering, M. E,21 Ziolo, M.P. B3,12 Zoltán Kodály Pedagogical Institute of 
Music B3,10; B3,15 Zuk, Ireneus B; B2,178; H; H2,17 and 
H2,18 Zuk, Luba B2,178; H2,18 Zupko, Ramon I1/2,39