The Robert Fleming Fonds 
Numerical List 
By STÉPHANE JEAN 
Ottawa 1998 
Canadian Cataloguing in Publication Data 
National Library of Canada The Robert Fleming fonds: numerical list [computer file] 
Issued also in French under title: Le fonds Robert-Fleming : répertoire numérique. Includes indexes. Issued also in printed format on demand. Mode of access: National Library of Canada WWW site. Issued by: Music Division. ISBN 0-662-26333-2 CCG Cat. no. SN3-318/1998F-IN 
1. Fleming, Robert, 1921-1976--Archives--Catalogs. 
 Music--Canada--Sources--Bibliography--Catalogs. 
 Musicians--Canada--Archives--Catalogs. 4. National Library of Canada. Music Division--Archives--Catalogs. 

I. Jean, Stéphane, 1964-II. National Library of Canada. Music Division. III. Title. 
ML136.O88F598 1998 016.78’092 C97-901279-1 
Cover : Rhythympromptu, D7/1,16 
Graphic design : Denis Schryburt 
ª Her Majesty the Queen in Right of Canada (1998), as represented by the National Library of Canada. 
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without prior written permission of the National Library of Canada, Canada K1A 0N4. 
Cat. No. SN3-318/1998E-IN ISBN 0-662-82497-0 
TABLE OF CONTENTS 
INTRODUCTION................................................................................................5 ABBREVIATIONS AND ACRONYMS .............................................................7 ABOUT THE FONDS..........................................................................................9 DESCRIPTION OF THE FONDS.......................................................................13 MUS 95/A Correspondence.............................................................................15 MUS 95/B Studies ...........................................................................................19 MUS 95/C Teaching and Public Speaking .....................................................21 MUS 95/C1 Carleton University..............................................................21 MUS 95/C1/1 Correspondence .......................................................21 MUS 95/C1/2 Courses....................................................................21 MUS 95/C2 Documentation ....................................................................22 MUS 95/C3 Public Speaking ...................................................................24 MUS 95/D Musical Works ..............................................................................25 MUS 95/D1 Film .....................................................................................25 MUS 95/D2 Theatre ................................................................................52 MUS 95/D3 Orchestra.............................................................................55 MUS 95/D4 Choir or Voice and Orchestra ..............................................63 MUS 95/D5 Band....................................................................................64 MUS 95/D6 Chamber Music....................................................................67 MUS 95/D7 Solo Instrument ...................................................................73 MUS 95/D7/1 Piano........................................................................73 MUS 95/D7/2 Organ.......................................................................78 MUS 95/D7/3 Other........................................................................79 MUS 95/D8 Choir or Voice.....................................................................80 
MUS 95/D9 Arrangements ......................................................................96 
MUS 95/D10 Miscellaneous ......................................................................102 MUS 95/E Concert Programs .........................................................................103 MUS 95/F Oklahoma! - Musical Direction.....................................................105 MUS 95/G Scrapbooks ....................................................................................107 MUS 95/H Press Clippings ..............................................................................111 MUS 95/I Photographs...................................................................................113 MUS 95/J Drawings........................................................................................115 MUS 95/K Sound Recordings .........................................................................117 
MUS 95/K1 Film Music...........................................................................117 
MUS 95/K2 Other Music.........................................................................120 
MUS 95/K3 Other ...................................................................................125 MUS 95/L Miscellaneous ................................................................................127 INDEX OF FILES................................................................................................131 INDEX OF PROPER NAMES AND TITLES ....................................................139 
INTRODUCTION 
This finding aid is classified as a numerical list because it describes the files in the fonds. Descriptive notes have been prepared for the overall presentation of the fonds as well as for each series. The various levels of description thus enable researchers to find the information they seek by proceeding from the general to the particular. 
The descriptive note for each file includes a file code, the title, the inclusive dates, the type of record (textual records, audio discs, photographs, etc.), the number or linear quantity of textual records, the number of iconographic or audio records, a description of the file’s contents when it contains different types of records, and a section reserved for notes, containing information about restrictions to file access and about the nature of the records (original or copies); in the case of sound recordings, the reference number is shown. In addition to these elements, the introductions to both the fonds and the various series include a biographical sketch (fonds only), as well as comments about the scope of the records and about the classification peculiarities of some of the series. 
The present finding aid does not contain any file marked "undated". Whenever undated records were encountered, a date was attributed, using one of the following forms: [1959?]: probable date; [ca. 1950]: approximate date; [197-]: decade known; [197-?]: decade unknown. 
File numbers, which enable a quick and accurate search of the files, are structured as follows: 
MUS 95/D7/1,22 
MUS: Repository (Music Division) 
95: Fonds (Robert Fleming Fonds) 
D: Series (Musical Works) 
7: Sub-series (Solo Instrument) 
1: Sub-sub-series (Piano) 
22: File (Humoresque) 
The numerical list is complemented by an index of proper names and titles, and an index of files. The references in this index are to file numbers, not page numbers. In the index, the first two elements of the file number have been omitted for simplicity (for example, MUS 95/D7/1,22 becomes D7/1,22). The index of files matches file codes with box numbers. 
The design of this finding aid is based on standards prescribed in Rules for Archival Description, prepared by the Bureau of Canadian Archivists. 
ABBREVIATIONS AND ACRONYMS 

A 	alto (voice) 	
acc 	accordion 	
al fl 	alto flute 	
al sax 	alto saxophone 	
B 	bass (voice) 	
bal 	balalaïka 	
Bar 	baritone (voice) 	
bar 	baritone (brass) 	
bar sax 	baritone sax 	
B= b tb 	B-flat bass tuba 	
b cl 	bass clarinet 	
b fl 	bass flute 	
b gtr 	bass guitar 	
bj 	banjo 	
b&w 	black and white 	
bn 	bassoon 	
CA 	contralto (voice) 	
ca. 	circa 	
cab. 	cabinet 	
CAPAC 	Composers, Authors and Publishers Association of Canada Ltd. 	
cbn 	contrabassoon 	
cel 	celesta 	
ch 	choir 	
cl 	clarinet 	
cm 	centimetre(s) 	
col. 	colour 	
db 	double bass 	
dul 	dulcimer 	
EH 	English horn 	
euph 	euphonium 	
fl 	flute 	
glock 	glockenspiel 	
gtr 	guitar 	

harm 	harmonica 	
hn 	French horn 	
hp 	harp 	
hr(s) 	hour(s) 	
hpsd 	harpsichord 	
J hp 	Jew's harp 	
m 	metre(s) 	
mel 	mellophone 	
min. 	minutes(s) 	
Mez 	mezzo-soprano (voice) 	
ob 	oboe 	
oM 	ondes Martenot 	
perc 	percussion 	
picc 	piccolo 	
picc cl 	piccolo clarinet 	
pno 	piano 	
rec 	recorder 	
S 	soprano (voice) 	
sar 	sarrusophone 	
saxh 	saxhorn 	
sec. 	second(s) 	
str 	strings 	
T 	tenor (voice) 	
ten sax 	tenor saxophone 	
tb 	tuba 	
timp 	timpani 	
trb 	trombone 	
tpt 	trumpet 	
vc 	voice 	
vcl 	violoncello 	
vla 	viola 	
vln 	violin 	

ABOUT THE FONDS 

Robert Fleming during the filming of Shadow on the Prairie, 1952. Photograph: Van. 
MUS 95 ROBERT FLEMING FONDS. – [ca. 1900], 1932-1976. – 5.29 m of 
textual records. – 313 photographs: b&w and col.; 25.5 x 20.5 cm or 
smaller. – 2 cm of drawings. – 68 audio tape reels (ca. 42 hrs). – 
114 audio discs (ca. 28 hrs). 
Biographical Notes 
Born in Prince Albert, Saskatchewan in 1921, Robert Fleming began his musical studies with his mother before continuing his training in Saskatoon with various teachers. At age 10, he joined the St. John's Cathedral Choir under the direction of W. Seemer Betts. He also competed in music festivals as a pianist, solo singer, choir member and accompanist. From 1937 to 1939, the young artist attended the Royal College of Music in England, where he studied piano with Arthur Benjamin and composition with Herbert Howells. On his return to Canada, he taught piano and in 1940 embarked on a recital tour in Saskatchewan, which included an appearance at Dark Hall in Regina. Under the direction of Dean Arthur Collingwood, Fleming worked as a regular pianist with the Saskatoon Symphony Orchestra during the 1941-1942 season while pursuing his piano studies with Lyell Gustin. In 1941 and 1945, he obtained CAPAC scholarships and enrolled at the Toronto Conservatory of Music, where he received instruction from Healey Willan (composition), Norman Wilks (piano), Ettore Mazzoleni (conducting) and Frederick Silvester (organ), among others. 
In 1946, after teaching piano at Upper Canada College, he went to work for the National Film Board of Canada as a composer (1946-1958), first in Ottawa and then in Montreal, where he served as Music Director (1958-1970). In 1970, he returned to Ottawa as a professor and course instructor at Carleton University. A prolific composer, Fleming composed over 500 works, including 250 for ballet and film (Air Ambulance, Camp for Kids, Canada at War, Canada - USA, Jacky Visits the Zoo, Red Runs the Fraser, Rural Music Festival, Tuktu Series, etc.). A number of Fleming's works were commissions, including Ballet Introduction (Les Grands ballets canadiens), Three Contrasts (Canadian Music Centre), Our Mind Was the Singer (National Arts Centre Corporation) and Of a Timeless Land (Ottawa Civic Orchestra). During his career, he was also active as an organist and music director in cities throughout Saskatchewan, Quebec and Ontario. After his death in November 1976, the Robert Fleming Award, administered by the Canadian Music Council and then by the Canada Council, was created as well as a second Robert Fleming Award, established by the Ottawa Music Festival Association. 
Scope and Content 
The records contained in the fonds illustrate Robert Fleming's career as a composer and his activities at the National Film Board. In addition, the fonds contains records pertaining to other activities in which Fleming was involved such as teaching and music direction. 
The fonds contains, among other items, biographical records, lists of works, correspondence, contracts, minutes of meetings, musical works, shot lists, transcripts, course notes, exercises, certificates, examination questions, texts of public addresses, concert programs, financial documents, scrapbooks, press clippings, photographs mainly of Robert Fleming, drawings and sound recordings of works by Fleming and other composers. 
The fonds comprises the following series: MUS 95/A Correspondence; MUS 95/B Studies; MUS 95/C Teaching and Public Speaking; MUS 95/D Musical Works; MUS 95/E Concert Programs; MUS 95/F Oklahoma! - Music Direction; MUS 95/G Scrapbooks; MUS 95/H Press Clippings; MUS 95/I Photographs; MUS 95/J Drawings; MUS 95/K Sound Recordings; and MUS 95/L Miscellaneous. 
Notes 
The fonds was acquired by donation from Margaret Fleming, Robert Fleming's widow, in several installments between 1978 and 1986. 
The Music Division does not hold the copyright to the records in its custody. Researchers must therefore comply with the Copyright Act (R.S.C, C-30). 
Originals and copies. 
DESCRIPTION OF THE FONDS 
MUS 95/A 	CORRESPONDENCE. – 1937-1976. – 24 cm of textual records. – 3 photographs:  b&w; 9.5 x 14.5 cm and 9 x 12.5 cm. 
This series contains correspondence with, among others, the Canadian Music Centre, the National Arts Centre, the Diocese of Ottawa, the Calgary Philharmonic Society, Glebe United Church, Les Grands ballets canadiens, the Lakeshore Music for Young People Society, the Canadian League of Composers, the National Film Board of Canada, the Montreal Brass Quintet, the Canadian Broadcasting Corporation, The Royal Winnipeg Ballet and Healey Willan. The series also contains a number of enclosures such as press clippings and photographs. 
Originals and copies. 

MUS 95/A,1 	CAPAC. – 1939-1974. – 1 cm of textual records. Originals and copies. 	
MUS 95/A,2 	Publishers. – 1940-1976. – 2 cm of textual records. File containing correspondence with, among others, Paterson's Publications Ltd., Oxford University Press, Western Music Company Ltd., Royal Conservatory of Music, Gordon V. Thompson Ltd., Leeds Music (Canada) Ltd., W.J. Gage Ltd., The Frederick Harris Music Co. Ltd., Jaymar Music Ltd., Peter McKee Music Co. Ltd. Originals and copies. 	
MUS 95/A,3 	Canadian Broadcasting Corporation. – 1943-1974. – 0.5 cm of textual records. Originals and copies. 	
MUS 95/A,4 	National Film Board of Canada. – 1947-1963. – 2 cm of textual records. Originals and copies. 	
MUS 95/A,5 	National Film Board of Canada. – 1964-1969. – 2 cm of textual records. Originals and copies. 	

MUS 95/A,6 	Ballet. – 1948-1974. – 1 cm of textual records. File containing correspondence with, among others, the Canadian Ballet Festival Association, Les Grands ballets canadiens, The Canadian School of Ballet, The Royal Winnipeg Ballet, Lima Symphony Orchestra. Originals and copies. 	
MUS 95/A,7 	The Boy Scouts Association. – 1953-1955. – 8 textual records. Originals and copies. 	
MUS 95/A,8 	Lakeshore Music for Young People Society. – 1956-1969. – 0.5 cm of textual records. Originals and copies. 	
MUS 95/A,9 	Film on Healey Willan. – 1958-1960. – 1 cm of textual records. Originals and copies. 	
MUS 95/A,10 	Canadian Music Centre. – 1959-1975. – 2 cm of textual records. Originals and copies. 	
MUS 95/A,11 	Music Teachers' associations. – 1960-1976. – 1.5 cm of textual records. Originals and copies. 	
MUS 95/A,12 	Waterloo Music Company Ltd. – 1964-1975. – 1 cm of textual records. Originals and copies. 	
MUS 95/A,13 	Other correspondence. – 1937-1962. – 2 cm of textual records. – 2 photographs:  b&w; 9.5 x 14.5 cm. File containing correspondence with, among others, Arthur Benjamin, Healey Willan, Department of Veterans Affairs, Royal Canadian Air Force, Glebe United Church, The Diocese of Edmonton, Orpheus Operatic Society, University of Saskatchewan, Canada Council, The Vancouver Symphony Society, Canadian League of Composers, Halifax Symphony Society, Montreal Brass Quintet, Calgary Philharmonic Society. Originals and copies. 	

MUS 95/A,14 Other correspondence. – 1963-1971. – 2 cm of textual records. 
– 1 photograph:  b&w; 9 x 12.5 cm. File containing correspondence with, among others, Healey Willan, Knox Presbyterian Church, University of Toronto, City of Saskatoon, University of Saskatchewan, Youth Symphony Orchestra, Christ Church Cathedral, Glebe United Church, Deer Park United Church, The Anglican Church of Canada, National Arts Centre. Originals and copies. 
MUS 95/A,15 	Other correspondence. – 1972-1976. – 2 cm of textual records. File containing correspondence with, among others, Philharmonia Inc., National Arts Centre, Overture Concerts, University of Saskatchewan, University of Ottawa, Diocese of Ottawa. Originals and copies. 

Robert Fleming with his sisters Peggy (front) and Barbara, Saskatoon (Saskatchewan), 1932. 
MUS 95/B STUDIES. – 1937-[194-]. – 7 cm of textual records. 
The series consists of records primarily illustrating Robert Fleming's studies at the Royal College of Music. They include transcripts, course notes, exercises and certificates. 
Originals and copies. 

MUS 95/B,1 	Transcripts. – 1937-1938. – 4 textual records. File containing transcripts from the Royal College of Music. Originals and copies. 	
MUS 95/B,2 	Course notebook. – 1939. – 1 textual record. File containing one course notebook concerning the study of orchestration techniques at the Royal College of Music (London). Original. 	
MUS 95/B,3 	Course notes. – [194-?]. – 1.5 cm of textual records. File consisting of course notes concerning, among other items, the study of orchestration and orchestral conducting. Copies. 	
MUS 95/B,4 	Course notebook. – 1943-1944. – 1 textual record. File containing one course notebook concerning Royal Canadian Air Force radio operator training. The notebook also contains examinations. Original. 	
MUS 95/B,5 	Certificates. – 1940-1941. – 2 textual records. File containing certificates from the Associated Board of the Royal Schools of Music, London. Originals. 	
MUS 95/B,6 	Exercise notebook. – [194-?]. – 1 textual record. File consisting of a notebook of harmony exercises. Original. 	

MUS 95/C 	TEACHING AND PUBLIC SPEAKING. – 1950-[197-]. – 29 cm of textual records. 
The records in this series pertain to Robert Fleming's teaching activities at Carleton University and his speaking engagements. The series consists of, among other items, correspondence, course notes, exercises, syllabi, examination questions, press clippings, biographical notes, minutes of meetings, brochures and texts of public addresses. 
The series contains the following sub-series: MUS 95/C1 Carleton University; MUS 95/C2 Documentation; and MUS 95/C3 Public Speaking. 
Originals and copies. 
MUS 95/C1 CARLETON UNIVERSITY, ONTARIO 
MUS 95/C1/1 Correspondence 
MUS 95/C1/1,1 	Correspondence. – 1968-1973. – 1 cm of textual records. Originals and copies. 
MUS 95/C1/1,2 	Correspondence. – 1974-1976. – 1 cm of textual records. Originals and copies. 
MUS 95/C1/2 Courses 
MUS 95/C1/2,1 	Music 160. – 1970-1974. – 2 cm of textual records. File consisting of a list of students, course notes, exercises and examination questions. Originals and copies. 
MUS 95/C1/2,2 	Music 160. – [197-]. – 1 cm of textual records. File consisting of course notes and exercises. Originals and copies. 
MUS 95/C1/2,3 	Music 30.260. – 1971-1973. – 1 cm of textual records. File containing course notes, one set of examination questions and a syllabus. Originals. 
MUS 95/C1/2,4 	Music 30.100 and 100C. – 1975. – 1 cm of textual records. File containing, among other items, syllabi, course notes and one set of examination questions. Originals and copies. 
MUS 95/C1/2,5 	Music 30.365. – 1976. – 1.5 cm of textual records. File consisting of course notes, one set of examination questions and an annotated exercise notebook. Originals and copies. 
MUS 95/C1/2,6 	Course notes. – [197-]. – 2 cm of textual records. Originals. 
MUS 95/C1/2,7 	Course notes. – [197-]. – 1 cm of textual records. Originals. 
MUS 95/C2 DOCUMENTATION 
MUS 95/C2,1 	Ballet. – 1966-[197-]. – 4 textual records. File containing notes and a press clipping. Originals and copy. 
MUS 95/C2,2 	Canadian composers: A-J. – 1966-1974. – 1.5 cm of textual records. File containing biographical notes, brochures and press clippings. Originals and copies. 
MUS 95/C2,3 	Canadian composers: K-R. – 1967-1973. – 1.5 cm of textual records. File containing biographical notes, brochures and press clippings. Originals and copies. 
MUS 95/C2,4 	Canadian composers: S-W. – [196-]-1975. – 1.5 cm of textual records. File containing biographical notes, brochures and press clippings. Originals and copies. 
MUS 95/C2,5 	The Canadian League of Composers. – 1969-1974. – 1 cm of textual records. File containing, among other items, minutes of meetings, reports, lists of members and press clippings. Copies. 

MUS 95/C2,6 	Canadian Music Centre. – 1966-1975. – 15 textual records. File consisting of notes and press clippings. Originals and copies. 	
MUS 95/C2,7 	Canadian musical organizations. – 1970-1974. – 0.5 cm of textual records. File containing a brochure and press clippings. Originals and copies. 	
MUS 95/C2,8 	Canadian orchestras. – [197-]. – 0.5 cm of textual records. File containing notes and press clippings. Originals and copies. 	
MUS 95/C2,9 	Choral. – [197-]. – 3 textual records. File consisting of notes and a press clipping. Originals and copies. 	
MUS 95/C2,10 	Copyright. – 1965-1975. – 1 cm of textual records. File consisting of a brochure, a book and press clippings. Copies. 	
MUS 95/C2,11 	Electronic music. – 1961-1969. – 4 textual records. File containing brochures and notes. Original and copies. 	
MUS 95/C2,12 	Folk music. – [197-]. – 2 textual records. File consisting of notes. Originals. 	
MUS 95/C2,13 	Jazz. – [197-]. – 0.5 cm of textual records. File consisting of notes. Originals. 	
MUS 95/C2,14 	Music education in Canada. – 1958-1968. – 0.5 cm of textual records. File consisting of press clippings and records concerning the Carl Orff method. Copies. 	
MUS 95/C2,15 	Miscellaneous. – 1958-[197-]. – 1.5 cm of textual records. File containing notes, articles, a list of sound recordings by various composers and press clippings. Originals and copies. 	

MUS 95/C3 PUBLIC SPEAKING 
MUS 95/C3,1 	Text. – 1965. – 1 textual record. File containing the text of a lecture given at McGill University. Original. 
MUS 95/C3,2 	Text. – 1972. – 1 textual record. File containing the text of a talk given at St. Matthias' Anglican Church and Parkdale United Church. Original. 
MUS 95/C3,3 	Text. – [197-?]. – 1 textual record. File containing the text of a lecture given to the University Women's Club of Ottawa. Original. 
MUS 95/C3,4 	Other texts. – 1950-[197-?]. – 1 cm of textual records. File consisting of texts of public addresses. Originals and copies. 
MUS 95/C3,5 	Programs. – 1954-[197-]. – 2 textual records. File containing programs related to public addresses by Robert Fleming. Copies. 
MUS 95/D MUSICAL WORKS. – [ca. 1900]-1976. – 4.13 m of textual records. 
The records in the series illustrate Robert Fleming's composing and the diversity of his production. Drafts and manuscripts of film music and shot lists reveal the methods used by the composer in the creative process. Numerous liturgical pieces for choir or voice also show the importance of religion in Fleming's thought. His works include The Confession Stone, Chapter 13, Shadow on the Prairie, Around the House Suite, Kaleidescope, Seaboard Sketches and Prairie Sailor. 
This series contains sketches, drafts, notes, shot lists and manuscripts of musical works by Robert Fleming. It also includes a few works by other composers, including Arthur E. Fleming, Robert Fleming's grandfather. 
The series encompasses the following sub-series: MUS 95/D1 Film; MUS 95/D2 Theatre; MUS 95/D3 Orchestra; MUS 95/D4 Choir or Voice and Orchestra; MUS 95/D5 Band; MUS 95/D6 Chamber Music; MUS 95/D7 Solo Instrument; MUS 95/D8 Choir or Voice; MUS 95/D9 Arrangements; and MUS 95/D10 Miscellaneous. 
In standardizing the description of a work's instrumentation, we have opted for a generally accepted musical codification system. For example, the figures "3. 2. 2. 2 - 4. 3. 3. 1" denote the following instrumentation: 3 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 3 trumpets, 3 trombones and 1 tuba. Blocks of figures separated by a dash correspond to the woodwind and brass sections, and follow the traditional order in which the various instruments appear on a score. If an instrumentalist plays a second instrument, this is indicated by placing the abbreviation for the auxiliary instrument in parentheses (e.g. 3(picc) = 3 flutes plus 1 piccolo played by one of the three flautists). And if the work requires the presence of an additional musician for an auxiliary instrument, we so indicate using the "+" symbol (e.g. 2+cbn = 2 bassoons plus a third musician for the contrabassoon). Catalogues of musical works do not always name auxiliary instruments but merely indicate their presence by an asterisk (*3) or underlining (4). For the description of archival records, we prefer to ascribe some significance to auxiliary instruments, since they enrich the orchestra with particular sound qualities. 
Originals and copies. 
MUS 95/D1 FILM 
MUS 95/D1,1 	Diet. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (55 p.). Instrumentation: 2(picc). 2(b cl). 0. 0 - 0. 0. 0. 0, hp, pno, perc. 

MUS 95/D1,2 	Eskimo. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (41 p.). Instrumentation: 1. 1. 2. 1 - 1. 2. 1. 0, hp, timp, perc, str. 	
MUS 95/D1,3 	Eskimo - Arctic Jungle. – 1946. – 2 cm of textual records. File containing sketches (148 p.), shot lists (17 p.) and a form. 	
MUS 95/D1,4 	Eskimo - Arctic Jungle. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (28 p.). Instrumentation: 1. 1. 1(b cl). 1 - 2. 2. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,5 	The New North. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (49 p.). Instrumentation: 1. 1. 2(b cl). 1 - 1. 2. 1. 0, hp, timp, str. 	
MUS 95/D1,6 	Red Runs the Fraser. – 1946. – 1 cm of textual records. File containing sketches (45 p.) and shot lists (16 p.). 	
MUS 95/D1,7 	Red Runs the Fraser. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (45 p.). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0, hp, timp, perc, str. 	
MUS 95/D1,8 	Wheat. – 1946. – 1 textual record. File containing one page of notes and an autograph manuscript of the score (21 p.). Work for fl, 2cl(b cl) and hp. 	
MUS 95/D1,9 	Mental Health. – 1947. – 2 textual records. File containing an autograph manuscript of the score (16 p.) and a fragment (1 p.). The manuscript also contains one page of notes. Instrumentation: 0. 1. 1(b cl). 0 - 0. 0. 0. 0, hp, str. 	
MUS 95/D1,10 	A New Map for Canada. – 1947. – 1 textual record. File consisting of an autograph manuscript of the score (60 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 1. 0. 0. 0, pno, timp, perc, str. 	
MUS 95/D1,11 	Battling Blue Fins. – [1947?]. – 1 textual record. File consisting of an autograph manuscript of the score (60 p.). Instrumentation: 0. 1(EH). b cl, al sax. 0 - 0. 1. 0. 0, pno, str. 	

MUS 95/D1,12 	Eastern Home Beautification. – [1947?]. – 1 textual record. File consisting of an autograph manuscript of the score (28 p.). Instrumentation: 1. 1. 1.(b cl). 0 - 0. 0. 0. 0, pno, perc, str. 	
MUS 95/D1,13 	LMPC. – [1947?]. – 1 textual record. File containing an autograph manuscript of the score (52 p.). Instrumentation: 1(picc, b fl). 1(EH). 1(b cl). 1 - 1. 2. 1. 0, pno, timp, perc. 	
MUS 95/D1,14 	Prairie Home. – [1947?]. – 1 textual record. File consisting of an autograph manuscript of the score (29 p.). Instrumentation: 1. 1. 1(b cl). 0 - 0. 0. 0. 0, pno, perc, str. 	
MUS 95/D1,15 	Are You Safe at Home. – 1948. – 1 textual record. File consisting of an autograph manuscript of the score (49 p.). The manuscript also contains a few caricatures (1 p.). Instrumentation: 1(picc). 1. 1. 0 - 0. 0. 0. 0, str. 	
MUS 95/D1,16 	Narcotics. – 1948. – 0.5 cm of textual records. File consisting of sketches (26 p.). Instrumentation: 2(picc). 1. 1(b cl). 1 - 0. 0. 0. 0, timp, perc, str. 	
MUS 95/D1,17 	Narcotics. – 1948. – 1 textual record. File consisting of an autograph manuscript of the score (64 p.). Instrumentation: 2(picc). 1. 1(b cl). 1 - 0. 0. 0. 0, timp, perc, str. 	
MUS 95/D1,18 	Promesses. – 1948. – 1 textual record. File consisting of an autograph manuscript of the score (45 p.). Instrumentation: 2(picc). 1. 1(b cl). 0 - 0. 0. 0. 0, str. 	
MUS 95/D1,19 	Quebec Indian, for oboe, viola and piano. – 1948. – 1 textual record. File containing an autograph manuscript of the score (34 p.) and one page of notes. 	
MUS 95/D1,20 	Air Ambulance. – [1948?]. – 1 textual record. File containing an autograph manuscript of the score (39 p.). The manuscript also contains notes and caricatures (1 p.). Instrumentation: 1. 1. 1. 1 - 0. 1. 1. 0, timp, str. 	

MUS 95/D1,21 	Air Ambulance. – [1948?]. – 1 textual record. File containing an autograph manuscript of the score (40 p.). Second version. Instrumentation: 1(picc). 1. 1. 1 - 0. 1. 1. 0, timp, str. 	
MUS 95/D1,22 	Hostility. – [1948?]. – 1 textual record. File consisting of an autograph manuscript of the score (78 p.). Instrumentation: 1(picc). 1. 1(b cl). 0 - 0. 0. 0. 0, timp, perc, str. 	
MUS 95/D1,23 	Camp for Kids. – [1948?]. – 1 textual record. File consisting of sketches (28 p.). 	
MUS 95/D1,24 	Camp for Kids. – [1948?]. – 1 textual record. File consisting of an autograph manuscript of the score (43 p.). Instrumentation: 1(picc). 1. 1(b cl). 1 - 0. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,25 	People of the Skeena. – [1948?]. – 1 textual record. File containing an autograph manuscript of the score (10 p.). Work for cl, ob, pno, vln I and II, vla and vcl. 	
MUS 95/D1,26 	Harvest on the March. – 1949. – 1 textual record. File consisting of an autograph manuscript of the score (58 p.). Work for cl, tpt, gtr, pno, vln, vla and vcl. 	
MUS 95/D1,27 	Tourist Cruises. – 1949. – 1 textual record. File containing an autograph manuscript of the score (68 p.). Instrumentation: 1(picc). 1. 2(b cl). 0 - 0. 1. 0. 0, pno, vcl, db. 	
MUS 95/D1,28 	Valley of Gold. – 1949. – 1 textual record. File consisting of an autograph manuscript of the score (51 p.). Instrumentation: 1(picc). 1. 1. 1 - 0. 2. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,29 	Co-op (Rising Tide). – [1949?]. – 1 textual record. File consisting of an autograph manuscript of the score (82 p.). Instrumentation: 1(picc). 1. 1. 1 - 0. 1. 0. 0, al sax, pno, str. 	
MUS 95/D1,30 	Sight and Sound. – [1949?]. – 1 textual record. File consisting of an autograph manuscript of the score (31 p.). Instrumentation: 1(picc). 1. 1(b cl). 1 - 0. 2. 1. 0, timp, perc, str. 	

MUS 95/D1,31 	Spinning for Steelheads. – [1949?]. – 1 textual record. File consisting of an autograph manuscript of the score (86 p.). Work for cl, acc, gtr, pno and db. 	
MUS 95/D1,32 	Challenge of Housing. – [194-?]. – 1 textual record. File containing an autograph manuscript of the score (40 p.). Instrumentation: 0. 1. 2(al sax, ten sax). 1 - 1. 1. 1. 0, timp, perc, str. 	
MUS 95/D1,33 	Indian Trappers. – [194-?]. – 1 textual record. File consisting of an autograph manuscript of the score (11 p.). Work for ob, cl, pno and str. 	
MUS 95/D1,34 	Soil for Tomorrow. – [194-?]. – 1 textual record. File containing an autograph manuscript of the score (69 p.). The manuscript also contains a page with various caricatures. Instrumentation: 1. 1. 1(b cl). 1 - 0. 0. 0. 0, pno, str. 	
MUS 95/D1,35 	Army Cadets. – 1950. – 1 textual record. File containing an autograph manuscript of the score (39 p.) and a fragment. Instrumentation: 2(picc). 0. 2(b cl, al sax). 2(cbn) - 1. 2. 2. 1, ten sax, perc. 	
MUS 95/D1,36 	Gander Slander. – 1950. – 0.5 cm of textual records. File consisting of autograph manuscript of the score (17 p.) and parts (28 p.). Instrumentation: 2. 1. 2. 1 - 2. 2. 2. 0, pno, timp, perc, str. 	
MUS 95/D1,37 	Ocean Notion. – 1950. – 14 textual records. File consisting of an autograph manuscript of the score (7 p.), and autograph manuscripts and annotated copies of the parts (13 p.). Instrumentation: 2. 1(EH). 2. 1 - 2. 2. 2. 0, perc, str. 	
MUS 95/D1,38 	Playful Dayful. – 1950. – 1 textual record. File consisting of an autograph manuscript of the score (13 p.). Instrumentation: 1(picc). 1. 1. 1 - 1. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,39 	Red River Country. – 1950. – 1 textual record. File containing an autograph manuscript of the score (65 p.). Instrumentation: 1(picc). 1(EH). 1. 1 - 0. 1. 1. 0, vc, gtr, pno, perc, str. 	

MUS 95/D1,40 	Sad Lad. – 1950. – 0.5 cm of textual records. File containing autograph manuscripts of the score (9 p.) and parts (17 p.). Instrumentation: 1(picc). 1(EH). 1. 1 - 1. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,41 	White Fortress. – 1950. – 1 textual record. File consisting of an autograph manuscript of the score (40 p.). Instrumentation: 1(picc). 1. 1. 1 - 0. 2. 1. 0, hp, timp, perc, str. 	
MUS 95/D1,42 	Astral Pastoral. – [1950?]. – 1 textual record. File consisting of an autograph manuscript of the score (8 p.). Instrumentation: 1. 1. 1. 1 - 1. 1. 1. 0, pno, timp, str. 	
MUS 95/D1,43 	B.C. Logging. – [1950?]. – 1 textual record. File consisting of an autograph manuscript of the score (32 p.). Instrumentation: 1(b fl). 1(EH). 1. 1 - 1. 2. 1. 0, timp, perc, str. 	
MUS 95/D1,44 	Cliff Hangers. – [1950?]. – 1 textual record. File consisting of an autograph manuscript of the score (47 p.). Instrumentation: 1(picc). 1. 1. 1 - 0. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,45 	Dependency. – [1950?]. – 1 textual record. File containing an autograph manuscript of the score (83 p.). Instrumentation: 1(picc). 1. 1. 1 - 0. 0. 0. 0, timp, perc, str. 	
MUS 95/D1,46 	Guilt. – [1950?]. – 1 textual record. File consisting of an autograph manuscript of the score (17 p.). Instrumentation: 1(picc). 1(EH). 1(b cl). 0 - 0. 0. 0. 0, pno, vln, vcl. 	
MUS 95/D1,47 	My Prairie Home. – [1950?]. – 1 cm of textual records. File consisting of autograph manuscripts of the score (33 p.) and parts (28 p.). Instrumentation: 2. 1. 1. 1 - 2. 2. 2. 0, timp, perc, str. 	
MUS 95/D1,48 	Pity Ditty. – [1950?]. – 1 textual record. File consisting of an autograph manuscript of the score (6 p.). Instrumentation: 1. 1. 1(al sax). 1 - 1. 1. 1. 0, timp, perc, str. 	

MUS 95/D1,49 	Schmaltz Waltz. – [1950?]. – 1 textual record. File containing an autograph manuscript of the score (12 p.). Instrumentation: 1(picc). 1. 1(al sax). 1 - 1. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,50 	Wagon Train. – [1950?]. – 15 textual records. File consisting of autograph manuscripts of the score (5 p.) and parts (14 p.). Instrumentation: 2. 1. 1. 1 - 2. 2. 1. 0, perc, str. 	
MUS 95/D1,51 	Canada's Awakening North. – 1951. – 1 textual record. File containing an autograph manuscript of the score (77 p.). Instrumentation: 1(picc, b fl). 1(EH). 1(b cl). 1 - 1. 0. 0. 0, pno, timp, perc, str. 	
MUS 95/D1,52 	Navy. – 1951. – 1 textual record. File containing an autograph manuscript of the score (73 p.). Instrumentation: 1(picc). 1(EH). 2(b cl, al sax). 1 - 1. 2. 2. 1, hp, gtr, timp, perc, str. 	
MUS 95/D1,53 	Peter Meets a Potter. – 1951. – 1 cm of textual records. File consisting of an autograph manuscript of the score (54 p.) and fragments (2 p.). The manuscript also contains some caricatures. Instrumentation: 1(picc). 1(EH). 1(b cl). 1 0. 0. 0. 0, pno, cel, perc. 	
MUS 95/D1,54 	V. for Volunteer. – 1951. – 1 textual record. File consisting of an autograph manuscript of the score (46 p.). Instrumentation: 2(picc). 1. 1(al sax). 1 - 1. 1. 1. 0, pno, perc, str. 	
MUS 95/D1,55 	Winter Weekend (Kingsmere Bus). – 1951. – 1 textual record. File containing an autograph manuscript of the score (100 p.). Instrumentation: 1(picc). 1(EH). 1. 1 - 1. 1. 0. 0, pno, cel, perc, str. 	
MUS 95/D1,56 	Winter Weekend (Kingsmere Bus). – 1951. – 1.5 cm of textual records. File consisting of autograph manuscripts of the parts (85 p.). 	
MUS 95/D1,57 	Air Sea Rescue. – [1951?]. – 2 textual records. File consisting of an autograph manuscript of the score (43 p.) and an autograph manuscript of the first section of the work (7 p.). Instrumentation: 1(picc). 1(EH). 1(b cl). 1 - 1. 1. 1. 0, pno, timp, perc, str. 	

MUS 95/D1,58 	Post Office Centennial. – [1951?]. – 1 textual record. File consisting of an autograph manuscript of the score (70 p.). Instrumentation: 2(picc). 1. 2(b cl). 1 - 1. 1. 0. 0, pno, gtr, timp, perc, vln, vcl. 	
MUS 95/D1,59 	Screaming Jets. – [1951?]. – 1 textual record. File consisting of an autograph manuscript of the score (39 p.). Instrumentation: 1(picc). 1(EH). 1. 1 - 1. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,60 	Acorn. – 1952. – 5 textual records. File consisting of shot lists (6 p.) and autograph manuscripts (16 p.). Work for percussion. 	
MUS 95/D1,61 	Country Nurse. – 1952. – 1 textual record. File consisting of an autograph manuscript of the score (36 p.). Instrumentation: 1(picc). 1(EH). 2(b cl). 1 - 0. 1. 0. 0, pno, hp, perc, str. 	
MUS 95/D1,62 	Down on the Farm (The Son). – 1952. – 1 cm of textual records. File consisting of an autograph manuscript of the score (51 p.), a fragment and a page of notes. Instrumentation: 1. 1(EH). 1(b cl). 1 - 1. 1. 1. 0, hp, timp, perc, str. 	
MUS 95/D1,63 	Down on the Farm (The Son). – 1952. – 1 textual record. File consisting of an autograph manuscript of the score (44 p.). Second version. Instrumentation: 2(picc). 1(EH). 1(b cl). 1 - 1. 0. 0. 0, hp, pno, str. 	
MUS 95/D1,64 	Down on the Farm (The Son). – 1952. – 1.5 cm of textual records. File containing autograph manuscripts of the parts (86 p.). Second version. Instrumentation: 2(picc). 1(EH). 1(b cl). 1 - 1. 0. 0. 0, hp, pno, str. 	
MUS 95/D1,65 	Korea. – 1952. – 1 textual record. File consisting of an autograph manuscript of the score (35 p.). Instrumentation: 1(picc). 1. 1(b cl). 1 - 1. 2. 2. 0, pno, timp, perc, str. 	

MUS 95/D1,66 	Quebec Industrial. – 1952. – 1 textual record. File consisting of an autograph manuscript of the score (24 p.). Instrumentation: 2. 1. 2(b cl). 1 - 1. 2. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,67 	Rural Music Festival. – 1952. – 0.5 cm of textual records. File containing mainly notes and shot lists (67 p.). 	
MUS 95/D1,68 	Rural Music Festival. – 1952. – 0.5 cm of textual records. File containing sketches (12 p.) and various autograph manuscripts (23 p.). Version for trombone and piano. 	
MUS 95/D1,69 	Rural Music Festival. – 1952-1953. – 0.5 cm of textual records. File consisting of sketches (8 p.) and an autograph manuscript of the score (20 p.). Version for orchestra. Instrumentation: 1(picc). 0. 4. 0 - 1. 3. 2+trb. 1, perc. 	
MUS 95/D1,70 	Shyness. – 1952. – 1 textual record. File consisting of an autograph manuscript of the score (78 p.). Instrumentation: 1. 1. 1(b cl). 0 - 0. 0. 0. 0, pno, cel. 	
MUS 95/D1,71 	Trade Fair. – 1952. – 1 textual record. File containing an autograph manuscript of the score (13 p.). Instrumentation: 1(picc). 1. 1. 1 - 1. 2. 2. 0, hp, timp, perc, str. 	
MUS 95/D1,72 	Age of the Beaver. – [1952?]. – 0.5 cm of textual records. File containing an autograph manuscript of the score (19 p.), notes (2 p.) and a fragment. Instrumentation: 1(picc). 1(EH). 0. 1 - 0. 1. 0. 0, hpsd, timp, perc, vcl. 	
MUS 95/D1,73 	Horizons. – [1952?]. – 17 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, bn, hn I and II, tpt I and II, hp, perc and str (17 p.). 	
MUS 95 D/1,74 	Hunting with a Camera. – [1952?]. – 1 textual record. File consisting of an autograph manuscript of the score (28 p.). Instrumentation: 1(picc). 1. 2(b cl). 1 - 0. 1. 0. 0, pno. 	
MUS 95 D/1,75 	Older Workers. – [1952?]. – 1 textual record. File consisting of an autograph manuscript of the score (56 p.). Instrumentation: 1. 1(picc). 1(al sax). 1 - 0. 1. 1. 0, pno, perc, str. 	

MUS 95/D1,76 	Blacksmith. – 1953. – 0.5 cm of textual records. File containing shot lists (9 p.), sketches (7 p.) and an autograph manuscript (10 p.). Piece for piano. 	
MUS 95/D1,77 	Frontier College. – 1953-1954. – 1 textual record. File consisting of an autograph manuscript of the score (119 p.). Instrumentation: 1. 1. 2. 1 - 1. 1. 1. 0, pno, perc, str. 	
MUS 95/D1,78 	Germany. – 1953. – 1 textual record. File containing an autograph manuscript of the score (119 p.). Instrumentation: 1(picc). 1. 2(b cl). 1 - 1. 1. 2. 0, pno, timp, perc, str. 	
MUS 95/D1,79 	The Switchman. – 1953. – 1 cm of textual records. File containing notes and shot lists (7 p.), sketches and a draft (20 p.) as well as an autograph manuscript of the mandolin part (9 p.). 	
MUS 95/D1,80 	Adoption. – [1953?]. – 2 textual records. File consisting of autograph manuscripts of the score (65 p.). Work for strings and harp. 	
MUS 95/D1,81 	Ground Crew. – [1953?]. – 1 textual record. File containing an autograph manuscript of the score (109 p.). Instrumentation: 2(picc). 1(EH). 6(b cl, ten sax, al sax). 2 - 2. 3. 3. 1, timp, perc. 	
MUS 95/D1,82 	Mr. Mayor. – [1953?]. – 1 textual record. File containing an autograph manuscript of the score (50 p.). Instrumentation: 1(picc). 1(EH). 5(b cl). 1 - 1. 2. 1. 1, timp, perc. 	
MUS 95/D1,83 	Defense Counsel. – 1954. – 1 textual record. File consisting of an autograph manuscript of the score (93 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 0. 0. 0. 0, pno, str. 	
MUS 95/D1,84 	Flow of Grain. – 1954. – 1 textual record. File consisting of an autograph manuscript of the score (127 p.). Instrumentation: 1. 1. 1. 1 - 1. 1. 2. 0, pno, timp, perc, str. 	
MUS 95/D1,85 	The Grievance. – 1954. – 1 textual record. File consisting of an autograph manuscript of the score (45 p.). Instrumentation: 1. 1. 2. 1 - 0. 1. 0. 0, pno. 	

MUS 95/D1,86 	Man Is a Universe (Montreal Neurological). – 1954. – 1 textual record. File containing an autograph manuscript of the score (23 p.). Work for fl, hp and str. 	
MUS 95/D1,87 	Country Auctioneer. – [1954?]. – 1 textual record. File consisting of an autograph manuscript of the score (26 p.). Work for vln, acc and gtr. 	
MUS 95/D1,88 	Station Master. – [1954?]. – 1 textual record. File consisting of an autograph manuscript (6 p.). The manuscript also contains one page of notes. 	
MUS 95/D1,89 	Airwoman. – 1955. – 0.5 cm of textual records. File containing notes (2 p.) and an autograph manuscript of the score (62 p.). Instrumentation: 1(picc). 0. 0. 0 - 1. 1. 0. 0, perc, str. 	
MUS 95/D1,90 	Canadian Indian. – 1955. – 1 textual record. File consisting of an autograph manuscript of the score (89 p.). Instrumentation: 2(picc). 1(EH). 2(b cl). 1 - 1. 0. 0. 0, hp, pno, perc. 	
MUS 95/D1,91 	The Colour of Life. – 1955. – 1 textual record. File consisting of an autograph manuscript of the score (65 p.). Instrumentation: 1. 1. 1. 1 - 0. 0. 0. 0, hp, str. 	
MUS 95/D1,92 	Strike in Town. – 1955. – 1 textual record. File consisting of an autograph manuscript of the score (37 p.). Work for fl, cl, hn, vcl and pno. 	
MUS 95/D1,93 	The Dike. – [1955?]. – 1 textual record. File containing an autograph manuscript of the score (104 p.). Instrumentation: 1. 0. 1. 0 - 1. 0. 0. 0, str. 	
MUS 95/D1,94 	Research Director. – [1955?]. – 1.5 cm of textual records. File containing an incomplete draft (16 p.) and autograph manuscripts (63 p.). Work for two pianos. 	
MUS 95/D1,95 	An Approach to Theatre. – 1956. – 0.5 cm of textual records. File consisting of sketches (15 p.) and an autograph manuscript of the score (53 p.). Instrumentation: 2(picc). 1. 2(b cl). 1 - 2. 2. 2. 0, timp, perc, str. 	

MUS 95/D1,96 	Passe partout. – 1956. – 1 textual record. File consisting of an autograph manuscript of the score (7 p.). Instrumentation: 1. 0. 1. 1 - 1. 2. 2. 0, timp, perc, str. 	
MUS 95/D1,97 	Perspective. – 1956. – 3 textual records. File containing sketches (6 p.) and an autograph manuscript of the score (16 p.). Instrumentation: 2. 1. 1. 1 - 2. 2. 2. 0, timp, perc, str. 	
MUS 95/D1,98 	Quebec Carnival. – 1956. – 1 textual record. File consisting of an autograph manuscript of the score (100 p.). Instrumentation: 1(picc). 0. 3(ten sax), al sax. 1 - 1. 2. 2. 1, acc, perc. 	
MUS 95/D1,99 	Rehabilitation. – 1956. – 1 cm of textual records. File consisting of sketches (122 p.). Works for cl, hp, str. 	
MUS 95/D1,100 	Rehabilitation. – 1956. – 1 cm of textual records. File containing autograph manuscripts of the parts for fl, ob, cl, bn, hn, hp, perc, str. (13 p.). 	
MUS 95/D1,101 	Spruce Bog. – 1956. – 1.5 cm of textual records. File containing sketches (37 p.) and an autograph manuscript of the score (80 p.). Instrumentation: 1. 1(EH). 1. 1 - 1. 0. 0. 0, hp, str. 	
MUS 95/D1,102 	Cendrillon. – [1956?]. – 1 textual record. File consisting of a draft (60 p.). 	
MUS 95/D1,103 	Post Office. – 1957. – 2 cm of textual records. File containing notes and an autograph manuscript of the score (220 p.). Instrumentation: 2. 1. 2. 1 - 2. 2. 1. 0, perc, str. 	
MUS 95/D1,104 	Air Defence Command. – [1957?]. – 1 textual record. File containing an autograph manuscript of the score (63 p.). Instrumentation: 1. 0. 1. 1 - 1. 1. 0. 0, perc, str. 	
MUS 95/D1,105 	La Plume au vent. – [1957?]. – 2 cm of textual records. File containing an autograph manuscript of the score (181 p.). Work for vln, cl, acc, gtr and db. 	
MUS 95/D1,106 	Crane Island. – 1958. – 1 textual record. File containing a draft of the score (77 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 1. 0. 0. 0, pno, vcl. 	

MUS 95/D1,107 	Crane Island. – 1958. – 1 textual record. File containing an autograph manuscript of the score (64 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, str. 	
MUS 95/D1,108 	Down North. – 1958. – 1.5 cm of textual records. File consisting of sketches (77 p.). 	
MUS 95/D1,109 	Down North - Ballad of the Mackenzie. – 1958. – 5 textual records. File containing the lyrics of the work (5 p.), one page of notes and autograph manuscripts of the score for voice and piano (1 p.) as well as for the vocal part (2 p.). Version for voice and piano using the theme of the work Down North. 	
MUS 95/D1,110 	Fishermen. – 1958-1959. – 1.5 cm of textual records. File consisting of notes, shot lists, sketches and a draft of the score (108 p.). Instrumentation: 1. 1. 1. 1 - 0. 0. 0. 0, hp, str. 	
MUS 95/D1,111 	Graphic. – 1958. – 0.5 cm of textual records. File consisting of an autograph manuscript of the score (11 p.) as well as autograph manuscripts and copies of the parts (21 p.). Instrumentation: 2. 1. 2. 1 - 2. 3. 3. 0, timp, perc, str. 	
MUS 95/D1,112 	Autumn Day. – [1958?]. – 12 textual records. File containing autograph manuscripts and copies of the parts for fl, ob, bn, hn, hp, perc and str (14 p). 	
MUS 95/D1,113 	Black Moon. – [1958?]. – 17 textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, trb I, II and III, perc and str (17 p). 	
MUS 95/D1,114 	Days of Grace. – [1958?]. – 10 textual records. File consisting of autograph manuscripts and copies of the parts for fl, ob, cl, bn, hn and str (10 p). 	
MUS 95/D1,115 	Dramatic Bridge. – [1958?]. – 20 textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and III, trb I, II and III, hp, timp and str (21 p). 	
MUS 95/D1,116 	Going. – [1958?]. – 13 textual records. File containing autograph manuscripts and copies of the parts for fl, ob, cl, hn, tpt, trb, hp and str (13 p). 	

MUS 95/D1,117 	A Little Ballad. – [1958?]. – 5 textual records. File containing an autograph manuscript of the part for db and copies of the parts for vln I and II, vla, vcl (5 p.). 	
MUS 95/D1,118 	Railroader. – [1958?]. – 1 cm of textual records. File containing sketches (41 p.) and an annotated copy of an autograph manuscript of the score (35 p.). Work for fl, cl, ob and vcl. 	
MUS 95/D1,119 	Rolling. – [1958?]. – 19 textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and III, trb I, II and III, hp, timp, perc and str (19 p). 	
MUS 95/D1,120 	Sepulchre. – [1958?]. – 17 textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, trb I, II and III, hp and str (17 p). 	
MUS 95/D1,121 	Solemn Occasion. – [1958?]. – 16 textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and II, trb I, II and III, hp and str (16 p). 	
MUS 95/D1,122 	Sparkler. – [1958?]. – 0.5 cm of textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and II, trb I, II and III, hp, timp, perc and str (16 p). 	
MUS 95/D1,123 	Arctic Community. – 1959. – 1 textual record. File consisting of a draft of the score (90 p.). The manuscript also contains sketches and notes. Instrumentation: 2. 1(EH). 1. 1 - 1. 0. 0. 0, hp, vln. 	
MUS 95/D1,124 	Girl's Camp. – 1959. – 1.5 cm of textual records. File containing notes (2 p.), sketches (63 p.) and a draft (84 p.). 	
MUS 95/D1,125 	Légaré, for solo clarinet. – 1959. – 0.5 cm of textual records. File consisting of notes, sketches and a draft (19 p.). 	
MUS 95/D1,126 	Queen's Plate. – 1959-1960. – 1 cm of textual records. File consisting of notes, sketches (36 p.) and an autograph manuscript of the score (77 p.). Instrumentation: 2. 1. 2. 1 - 2. 2. 1. 0, perc. 	

MUS 95/D1,127 	Ville abandonnée. – 1959. – 1 textual record. File consisting of sketches (21 p.). 	
MUS 95/D1,128 	Atlas Title. – [195-?]. – 17 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl I and II, bn, hn I and II, tpt I and II, trb I and II, timp and str (17 p). 	
MUS 95/D1,129 	C.D. Welfare. – [195-?]. – 1 textual record. File consisting of an autograph manuscript of the score (36 p.). Work for ob, hn and str. 	
MUS 95/D1,130 	Eastern Townships. – [195-?]. – 1 textual record. File consisting of an autograph manuscript of the score (76 p.). Instrumentation: 1. 1. 1. 1 - 0. 2. 2. 0, timp, perc, str. 	
MUS 95/D1,131 	Ecology. – [195-?]. – 1 textual record. File containing an autograph manuscript of the score (97 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, pno, str. 	
MUS 95/D1,132 	Geology. – [195-?]. – 1 textual record. File containing an autograph manuscript of the score (54 p.). Work for fl(picc), ob, cl, bn, perc and timp. 	
MUS 95/D1,133 	In Sorrow. – [195-?]. – 12 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, bn, hn and str (12 p.). 	
MUS 95/D1,134 	New Brunswick Art. – [195-?]. – 1 textual record. File consisting of a an autograph manuscript (18 p.). 	
MUS 95/D1,135 	Potato Harvest. – [195-?]. – 1 textual record. File containing an autograph manuscript of the score (83 p.). Instrumentation: 2. 1. 2. 1 - 1. 0. 0. 0, hp, str. 	
MUS 95/D1,136 	R.C.M.P. (Feeling of Rejection). – [195-?]. – 1 textual record. File consisting of an autograph manuscript (4 p.). Work for ob, b cl, hp and str. 	
MUS 95/D1,137 	Traffic Safety. – [195-?]. – 1 textual record. File consisting of an autograph manuscript of the score (8 p.). Instrumentation: 2(picc). 1. 2(b cl). 1 - 0. 2. 2. 0, hp, timp, perc, vcl. 	

MUS 95/D1,138 	Untitled music (stock #8). – [195-?]. – 1 textual record. File consisting of an autograph manuscript (4 p.). Instrumentation: 1. 1. 1. 1 - 1. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,139 	Handiwork. – 1960. – 9 textual records. File consisting of autograph manuscripts (3 p.) and manuscriptcopies (7 p.) of the parts for fl I and II, ob, hp and str. 	
MUS 95/D1,140 	L'Héritage, for solo guitar. – 1960. – 1 cm of textual records. File consisting of notes (19 p.), a draft (22 p.) and an autograph manuscript (24 p.). 	
MUS 95/D1,141 	The Stowaway. – 1960. – 1 cm of textual records. File containing notes, sketches (17 p.) and an autograph manuscript of the score (100 p.). Instrumentation: 1(picc). 1(EH). 1(b cl). 1 - 1. 1. 1. 0, hp, perc, str. 	
MUS 95/D1,142 	Away from It All. – [1960?]. – 1 textual record. File consisting of a draft of the score (50 p.). Instrumentation: 1. 1. 1. 0 - 0. 0. 0. 0, hp, str. 	
MUS 95/D1,143 	British Immigration. – [1960?]. – 2 textual records. File consisting of an autograph manuscript of the score (88 p.) and a note. Instrumentation: 1. 1(EH). 1. 1 - 1. 1. 1. 0, pno, timp, perc, str. 	
MUS 95/D1,144 	Collège contemporain, for two pianos. – [1960?]. – 1.5 cm of textual records. File containing drafts and corrections (56 p.) as well as an autograph manuscript (31 p.). 	
MUS 95/D1,145 	Mountain Ecology. – [1960?]. – 1 textual record. File containing an autograph manuscript of the score (43 p.). Instrumentation: 0. 0. 0. 0 - 2. 2. 0. 0, pno, perc, str. 	
MUS 95/D1,146 	Saddlemaker. – [1960?]. – 1 textual record. File consisting of a draft of the score (125 p.). Work for harm, cl, acc, gtr and db. 	
MUS 95/D1,147 	Canada at War. – 1961. – 1 cm of textual records. File containing notes, sketches and drafts (41 p.). Music for the beginning and end of programs. 	

MUS 95/D1,148 	Canada at War. – 1961. – 1 cm of textual records. File consisting of autograph manuscripts (17 p.) and shot lists (51 p.). Program 1. 	
MUS 95/D1,149 	Canada at War. – 1961. – 1.5 cm of textual records. File consisting of autograph manuscripts (47 p.) and shot lists (50 p.). Program 2. 	
MUS 95/D1,150 	Canada at War. – 1961. – 0.5 cm of textual records. File containing autograph manuscripts (17 p.) and shot lists (33 p.). Programs 3 and 4. 	
MUS 95/D1,151 	Canada at War. – 1961. – 1.5 cm of textual records. File consisting of autograph manuscripts (65 p.) and shot lists (56 p.). Programs 5 and 6. 	
MUS 95/D1,152 	Canada at War. – 1961. – 1.5 cm of textual records. File consisting of autograph manuscripts (41 p.) and shot lists (66 p.). Programs 7 and 8. 	
MUS 95/D1,153 	Canada at War. – 1961. – 1.5 cm of textual records. File consisting of autograph manuscripts (50 p.) and shot lists (44 p.). Programs 9 and 10. 	
MUS 95/D1,154 	Canada at War. – 1961. – 1.5 cm of textual records. File containing autograph manuscripts (43 p.) and shot lists (65 p.). Programs 11, 12 and 13. 	
MUS 95/D1,155 	Canada at War. – 1961. – 2 cm of textual records. File consisting of notes, shot lists and various sketches (153 p.). 	
MUS 95/D1,156 	Canada at War. – 1961. – 2 cm of textual records. File consisting mainly of notes, shot lists and various sketches (191 p.). 	
MUS 95/D1,157 	Canada at War. – 1961. – 0.5 cm of textual records. File consisting of notes (47 p.). 	
MUS 95/D1,158 	Jacky Visits the Zoo, for two pianos. – 1962. – 1 textual record. 	
	File consisting of a autograph manuscript (57 p.). 	

MUS 95/D1,159 	Jacky Visits the Zoo, for two pianos. – 1962. – 1 cm of textual records. 	
	File containing annotated copies of an autograph manuscript (73 p.). 	
MUS 95/D1,160 	Jacky Visits the Zoo, for two pianos. – 1962. – 0.5 cm of textual records. 	
	File consisting of fragments and an autograph manuscript on transparent paper (43 p.). The autograph manuscript is annotated. 	
MUS 95/D1,161 	Jacky Visits the Zoo, for two pianos. – 1963. – 1 textual record. 	
	File consisting of a copy of an autograph manuscript (27 p.). 	
MUS 95/D1,162 	Princess. – 1962. – 9 textual records. File containing autograph manuscripts of the score (9 p.) and parts (9 p.). Work for fl, ob, hp and str. 	
MUS 95/D1,163 	Trans Canada Journey. – 1962. – 1 textual record. File consisting of an autograph manuscript of the score (63 p.). Instrumentation: 1. 1. 1. 1 - 2. 0. 2. 0, hp, perc, str. 	
MUS 95/D1,164 	Lyric Piece No. 2. – [1962?]. – 11 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, bn, hn I and II, str (11 p.). 	
MUS 95/D1,165 	Lyric Piece No. 3. – [1962?]. – 0.5 cm of textual records. File containing autograph manuscripts of the score (17 p.) and parts (12 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 2. 0, str. 	
MUS 95/D1,166 	Neutral. – [1962?]. – 13 textual records. File containing autograph manuscripts of the score (9 p.) and parts (12 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, str. 	
MUS 95/D1,167 	Quiet Mystery. – [1962?]. – 13 textual records. File containing autograph manuscripts of the score (10 p.) and parts (12 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, perc, str. 	
MUS 95/D1,168 	Quiet Nature. – [1962?]. – 12 textual records. File consisting of autograph manuscripts of the score (15 p.) and parts (12 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, str. 	

MUS 95/D1,169 	Untitled music. – [1962?]. – 3 textual records. File consisting of autograph manuscripts (6 p.). 	
MUS 95/D1,170 	Ballerina. – 1963. – 1 cm of textual records. File containing notes and a draft of the score (78 p.). Instrumentation: 1. 1. 1. 0 - 1. 1. 0. 0, al sax, pno, perc, str. 	
MUS 95/D1,171 	Crafts. – 1963. – 2 cm of textual records. File containing sketches (12 p.), notes (2 p.) and an autograph manuscript of the score (99 p.). Instrumentation: 2. 1. 1. 1 - 1. 0. 0. 0, hp, str. 	
MUS 95/D1,172 	Dutch Aerial. – 1963. – 0.5 cm of textual records. File consisting of autograph manuscripts of the score (19 p.) and parts (21 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, timp, perc, str. 	
MUS 95/D1,173 	Exploding Metropolis. – 1963. – 1 textual record. File consisting of an autograph manuscript of the score (197 p.). Instrumentation: 1(picc, rec). 1(EH). 1. 1 - 2. 2. 0. 0, hp, perc, str. 	
MUS 95/D1,174 	Gymnastique. – 1963-1964. – 0.5 cm of textual records. File containing notes (2 p.), drafts (19 p.) and autograph manuscripts of the parts for guitar and flute (5 p.). Work for fl, gtr and perc. 	
MUS 95/D1,175 	Tundra – Edge of the Barrens. – 1963. – 1 textual record. File consisting of a draft of the score (62 p.). The manuscript also contains sketches. Instrumentation: 1. 1(EH). 1(b cl). 0 2. 0. 0. 0, vcl. 	
MUS 95/D1,176 	Voyageurs. – 1963. – 1.5 cm of textual records. File containing a draft of the score (49 p.) and shot lists (33 p.). Work for ch, vln, gtr, acc and timp. 	
MUS 95/D1,177 	Gone Curling. – [1963?]. – 1 textual record. File containing a draft of the score (58 p.). Instrumentation: 1. 0. 2. 1 - 0. 0. 0. 0, al sax, gtr, perc, db. 	
MUS 95/D1,178 	Custody, for piano and percussion – 1964. – 0.5 cm of textual records. File consisting of notes, sketches and shot lists (23 p.). 	

MUS 95/D1,179 	Custody, for piano and percussion. – 1964. – 1 cm of textual records. File containing a draft (18 p.) and autograph manuscripts of the parts for piano and percussion (25 p.). 	
MUS 95/D1,180 	Françoise, for choir and organ. – 1964. – 1 cm of textual records. File consisting of notes and a draft (48 p.). 	
MUS 95/D1,181 	King of Blades (Announcement Fanfare). – 1964-1965. – 1 cm of textual records. File consisting of notes, shot lists (40 p.) and sketches (13 p.). Instrumentation: 1. 1. 1. 0 - 1. 3. 2. 0, al sax, ten sax, bar sax, pno, perc, str. 	
MUS 95/D1,182 	King of Blades (Announcement Fanfare). – 1964. – 1 textual record. File consisting of a draft of the score (179 p.). Instrumentation: 1. 1. 1. 0 - 1. 3. 2. 0, al sax, ten sax, bar sax, pno, perc, str. 	
MUS 95/D1,183 	Movement Perpetuo (Industrial #1). – 1964. – 1 cm of textual records. File consisting of sketches (4 p.) and autograph manuscripts of the parts (30 p.). Instrumentation: 1. 1. 1. 1 - 2. 2. 2. 0, str. 	
MUS 95/D1,184 	Northern Voyage. – 1964. – 1.5 cm of textual records. File containing sketches, shot lists (21 p.) and an autograph manuscript of the score (67 p.). Instrumentation: 1. 0. 1. 0 - 2. 0. 0. 0, pno, perc, str. 	
MUS 95/D1,185 	Turn of the Century (1897-1914). – 1964. – 2 cm of textual records. File containing sketches (56 p.) and shot lists (37 p.). Instrumentation: 1. 0. 1. 1 - 1. 1. 0. 0, saxh, bj, pno, perc, str. 	
MUS 95/D1,186 	Turn of the Century (1897-1914). – 1964. – 1 textual record. File consisting of a draft of the score (232 p.). Instrumentation: 1. 0. 1. 1 - 1. 1. 0. 0, saxh, bj, pno, perc, str. 	
MUS 95/D1,187 	Crafts of My Province. – [1964?]. – 0.5 cm of textual records. File consisting of sketches and a draft of the score (11 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, str. 	
MUS 95/D1,188 	Joey, for oboe and violoncello. – 1965. – 0.5 cm of textual records. 	

MUS 95/D1,189 
MUS 95/D1,190 MUS 95/D1,191 
MUS 95/D1,192 
MUS 95/D1,193 
MUS 95/D1,194 
MUS 95/D1,195 
MUS 95/D1,196 
MUS 95/D1,197 
MUS 95/D1,198 
File consisting of drafts (13 p.), an autograph manuscript (10 p.) and shot lists (11 p.). 
Linda. – 1965. – 8 textual records. File containing a draft (2 p.) and autograph manuscripts of the score (2 p.) and parts (6 p.) 
Youth Travel. – 1965. – 1 cm of textual records. File consisting of a draft (62 p.) and notes (1 p.). 
Baymen. – [1965?]. – 0.5 cm of textual records. File containing a draft (4 p.) and autograph manuscripts (17 p.). 
Northern Research. – [1965?]. – 1 cm of textual records. File consisting of an autograph manuscript of the score (83 p.). Instrumentation: 1. 2(b cl). 0. 1 - 1. 1. 1. 0, perc, str. 
Phoebe, for piano and recorder – [1965?]. – 1 cm of textual records. File containing a draft (27 p.) and an autograph manuscript (19 p.). 
Kurelek. – 1966. – 1 cm of textual records. File containing drafts (15 p.) and an autograph manuscript of the score (68 p.). Work for vln, cl(b cl), acc, dul, bal, gtr, db, perc. 
Quietude. – 1966. – 10 textual records. File containing sketches (2 p.) and autograph manuscripts of the score (4 p.) and parts (9 p.). Work for strings, harp and vibraphone. 
Tale of Mail. – 1966. – 1.5 cm of textual records. File consisting of sketches and a draft of the score (116 p.). Instrumentation: 1(picc). 0. 1. 1 - 1. 1. 1. 1, sax, hp, gtr, perc, db. 
Tuktu Series. – 1966. – 2 cm of textual records. File consisting of notes and sketches (70 p.). Instrumentation: 
1. 1. 1. 1 - 0. 0. 0. 0, perc. 
Tuktu Series. – 1966-1969. – 1 textual record. File consisting of an autograph manuscript of the score (230 p.). Instrumentation: 1. 1. 1. 1 - 0. 0. 0. 0, perc. 

MUS 95/D1,199 	Tuktu Series. – [1966?]-[1969?]. – 0.5 cm of textual records. File containing autograph manuscripts of the parts (23 p.). Incomplete. 	
MUS 95/D1,200 	Tuktu Series. – 1967-1969. – 2 cm of textual records. File consisting mainly of shot lists (136 p.). 	
MUS 95/D1,201 	Vacation. – 1966. – 1 cm of textual records. File containing sketches (3 p.) and autograph manuscripts of the score (31 p.) and parts (24 p.). Instrumentation: 2. 1. 2. 1 - 2. 0. 0. 0, timp, str. 	
MUS 95/D1,202 	War of 1812. – 1966. – 1 textual record. File consisting of a draft (21 p.). 	
MUS 95/D1,203 	World of Three, for ondes Martenot. – 1966. – 2 textual records. File containing a draft (10 p.) and an autograph manuscript (10 p.). 	
MUS 95/D1,204 	Antonio, for mandolin and guitar. – [1966?]. – 1 textual record. File consisting of an autograph manuscript (26 p.). 	
MUS 95/D1,205 	Energy. – [1966?]. – 0.5 cm of textual records. File consisting of a draft (10 p.) and an autograph manuscript (12 p.). 	
MUS 95/D1,206 	Wheat Belt. – [1966?]. – 1 textual record. File consisting of a draft (10 p.). 	
MUS 95/D1,207 	Wheat Belt. – [1966?]. – 2 textual records. File consisting of autograph manuscripts of the parts (28 p.). One of the manuscripts also contains a musical fragment. 	
MUS 95/D1,208 	The Continuing Past (Geological Survey). – 1967. – 1 textual record. File containing a draft (49 p.). Work for oM, 2gtr, hp, pno, timp, perc. 	
MUS 95/D1,209 	Parliament Buildings. – 1967. – 1 textual record. File consisting of an autograph manuscript of the score (93 p.). Instrumentation: 1. 1. 1. 1 - 2. 2. 2. 0, perc, str. 	

MUS 95/D1,210 	Bear and Mouse, for piano. – [1967?]. – 2 textual records. File consisting of drafts (24 p.) and an autograph manuscript (12 p.). 	
MUS 95/D1,211 	Summerhill Music, for guitar and clarinet. – [1967?]. – 0.5 cm of textual records. File containing notes, drafts (12 p.) and an autograph manuscript (5 p.) of the parts for guitar and clarinet. 	
MUS 95/D1,212 	Canada - USA. – 1968. – 0.5 cm of textual records. File containing sketches (6 p.) and autograph manuscripts of the score (15 p.) and parts (17 p.). Instrumentation: 1. 1. 1. 1 - 2. 1. 0. 0, hpsd, timp. Music for the beginning and end of programs. 	
MUS 95/D1,213 	Canada - USA. – 1968. – 1 textual record. File containing an autograph manuscript of the score (12 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 1. 	
MUS 95/D1,214 	Canada - USA. – 1968. – 1.5 cm of textual records. File consisting of autograph manuscripts of the score (150 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 1. 1. 0. 0, hpsd, timp, perc. Program 2 (sections 1 to 23). 	
MUS 95/D1,215 	Canada - USA. – 1968. – 1 textual record. File consisting of an autograph manuscript of the score (172 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 3 (sections 24 to 49). 	
MUS 95/D1,216 	Canada - USA. – 1968. – 1 textual record. File consisting of an autograph manuscript of the score (163 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 2. 1. 0. 0, hpsd, timp, perc. Program 4 (sections 51 to 78). 	
MUS 95/D1,217 	Canada - USA. – 1968. – 1 textual record. File containing an autograph manuscript of the score (143 p.). Instrumentation: 1(picc). 1(EH). 1. 1 - 2. 1. 0. 0, hpsd, timp, perc. Program 5 (sections 79 to 106). 	
MUS 95/D1,218 	Canada - USA. – 1965-1968. – 1 textual record. File containing an autograph manuscript of the score (203 p.) and a page of notes. Instrumentation: 1. 1(EH). 1. 1 2. 2. 0. 0, hpsd, timp, perc. Program 6 (sections 107 to 142). 	

MUS 95/D1,219 	Canada - USA. – 1966-1968. – 1 textual record. File consisting of an autograph manuscript of the score (207 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 7 (sections 143 to 186). 	
MUS 95/D1,220 	Canada - USA. – 1968. – 1.5 cm of textual records. File containing autograph manuscripts of the score (153 p.) and notes (2 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 4 - R1 to R3 (sections 187 to 218). 	
MUS 95/D1,221 	Canada - USA. – 1968. – 2 cm of textual records. File containing autograph manuscripts of the score (208 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 4 - R4 to R6 (sections 219 to 261). 	
MUS 95/D1,222 	Canada - USA. – 1968. – 2 cm of textual records. File containing autograph manuscripts of the score (200 p.). Instrumentation: 1. 1(EH). 1(b cl). 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 5 - R1 to R3 (sections 263 to 299). 	
MUS 95/D1,223 	Canada - USA. – 1968. – 2 cm of textual records. File containing autograph manuscripts of the score (180 p.) and a page of notes. Instrumentation: 1(picc). 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 5 - R4 to R6 (sections 300 to 337). 	
MUS 95/D1,224 	Canada - USA. – 1968. – 2 cm of textual records. File consisting of autograph manuscripts of the score (211 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 6 - R1 to R3 (sections 338 to 383). 	
MUS 95/D1,225 	Canada - USA. – 1968. – 2 cm of textual records. File consisting of autograph manuscripts of the score (198 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 6 - R4 to R6 (sections 384 to 421). 	
MUS 95/D1,226 	Canada - USA. – 1969. – 2 cm of textual records. File containing autograph manuscripts of the score (189 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 7 - R1 to R3 (sections 422 to 455). 	

MUS 95/D1,227 	Canada - USA. – 1969. – 2 cm of textual records. File containing autograph manuscripts of the score (216 p.) and a note. Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 7 - R4 to R6 (sections 456 to 501). 	
MUS 95/D1,228 	Canada - USA. – 1969. – 2 cm of textual records. File containing autograph manuscripts of the score (169 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 8 - R1, R2 and R3 (sections 502 to 534). 	
MUS 95/D1,229 	Canada - USA. – 1969. – 2 cm of textual records. File containing autograph manuscripts of the score (169 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 8 - R4 and R5 (sections 535 to 568). 	
MUS 95/D1,230 	Canada - USA. – 1969. – 1 cm of textual records. File containing autograph manuscripts of the score (48 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 8 - R6 (sections 569 to 578). 	
MUS 95/D1,231 	Canada - USA. – 1969. – 2 cm of textual records. File containing autograph manuscripts of the score (120 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 9 - R4 and R6 (sections 579A to 594). 	
MUS 95/D1,232 	Canada - USA. – 1969. – 2 cm of textual records. File containing autograph manuscripts of the score (169 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 2. 0. 0, hpsd, timp, perc. Program 9 - R1 to R3 (sections 595A to 625). 	
MUS 95/D1,233 	Great Lakes. – 1968-1969. – 1 cm of textual records. File consisting of notes, sketches and shot lists (61 p.). Work for vc, vln, harm, bj, J hp, 2gtr, b gtr, perc. 	
MUS 95/D1,234 	Great Lakes. – 1968. – 2 cm of textual records. File consisting of an autograph manuscript of the score (130 p.) as well as autograph manuscripts and annotated copies of the parts (26 p.). Work for vc, vln, harm, bj, 2gtr, b gtr, perc. 	
MUS 95/D1,235 	Northern Health Services. – 1968. – 0.5 cm of textual records. File including notes, a draft and shot lists (30 p.). 	

MUS 95/D1,236 	Calabogie Fiddler (arrangement). – [1968?]. – 1.5 cm of textual records. File containing notes, annotated copies (47 p.) and an autograph manuscript of the score (69 p.). Instrumentation: 1. 1(EH). 1. 1 - 2. 0. 0. 0, hp, str, solo vln. 	
MUS 95/D1,237 	Forgetful Peter. – [1968?]. – 1 textual record. File consisting of a draft of the score (36 p.). 	
MUS 95/D1,238 	D.N.A. – 1969. – 1 textual record. File consisting of a draft (14 p.). Work for fl (b fl), hp and hpsd. 	
MUS 95/D1,239 	Matter of Fat. – 1969-1970. – 2 cm of textual records. File containing shot lists (92 p.). 	
MUS 95/D1,240 	Matter of Fat. – 1969. – 1 cm of textual records. File containing sketches (55 p.) and autograph manuscripts of the parts (3 p.). 	
MUS 95/D1,241 	Matter of Fat. – 1969. – 2 cm of textual records. File consisting of autograph manuscripts of the parts for fl, ob(EH), cl and bn (113 p.). 	
MUS 95/D1,242 	Matter of Fat. – 1969. – 2 cm of textual records. File consisting of autograph manuscripts of the parts for hn I and II, tpt I and II, gtr and pno (110 p.). 	
MUS 95/D1,243 	Matter of Fat. – 1969. – 1.5 cm of textual records. File consisting of autograph manuscripts of the parts for oM, perc, vln I and II (83 p.). 	
MUS 95/D1,244 	Matter of Fat. – 1969. – 1.5 cm of textual records. File consisting of autograph manuscripts of the parts for vla, vcl and db (72 p.). 	
MUS 95/D1,245 	Building. – [196-?]. 0.5 cm of textual records. File containing autograph manuscripts of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I and II, perc and str (22 p.). 	
MUS 95/D1,246 	Cymbal Crash Clip. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (4 p.). Instrumentation: 1. 1. 2. 1 - 2. 3. 3. 0, hp, timp, perc, str. 	

MUS 95/D1,247 	Fond Memory. – [196-?]. 0.5 cm of textual records. File containing autograph manuscripts of the score (17 p.) and parts (20 p.). Instrumentation: 2. 1. 2. 1 - 2. 2. 3. 0, hp, str. 	
MUS 95/D1,248 	Forlorn. – [196-?]. 1 textual record. File containing an autograph manuscript of the part for English horn (1 p.). 	
MUS 95/D1,249 	Gymnastique III, for flute and harpsichord. – [196-?]. – 1 cm of textual records. File consisting of a draft (26 p.), autograph manuscripts (19 p.) and annotated copies (15 p.). 	
MUS 95/D1,250 	History Cues. – [196-?]. – 0.5 cm of textual records. File containing autograph manuscripts of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and III, trb I, II and III, perc and str (34 p.). 	
MUS 95/D1,251 	Madawaska. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (25 p.). Work for fl, ob, cl, bn and hp. 	
MUS 95/D1,252 	Magazine. – [196-?]. – 1 cm of textual records. File containing autograph manuscripts of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and III, trb I, II and III, perc and str (39 p.). 	
MUS 95/D1,253 	Nature Mood. – [196-?]. – 12 textual records. File consisting of autograph manuscripts of the score (11 p.) and parts (11 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, str. 	
MUS 95/D1,254 	Northland. – [196-?]. – 14 textual records. File containing autograph manuscripts of the parts for fl, ob, cl, bn, hn, hp, perc and str (14 p.). 	
MUS 95/D1,255 	Operation Snowman. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (11 p.). 	
MUS 95/D1,256 	Panorama End. – [196-?]. – 17 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, bn, hn I and II, tpt I and II, trb I and II, hp, perc and str (17 p.). 	

MUS 95/D1,257 	Panoramique. – [196-?]. – 1 textual record. File containing an autograph manuscript (7 p.). Incomplete. Instrumentation: 2. 1. 2. 1 - 2. 2. 2. 0, timp, perc, str. 
MUS 95/D1,258 	Quiet Pastorale. – [196-?]. – 12 textual records. File containing autograph manuscripts of the score (9 p.) and parts (12 p.). Instrumentation: 1. 1. 1. 1 - 1. 0. 0. 0, hp, str. 
MUS 95/D1,259 	Toronto Trip. – [196-?]. – 2 cm of textual records. File containing autograph manuscripts of the parts for fl, ob, cl, al sax, ten sax, bar sax, hn, tpt I, II and III, trb I and II, pno, perc I and II, str (82 p.). 
MUS 95/D1,260 	Toronto Trip. – [196-?]. – 2 cm of textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, al sax, ten sax, bar sax, hn, tpt I, II and III, trb I and II, pno, perc I and II, str (89 p.). The file also contains an annotated copy of a section of the part for violins (1 p.). 
MUS 95/D1,261 	Toronto Trip. – [196-?]. – 2 cm of textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, al sax, ten sax, bar sax, hn, tpt I, II and III, trb I and II, pno, perc I and II, str (95 p.). The file also contains annotated copies of a section of the parts for vln and perc (3 p.). 
MUS 95/D1,262 	Family House. – 1970. – 1 cm of textual records. File containing autograph manuscripts (56 p.). 
MUS 95/D1,263 	Family House. – 1970. – 1 cm of textual records. File consisting mainly of shot lists (73 p.) 
MUS 95/D1,264 	Nuclear Pioneers. – [1975?]. – 0.5 cm of textual records. File containing shot lists (8 p.), a script (20 p.) and a draft (8 p.). 
MUS 95/D1,265 	Tenth Decade. – [197-?]. – 7 textual records. File consisting of notes, sketches and drafts (14 p.). 
MUS 95/D2 THEATRE 
MUS 95/D2,1 	Chapter 13 - ballet. – [1948?]. – 1 textual record. File consisting of an autograph manuscript of the score (87 p.) and a fragment. Instrumentation: 2(picc). 2. 2. 2 - 2. 2. 
2. 0, pno, timp, perc, str. 

MUS 95/D2,2 	Chapter 13 - ballet. – [1948?]. – 1 cm of textual records. File containing autograph manuscripts of the parts for fl I and II, ob I and II, cl I, bn I and II, hn I and II, pno and str (100 p.). 	
MUS 95/D2,3 	Chapter 13 - ballet. – [1948?]. – 1 textual record. File containing a draft (114 p.). Version for two pianos. 	
MUS 95/D2,4 	Chapter 13 - ballet. – [1948?]. – 1 textual record. File consisting of an autograph manuscript (113 p.). Version for two pianos. 	
MUS 95/D2,5 	Chapter 13 - ballet. – [1948?]. – 16 textual records. File consisting of various fragments and sketches (18 p.). 	
MUS 95/D2,6 	Shadow on the Prairie. – 1952. – 1 textual record. File consisting of a draft of the score (120 p.). Instrumentation: 2(picc). 2. 2(b cl). 2 - 2. 2. 2. 0, pno, timp, perc, str. Concert version. 	
MUS 95/D2,7 	Shadow on the Prairie. – [1952?]. – 1 cm of textual records. File consisting of program notes and an autograph manuscript of the score (65 p.). Instrumentation: 2(picc). 2. 2(b cl). 2 - 2. 2. 2. 0, pno, timp, perc, str. Concert version. 	
MUS 95/D2,8 	Shadow on the Prairie. – [1952?]. – 2 cm of textual records. File containing autograph manuscripts and annotated copies of the parts for fl I and II, picc, ob I and II, cl I and II, b cl, hn I and II, tpt I and II, ten trb, b trb, pno, timp, perc (168 p.). Concert version. 	
MUS 95/D2,9 	Shadow on the Prairie. – [1952?]. – 1.5 cm of textual records. File containing autograph manuscripts and annotated copies of the parts for strings (116 p.). Concert version. 	
MUS 95/D2,10 	Shadow on the Prairie. – 1953. – 1 textual record. File consisting of a draft (51 p.). Version for two pianos. 	
MUS 95/D2,11 	Shadow on the Prairie. – 1953. – 1 textual record. File consisting of an annotated copy of an autograph manuscript (58 p.). Version for two pianos. 	
MUS 95/D2,12 	Shadow on the Prairie. – 1953. – 2 cm of textual records. File containing sketches (124 p.). Version for film. 	

MUS 95/D2,13 	Shadow on the Prairie. – 1953. – 0.5 cm of textual records. File containing mainly shot lists (50 p.). 	
MUS 95/D2,14 	The Bluebird. – [1958?]. – 1.5 cm of textual records. File consisting of sketches (73 p.) and cue sheets for the ballet (7 p.). 	
MUS 95/D2,15 	A John Field Suite. – [1959?]. – 1 textual record. File consisting of a draft of an arrangement for two pianos (62 p.). Ballet. 	
MUS 95/D2,16 	Untitled music for puppet show. – [195-?]. – 5 textual records. File containing notes (4 p.) and drafts (33 p.). 	
MUS 95/D2,17 	Ballet Introduction. – [1960?]. – 1 textual record. File containing an autograph manuscript of the score (62 p.). Instrumentation: 2(picc). 2. 2. 2 - 2. 2. 3. 0, timp, perc, str. "Commissioned by Les Grands ballets canadiens". 	
MUS 95/D2,18 	Ballet Introduction. – [1960?]. – 2 textual records. File containing an autograph manuscript (30 p.) and an annotated copy (27 p.). Version for two pianos. 	
MUS 95/D2,19 	Magic Orion, for voice and piano. – 1962. – 1 textual record. File consisting of an autograph manuscript (8 p.). Music composed for a puppet show. 	
MUS 95/D2,20 	Vienna Cameos, for piano. – [1963?]. – 1 textual record. File containing an autograph manuscript (8 p.). Ballet. 	
MUS 95/D2,21 	Indian Legend. – 1967. – 1 cm of textual records. File consisting of drafts (79 p.), an incomplete autograph manuscript (3 p.) and cue sheets for the puppet-show (7 p.). Work for fl, ob, bn, pno and perc. 	
MUS 95/D2,22 	Indian Legend. – 1967. – 1 cm of textual records. File consisting of autograph manuscripts of the parts (59 p.). Work for fl, ob, bn, pno and perc. 	
MUS 95/D2,23 	Indian Legend. – 1967. – 1 cm of textual records. File containing a copy of the score (30 p.) and parts (62 p.). Work for fl, ob, bn, pno and perc. "Commissioned by Dora and Leo Velleman for Expo '67". 	

MUS 95/D2,24 	Laurentian Parade, for two pianos. – 1967. – 1 textual record. File consisting of a copy of an autograph manuscript (45 p.). "Commissioned by Dora and Leo Velleman for performance in puppet tent at Expo '67". 
MUS 95/D2,25 	Children's Ballet, for piano. – [196-?]. – 0.5 cm of textual records. File containing autograph manuscripts and copies of the parts (76 p.) as well as a page of notes. 
MUS 95/D3 ORCHESTRA 
MUS 95/D3,1 	Lullaby. – 1941. – 1 textual record. File containing the autograph manuscript of the orchestration of a piece from the Suite of Children's Duets (5 p.). The manuscript also includes an arrangement of music by Claude Debussy (7 p.). 
MUS 95/D3,2 	Around the House Suite. – 1942. – 1 cm of textual records. File containing notes, sketches and drafts (82 p.). The backs of some pages also include two manuscripts letters from Robert Fleming. Instrumentation: 2+picc. 1(EH). 2. 2 - 3. 3. 2. 0, hp, pno, timp, perc, str. 
MUS 95/D3,3 	Around the House Suite. – 1942. – 1 textual record. File consisting of an autograph manuscript of the score (80 p.). Instrumentation: 2+picc. 1(EH). 2. 2 - 3. 3. 2. 0, hp, pno, timp, perc, str. 
MUS 95/D3,4 	Around the House Suite. – 1942. – 1.5 cm of textual records. File consisting of manuscripts of the parts for fl I and II, picc, ob, EH, cl I and II, bn I and II, hns I, II and III, tpt I, II and III, trb I and II, hp, pno, timp, perc (141 p.). 
MUS 95/D3,5 	Around the House Suite. – 1942. – 1 cm of textual records. File containing autograph manuscripts and annotated copies of the parts for strings (114 p.). 
MUS 95/D3,6 	The Cuckoo Clock. – 1942. – 1 textual record. File containing a notebook consisting of, among other items, an arrangement of a section of the work Around the House Suite (19 p.). 

Leo Smith, Sir Ernest MacMillan, Robert Fleming (seated), Healey Willan, Hector Charlesworth, [?], (left to right), 1944. 
MUS 95/D3,7 	Suite for Strings. – 1943. – 0.5 cm of textual records. File consisting of sketches and drafts (11 p.) as well as an autograph manuscript of the score (18 p.). Titles of movements: Siciliana, Folk Song, Marching Tune. 
MUS 95/D3,8 	Suite for Strings. – 1943. – 2 cm of textual records. File consisting of autograph manuscripts of the parts (111 p.). Titles of movements: Siciliana, Folk Song, Marching Tune. 
MUS 95/D3,9 	Mestizo. – [1944?]. – 2 textual records. File consisting of an autograph manuscript of the score (16 p.) and a copy (15 p.). Instrumentation: 2(picc). 2. 2. 2 
2. 2. 2. 2, perc, str. 
MUS 95/D3,10 	Mestizo. – [1944?]. – 0.5 cm of textual records. File consisting of annotated copies of the parts (30 p.). Instrumentation: 2(picc). 2. 2. 2 - 2. 2. 2. 2, perc, str. 

MUS 95/D3,11 	Mestizo. – [1944?]. – 0.5 cm of textual records. File containing a draft (15 p.), an autograph manuscript of the score (16 p.) and autograph manuscripts of the parts (22 p.). The set of parts is incomplete. Version for band. Instrumentation: 2. 1. 5, al sax, ten sax. 1 - 2. 3. 2. 1, saxh, 	
	perc. 	
MUS 95/D3,12 	Tempo de caprice. – 1945. – 0.5 cm of textual records. File consisting of sketches (2 p.), an autograph manuscript of the score (8 p.) and autograph manuscripts of the parts (18 p.). Instrumentation: 2. 1. 2. 1 - 0 . 0. 0. 0, str. 	
MUS 95/D3,13 	Journey Out of Darkness. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (18 p.). Instrumentation: 0. 1. 2(b cl). 1 - 1. 0. 0. 0, str. 	
MUS 95/D3,14 	Six Improvisations on a Liturgical Theme, for string orchestra. – 1946-1947. – 0.5 cm of textual records. File consisting of sketches and a draft (47 p.). The draft is entitled Variations on a Liturgical Theme. 	
MUS 95/D3,15 	Six Improvisations on a Liturgical Theme, for string orchestra. – 1946-1947. – 0.5 cm of textual records. File containing an autograph manuscript of the score (15 p.) and annotated copies of the parts (23 p.). 	
MUS 95/D3,16 	Kaleidescope. – 1948. – 1 textual record. File containing an autograph manuscript of the score (27 p.). Instrumentation: 1(picc). 1. 2. 1 - 1. 2. 1. 0, timp, perc, str. Adaptation of music composed for the Canada Carries On film series. 	
MUS 95/D3,17 	Kaleidescope. – 1948. – 1.5 cm of textual records. File consisting of autograph manuscripts of the parts (117 p.). Instrumentation: 1(picc). 1. 2. 1 - 1. 2. 1. 0, timp, perc, str. Adaptation of music composed for the Canada Carries On film series. 	
MUS 95/D3,18 	Seaboard Sketches. – 1949. – 2 textual records. File consisting of autograph manuscripts of the score (50 p.). Instrumentation: 2(picc). 1. 2. 1 - 2. 2. 3. 0, pno, timp, perc, str. Robert Fleming uses musical themes from the film Rising Tide in this work. 	

MUS 95/D3,19 	Seaboard Sketches. – 1949. – 1 textual record. File containing a copy of the score (50 p.). Instrumentation: 2(picc). 1. 2. 1 - 2. 2. 3. 0, pno, timp, perc, str. Robert Fleming uses musical themes from the film Rising Tide in this work. 	
MUS 95/D3,20 	Seaboard Sketches. – 1949. – 2 cm of textual records. File consisting of autograph manuscripts of the parts (146 p.). Instrumentation: 2(picc). 1. 2. 1 - 2. 2. 3. 0, pno, timp, perc, str. Robert Fleming uses musical themes from the film Rising Tide in this work. 	
MUS 95/D3,21 	Seaboard Sketches. – [1949?]. – 0.5 cm of textual records. File consisting of autograph manuscripts of the parts (68 p.). Instrumentation: 2(picc). 1. 2. 1 - 2. 2. 3. 0, pno, timp, perc, str. Robert Fleming uses musical themes from the film Rising Tide in this work. 	
MUS 95/D3,22 	Westland. – 1950. – 1 textual record. File consisting of an autograph manuscript of the score (14 p.). Instrumentation: 1(picc). 1. 1. 1 - 1. 1. 1. 0, pno, perc, str. 	
MUS 95/D3,23 	Westland. – 1950. – 1 textual record. File containing autograph manuscripts of the parts (65 p.). Instrumentation: 1(picc). 1. 2(b cl). 1 - 1. 1. 1. 0, pno or hp, perc, str. 	
MUS 95/D3,24 	Red River Country. – [1952?]. – 1 textual record. File consisting of an autograph manuscript of the score (25 p.). Instrumentation: 3(picc). 2. 2. 2 - 2. 2. 2. 1, gtr, hp, pno, timp, perc, str. This piece uses a theme from the film Red River Country. 	
MUS 95/D3,25 	Red River Country. – [1952?]. – 1 cm of textual records. File consisting of autograph manuscripts and annotated copies of the parts (73 p.). Instrumentation: 3(picc). 2. 2. 2 - 2. 2. 2. 1, gtr, hp, pno, timp, perc, str. This piece uses a theme from the film Red River Country. 	
MUS 95/D3,26 	Interlude, for harp and string orchestra. – 1953. – 8 textual records. File consisting of an annotated copy of the score (17 p.) and autograph manuscripts of the parts (22 p.). 	

MUS 95/D3,27 	Recollection, for solo violin and string orchestra. – 1954. – 7 textual records. File consisting of autograph manuscripts of the score (5 p.) and parts (6 p.). 	
MUS 95/D3,28 	Recollection. – [1954?]. – 2 textual records. File containing autograph manuscripts of the score (3 p.) and the part for violin (1 p.). Version for solo violin and piano. 	
MUS 95/D3,29 	Summer Suite. – 1957. – 1 textual record. File consisting of an autograph manuscript of the score (68 103 p.). Instrumentation: 3(picc). 1. 2+b cl. 1 - 1. 3. 3. 1, timp, perc, str. Titles of sections: Promenade, Nocturne, Rhumbaleta. "For the Saskatoon Symphony". 	
MUS 95/D3,30 	Summer Suite. – 1957. – 1 textual record. File containing annotated copies of the parts (103 p.). Instrumentation: 3(picc). 1. 2+b cl. 1 - 1. 3. 3. 1, timp, perc, str. Titles of sections: Promenade, Nocturne, Rhumbaleta. 	
MUS 95/D3,31 	A Little Ballad, for string orchestra. – 1958. – 1 textual record. File containing an autograph manuscript of the score (2 p.). 	
MUS 95/D3,32 	Ragamuffin Band. – 1958. – 1 cm of textual records. File containing sketches (4 p.) and autograph manuscripts of the score (11 p.) and parts (30 p.). Instrumentation: 2. 1. 2. 1 - 2. 3. 3. 0, hp, timp, perc, str. 	
MUS 95/D3,33 	Ragamuffin Band. – [1958?]. – 0.5 cm of textual records. File consisting of an autograph manuscript of the score (5 p.) and manuscript copies and copies of the parts (24 p.). Instrumentation: 1. 1. 3+b cl. 1 - 2. 3. 2. 1, al sax, ten sax, perc, str. 	
MUS 95/D3,34 	A String Thing, for string orchestra. – 1958. – 6 textual records. File consisting of an autograph manuscript of the score (8 p.) and copies of the parts (5 p.). 	
MUS 95/D3,35 	Lament of Desolation. – [195-?]. – 1 textual record. File consisting of sketches (15 p.). 	

MUS 95/D3,36 	Andante, for string orchestra. – 1961. – 9 textual records. File containing autograph manuscripts of the score (7 p.) and parts (7 p.). 	
MUS 95/D3,37 	Invocation, for string orchestra. – 1961. – 8 textual records. File containing an autograph manuscript of the score (4 p.) as well as autograph manuscripts and annotated copies of the parts (7 p.). 	
MUS 95/D3,38 	Vesper, for string orchestra. – 1961. – 11 textual records. File containing autograph manuscripts of the score (5 p.) as well as autograph manuscripts and copies of the parts (9 p.). 	
MUS 95/D3,39 	Litany, for string orchestra. – 1962. – 6 textual records. File consisting of autograph manuscripts of the score (5 p.) and parts (5 p.). 	
MUS 95/D3,40 	Lyric Piece No. 1, for flute, harp and string orchestra. – 1962. – 10 textual records. File containing sketches (2 p.) and autograph manuscripts of the score (6 p.) and parts (8 p.). 	
MUS 95/D3,41 	Medieval Tapestry, for oboe and string orchestra. – 1962. – 1 textual record. File consisting of an autograph manuscript of the score (7 p.). 	
MUS 95/D3,42 	Prima Donna. – 1963. – 9 textual records. File consisting of autograph manuscripts and copies of parts (9 p.). 	
MUS 95/D3,43 	Snuff Box, for string orchestra. – 1963. – 0.5 cm of textual records. File containing autograph manuscripts of the score (13 p.) and parts (15 p.). 	
MUS 95/D3,44 	Three Contrasts. – 1964. – 1 textual record. File consisting of a copy of the conductor's score (28 p.). Instrumentation: 2. 1. 2. 1 - 2. 2. 3. 0, timp, perc, str. Titles of sections: Perpetual Motion, Quiet Moon, Brighter Moments. "Commissioned by the Canadian Music Centre". 	

MUS 95/D3,45 	"You Name It" Suite, for string orchestra. – 1964-1965. – 0.5 cm of textual records. File containing a draft (6 p.) as well as autograph manuscripts and copies of the scores (27 p.) and parts (22 p.). 	
MUS 95/D3,46 	Concerto for Tuba. – 1966. – 0.5 cm of textual records. File consisting of sketches (20 p.). 	
MUS 95/D3,47 	Concerto for Tuba. – 1966. – 2 textual records. File consisting of annotated copies of the score (68 p.). Instrumentation: 2. 1. 2. 1 - 2. 0. 0. 1(solo), timp, str. "Dedicated to the admirable talent of Robert Ryker". 	
MUS 95/D3,48 	Concerto for Tuba. – 1966. – 1.5 cm of textual records. File containing autograph manuscripts and copies of the parts (118 p.). Instrumentation: 2. 1. 2. 1 - 2. 0. 0. 1(solo), timp, str. 	
MUS 95/D3,49 	Four Fantasias on Canadian Folk Themes. – 1966. – 0.5 cm of textual records. File consisting of sketches (18 p.). Instrumentation: 2(picc). 1. 2+b cl. 1 - 3. 2. 3. 0, al sax, ten sax, bar sax, timp, perc, str. 	
MUS 95/D3,50 	Four Fantasias on Canadian Folk Themes. – 1966. – 1 textual record. File consisting of a copy of the score (68 p.). Instrumentation: 2(picc). 1. 2+b cl. 1 - 3. 2. 3. 0, al sax, ten sax, bar sax, timp, perc, str. Titles of pieces: Out of Our Indian Heritage, Out of Old Quebec, Out of Newfoundland and Out of the Prairies. 	
MUS 95/D3,51 	Four Fantasias on Canadian Folk Themes. – 1966. – 1.5 cm of textual records. File consisting of annotated copies of the score (143 p.). Instrumentation: 2(picc). 1. 2+b cl. 1 - 3. 2. 3. 0, al sax, ten sax, bar sax, timp, perc, str. Titles of pieces: Out of Our Indian Heritage, Out of Old Quebec, Out of Newfoundland and Out of the Prairies. 	
MUS 95/D3,52 	Four Fantasias on Canadian Folk Themes. – 1972. – 1 textual record. File containing a copy of the score (80 p.). Version for band. Instrumentation: 2(picc). 1. 3+b cl, +cl in A. 1 - 3. 2. 3. 1, al sax, ten sax, bar sax, bar, timp, perc, db. Titles of pieces: Out of Our Indian Heritage, Out of Old Quebec, Out of Newfoundland and Out of the Prairies. 	

MUS 95/D3,53 	Fun and Games. – [196-?]. – 0.5 cm of textual records. File containing autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I and II, trb I and II, hp, str (22 p.). 	
MUS 95/D3,54 	Happy Days. – [196-?]. – 0.5 cm of textual records. File containing autograph manuscripts of the parts for fl I and II, ob, cl I, bn, hn I and II, tpt I, II and III, trb I, II and III, str (17 p.). 	
MUS 95/D3,55 	Holiday. – [196-?]. – 16 textual records. File consisting of autograph manuscripts of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I and II, trb I and II, str (16 p.). 	
MUS 95/D3,56 	Marching Tune. – [196-?]. – 13 textual records. File containing autograph manuscripts of the parts for fl, ob, cl, bn, hn I and II, tpt I and II, trb I and II, perc, str (13 p.). 	
MUS 95/D3,57 	New Suite for Children's String Orchestra. – [196-?]. – 1 textual record. File consisting of an autograph manuscript of the score (7 p.). 	
MUS 95/D3,58 	Nostalgia. – [196-?]. – 0.5 cm of textual records. File consisting of autograph manuscripts and copies of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and III, trb I, II and III, perc I and II, str (22 p.). 	
MUS 95/D3,59 	Onward and Upward. – [196-?]. – 12 textual records. File containing autograph manuscripts of the parts for fl I and II, ob, cl, bn, hn I and II, str (12 p.). 	
MUS 95/D3,60 	Playtime. – [196-?]. – 13 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl I and II, bn, hp, perc, str (13 p.). 	
MUS 95/D3,61 	Prairie Song. – [196-?]. – 13 textual records. File containing autograph manuscripts of the parts for fl, ob, cl, bn, hn I and II, tpt I and II, timp, str (13 p.). 	
MUS 95/D3,62 	Suite - Short and Simple, for string orchestra and piano. – [196-?]. – 1 cm of textual records. File consisting of a draft (15 p.) as well as autograph manuscripts of the score (13 p.) and parts (40 p.). 	

MUS 95/D3,63 	Sweet Dreams. – [196-?]. – 17 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl, bn, hn I and II, tpt I and II, trb I and II, hp, perc, str (17 p.). 
MUS 95/D3,64 	Vista. – [196-?]. – 0.5 cm of textual records. File consisting of autograph manuscripts of the parts for fl I and II, ob, cl I and II, bn, hn I and II, tpt I, II and III, trb I, II and III, perc, str (18 p.). 
MUS 95/D4 CHOIR OR VOICE AND ORCHESTRA 
MUS 95/D4,1 	Hymn to War (John Coulter), for voice (T or Bar) and string orchestra. – 1950. – 10 textual records. File containing autograph manuscripts of the score (13 p.) and parts (18 p.)."To Dr. Healey Willan with affection". 
MUS 95/D4,2 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 2 cm of textual records. File containing drafts of the score: sections 1 to 4 (125 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 
MUS 95/D4,3 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 2 cm of textual records. File containing drafts of the score: sections 5 to 10 (144 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 
MUS 95/D4,4 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 1 cm of textual records. File containing drafts of the score (82 p.). Instrumentation: 
1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 
MUS 95/D4,5 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 1 textual record. File consisting of an autograph manuscript of the score: introduction; sections 1 to 7, 10 to 12 (162 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 
MUS 95/D4,6 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 1 textual record. File consisting of an autograph manuscript of the score: sections 14 to 20 (124 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 

MUS 95/D4,7 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 2 cm of textual records. 	
	File consisting of notes (5 p.), texts (19 p.) and an autograph manuscript of the vocal part (109 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 	
MUS 95/D4,8 	Prairie Sailor (Tom Kines), folk cantata for choir and orchestra. – 1970. – 2 cm of textual records. 	
	File consisting of an annotated copy of the vocal part (110 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, gtr, timp, perc, str, vc. 	
MUS 95/D4,9 	Our Mind Was the Singer (Robert Finch), cycle of melodies for baritone and orchestra. – 1972. – 1 textual record. 	
	File consisting of a copy of the score (58 p.). Instrumentation: 2. 2(EH). 2. 2 - 2. 2. 0. 0, timp, perc, str, vc. Titles of pieces: A Certain Age, Room, Nearest, The Metaphor and Tomorrow Past. 	
	"Commissioned by the National Arts Centre Corporation for the National Arts Centre Orchestra. Mario Bernardi -	
	conductor". 	
MUS 95/D4,10 	Of a Timeless Land (Margaret Fleming), for contralto and orchestra. – 1974. – 1 cm of textual records. 	
	File containing sketches (17 p.), a draft of the score (69 p.), notes (2 p.) and the text by Margaret Fleming (8 p.). Instrumentation: 2. 2. 3. 2 - 3. 2. 3. 0, timp, perc, str, vc. 	
MUS 95/D4,11 	Of a Timeless Land (Margaret Fleming), for contralto and orchestra. – 1974. – 1 textual record. 	
	File consisting of an annotated copy of the score (63 p.). Instrumentation: 2. 2. 3. 2 - 3. 2. 3. 0, timp, perc, str, vc. "Commissioned by the Ottawa Civic Orchestra through a grant from the Canada Council". 	
MUS 95/D4,12 	Of a Timeless Land (Margaret Fleming), for contralto and orchestra. – 1974. – 1 cm of textual records. 	
	File containing autograph manuscripts of the parts ( p.). Instrumentation: 2. 2. 3. 2 - 3. 2. 3. 0, timp, perc, str, vc. 	
MUS 95/D5 BAND 		
MUS 95/D5,1 	Spit and Polish March. – 1954. – 1 textual record. File consisting of an autograph manuscript of the score (10 p.). Instrumentation: 1. 1. 6. 1 - 2. 4. 3. 2, al sax, 2ten sax, euph, perc. 	

MUS 95/D5,2 	Spit and Polish March. – 1954. – 1 cm of textual records. File consisting of autograph manuscripts of the parts (37 p.). Instrumentation: 1. 1. 6. 1 - 2. 4. 3. 2, al sax, 2ten sax, euph, perc. 	
MUS 95/D5,3 	Jamboree. – [1954?]. – 0.5 cm of textual records. File containing a draft (19 p.), an autograph manuscript of the score (17 p.) and copies of the parts (23 p.).  Instrumentation: 2(picc). 1. 3. 2 - 2. 3. 3. 1, al sax, ten sax, mel, euph, perc. 	
MUS 95/D5,4 	Three Openers for R.C.M.P. Band. – 1957. – 1 textual record. File consisting of an autograph manuscript (5 p.). Instrumentation: 0. 0. 0. 0 - 2. 4. 4. 1, 2bar hn, timp, perc. 	
MUS 95/D5,5 	R.C.M.P. Fanfares. – [1958?]. – 1 textual record. File consisting of an autograph manuscript (4 p.). 	
MUS 95/D5,6 	Graphic Cues. – [195-?]. – 0.5 cm of textual records. File containing autograph manuscripts of the parts (29 p.). Instrumentation: 2. 1. 8. 1 - 2. 3. 3. 2, 2al sax, ten sax, bar sax, timp, perc. 	
MUS 95/D5,7 	Manoeuvres. – [195-?]. – 0.5 cm of textual records. File consisting of autograph manuscripts of the score (14 p.) and parts (20 p.). Instrumentation: 1. 1. 8. 1 - 2. 3. 3. 0, al sax, ten sax, bar sax, euph, timp, perc. 	
MUS 95/D5,8 	Tryout March. – [195-?]. – 0.5 cm of textual records. File containing an autograph manuscript of the score (8 p.) as well as autograph manuscripts and copies of the parts (20 p.). Instrumentation: 2. 1. 3+b cl. 1 - 2. 3. 3. 1, al sax, ten sax, bar sax, bar, perc. 	
MUS 95/D5,9 	By the Left March. – 1963. – 1 textual record. File consisting of an autograph manuscript of the score (27 p.). Instrumentation: 2. 1. 3. 1 - 2. 3. 3. 1, al sax, ten sax, bar sax, euph, perc. 	
MUS 95/D5,10 	Duffle Scuffle. – 1963. – 2 textual records. File containing a draft (3 p.) and an autograph manuscript of the score (21 p.). Instrumentation: 2. 1. 3. 1 - 2. 3. 3. 1, al sax, ten sax, bar sax, euph, timp, perc. 	

MUS 95/D5,11 	Ottawa Titles. – 1963. – 0.5 cm of textual records. File consisting of autograph manuscripts of the score (7 p.) and parts (27 p.). Instrumentation: 2. 1. 3. 1 - 4. 3. 4. 1, al sax, ten sax, bar sax, euph, timp, perc. 	
MUS 95/D5,12 	R.C.M.P. Opener. – 1964. – 2 textual records. File containing a draft (5 p.) and an autograph manuscript of the score (28 p.). Instrumentation: 1. 1. 2. 1 - 4. 3. 3. 1, al sax, ten sax, bar, timp, perc. 	
MUS 95/D5,13 	Festival Suite. – 1967. – 1 textual record. File consisting of an autograph manuscript (35 p.). Instrumentation: 2(picc). 1. 4+b cl. 1 - 4. 3. 3. 0+Bb b tb, al sax, ten sax, bar sax, sar, euph, db, timp, perc. 	
MUS 95/D5,14 	Fanfare for a City. – 1968. – 16 textual records. File containing autograph manuscripts of the score (17 p.) and parts (14 p.). Instrumentation: 0. 0. 0. 0 - 3. 3. 3. 1, timp, perc. 	
MUS 95/D5,15 	Commando March. – [196-?]. – 1 textual record. File consisting of a draft (3 p.). 	
MUS 95/D5,16 	Corporal Ross' Folly. – [196-?]. – 0.5 cm of textual records. File consisting of autograph manuscripts of the score (13 p.) and parts (23 p.). Instrumentation: 2(picc). 1. 8. 1 - 2. 3. 3. 1, al sax, ten sax, bar sax, euph, timp, perc. 	
MUS 95/D5,17 	Frontier. – [196-?]. – 0.5 cm of textual records. File containing autograph manuscripts of the parts (24 p.). Instrumentation: 1. 1. 3. 1 - 2. 3. 3. 1, 2al sax, ten sax, bar sax, euph, timp, perc. 	
MUS 95/D5,18 	Preparations. – [196-?]. – 0.5 cm of textual records. File consisting of autograph manuscripts of the score (10 p.) and parts (21 p.). Instrumentation: 2. 1. 8. 1 - 2. 3. 3. 1, al sax, ten sax, bar sax, euph, timp, perc. 	
MUS 95/D5,19 	Three Scenarios for Band. – 1974. – 1 textual record. File containing a copy of the score ( p.). Instrumentation: 2. 2. 3+b cl, +picc cl. 2 - 4. 3. 3. 1, al sax, ten sax, bar sax, euph, timp, perc, db. "Commissioned for the Youth Band of Ontario through a grant from the Ontario Arts Council". 	

MUS 95/D6 CHAMBER MUSIC 

MUS 95/D6,1 	Minuet, for string quartet. – 1939. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D6,2 	Sarabande, for strings. – 1939. – 1 textual record. File containing autograph manuscripts (2 p.). 	
MUS 95/D6,3 	Sarabande, for strings. – 1939. – 1 textual record. File containing autograph manuscripts (3 p.). 	
MUS 95/D6,4 	Two Western Silhouettes, for two pianos. – 1940-1941. – 2 textual records. 	
	File consisting of autograph manuscripts of the score (16 p.) and part for piano 1 - first piece only (4 p.). Titles of pieces: The Winter's Tale, Caprice. "Dedicated to Arthur Benjamin". 	
MUS 95/D6,5 	Skip - Caprice, for violin and piano. – 1941. – 1 textual record. File consisting of an autograph manuscript (5 p.). "Dedicated to Barbara Fleming". 	
MUS 95/D6,6 	Rondo, for two pianos. – 1943. – 2 textual records. File containing autograph manuscripts (35 p.). 	
MUS 95/D6,7 	Rondo. – 1946. – 1 textual record. File consisting of a draft of the score (40 p.). Version for orchestra. Instrumentation: 2+picc. 2(EH). 2. 2(cbn) - 4. 3. 3. 1, hp, timp, str. 	
MUS 95/D6,8 	Rondo. – 1946. – 1 textual record. File consisting of an autograph manuscript of the score (24 p.). Version for orchestra. Instrumentation: 2+picc. 2(EH). 2. 2(cbn) - 4. 3. 3. 1, hp, timp, str. 	
MUS 95/D6,9 	Music for violin and piano. – 1947. – 1 textual record. File consisting of an autograph manuscript (8 p.). 	
MUS 95/D6,10 	Piano Duet. – [194-?]. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D6,11 	March for Berk, for two pianos. – 1952. – 1 textual record. File consisting of a draft (2 p.). 	

MUS 95/D6,12 	Yukon Tune No. 1, for violin and piano. – 1952. – 2 textual records. File consisting of autograph manuscripts of the score (4 p.) and part for flute (1 p.). 	
MUS 95/D6,13 	Yukon Tune No. 2, for violin and piano. – 1952. – 2 textual records. File consisting of copies of the score (4 p.) and part for violin (2 p.). 	
MUS 95/D6,14 	Waltzling, for violin and piano. – 1957. – 1 textual record. File consisting of an autograph manuscript (3 p.). The manuscript also contains a page of sketches. 	
MUS 95/D6,15 	Theme and Variations. – 1958. – 0.5 cm of textual records. File consisting of themes (2 p.) as well as autograph manuscripts of the score (19 p.) and parts (28 p.). Theme by Kirk Makin, age 8. Work for fl, ob, cl, bn, hp and str. 	
MUS 95/D6,16 	Theme for Kids. – 1958. – 1 cm of textual records. File containing autograph manuscripts of the score (2 p.) and parts (24 p.). The set of parts also contains typed texts. Work for fl, ob, cl, bn and pno. 	
MUS 95/D6,17 	A Two Piece Suite, for oboe, clarinet and bassoon. – 1958. – 4 textual records. File consisting of copies of the score (12 p.) and parts (10 p.). "To Peter Ralph and Rudolph Massella with the complaints of the composer". 	
MUS 95/D6,18 	Friends of Mine. – [1958?]. – 1.5 cm of textual records. File consisting of a draft (12 p.) and autograph manuscripts of the parts (45 p.). Work for fl, ob, cl, bn, hp and str. 	
MUS 95/D6,19 	Mestizo, for violin and piano. – [195-?]. – 2 textual records. File consisting of copies of the score (2 p.) and part for violin (1 p.). 	
MUS 95/D6,20 	A Musician in the Family, for trombone and piano. – [195-?]. – 2 textual records. File containing copies of the score (3 p.) and part for trombone (1 p.). 	

MUS 95/D6,21 	Scotty Lad, for violin and piano. – [195-?]. – 2 textual records. File consisting of copies of the score (2 p.) and part for violin (1 p.). 	
MUS 95/D6,22 	Singer Man, for violin and piano. – [195-?]. – 2 textual records. File consisting of copies of the score (2 p.) and part for violin (1 p.). 	
MUS 95/D6,23 	Venice, for two pianos. – [195-?]. – 1 textual record. File consisting of an autograph manuscript (11 p.). 	
MUS 95/D6,24 	Whistler's Tune, for violin and piano. – [195-?]. – 2 textual records. File consisting of copies of the score (3 p.) and part for violin (1 p.). 	
MUS 95/D6,25 	Berceuse, for violin, viola, violoncello and piano. – 1962. – 1 textual record. File consisting of an autograph manuscript of the score (3 p.). 	
MUS 95/D6,26 	Berceuse. – 1963. – 8 textual records. File containing autograph manuscripts of the score (3 p.) and parts (7 p.). Version for oboe, harps and strings. 	
MUS 95/D6,27 	The Colours of the Rainbow, for woodwind quartet, string quartet and harp. – 1962. – 2 textual records. File containing a script (1 p.) and an autograph manuscript of the score (75 p.). 	
MUS 95/D6,28 	The Colours of the Rainbow, for woodwind quartet, string quartet and harp. – 1962. – 1.5 cm of textual records. File consisting of autograph manuscripts of the parts (85 p.). 	
MUS 95/D6,29 	Gossip, canon for flute, English horn, bass clarinet and bassoon. – 1962. – 1 textual record. File consisting of an autograph manuscript of the score (3 p.). 	
MUS 95/D6,30 	Gossip, canon for strings. – [1962?]. – 5 textual records. File containing autograph manuscripts of the parts for strings (5 p.). 	

MUS 95/D6,31 	Maritime Suite. – 1962-1972. – 1 cm of textual records. File containing a copy of the score (48 p.) as well as autograph manuscripts and copies of the parts (70 p.). Work for fl, ob, cl, bn, hp and str. In this work, the composer uses themes from the films Fishermen and Away from It All. 	
MUS 95/D6,32 	Three Miniatures, for brass quintet. – 1962. – 0.5 cm of textual records. File consisting of an annotated copy of the score (8 p.) and autograph manuscripts of the parts (14 p.). 	
MUS 95/D6,33 	Anne's and Billy's Song, for recorder and mandolin. – 1963. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D6,34 	Go for Baroque, for flute, oboe and harpsichord. – 1963. – 4 textual records. File containing autograph manuscripts of the score (11 p.) as well as the parts for flute and oboe (2 p.). 	
MUS 95/D6,35 	Untitled music for two pianos. – 1963. – 1 textual record. File consisting of an autograph manuscript (8 p.). 	
MUS 95/D6,36 	Three Dialogues, for flute or oboe and piano or harpsichord. – 1964. – 5 textual records. File consisting of a draft (7 p.) as well as copies of the score (12 p.) and part for flute or oboe (4 p.). 	
MUS 95/D6,37 	Brass Quintet. – 1965-1966. – 1 cm of textual records. File containing a draft (14 p.) and copies of the score (21 p.) and parts (32 p.). 	
MUS 95/D6,38 	Obligattos and Fanfares for an Induction. – 1968-1969. – 1 cm of textual records. File consisting of autograph manuscripts of the score (24 p.) and parts (28 p.). Work for 2 trumpets, 2 trombones, timpani and organ. Titles of pieces: Fanfare no. 1, Fanfare no. 2, As with Gladness, Worship the Lord, Come Down O Love Divine and Thou Whose Almighty Word. "For Barry Valentine - on the occasion of his induction as Dean of Montreal". 	

MUS 95/D6,39 	Convocation Fanfare. – 1969-1974. – 12 textual records. File containing autograph manuscripts of the score (6 p.) and parts (8 p.). Work for 3 trumpets, 2 French horns and 3 trombones.  The file also contains an autograph manuscript of a version for organ (1 p.). Other titles: Carleton Fanfare, Chancellor's Fanfare. 	
MUS 95/D6,40 	String Quartet No. 1. – 1969. – 1 cm of textual records. File consisting of a draft (15 p.), an autograph manuscript of the score (20 p.) and a copy of the score (18 p.). Titles of sections: Fermamente, Elegia and Scherzo. 	
MUS 95/D6,41 	Adieu, for guitar and piano. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D6,42 	Applause Cue. – [196-?]. – 5 textual records. File consisting of autograph manuscripts of the parts for tpt I, II and III, perc I and II (5 p.). 	
MUS 95/D6,43 	Ballerina Waltz. – [196-?]. – 4 textual records. File containing autograph manuscripts of the parts for fl, ob, cl and bn (4 p.). 	
MUS 95/D6,44 	Basement. – [196-?]. – 4 textual records. File containing autograph manuscripts of the parts for fl, ob, cl and bn (4 p.). 	
MUS 95/D6,45 	Chasing Cats. – [196-?]. – 5 textual records. File consisting of autograph manuscripts of the score (3 p.) and parts for fl, ob, cl and bn (5 p.). 	
MUS 95/D6,46 	Circus Polka. – [196-?]. – 4 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl and bn (6 p.). 	
MUS 95/D6,47 	Crib March. – [196-?]. – 10 textual records. File consisting of autograph manuscripts and copies of the parts for fl, ob, cl, bn, hp, str (10 p.). 	
MUS 95/D6,48 	Dawn's Welcome. – [196-?]. – 5 textual records. File containing autograph manuscripts of the score (3 p.) and parts for fl, ob, cl and bn (4 p.). 	

MUS 95/D6,49 	For the Roades, for trumpet and organ. – [196-?]. – 1 textual record. File containing an autograph manuscript (4 p.). 	
MUS 95/D6,50 	Lullaby. – [196-?]. – 5 textual records. File consisting of autograph manuscripts of the score (2 p.) and parts for fl, ob, cl and bn (4 p.). 	
MUS 95/D6,51 	Minuet. – [196-?]. – 4 textual records. File consisting of autograph manuscripts of the parts for fl, ob, cl and bn (4 p.). 	
MUS 95/D6,52 	Roughnecks, for two pianos and percussion. – [196-?]. – 1 cm of textual records. File consisting of autograph manuscripts and annotated copies of the parts (53 p.). 	
MUS 95/D6,53 	Town Band. – [196-?]. – 5 textual records. File consisting of autograph manuscripts of the score (5 p.) and wind instruments. Work for picc, ob, cl, bn and pno (7 p.). 	
MUS 95/D6,54 	Wild Cues. – [196-?]. – 3 textual records. File containing autograph manuscripts of the parts for fl, ob and cl (3 p.). 	
MUS 95/D6,55 	Almost Waltz, for flute and piano. – 1970. – 3 textual records. File containing a draft (2 p.) as well as autograph manuscripts of the score (3 p.) and part for flute (2 p.). 	
MUS 95/D6,56 	Divertimento, for 2 oboes, strings and organ. – 1970. – 1 textual record. File consisting of an autograph manuscript of the score (47 p.). 	
MUS 95/D6,57 	Divertimento, for 2 oboes, strings and organ. – 1970. – 1 cm of textual records. File containing copies of the score (31 p.) and parts (52 p.). 	
MUS 95/D6,58 	Loafing at Geneva Park. – [1970?]. – 2 textual records. File consisting of autograph manuscripts of the score (4 p.) and part for piano 2 (2 p.). 	

MUS 95/D6,59 	Threo, for soprano saxophone and piano. – 1972. – 2 textual records. File consisting of copies of the score (19 p.) and part for soprano saxophone (6 p.). 
MUS 95/D6,60 Period Piece, for two pianos. – [197-?]. – 1 textual record. File consisting of a copy (16 p.). 
MUS 95/D7 SOLO INSTRUMENT 
MUS 95/D7/1 Piano 
MUS 95/D7/1,1 	Waltz in G. – 1937. – 1 textual record. File consisting of an autograph manuscript (2 p.). 
MUS 95/D7/1,2 	Minuet and Trio. – 1938. – 1 textual record. File containing an autograph manuscript (8 p.). 
MUS 95/D7/1,3 	Piano Selection. – 1938. – 1 textual record. File containing an autograph manuscript (4 p.). "To Mom and Dad with all my love". 
MUS 95/D7/1,4 	The Sea. – 1938. – 1 textual record. File consisting of an autograph manuscript (3 p.). The manuscript also contains the fragment of a theme. 
MUS 95/D7/1,5 	Seven Variations on a Theme of Dr. Howells. – 1938. – 1 textual record. File consisting of an autograph manuscript (19 p.). The manuscript also contains a page of sketches. 
MUS 95/D7/1,6 	Fantasy. – 1939. – 1 textual record. File containing an autograph manuscript (7 p.). 
MUS 95/D7/1,7 	Gavotte et Musette. – 1939. – 2 textual records. File containing autograph manuscripts (7 p.). One of the manuscripts is incomplete. 
MUS 95/D7/1,8 	Gavotte et Musette. – 1939. – 2 textual records. File containing autograph manuscripts of the score (5 p.) and parts (12 p.). Version for strings. 
MUS 95/D7/1,9 	Gigue (I). – 1939. – 1 textual record. File consisting of an autograph manuscript (2 p.). 

MUS 95/D7/1,10 	Gigue (II). – 1939. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D7/1,11 	Scherzo and Trio. – 1939. – 1 textual record. File consisting of an autograph manuscript (5 p.). 	
MUS 95/D7/1,12 	Scherzo and Trio. – 1940. – 1 textual record. File consisting of an autograph manuscript of the score (14 p.). Version for flute, strings and timpani. 	
MUS 95/D7/1,13 	Air (Style of Grieg). – [193-?]. – 1 textual record. File consisting of a manuscript (2 p.). 	
MUS 95/D7/1,14 	Scherzo. – [193-?]. – 2 textual records. File consisting of sketches (3 p.) and an autograph manuscript (4 p.). 	
MUS 95/D7/1,15 	Theme and Variations on "My Love Is an Arbutus". – [193-?]. – 1 textual record. File containing a draft (23 p.). 	
MUS 95/D7/1,16 	Rhythympromptu. – 1940-1941. – 1 textual record. File containing an autograph manuscript (6 p.). 	
MUS 95/D7/1,17 	Two Preludes. – 1940-1942. – 1 textual record. File consisting of an autograph manuscript (7 p.). Titles of preludes: Northern Lights, Saunterina. 	
MUS 95/D7/1,18 	Lament for a Cat. – 1941. – 1 textual record. File consisting of an autograph manuscript (1 p.). The manuscript is incomplete. 	
MUS 95/D7/1,19 	Sonatina. – 1941. – 1 textual record. File containing a draft (11 p.). 	
MUS 95/D7/1,20 	Suite of Five Duets. – 1941. – 1 textual record. File consisting of an autograph manuscript (15 p.). The manuscript also contains a sketch and some caricatures. 	
MUS 95/D7/1,21 	Improvisation (Wings of Spring). – 1942. – 1 textual record. File consisting of a draft (4 p.). 	
MUS 95/D7/1,22 	Humoresque. – 1943. – 1 textual record. File consisting of an autograph manuscript (7 p.). The manuscript also contains a sketch. 	

MUS 95/D7/1,23 	Circus. – 1946. – 1 textual record. File consisting of a draft (2 p.). 	
MUS 95/D7/1,24 	Five Modernistics. – 1946-[195-?]. – 6 textual records. File consisting of a draft (3 p.) and autograph manuscripts (12 p.). Titles of pieces: Strolling, Sleeping, Dreaming, Dancing, Running. 	
MUS 95/D7/1,25 	Four Modernistics. – [1946?]. – 1 textual record. File consisting of a copy of an autograph manuscript (9 p.). Titles of pieces: Sleeping, Dancing, Dreaming, Marching. 	
MUS 95/D7/1,26 	Rhythmpromptu No. 1. – [1946?]. – 2 textual records. File containing a draft (6 p.) and an autograph manuscript (5 p.). The draft also contains a page of sketches. 	
MUS 95/D7/1,27 	Rhythmpromptu No. 2. – 1949. – 2 textual records. File containing a draft (7 p.) and an autograph manuscript (4 p.). 	
MUS 95/D7/1,28 	Waltz and Fiesta. – 1949. – 3 textual records. File containing a draft (9 p.) and autograph manuscripts (20 p.). 	
MUS 95/D7/1,29 	Postscript. – 1950. – 2 textual records. File consisting of an autograph manuscript on transparent paper (2 p.) and an annotated copy (2 p.). 	
MUS 95/D7/1,30 	Toccatina. – 1951. – 2 textual records. File consisting of an autograph manuscript on transparent paper (3 p.) and an annotated copy (3 p.). 	
MUS 95/D7/1,31 	Ballerina. – 1952. – 2 textual records. File containing autograph manuscripts (9 p.). 	
MUS 95/D7/1,32 	Rigadoon. – 1952. – 1 textual record. File consisting of an autograph manuscript on transparent paper (4 p.). 	
MUS 95/D7/1,33 	Saddle Song. – 1953. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	

MUS 95/D7/1,34 	Saddle Song. – 1970. – 2 textual records. File containing autograph manuscripts of the score (3 p.) and part for flute (1 p.). Version for flute and piano. 	
MUS 95/D7/1,35 	Rocking Song. – 1954. – 1 textual record. File consisting of an autograph manuscript on transparent paper (1 p.). 	
MUS 95/D7/1,36 	Lilting. – 1958. – 1 textual record. File consisting of an autograph manuscript on transparent paper (2 p.). 	
MUS 95/D7/1,37 	Running. – 1958. – 1 textual record. File containing an autograph manuscript on transparent paper (2 p.). 	
MUS 95/D7/1,38 	With a Quiet Lilt. – 1958. – 1 textual record. File consisting of a copy (2 p.). 	
MUS 95/D7/1,39 	Something for Margot. – 1959. – 1 textual record. File consisting of an autograph manuscript (2 p.). "A piano solo composed especially for Margot Fleming by her dutiful father with love". 	
MUS 95/D7/1,40 	Something for Margot. – 1959-1973. – 13 textual records. File containing various autograph manuscripts (15 p.). Versions for organ, for flute and piano as well as for orchestra. 	
MUS 95/D7/1,41 	Bag O' Trick. – 1962. – 1 textual record. File consisting of an autograph manuscript of the fourth piece (2 p.) and an annotated copy of the first three pieces (6 p.). 	
MUS 95/D7/1,42 	Bag O' Trick. – [1962?]. – 13 textual records. File consisting of autograph manuscripts of the parts (13 p.). Version for orchestra. 	
MUS 95/D7/1,43 	Cadet March. – 1962. – 2 textual records. File consisting of a draft (2 p.) and an autograph manuscript on transparent paper (1 p.). "For Richard". 	
MUS 95/D7/1,44 	Gentle Doll. – 1962. – 1 textual record. File containing an autograph manuscript on transparent paper (1 p.). 	

MUS 95/D7/1,45 	Happy Days. – 1962. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/1,46 	Stepping Out. – 1962. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/1,47 	Song for Anne. – 1963. – 1 textual record. File consisting of a copy of an autograph manuscript (1 p.). 	
MUS 95/D7/1,48 	Crazy Clock. – 1965. – 1 textual record. File containing an autograph manuscript on transparent paper (3 p.). 	
MUS 95/D7/1,49 	Brent's Brass Band. – 1969. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/1,50 	Day's End. – [196-?]. – 1 textual record. File consisting of a copy of an autograph manuscript (1 p.). 	
MUS 95/D7/1,51 	Down the Garden Path. – [196-?]. – 1 textual record. File containing a draft (2 p.). "For Mother and her new piano". 	
MUS 95/D7/1,52 	Prelude, Nocturne, finale. – [196-?]. – 0.5 cm of textual records. 	
	File consisting of sketches, drafts and a copy of an autograph manuscript (35 p.). 	
MUS 95/D7/1,53 	Stepping Stones. – [196-?]. – 2 textual records. File containing copies of autograph manuscripts (2 p.). 	
MUS 95/D7/1,54 	Song and Dance. – 1971. – 1 textual record. File containing a copy of an autograph manuscript (4 p.). "For Mom and Dad, Christmas 1971". 	
MUS 95/D7/1,55 	Catch Me. – [197-?]. – 2 textual records. File consisting of autograph manuscripts (2 p.). The manuscripts also bear the title Fun and Games. 	
MUS 95/D7/1,56 	Happy Go Lucky. – [197-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	

MUS 95/D7/1,57 	Jigalong. – [197-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/1,58 	Round and About. – [197-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/2 Organ 		
MUS 95/D7/2,1 	Variations on a Timeless Theme. – [195-?]. – 1 textual record. File consisting of an annotated copy (16 p.). 	
MUS 95/D7/2,2 	Three Pieces for Organ. – 1962. – 1 textual record. File containing an annotated copy (9 p.). Titles of pieces: Solemn Procession, Litany, Toccatina. 	
MUS 95/D7/2,3 	Procession for an Important Wedding. – 1963. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D7/2,4 	Wedding March. – 1963. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D7/2,5 	Wedding March. – 1964. – 1 textual record. File consisting of an autograph manuscript (2 p.). "To Linda and David with best wishes for health and happiness". 	
MUS 95/D7/2,6 	Theme for a Wedding. – 1966. – 1 textual record. File containing an autograph manuscript (2 p.). 	
MUS 95/D7/2,7 	Wedding Procession. – 1967. – 2 textual records. File consisting of autograph manuscripts (2 p.). 	
MUS 95/D7/2,8 	Bishop's Jig. – [196-?]. – 2 textual records. File containing autograph manuscripts (4 p.). 	
MUS 95/D7/2,9 	Coelites Plaudant. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/2,10 	Ste. Anne Chorale. – [196-?]. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D7/2,11 	Tapestry. – [196-?]. – 1 textual record. File consisting of a draft (1 p.). 	

MUS 95/D7/2,12 	Tapestry. – [196-?]. – 7 textual records. File containing autograph manuscripts of the parts for solo vln, ob and str. Version for chamber ensemble. 	
MUS 95/D7/2,13 	Vesper. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/2,14 	A Wedding March. – 1970. – 3 textual records. File consisting of a draft (1 p.) and copies (5 p.). "Especially for Cynthia and David with love and best wishes". "With love and great expectations!". 	
MUS 95/D7/2,15 	Consecration Fanfare. – 1974. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D7/2,16 	Prelude for a Dedication. – 1974. – 1 textual record. File consisting of an autograph manuscript (6 p.). "To Harvey Cottrell". 	
MUS 95/D7/2,17 	Theme for a Wedding. – 1976. – 2 textual records. File containing an autograph manuscript (1 p.) and a copy (1 p.). "For Lynn and Richard with best wishes". "With love to Lynn and Richard on their very special day". 	
MUS 95/D7/2,18 	Theme for a Wedding March. – 1976. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D7/2,19 	Miscellaneous. – 1967-1976. – 10 textual records. File containing autograph manuscripts of untitled pieces (15 p.). 	
MUS 95/D7/3 Other 		
MUS 95/D7/3,1 	Inscription, for flute. – 1965. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D7/3,2 	Trumpet Obligattos. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). Titles of pieces: Regent Square and Monk's Gate. 	

MUS 95/D8 CHOIR OR VOICE 

MUS 95/D8,1 	Here's a Health to the Chief (Robert Fleming), for choir in unison and piano. – 1936. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,2 	The Rover (Sir Walter Scott), for voice and piano. – 1936. – 2 textual records. 	
	File containing notes and sketches (11 p.) as well as a copy (4 p.). 	
MUS 95/D8,3 	Miss Pudden (William Spearing), for voice and piano. – [1936?]. – 1 textual record. File consisting of an autograph manuscript (4 p.). 	
MUS 95/D8,4 	The Shepherd's Song (Nora Holland), for voice and piano. – [1936?]-1952. – 2 textual records. File consisting of an autograph manuscript (1 p.) and a copy (2 p.). The autograph manuscript also contains an excerpt from another piece (1 p.). 	
MUS 95/D8,5 	Cradle Song (William Blake), for voice and piano. – [1937?]. – 1 textual record. 	
	File containing an autograph manuscript (3 p.). 	
MUS 95/D8,6 	Do You Miss Me Billy?, for voice and piano. – [1937?]. – 2 textual records. 	
	File containing autograph manuscripts (4 p.). 	
MUS 95/D8,7 	Prayer (William Spearing), for voice and piano. – [1937?]. – 1 textual record. 	
	File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,8 	Song of Quoodles, for voice and piano. – [1937?]. – 2 textual records. 	
	File consisting of autograph manuscripts (6 p.). 	
MUS 95/D8,9 	To a Boy, for voice and orchestra. – 1938. – 1 textual record. File containing an autograph manuscript (4 p.). 	
MUS 95/D8,10 	The Duchess Song, for voice and piano. – [1938?]. – 1 textual record. 	
	File consisting of an autograph manuscript (2 p.). Incomplete. 	

MUS 95/D8,11 	The Brownie Smile, for voice and piano. – 1939. – 1 textual record. File containing an autograph manuscript (2 p.). 	
MUS 95/D8,12 	Song of the Women (Ford Madox Hueffer). – 1939. – 6 textual records. File containing autograph manuscripts of the score (18 p.) and parts for S I and II, vln I and II (12 p.). Work for S I, S II, CA and string quartet or piano. 	
MUS 95/D8,13 	The Weeping Cherry (Robert Hearick [sic]). – 1939. – 1 textual record. File consisting of an autograph manuscript (3 p.). Work for S I, S II, A I, A II, T I, T II, B I and B II. 	
MUS 95/D8,14 	Dusk Lights (William Spearing), for choir and piano. – [193-?]. – 1 textual record. File consisting of an autograph manuscript (6 p.). 	
MUS 95/D8,15 	February Morning (John Freeman), for voice and piano. – 1940. – 1 textual record. File consisting of an autograph manuscript (4 p.). "To the memory of fallen friends". 	
MUS 95/D8,16 	Lynn Valley (Clara Hill). – 1940. – 1 textual record. File containing an autograph manuscript (8 p.). Work for S I, S II, CA and piano. 	
MUS 95/D8,17 	I Sing of a Maiden (Geoffrey Chaucer), for choir in unison and piano. – [1940?]. – 1 textual record. File containing a draft (3 p.). The record also contains a page of sketches. 	
MUS 95/D8,18 	Midnight (Michael Roberts), for voice and piano. – [1940?]. – 1 textual record. File consisting of an autograph manuscript (5 p.). The manuscript also contains a page with a musical fragment. 	
MUS 95/D8,19 	The Night (Hilaire Belloc), for voice and piano. – [1940?]. – 2 textual records. File consisting of a draft (5 p.) and an autograph manuscript (5 p.). "To Clement Q. Williams". 	

MUS 95/D8,20 	The Night (Hilaire Belloc), for voice (ST) and piano. – [1940?]. – 2 textual records. File containing a copy (9 p.). 	
MUS 95/D8,21 	What Child Is This, for choir (SATB). – [1940?]. – 2 textual records. File consisting of autograph manuscripts (2 p.). 	
MUS 95/D8,22 	Budgeon, for voice and piano. – 1941. – 1 textual record. File consisting of an autograph manuscript (4 p.). 	
MUS 95/D8,23 	Crystal Wood (William Spearing), for voice and piano. – 1941. – 1 document. File containing an autograph manuscript (2 p.). 	
MUS 95/D8,24 	Pleasure and Joy (W.H. Davies), for voice and piano. – 1941. – 1 textual record. File consisting of an autograph manuscript (4 p.). 	
MUS 95/D8,25 	Winter Is Here (John Freeman), for voice and piano. – 1941. – 2 textual records. File consisting of autograph manuscripts (9 p.). 	
MUS 95/D8,26 	Firelight Fancy (William Spearing), for voice and piano. – [1941?]. – 1 textual record. File containing an autograph manuscript (7 p.). The manuscript also contains a page with a musical fragment. 	
MUS 95/D8,27 	Money or Love (William Spearing), for voice and piano. – [1941?]. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,28 	Quest (William Spearing), for voice and piano. – [1941?]. – 1 textual record. File containing an autograph manuscript (4 p.). 	
MUS 95/D8,29 	Immortal Sails, for voice and piano. – 1942. – 1 textual record. File consisting of an autograph manuscript (5 p.). 	
MUS 95/D8,30 	Immortal Sails. – [195-?]. – 1 textual record. File containing an autograph manuscript of the score (10 p.). Version for voice and orchestra. Instrumentation: 2. 2. 3. 1 2. 2. 2. 0, timp, str, vc. 	

MUS 95/D8,31 	Immortal Sails. – [195-?]. – 1 textual record. File consisting of autograph manuscripts of the parts (44 p.). Version for voice and orchestra. Instrumentation: 2. 2. 3. 1 - 2. 2. 2. 0, timp, str, vc. 	
MUS 95/D8,32 	Love Like a Drop of Dew (W.H. Davies), for voice and piano. – 1942. – 2 textual records. File consisting of autograph manuscripts (8 p.). 	
MUS 95/D8,33 	The Oxen (Thomas Hardy), for voice and piano. – 1942. – 1 textual record. File consisting of an autograph manuscript (5 p.). 	
MUS 95/D8,34 	Away (Walter de la Mare), for voice and piano. – 1943. – 1 textual record. File consisting of an autograph manuscript (5 p.). The manuscript also contains a musical fragment. "To Margaret Davies". 	
MUS 95/D8,35 	Courage (Walter de la Mare), for voice and piano. – 1943. – 1 textual record. File consisting of an autograph manuscript (4 p.). "Dedicated to Alexandra with love from Bob". 	
MUS 95/D8,36 	Missa Brevis No. 1, for choir and organ or piano. – 1943. – 1 textual record. File containing an autograph manuscript (9 p.). The manuscript also contains a few sketches. "To Dr. Healey Willan with deepest gratitude for encouragement and help so freely given". 	
MUS 95/D8,37 	Would That I Were There (Robert Fleming), for choir (SATB). – 1943. – 1 textual record. File consisting of an autograph manuscript (6 p.). 	
MUS 95/D8,38 	The Voice, for voice and piano. – [1943?]. – 1 textual record. File containing an autograph manuscript (3 p.). The manuscript also contains various drafts (3 p.). 	
MUS 95/D8,39 	Absent (Mary Matheson), for voice and piano. – 1944. – 1 textual record. File containing an autograph manuscript (4 p.). 	

MUS 95/D8,40 	Dance My Dearies (Rose Fyleman). – 1944. – 2 textual records. File consisting of autograph manuscripts (5 p.). 	
MUS 95/D8,41 	Nunc Dimittis, for choir (SATB) and organ. – 1944. – 3 textual records. File consisting of sketches (3 p.) and an autograph manuscript (4 p.). "To Mr. J. Weatherseed and the choir of St. George's Church, Montreal". 	
MUS 95/D8,42 	150th Psalm, for choir and organ or piano. – 1944. – 1 textual record. File consisting of an autograph manuscript (9 p.). "To Dr. Healey Willan". 	
MUS 95/D8,43 	Song at Dusk (Nancy Byrd Turner), for voice and piano. – 1944. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D8,44 	Did You Remember, for voice and piano. – 1945. – 1 textual record. File consisting of an autograph manuscript (4 p.). 	
MUS 95/D8,45 	Summer Thunder (Harold Applebaum), for voice and piano. – 1945. – 1 textual record. File containing an autograph manuscript (5 p.). The manuscript also contains a page of notes. 	
MUS 95/D8,46 	Hymn Tunes, for choir (SATB). – [1945?]. – 3 textual records. File consisting of drafts (2 p.) and the words of the hymm (1 p.). 	
MUS 95/D8,47 	Collection of songs for voice and piano. – 1946. – 1 textual record. Files consisting of an autograph manuscript (11 p.). Titles of pieces: Grave in the Quiet Glen, Song for June and Summer Song. 	
MUS 95/D8,48 	Auvergnat (Hilaire Belloc), for voice and piano. – 1948. – 2 textual records. File consisting of an autograph manuscript (6 p.) and a copy (7 p.). 	

MUS 95/D8,49 	The Little Serving Maid (Hilaire Belloc), for voice and piano. – 1948. – 2 textual records. File containing autograph manuscripts (23 p.). 	
MUS 95/D8,50 	The Moon is Dead (Hilaire Belloc), for voice and piano. – 1948. – 1 textual record. File consisting of a draft (10 p.). 	
MUS 95/D8,51 	The Moon's Funeral (Hilaire Belloc), for voice (ST) and piano. – 1948. – 2 textual records. File containing an autograph manuscript of the vocal part (5 p.) and a copy (12 p.). 	
MUS 95/D8,52 	Christmas Greetings (Robert Fleming), for choir in unison and piano. – 1949. – 1 textual record. File consisting of an autograph manuscript on transparent paper (1 p.). 	
MUS 95/D8,53 	Love Wonder (Archibald Lampman), for voice and piano. – 1949. – 1 textual record. File containing an autograph manuscript (4 p.). 	
MUS 95/D8,54 	Music (Archibald Lampman), for voice and piano. – 1949. – 4 textual records. File containing autograph manuscripts of the score (7 p.) and vocal part (3 p.). 	
MUS 95/D8,55 	Summer Song (E.E. Rollins), for voice and piano. – 1949. – 3 textual records. File consisting of autograph manuscripts of the score (7 p.) and vocal part (2 p.). 	
MUS 95/D8,56 	Summer Song (E.E. Rollins). – 1949. – 11 textual records. File consisting of autograph manuscripts of the parts (11 p.). Version for orchestra. 	
MUS 95/D8,57 	Why Do Ye Call the Poet Lonely (Archibald Lampman), for voice and piano. – 1949. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D8,58 	Angels from the Realms, for choir (SATB). – [194-?]. – 1 textual record. File containing an autograph manuscript (1 p.). 	

MUS 95/D8,59 	Show Me the Way (Margaret Fleming), for choir in unison and piano or organ. – [194-?]. – 1 textual record. File consisting of an annotated copy of an autograph manuscript (1 p.). 	
MUS 95/D8,60 	Furrows (E.E. Rollins), for voice and piano. – 1950. – 2 textual records. File containing a draft (4 p.) and a copy (2 p.). 	
MUS 95/D8,61 	High Flight (John Gillespie Magee), for voice and piano. – 1951. – 2 textual records. File containing an autograph manuscript (6 p.) and the lyrics of the song (1 p.). 	
MUS 95/D8,62 	Where Was the Star (Margaret Fleming), for choir (SATB). – 1951. – 1 textual record. File containing a copy of an autograph manuscript (1 p.). 	
MUS 95/D8,63 	Come My Children (Margaret Fleming), for choir (SATB). – 1952. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D8,64 	Merrily the Bells Are Telling (G. Leaker), for choir in unison and piano or organ. – 1952. – 1 textual record. File consisting of an autograph manuscript (3 p.). The record also contains a page of sketches. 	
MUS 95/D8,65 	Ring the Bells of Christmas (Margaret Fleming), for choir in unison and piano or organ. – 1952. – 2 textual records. File containing an autograph manuscript (3 p.) and a copy of an autograph manuscript (2 p.). 	
MUS 95/D8,66 	Approaching the Manger (Constance Barbour Holbein), for voice and piano. – 1953. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,67 	She Dwelt Among (W. Woodsworth), for voice and piano. – [196-?]. – 1 textual record. File containing a copy of a manuscript from 1953 (4 p.). 	
MUS 95/D8,68 	Collection of songs for voice and piano. – 1953. – 1 textual record. File consisting of a copy (9 p.). Titles of pieces: The Genius, The Cursed Duck and Hi Sooky, Ho Sooky. 	

MUS 95/D8,69 	Come Let Us Go A-Carolling (Margaret Fleming), for choir (SATB). – 1954. – 1 textual record. File consisting of a copy of an autograph manuscript (1 p.). 	
MUS 95/D8,70 	I Have No Time (Paul Hiebert), for voice and piano. – 1954. – 2 textual records. File containing a note (1 p.) and an autograph manuscript (2 p.). 	
MUS 95/D8,71 	Nunc Dimittis, for choir. – 1954. – 2 textual records. File consisting of an autograph manuscript (5 p.) and a copy (7 p.). "Respectfully dedicated to Dean Howard H. Clark". 	
MUS 95/D8,72 	Spring in Autumn (John Coulter), for voice and piano. – 1954. – 1 textual record. File containing an autograph manuscript (4 p.). 	
MUS 95/D8,73 	God's Glory Be by Man Extolled, for choir (SATB) and organ. – 1955. – 5 textual records. File containing autograph manuscripts of the score (1 p.) and vocal parts (3 p.), as well as a copy (3 p.). 	
MUS 95/D8,74 	For the Fallen (Laurence Binyon), for voice and piano. – 1956. – 1 textual record. File consisting of an annotated copy (3 p.). 	
MUS 95/D8,75 	O Lord Support Us, for choir (SATB) and organ. – 1956. – 1 textual record. File containing a copy of an autograph manuscript (3 p.). "To Dr. J.P.L. Fraser and the Choir of Glebe United Church, Ottawa". 	
MUS 95/D8,76 	Time (Margaret Fleming), for voice and orchestra. – 1956. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D8,77 	Timid Theodore Dreams at Night (Margaret Fleming), for voice and piano. – 1956. – 1 textual record. File containing an autograph manuscript (8 p.). 	

MUS 95/D8,78 	O Jesus, King Eternal, for choir (SATB). – [1956?]. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D8,79 	Bless Us All This Christmas Day (Margaret Fleming), for choir (SATB). – 1957. – 1 textual record. File containing a copy of an autograph manuscript (1 p.). 	
MUS 95/D8,80 	Sing Praise to the Christchild (Margaret Fleming), for choir (SATB). – 1957. – 3 textual records. File consisting of autograph manuscripts (2 p.) and a copy of an autograph manuscript (1 p.). 	
MUS 95/D8,81 	Choral Eucharist in D, for choir (SATB) and organ. – 1959. – 3 textual records. File containing an autograph manuscript (8 p.) and annotated copies (11 p.). 	
MUS 95/D8,82 	O Saviour, Who a Tiny Child (Margaret Fleming), for choir (SATB). – 1959. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,83 	I'm Among Friends (Margaret Fleming). – [195-?]. – 3 textual records. File consisting of an autograph manuscript of the score (4 p.), as well as an autograph manuscript of the piano part (1 p.) and a copy of the vocal part (1 p.). Work for choir in unison, 2fl, ob, 3cl, b cl, bn, pno and glock. 	
MUS 95/D8,84 	Sing Hey – It's Christmas Day (Margaret Fleming), for choir in unison. – [195-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,85 	We Meet You, O Christ, for choir. – [195-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,86 	Evensong in G, for choir (SATB). – 1960. – 1 textual record. File consisting of an autograph manuscript (5 p.). "To John Kerr". 	
MUS 95/D8,87 	Vesper, for choir (SATB). – 1960. – 1 textual record. File containing an autograph manuscript (1 p.). 	

MUS 95/D8,88 	Wind in the Willows and Rat's Song, for voice and piano. – 1960. – 2 textual records. File containing autograph manuscripts (4 p.). 	
MUS 95/D8,89 	Shine Brighter, Christmas Star (Margaret Fleming), for choir (SATB). – 1961. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,90 	O Gladsome Hearts Remember (Margaret Fleming), for choir in unison. – 1962. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D8,91 	Bread of the World (Bishop R. Heber), for choir (SAB). – 1963. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,92 	Choral Eucharist in E = , for choir (SATB) and organ. – 1963. – 2 textual records. File consisting of an autograph manuscript (11 p.) and a copy (7 p.). "To honour the occasion of the 25th anniversary of the ordination of John Kerr this service is respectfully dedicated". 	
MUS 95/D8,93 	Madrigal (William Shakespeare), for solo voice or SA and piano. – 1963. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D8,94 	My Daddy (Ogden Nash), for voice and piano. – 1963. – 3 textual records. File containing a draft (2 p.) and autograph manuscripts of the score (3 p.) and vocal part (1 p.). "Respectfully dedicated to Tigers, Cats, Monkeys and Adjudicators". 	
MUS 95/D8,95 	A Sea Dirge (William Shakespeare), for voice and piano. – 1963. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,96 	Holy Jesus, God of Love (T. Parnell), for choir (SAB). – [1963?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,97 	O Most Merciful (Bishop R. Heber), for choir (SAB). – [1963?]. – 1 textual record. File containing an autograph manuscript (1 p.). 	

MUS 95/D8,98 	O Pray to Christ All Children (Margaret Fleming), for choir (SATB). – [1963?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,99 	King of Glory, King of Peace (George Herbert), for voice (SS or SA) and piano or organ. – 1964. – 2 textual records. File consisting of autograph manuscripts (7 p.). 	
MUS 95/D8,100 	23rd Psalm, for choir (SAB) and piano. – 1964. – 2 textual records. File consisting of an autograph manuscript (5 p.). "To Rev. Olive - in the hope that there will be more sweet singing in the choir". 	
MUS 95/D8,101 	A Christmas Litany (Margaret Fleming), for choir (SATB). – 1965. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,102 	The Confession Stone (Owen Dodson), for voice and piano. – 1965-c1968. – 1 cm of textual records. File containing the lyrics of the work (8 p.), an autograph manuscript (22 p.) and an annotated copy (24 p.). 	
MUS 95/D8,103 	Eucharist Hymn No. 4 (W.D. Maclaglan), for choir (SAB). – 1965. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,104 	Introit for an Ordination, for choir in unison and organ. – 1965. – 1 textual record. File containing an autograph manuscript (3 p.). 	
MUS 95/D8,105 	Jesus Gentlest Saviour, for choir (SAB). – 1965. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,106 	A Simple Eucharist, for choir and organ. – 1965. – 2 textual records. File consisting of copies (24 p.) and a manuscript (1 p.). 	
MUS 95/D8,107 	An Easter Carol, for choir. – 1966. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D8,108 	Eucharist Hymn No. 6, for choir. – 1966. – 1 textual record. File containing an autograph manuscript (1 p.). 	

MUS 95/D8,109 	Sound the Glad News (Margaret Fleming), for choir (SATB). – 1966. – 2 textual records. File containing autograph manuscripts (2 p.). 	
MUS 95/D8,110 	Horse Sense, for choir. – [1966?]. – 1 textual record. File consisting of a draft (1 p.). 	
MUS 95/D8,111 	Four Songs (Robert Finch), for voice and piano. – 1967[197-?]. – 0.5 cm of textual records. File containing autograph manuscripts of the pieces Likeness and Enough (12 p.) and a copy of the complete work (17 p.). Titles of pieces: Likeness, The Paradox, Meeting Place and Enough. 	
MUS 95/D8,112 	O Lead My Blindness (W.E. Gladstone), for choir (SAB). – 1967. – 2 textual records. File consisting of an autograph manuscript (1 p.) and a copy (1 p.). 	
MUS 95/D8,113 	On the First Day of Christmas (Margaret Fleming), for choir in unison. – 1967. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D8,114 	Thee We Adore, for choir (SAB). – 1967. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,115 	There's a Place (Frances Davis), for choir. – 1967. – 2 textual records. File containing a draft (3 p.) and an autograph manuscript (2 p.). 	
MUS 95/D8,116 	A Wedding Motet (Margaret Fleming), for choir (SAB) and organ. – 1967. – 1 textual record. File containing an autograph manuscript (2 p.). "For Linda and Berkeley, on the occasion of their marriage". 	
MUS 95/D8,117 	Awake, Song of the Day, for choir (SATB). – 1968. – 1 textual record. File consisting of an autograph manuscript (6 p.). "For Barry Valentine on the occasion of his induction as Dean of Montreal, December 1968". 	
MUS 95/D8,118 	The Church Clairvoyant (J.J. Forrest), for choir (SATB). – 1968. – 1 textual record. File containing a copy (2 p.). 	

MUS 95/D8,119 	Goin' West (Margaret Fleming), for voice. – 1968. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,120 	Hang the Holly, for choir (SATB). – 1968. – 1 textual record. File containing a copy (1 p.). 	
MUS 95/D8,121 	Heirs Through Hope (Margaret Fleming), cantata for tenor and mixed a cappella choir. – 1968. – 1.5 cm of textual records. File containing an annotated copy of an autograph manuscript (103 p.), the words of the cantata and the durations of the sections of the work. "Dedicated to the memory of the late Dr. Healey Willan, beloved friend and mentor". This work was commissioned by the Canadian Broadcasting Corporation. 	
MUS 95/D8,122 	Heirs Through Hope (Margaret Fleming), cantata for tenor and mixed a cappella choir. – 1968. – 1 textual record. File consisting of an annotated copy of an autograph manuscript (93 p.). "Dedicated to the memory of the late Dr. Healey Willan, beloved friend and mentor". This work was commissioned by the Canadian Broadcasting Corporation. 	
MUS 95/D8,123 	Look with Grace (Margaret Fleming), for choir (SATB). – 1968. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,124 	O God Be Ever Near Us (Margaret Fleming), for choir (SATB). – 1968. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,125 	Collections of hymns. – 1968-1969. – 2 textual records. File containing a collection of words of hymns (Hymns for Today) and a collection of hymns (New Choir Hymn Book). 	
MUS 95/D8,126 	Be with Us Now (Margaret Fleming), for choir (SATB). – [1968?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,127 	The Church Is Wherever (Carol Rose Ikeler), for choir (SATB). – [1968?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	

MUS 95/D8,128 	I Cannot Tell (W.Y. Fullerton), for choir (SATB). – [1968?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,129 	O Joy of God (C.H. Boutflower), for choir (SAB). – [1968?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,130 	On Pleasing Everybody (J.J. Forrest), for choir. – [1968?]. – 1 textual record. File containing a copy (2 p.). 	
MUS 95/D8,131 	Christ Came, a Child to Earth (Margaret Fleming), for choir (SATB). – 1969. – 1 textual record. File containing a copy of an autograph manuscript (1 p.). 	
MUS 95/D8,132 	God Who Gives to Life, for choir (SATB). – 1969. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,133 	Let There Be Light (Frances Davis), for choir (SATB). – 1969. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,134 	Let Thy Blood in Mercy Poured (John Brownlee), for choir (SAB). – 1969. – 1 textual record. File containing an autograph manuscript on transparent paper (1 p.). 	
MUS 95/D8,135 	Lord of All Hopefulness (Jan Struthers), for choir (SATB). – 1969. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,136 	Salute to the Flag (Amy Bissett England), for voice and piano. – 1969. – 2 textual records. File consisting of an autograph manuscript (3 p.) and a letter. 	
MUS 95/D8,137 	Song of the Death (Mel Thistle), for voice and piano. – 19691972. – 2 textual records. File consisting of a copy of the work (3 p.) and a letter. 	
MUS 95/D8,138 	Draw Nigh and Take, for choir (SATB). – [1969?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	

MUS 95/D8,139 	The Light of God Shine on You (J.C. Kirby), for choir (SATB). – [1969?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,140 	O Holy Father (E.H. Beckerstelt), for choir (SATB). – [1969?]. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,141 	Sing Praise for the Blessings (Margaret Fleming), for choir (SATB). – [1969?]. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,142 	Sweet Feast of Love (Edward Denny), for choir (SATB). – [1969?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,143 	Walk Softly in Springtime (Edna Grant), for choir (SATB). – [1969?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,144 	We Cannot Come (Frances Davis), for choir (SATB). – [1969?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,145 	Kyrie, Sanctus, Benedictus, for choir (SATB). – [196-?]. – 1 textual record. 	
	File containing an autograph manuscript (4 p.). 	
MUS 95/D8,146 	Sleep Sweet Child, canon for voice. – [196-?]. – 1 negative: b&w; 27 x 21 cm. File containing the negative of an autograph manuscript (1 p.). 	
MUS 95/D8,147 	Come Now and Sing (Margaret Fleming), for choir (SATB). – 1970. – 2 textual records. 	
	File consisting of copies (2 p.). 	
MUS 95/D8,148 	The Ballad of Mary and Joe [Herbert O’Driscoll], for choir (SATB). – 1971. – 4 textual records. File containing autograph manuscripts (2 p.), a draft of the theme (1 p.) and a copy of the lyrics of the song (1 p.). 	
MUS 95/D8,149 	Not in a Manger (Margaret Fleming), for choir (SATB). – 1971. – 2 textual records. 	
	File containing an autograph manuscript (1 p.) and a copy (1 p.). 	

MUS 95/D8,150 	Parish Eucharist in C, for choir and organ. – [197-?]. – 2 textual records. File containing sketches (4 p.) and the autograph manuscript of the vocal part (2 p.). “For the Congregation of St. John the Evangelist Church Ottawa". 	
MUS 95/D8,151 	His Shelter a Stable (Margaret Fleming), for choir (SATB). – 1972. – 3 textual records. File consisting of autograph manuscripts (2 p.) and a copy (1 p.). 	
MUS 95/D8,152 	Lord of All Good (Albert F. Bayly), for choir (unison and SATB) and organ. – 1972. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D8,153 	Diocesan College Hymn (G. Abbott-Smith), for choir (SATB). – 1973. – 3 textual records. File consisting of autograph manuscripts (3 p. ) and a copy (2 p.). 	
MUS 95/D8,154 	Incendiary Fires Light Up the Sky (Margaret Fleming), for choir (SATB). – 1973. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D8,155 	Baptismal Hymn (Margaret Fleming), for choir (SATB). – 1974. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D8,156 	Choral Communion, for choir (SATB) and organ. – 1974. – 2 textual records. File containing a draft (8 p.) and a copy of an autograph manuscript (10 p.). "For Mr. Winston Hackett and the Choir of Christ Church, Barbados". 	
MUS 95/D8,157 	From Barkley Sound (Margaret Fleming), for choir (SATB). – 1974. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D8,158 	Eucharist in B = . – 1975. – 2 textual records. File consisting of a draft (15 p.) and a copy of an autograph manuscript (30 p.). Work for choir (SATB), 3tpt, 2hn, 3trb, org and timp. 	

MUS 95/D8,159 	Gifts (of Love) (Margaret Fleming), for choir. – 1975. – 3 textual records. File consisting of sketches (6 p.), an autograph manuscript (3 p.) and the words of the work. 
MUS 95/D8,160 	The Holy Compass (Frances Davis), for choir (SATB). – 1975. 
– 2 textual records. File containing a copy of the words of the hymn (1 p.) and an autograph manuscript (1 p.). The back of the manuscript also includes the sketch of a theme. 
MUS 95/D8,161 	Come My Way (George Herbert), for choir (SATB). – 1976. – 1 textual record. File consisting of an autograph manuscript (2 p.). 
MUS 95/D8,162 	New Choral Eucharist, for choir (SATB) and organ. – 1976. – 2 textual records. File containing sketches (10 p.) and an autograph manuscript (17 p.). 
MUS 95/D9 ARRANGEMENTS 
MUS 95/D9,1 	Funeral March, for piano. – [1938?]. – 2 textual records. File consisting of a draft (4 p.) and an incomplete autograph manuscript (2 p.). 
MUS 95/D9,2 	The Seasons (Glazunov), for two pianos. – [1949?]. – 1 textual record. File consisting of a draft (85 p.). 
MUS 95/D9,3 	Collection. – [194-?]. – 1 textual record. File containing a collection of arrangements of works by Chopin, Beethoven and W.H. Davies (24 p.). 
MUS 95/D9,4 	Achill’s Girl's Song, for voice and piano. – 1950. – 2 textual records. File consisting of an autograph manuscript (5 p.) and a copy (3 p.). 
MUS 95/D9,5 	I'm a Poor Stranger and Far from My Own, for voice and piano. – 1950-[197-?]. – 2 textual records. File consisting of a draft (6 p.) and a copy (4 p.). 

MUS 95/D9,6 	The Lark in the Clear Air, for voice (T) and piano. – 1950. – 1 textual record. File containing an annotated copy (3 p.). 	
MUS 95/D9,7 	The Lark in the Clear Air, for voice (SCA) and piano. – 1950. – 1 textual record. File consisting of an autograph manuscript (6 p.). The manuscript also contains the piece The Great Big Sea. 	
MUS 95/D9,8 	The Lark in the Clear Air, for voice (SA) and piano. – 1972. – 1 textual record. File containing a copy (3 p.). 	
MUS 95/D9,9 	Let Us Leave It at That, for voice and piano. – 1950. – 2 textual records. File consisting of an autograph manuscript (5 p.) and a copy (4 p.). 	
MUS 95/D9,10 	Collection of songs. – 1950. – 1 textual record. File containing autograph manuscripts of Irish folk songs (13 p.).  Titles of pieces: Let Us Leave It at That, The Lark in the Clear Air and I'm a Poor Stranger and Far from My Own. 	
MUS 95/D9,11 	Monteverdi Fanfare. – [1950?]. – 0.5 cm of textual records. File containing autograph manuscripts of the score (4 p.) and parts (13 p.). Instrumentation: 1. 1. 1. 1 - 1. 2. 0. 0, timp, str. 	
MUS 95/D9,12 	The Blackbird and the Thrush, for voice and piano. – 1951. – 1 textual record. File consisting of an autograph manuscript (5 p.). 	
MUS 95/D9,13 	The Jezebel Carol, for voice and piano. – 1951. – 1 textual record. File consisting of a copy (3 p.). 	
MUS 95/D9,14 	Nell Flaherty's Drake, for voice and piano. – 1951. – 1 textual record. File consisting of a copy (5 p.). 	
MUS 95/D9,15 	All the Pretty Little Horses, for voice and piano. – 1952. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	

MUS 95/D9,16 	A Great Big Sea, for voice and piano. – 1952. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D9,17 	A Great Big Sea, for voice (SA) and piano. – 1972. – 1 textual record. File containing a copy (5 p.). 	
MUS 95/D9,18 	What Shall We Do with the Drunken Sailor, for voice and piano. – 1952. – 1 textual record. File consisting of an autograph manuscript (5 p.). 	
MUS 95/D9,19 	A Kangaroo Sat on an Oak (Nova Scotia Folk Song), for voice and piano. – [1954?]. – 2 textual records. File consisting of autograph manuscripts (6 p.). 	
MUS 95/D9,20 	Plantation Song, for orchestra. – 1955-1956. – 0.5 cm of textual records. File containing an autograph manuscript of the score (7 p.) as well as autograph manuscripts and copies of parts (15 p.). Instrumentation: 2. 1. 2. 2 - 2. 1. 2. 0, hp, perc, str. 	
MUS 95/D9,21 	As Light O Christ, for voice (TB) and piano. – 1957. – 1 textual record. File containing an autograph manuscript (3 p.). 	
MUS 95/D9,22 	The Comedians (Kabalevsky), for two pianos. – [195-?]. – 1 textual record. File containing a draft (40 p.). 	
MUS 95/D9,23 	Swan Lake (Pyotr Ilyich Tchaikovsky), for two pianos. – [195-?]. – 1 textual record. File consisting of a draft (34 p.). 	
MUS 95/D9,24 	Afton Water, for voice (T) and piano. – [1961?]. – 2 textual records. File containing an autograph manuscript (2 p.) and a copy (3 p.). 	
MUS 95/D9,25 	Afton Water, for voice (SA) and piano. – 1972. – 1 textual record. File consisting of a copy (3 p.). 	
MUS 95/D9,26 	À la claire fontaine. – 1962. – 1 textual record. File consisting of a copy (2 p.). 	

MUS 95/D9,27 	He Is Young But He Daily Are A-Growing, for voice and piano. – 1962. – 2 textual records. File containing an autograph manuscript (6 p.). 	
MUS 95/D9,28 	Huron Carol, for choir (SATB). – 1962. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D9,29 	Joshua Fit de Battle ob Jericho (Negro spiritual), for choir (SATB). – 1962. – 2 textual records. File containing an autograph manuscript (5 p.) and a copy (3 p.). 	
MUS 95/D9,30 	O, Won't You Sit Down? (Negro spiritual), for choir (SATB). – 1962. – 1 textual record. File consisting of a copy (2 p.). 	
MUS 95/D9,31 	Swing Low (Negro spiritual), for choir (SATB). – 1962. – 1 textual record. File containing a copy (2 p.). 	
MUS 95/D9,32 	The Queen, for choir (SATB). – [1962?]. – 2 textual records. File consisting of an autograph manuscript (1 p.) and a copy (1 p.). 	
MUS 95/D9,33 	O Canada, for choir (SATB). – [1962?]. – 1 textual record. File containing an autograph manuscript (3 p.). 	
MUS 95/D9,34 	O Canada, for orchestra. – [197-?]. – 2 textual records. File containing sketches (2 p.) and a draft of the score (8 p.). Instrumentation: 1. 1. 1+b cl. 0 - 1. 2. 1. 0, str. 	
MUS 95/D9,35 	Grandma's Advice (Nova Scotia Folk Song), for choir (SAB). – 1963. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D9,36 	Dutch Hymn of Thanksgiving, for choir (SATB). – [1968?]. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D9,37 	Thanksgiving Hymn of Freedom, for choir (SATB). – [1968?]. – 1 textual record. File consisting of a copy (2 p.). 	

MUS 95/D9,38 	Come With Us O Blessed Jesus (Johann Schop), for choir (SAB). – 1969. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	
MUS 95/D9,39 	Carmen (Georges Bizet), for orchestra. – [196-?]. – 1 cm of textual records. File consisting of notes (2 p.) and drafts (59 p.). 	
MUS 95/D9,40 	Don Quichotte (Louis Mincus), for piano. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (7 p.). 	
MUS 95/D9,41 	Drink to Me Only, for choir (SATB). – [196-?]. – 1 textual record. File consisting of a copy (1 p.). 	
MUS 95/D9,42 	Eskimo Hymns, for choir (SATB) and piano or organ. – [196-?]. – 0.5 cm of textual records. File consisting of autograph manuscripts (27 p.). 	
MUS 95/D9,43 	God Save the Queen, for orchestra. – [196-?]. – 0.5 cm of textual records. File containing an autograph manuscript (5 p.) and a copy of the score (4 p.) as well as autograph manuscripts of the parts (13 p.). The set of parts also includes the parts for the piece O Canada. Instrumentation: 1. 1. 1. 1 - 1. 2. 1. 0, timp, str. 	
MUS 95/D9,44 	God Save the Queen, for orchestra. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (6 p.). Instrumentation: 1+picc. 1. 2. 2 - 2. 2. 3. 0, al sax, ten sax, timp, str. 	
MUS 95/D9,45 	Jolly Beggars (Cedric Thorpe Davie). – [196-?]. – 2 cm of textual records. File containing copies, occasionally annotated, of the parts for vc, pno, vln, vln I and II, vla, and vcl (130 p.). 	
MUS 95/D9,46 	O No John, for choir. – [196-?]. – 1 textual record. File containing a copy (1 p.). 	
MUS 95/D9,47 	Rounds, for choir. – [196-?]. – 1 textual record. File consisting of a copy (1 p.). 	

MUS 95/D9,48 	A Song for Saskatchewan (Russ Hopkins), for voice and piano. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (3 p.). 	
MUS 95/D9,49 	White Cliffs of Dover. – [196-?]. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D9,50 	Three Nova Scotia Folk Songs, for choir (SSA) and piano. – [1971?]. – 1 textual record. File containing a draft (19 p.). Titles of pieces: On This Hill, Loakie's Boat, It Was a Mouse. 	
MUS 95/D9,51 	Six Folksongs from Prince Edward Island, for voice and piano. – 1973. – 0.5 cm of textual records. File consisting of autograph manuscripts (32 p.) and a copy (7 p.).  Titles of pieces: Bonnie Lyndale, Bud Jones, Katardine, The Crooked Rib, Coatman's Saloon and My 76 Geared Wheel. 	
MUS 95/D9,52 	Theme from Romeo and Juliet (Pyotr Ilyich Tchaikovsky), for organ. – 1973. – 1 textual record. File containing an autograph manuscript (1 p.). 	
MUS 95/D9,53 	C'est la poulette grise, for voice and piano. – [1973?]. – 1 textual record. File containing an autograph manuscript (4 p.). 	
MUS 95/D9,54 	Mary Had a Baby, for voice and piano. – [1973?]. – 1 textual record. File containing an autograph manuscript (5 p.). 	
MUS 95/D9,55 	The Mocking Bird, for voice and piano. – [1973?]. – 1 textual record. File consisting of an autograph manuscript (5 p.). 	
MUS 95/D9,56 	Still Now and Hear My Singing. – [1973?]. – 1 textual record. File consisting of an autograph manuscript (2 p.). 	
MUS 95/D9,57 	Suo-Gan, for voice and piano. – [1973?]. – 1 textual record. File containing an autograph manuscript (2 p.). 	
MUS 95/D9,58 	Processional (theme by Joseph Haydn), for organ. – [1974?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 	

MUS 95/D9,59 	Carltones Theme, for choir (SATB). – [197-?]. – 1 textual record. File consisting of an autograph manuscript (4 p.). 
MUS 95/D9,60 	Passion Chorale (Johann Sebastian Bach), for organ. – [197-?]. – 1 textual record. File consisting of an autograph manuscript (3 p.). 
MUS 95/D9,61 	Suliram. – [197-?]. – 3 textual records. File containing copies of the score (3 p.), as well as the parts for guitar and recorder. Piece for recorder, glockenspiel, mandolin, guitar and piano. "...for Patterson herd with fond memories of pleasant hours of eating and making music together". 
MUS 95/D9,62 	Wedding March (theme by Johannes Brahms), for organ. – [197-?]. – 1 textual record. File consisting of an autograph manuscript (1 p.). 
MUS 95/D10 MISCELLANEOUS 
MUS 95/D10,1 	Works and arrangements. – 1940-1946. – 3 textual records. File consisting of notebooks containing various arrangements and works by Robert Fleming (101 p.). 
MUS 95/D10,2 	Untitled works and fragments. – [194-]-[197-?]. – 0.5 cm of textual records. File consisting of drafts and sketches (31 p.). 
MUS 95/D10,3 	Works by Arthur E. Fleming. – [ca. 1900]-[194-?]. – 4 textual records. File containing autograph manuscripts (5 p.) and a manuscript copy (1 p.) of various works by Arthur E. Fleming, Robert Fleming's grandfather. 
MUS 95/D10,4 	Works by various composers. – [194-?]-1972. – 1.5 cm of textual records. File consisting mainly of autograph manuscripts (138 p.) 
MUS 95/E CONCERT PROGRAMS. – 1946-1977. – 8 cm of textual records. 
The series contains concert programs illustrating various facets of Robert Fleming's talent as a composer, pianist, organist and conductor. It also contains a few annotated concert programs. 
Copies. 

MUS 95/E,1 	Concert programs. – 1946-1954. – 2 cm of textual records. Copies. 	
MUS 95/E,2 	Concert programs. – 1955-1966. – 2 cm of textual records. Copies. 	
MUS 95/E,3 	Concert programs. – 1967-1971. – 2 cm of textual records. Copies. 	
MUS 95/E,4 	Concert programs. – 1972-1977. – 2 cm of textual records. Copies. 	
MUS 95/E,5 	Concert programs. – 1955. – 5 textual records. File containing annotated concert programs. Copies. 	

MUS 95/F 	OKLAHOMA! – MUSICAL DIRECTION. – 1955-1965. – 6 cm of textual records. 
The records in the series pertain to Robert Fleming's activities as musical director of the musical comedy Oklahoma!. They include correspondence, contracts, financial records, notebooks concerning costumes, auditions and production, evaluation forms, annotated librettos, a concert program, promotional material and press clippings. 
Originals and copies. 

MUS 95/F,1 	Correspondence. – 1963-1965. – 0.5 cm of textual records. Originals and copies. 	
MUS 95/F,2 	Auditions. – 1964. – 0.5 cm of textual records. File consisting of a list of candidates and evaluation forms. Originals and copies. 	
MUS 95/F,3 	Notebooks. – 1964. – 4 textual records. File containing notebooks concerning, among other items, costumes, auditions and production. Originals. 	
MUS 95/F,4 	Notes. – 1964. – 4 textual records. Originals. 	
MUS 95/F,5 	Concert program and promotional material. – 1964. – 4 textual records. Original and copies. 	
MUS 95/F,6 	Annotated librettos. – 1964. – 3 textual records. Copies. 	
MUS 95/F,7 	Scores. – 1964. – 1 cm of textual records. Originals and copies. 	
MUS 95/F,8 	Press clippings. – 1955-1964. – 10 textual records. Copies. 	
MUS 95/F,9 	Miscellaneous. – 1963-1965. – 0.5 cm of textual records. File consisting of, among other items, financial records and contracts. Originals and copies. 	

MUS 95/G 	SCRAPBOOKS. – 1936-1952. – 26 cm of textual records. – 62 photographs: b&w; 25.5 cm x 20.5 cm or smaller. 
The series consists of scrapbooks which illustrate Robert Fleming's life and career and his time in the Royal Canadian Air Force. It also contains a number of scrapbooks devoted to various artists and musical events. The scrapbooks consist of, among other items, correspondence, school records, concert programs and photographs (primarily of Robert Fleming). 
Originals and copies. 

MUS 95/G,1 	Scrapbook. – 1937-1948. – 1 textual record. 	
	File consisting of a scrapbook concerning Robert Fleming's life 	
	and career. The scrapbook contains, among other items, 	
	correspondence, press clippings, concert programs and school 	
	records. 	
	Original. 	
MUS 95/G,2 	Scrapbook. – 1949-1952. – 1 textual record. 	
	File consisting of a scrapbook concerning Robert Fleming's life 	
	and career. The scrapbook contains, among other items, 	
	correspondence, press clippings, concert programs and 	
	interview texts. 	
	Original. 	
MUS 95/G,3 	Scrapbook. – 1944. – 1 textual record. – 61 photographs: 	
	b&w; 25.5 cm x 20.5 cm or smaller. 	
	File containing a scrapbook concerning Robert Fleming's time 	
	in the Air Force. The scrapbook consists of, among other 	
	items, press clippings, concert programs and photographs 	
	(primarily of Robert Fleming). 	
	Original. 	
MUS 95/G,4 	Scrapbook. - A. – 1937-1945. – 1 textual record. – 1 	
	photograph: b&w; 6 cm x 8.5 cm. 	
	File containing a scrapbook consisting of concert programs, 	
	program notes and press clippings concerning various artists 	
	and musical events and a photograph of Sir Thomas Beecham 	
	conducting the Vancouver Symphony Orchestra at the 	
	Orpheum Theatre. 	
	Original. 	

MUS 95/G,5 	Scrapbook. - B. – 1934-1945. – 1 textual record. File containing a scrapbook consisting of press clippings concerning various artists and musical events. Original. 	
MUS 95/G,6 	Scrapbook. - C. – 1936-1938. – 1 textual record. File containing a scrapbook consisting of press clippings concerning various artists and musical events. Original. 	
MUS 95/G,7 	Scrapbook. - D. – 1937-1941. – 1 textual record. File containing a scrapbook consisting of concert programs, promotional material and press clippings concerning various artists and musical events. Original. 	
MUS 95/G,8 	Scrapbook. - E. – 1937-1946. – 1 textual record. File containing a scrapbook consisting of a concert program, program notes, promotional material, brochures and press clippings concerning various artists and musical events. Original. 	
MUS 95/G,9 	Scrapbook. - F. – 1945-1948. – 1 textual record. File containing a scrapbook consisting of press clippings concerning various artists and musical events, as well as promotional material. Original. 	
MUS 95/G,10 	Scrapbook. - G. – 1947-1950. – 1 textual record. File containing a scrapbook consisting of press clippings concerning various artists and musical events, as well as promotional material. Original. 	
MUS 95/G,11 	Scrapbook. - H. – 1947-1951. – 1 textual record. File containing a scrapbook consisting of programs, promotional material and press clippings concerning various artists and musical events. Original. 	
MUS 95/G,12 	Scrapbook. - I. – 1948-1951. – 1 textual record. File containing a scrapbook consisting of a program and press clippings concerning various artists and musical events. Original. 	

MUS 95/G,13 	Catalogue. – [195-?]. – 1 textual record. File containing a catalogue of names, titles and themes from various records in scrapbooks A to I, as well as articles from the periodical Musical Times. Original. 
MUS 95/H PRESS CLIPPINGS. – 1947-1976. – 7 cm of textual records. 
The series consists of press clippings concerning Robert Fleming and his works, as well as the National Film Board of Canada. 
Copies. 

MUS 95/H,1 	Press clippings. – 1947-1959. – 1.5 cm of textual records. File containing press clippings concerning Robert Fleming and his works, as well as members of his family. Copies. 	
MUS 95/H,2 	Press clippings. – 1960-1969. – 1.5 cm of textual records. File containing press clippings concerning Robert Fleming and his works, as well as members of his family. Copies. 	
MUS 95/H,3 	Press clippings. – 1970-1976. – 1.5 cm of textual records. File containing press clippings concerning Robert Fleming and his works. Copies. 	
MUS 95/H,4 	Press clippings. – [195-?]-[197-]. – 1 cm of textual records. File containing press clippings concerning Robert Fleming and his works. Copies. 	
MUS 95/H,5 	Press clippings. – 1961-[197-]. – 1.5 cm of textual records. File containing press clippings concerning the National Film Board of Canada. Copies. 	

Robert Fleming, 1974. 
MUS 95/I PHOTOGRAPHS. – 1932-[197-]. – 247 photographs: b&w and col.; 
25.5 x 20.5 cm or smaller. 
The series contains photographs of Robert Fleming, various artists (Colette Boky, François D'Albert, Sir Ernest MacMillan, Healey Willan, etc.) and performances. It also contains autographed photographs of François D'Albert, Uta Graf, Lyell Gustin and Eugene Istomin. 

MUS 95/I,1 	Robert Fleming. – 1940-[195-]. – 8 photographs: b&w; 25.5 x 20.5 cm or smaller. File containing photographs of Robert Fleming alone. 	
MUS 95/I,2 	Robert Fleming. – 1960-1969. – 121 photographs: b&w; 25.5 x 20.5 cm or smaller. File containing photographs of Robert Fleming alone. 	
MUS 95/I,3 	Robert Fleming. – [197-]. – 10 photographs: b&w; 17.5 x 12.5 cm and 10.5 x 7.5 cm. File containing photographs of Robert Fleming alone. 	
MUS 95/I,4 	Robert Fleming and others. – 1932-[197-]. – 34 photographs: b&w and col.; 25.5 x 20.5 cm or smaller. File consisting of photographs of Robert Fleming with various people including Colette Boky, François D'Albert, Kenneth Gilbert, Sir Ernest MacMillan, Vincent Massey and Robert van Dine. 	
MUS 95/I,5 	Healey Willan. – [1940]-[196-?]. – 26 photographs: b&w; 24.5 x 19.5 cm or smaller. File consisting of photographs of Healey Willan, his house and Robert Fleming with Willan. 	
MUS 95/I,6 	Autographed photographs. – 1941-[196-?]. – 4 b&w photographs; 25.5 x 20.5 cm and 20.5 x 25.5 cm. File containing autographed photographs of musicians François D'Albert, Uta Graf, Lyell Gustin and Eugene Istomin. 	
MUS 95/I,7 	Oklahoma!. – 1955. – 2 photographs: b&w; 20.5 x 17 cm and 17.5 x 12.5 cm. File containing photographs taken during the Orpheus Operatic Society performance. 	

MUS 95/I,8 	Oklahoma!. – 1964. – 23 photographs: b&w and col.; 20 x 25 cm or smaller. File consisting of photographs taken during the performance and in the wings. 	
MUS 95/I,9 	Miscellaneous. – [193-?]-[197-?]. – 19 photographs: b&w and col.; 20.5 x 25.5 cm or smaller. File containing photographs of various people and churches. 	

MUS 95/J 	DRAWINGS. – [195-]-[197-]. – 2 cm of drawings: pencil, ink, charcoal, watercolours; 40 x 40 cm or smaller. 
The series consists of drawings depicting Robert Fleming, sketches and caricatures by Fleming, as well as various drawings for the theatre. 

MUS 95/J,1 	Robert Fleming. – 1974. – 1 drawing: ink; 21.5 x 15 cm. File containing a caricature by Robert Fleming for the Civic Symphony. 	
MUS 95/J,2 	Robert Fleming. [197-?]. – 1 drawing: pencil; 35 x 25 cm. File containing a tracing of the drawing by Saley. 	
MUS 95/J,3 	Robert Fleming. [197-?]. – 1 drawing: ink; 31 x 22 cm. File containing a tracing of the drawing by Saley. 	
MUS 95/J,4 	Cellist. – 1962. – 1 drawing: charcoal; 37.5 x 27.5 cm. File consisting of a drawing by Robert Fleming. 	
MUS 95/J,5 	Theatre. – [197-]. – 13 drawings: pencil, ink, watercolours; 24 x 32 cm or smaller. File containing various of drawings for the theatre. 	
MUS 95/J,6 	Miscellaneous. – [195-?]-[197-?]. – 1 cm of drawings: pencil and ink; 40 x 40 cm or smaller. File consisting of sketches and caricatures by Robert Fleming. 	

MUS 95/K 	SOUND RECORDINGS. – 1946-1976. – 68 audio tape reels (ca. 42 hrs). – 114 audio discs (ca. 28 hrs.). 
This series consists primarily of sound recordings of works by Robert Fleming illustrating his output of film music and works for various ensembles. A number of artists and musical groups have performed his music, including Maureen Forrester, Doris Parker, John Boyden, John Newmark, Frederic Swan, François D'Albert, Mario Bernardi, Elmer Iseler, John Avison, the National Arts Centre Orchestra, the Orford String Quartet and the Chamber Players of Toronto. There are also sound recordings of church services and various messages, mainly from members of Robert Fleming's family. 
The series contains the following sub-series: MUS 95/K1 Film Music; MUS 95/K2 Miscellaneous Music; and MUS 95/K3 Other. 
MUS 95/K1 FILM MUSIC 

MUS 95/K1,1 	Air Ambulance. – [1948?]. – 6 audio discs (ca. 3 hrs): acetate; 33 1/3 rpm; 35 cm. Reference numbers: D14 128 to D14 133. 	
MUS 95/K1,2 	Are You Safe at Home. – 1948. – 4 audio discs (ca. 1 hr 15 min.): acetate; 78 rpm; 35 cm. Reference numbers: D14 146 to D14 149. 	
MUS 95/K1,3 	B.C. Indians. – [195-?]. – 9 audio discs (ca. 1 hr 30 min.): acetate; 78 rpm; 35 cm. Reference numbers: D14 177 to D14 185. 	
MUS 95/K1,4 	Camp for Kids. – 1948. – 12 audio discs (ca. 2 hrs): acetate; 78 rpm; 35 cm. Reference numbers: D14 150 to D14 161. 	
MUS 95/K1,5 	Camp for Kids and Marine Co-op. – [1948?]. – 3 audio discs (ca. 40 min.):  acetate; 78 rpm; 30 cm. Reference numbers: D12 577 to D12 579. 	
MUS 95/K1,6 	Canada at War. – 1961. – 1 audio tape reel (ca. 15 min.): polyester; 19 cm/sec.; reel: 13 cm. Audio recording containing songs used for theCanada at War series. Reference number: T5 558. 	

Robert Fleming, [ca 1955]. Photograph: National Film Board of Canada. 

MUS 95/K1,7 	Collège contemporain. – [1960?]. – 2 audio tape reels (ca. 2 hrs): polyester; 19 cm/sec.; reel: 18 cm. Reference numbers: T7 1968 and T7 1970. 	
MUS 95/K1,8 	Dependency. – [1950?]. – 12 audio discs (ca. 3 hrs 30 min.): acetate; 78 rpm; 35 cm. Reference numbers: D14 200 to D14 211. 	
MUS 95/K1,9 	Diet. – 1946. – 4 audio discs (ca. 50 min.): acetate; 78 rpm; 41 cm. Reference numbers: D16 159 to D16 162. 	
MUS 95/K1,10 	Geology. – [195-?]. – 10 audio discs (ca. 3 hrs): acetate; 78 rpm; 35 cm. Reference numbers: D14 136 to D14 145. 	
MUS 95/K1,11 	International Harvester. – [195-?]. – 15 audio discs (ca. 2 hrs 30 min.):  acetate; 78 rpm; 35 cm. Reference numbers: D14 162 to D14 176. 	

MUS 95/K1,12 	Marine Co-op. – [195-?]. – 13 audio discs (ca. 4 hrs): acetate; 78 rpm; 35 cm. Reference numbers: D14 187 to D14 199. 	
MUS 95/K1,13 	Mercy Flight. – [195-?]. – 2 audio discs (ca. 45 min.): acetate; 33 1/3 rpm; 35 cm. Reference numbers: D14 134 and D14 135. 	
MUS 95/K1,14 	Mr. Mayor. – [195-?]. – 1 audio tape reel (ca. 2 hrs): polyester; 9.5 cm/sec.; reel:  18 cm. Reference number: T7 1941. 	
MUS 95/K1,15 	Promesses. – [1948?]. – 1 audio disc (ca. 20 min.): acetate; 78 rpm; 30 cm. Reference number: D12 576. 	
MUS 95/K1,16 	Red River Country. – 1950. – 5 audio discs (ca. 1 hr 30 min.): acetate; 78 rpm; 30 cm. Sound Recordings comprising the sectionsWestern Hoedown, Vocal Islandic, Strawberry Women, Graveyard, Boat Ride (Goy) Scotch, Main Street, Prairie Opening, Hot Summer Day, Western Scene, Prairie Theme, Country Fair. Reference numbers: Mikal 26/0223, 26/0227, 26/0231, 26/0235, 26/0239. 	
MUS 95/K1,17 	Steelhead. – [195-?]. – 12 audio discs (ca. 3 hrs 30 min.): acetate; 78 rpm; 35 cm. Reference numbers: D14 212 to D14 223. 	
MUS 95/K1,18 	Tourist Cruises. – [1949?]. – 2 audio discs (ca. 30 min.): acetate; 78 rpm; 35 cm. Reference numbers: D14 224 and D14 243. 	
MUS 95/K1,19 	Other works. – [1960?]. – 1 audio tape reel (ca. 20 min.): Polyester; 19 cm/sec.; reel: 18 cm. Audio recording containing works by Robert Fleming(City Out of Time, Gone Curling, Girl's Camp, Away from It All) and Eldon Rathburn (City of Gold, Transportation). Reference number: T7 1964. 	

MUS 95/K2 OTHER MUSIC 

MUS 95/K2,1 	Brass Quintet. – [1966?]. – 1 audio tape reel (ca. 20 min.): polyester; 19 cm/sec.; reel: 18 cm. Reference number: T7 1957. 	
MUS 95/K2,2 	Brass Quintet. – 1975. – 1 audio tape reel (ca. 1 hr): polyester; 19 cm/sec.; reel:  18 cm. Recording also containing works by other composers. Reference number: T7 1938. 	
MUS 95/K2,3 	Concerto for Tuba. – [1966?]. – 1 audio tape reel (17 min. 22 sec.): polyester; 19 cm/sec.; reel: 18 cm. Reference number: T7 1988. 	
MUS 95/K2,4 	The Confession Stone. – 1967. – 1 audio tape reel (17 min 30 sec.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording produced by the Canadian Broadcasting Corporation with Maureen Forrester. The recording also contains a French-language performance of the work. Reference number: T7 1975. 	
MUS 95/K2,5 	The Confession Stone. – 1967. – 1 audio tape reel (ca. 20 min): polyester; 19 cm/sec.; reel: 18 cm. Sound recording produced by the Canadian Broadcasting Corporation with Maureen Forrester. Reference number: T7 1949. 	
MUS 95/K2,6 	The Confession Stone. – 1967. – 1 audio tape reel (ca. 45 min): polyester; 9.5 cm/sec.; 19 cm/sec.; reel: 13 cm. Sound recording of Maureen Forrester (Expo 67). The recording also contains a rehearsal of choral songs. Reference number: T5 563. 	
MUS 95/K2,7 	The Confession Stone. – 1969. – 1 audio tape reel (ca. 1 hr 30 min): polyester; 9.5 cm/sec.; reel: 18 cm. Sound recording of Robert Fleming and contralto Doris Parker. The recording also contains a work by Benjamin Britten. Reference number: T7 1931. 	

MUS 95/K2,8 	Coulter Songs. – [196-?]. – 1 audio tape reel (ca. 20 min): polyester; 9.5 cm/sec.; 19 cm/sec.; reel: 18 cm. Sound recording of John Boyden (baritone) and John Newmark (piano). The recording also contains a rehearsal of choral music. Reference number: T7 1951. 	
MUS 95/K2,9 	Divertimento, for 2 oboes, organ and strings. – 1975. – 1 audio tape reel (14 min.): 19 cm/sec.; reel: 18 cm. Sound recording of the Chamber Players of Toronto and organist Frederic Swan conducted by Victor Martin. Reference number: T7 1992. 	
MUS 95/K2,10 	Hexad. – [197-]. – 1 audio tape reel (ca. 11 min.): polyester; 19 cm/sec.; reel:  13 cm. Sound recording of the National Arts Centre Orchestra conducted by Mario Bernardi. Reference number: T5 565. 	
MUS 95/K2,11 	Heirs Through Hope. – [1968?]. – 1 audio tape reel (ca. 45 min.): polyester; 9.5 cm/sec.; reel: 13 cm. Sound recording produced by the Canadian Broadcasting Corporation in St. James' Church. Conductor: Elmer Iseler. The recording also contains, among other items, works by other composers. Reference number: T5 570. 	
MUS 95/K2,12 	Indian Legend. – 1967. – 1 audio tape reel (ca. 20 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording containing sketches of the work played on piano. Reference number: T7 1979. 	
MUS 95/K2,13 	Indian Legend. – 1967. – 1 audio tape reel (16 min. 51 sec.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording produced for a puppet show at Expo 67. Reference number: T5 559. 	
MUS 95/K2,14 	Kaleidescope. – [195-?]. – 1 audio disc (ca. 15 min.): acetate; 78 rpm; 30 cm. Sound recording of a symphony orchestra conducted by John Avison. Reference number: Mikal 26/0243. 	

MUS 95/K2,15 	Laurentian Parade. – [1967?]. – 1 audio tape reel (ca. 30 min.): polyester; 19 cm/sec.; reel: 18 cm. Reference number: T7 1953. 	
MUS 95/K2,16 	Prairie Sailor, folk cantata. – 1970. – 1 audio tape reel (ca. 1 hr): polyester; 9.5 cm/sec.; reel: 18 cm. Sound recording produced in the Opera of the National Arts Centre by the Canadian Broadcasting Corporation. Title of radio program: The Entertainers. Reference number: T7 1983. 	
MUS 95/K2,17 	Prairie Sailor, folk cantata. – [1970?]. – 1 audio tape reel (ca. 45 min.):  polyester; polyester; 9.5 cm/sec.; reel: 13 cm. Sound recording produced during a concert at the National Arts Centre. The recording is incomplete. Reference number: T5 569. 	
MUS 95/K2,18 	Shadow on the Prairie. – [195-?]. – 1 audio tape reel (ca. 30 min.): polyester; 19 cm/sec.; reel: 18 cm. Sound recording containing sketches of the work played on the piano. Reference number: T7 1982. 	
MUS 95/K2,19 	Six Improvisations on a Liturgical Theme. – 1947. – 1 audio disc (ca. 20 min.): acetate; 78 rpm; 30 cm. Reference number: D12 575. 	
MUS 95/K2,20 	Solemn Procession. – 1970. – 1 audio tape reel (ca. 45 min.): polyester; 9.5 cm/sec.; reel:  18 cm. Sound recording of the work Solemn Procession by organist Gerald Wheeler. The recording also contains works by other composers. Reference number: T7 1976. 	
MUS 95/K2,21 	String Quartet No. 1. – 1969. – 1 audio tape reel (14 min. 30 sec.): polyester; 19 cm/sec.; reel: 13 cm. Sound recording produced at the première by the Orford String Quartet. Reference number: T5 571. 	

MUS 95/K2,22 	Three Pieces, for oboe and harpsichord. – 1967. – 1 audio tape 	
	reel (ca. 30 min.): polyester; 19 cm/sec.; reel: 13 cm. 	
	Sound recording produced at Place des arts with Kenneth 	
	Gilbert and Jacques Simard. The recording also contains works 	
	by François Couperin. 	
	Reference number: T5 560. 	
MUS 95/K2,23 	Other works. – 1957. – 1 audio tape reel (ca. 30 min.): 	
	polyester; 19 cm/sec.; reel:  18 cm. 	
	Sound recording containing works by Robert Fleming 	
	performed by the composer (piano) and François D'Albert 	
	(violin). The recording, produced by the Canadian 	
	Broadcasting Corporation, consists of the piecesRecollection, 	
	Yukon Tune No. 1 and Yukon Tune No. 2. 	
	Reference number: T7 1997. 	
MUS 95/K2,24 	Other works. – [196-?]. – 1 audio tape reel (ca. 25 min.): 	
	polyester; 19 cm/sec.; reel: 18 cm. 	
	Sound recording containing an excerpt from Robert Fleming's 	
	work Ballet Introduction and works by other composers. 	
	Robert Fleming's theme is used for theMusic of Canada 	
	program. 	
	Reference number: T7 1933. 	
MUS 95/K2,25 	Other works. – [196-?]. – 1 audio tape reel (ca. 1 hr 20 min.): 	
	polyester; 9.5 cm/sec.; reel: 18 cm. 	
	Sound recording consisting of works by Robert Fleming(The 	
	Confession Stone, Grave in the Quiet Glen, Shadow on the 	
	Prairie, Rocking Song, Madrigal and Heirs Through Hope). 	
	Reference number: T7 1934. 	
MUS 95/K2,26 	Other works. – [196-?]. – 1 audio tape reel (ca. 1 hr 30 min.): 	
	polyester; 9.5 cm/sec.; reel: 18 cm. 	
	Recording consisting of excerpts from a number of works by 	
	Robert Fleming. 	
	Reference number: T7 1978. 	
MUS 95/K2,27 	Other works. – [196-?]. – 1 audio tape reel (ca. 10 min.): 	
	polyester; 36 cm/sec.; reel: 18 cm. 	
	Sound recording containing, among other items, the pieces 	
	Poeme and Mestizo. 	
	Reference number: T7 1962. 	

MUS 95/K2,28 	Other works. – 1976. – 2 audio tape reels (ca. 1 hr): polyester; 19 cm/sec.; reel:  18 cm. Sound recordings made at the National Arts Centre by the Canadian Broadcasting Corporation at a concert honouring Robert Fleming. Works presented: String Quartet No. 1.; Choreographic Sketches and The Confession Stone. Reference numbers: T7 1935 and T7 1936. 	
MUS 95/K2,29 	Family music. – [195-]-[196-?]. – 6 audio tape reels (ca. 4 hrs): polyester; 9.5 cm/sec.; 19 cm/sec.; 36 cm/sec.; reel: 18 cm. Sound recordings containing mainly songs and improvisations by members of Robert Fleming's family. Reference numbers: T5 566, T7 1942, T7 1963, T7 1965 and T7 1966, T7 1993. 	
MUS 95/K2,30 	Family music. – 1963. – 1 audio disc (ca. 15 min.):  acetate; 33 1/3 rpm; 20 cm. Sound recordings containing various songs. Reference number: D8 201. 	
MUS 95/K2,31 	Electronic music and sound effects. – [195-?]. – 1 audio disc (ca. 20 min.):  acetate; 78 rpm; 35 cm. Reference number: D14 186. 	
MUS 95/K2,32 	Electronic music. – [196-?]. – 3 audio tape reels (ca. 3 hrs): polyester; 19 cm/sec.; reel: 13 and 18 cm. Sound recordings containing electronic music by Myron Schaeffer. Reference numbers: T5 583, T7 1961, T7 1989. 	
MUS 95/K2,33 	Works of other composers. – 1972. – 1 audio tape reel (14 min. 8 sec.):  polyester; 9.5 cm/sec.; reel: 18 cm. Sound recording by contralto Margaret Anne Richards and Robert Fleming (piano). Reference number: T7 1929. 	
MUS 95/K2,34 	Unidentified works and works by other composers. – [195-?][197-?].  - 15 audio tape reels (ca. 12 hrs): polyester; 9.5 cm/sec; 19 cm/sec.; reel:  15 and 18 cm. Reference numbers: T5 557, T5 561, T5 572, T7 1930, T7 1940, T7 1943, T7 1947, T7 1955, T7 1971 and T7 1972, T7 1974, T7 1986, T7 1990, T7 1995, T7 1998. 	

MUS 95/K3 OTHER 	
MUS 95/K3,1 	Messages. – [195-?]-1969. – 4 audio tape reels (ca. 1 hr 30 min.): polyester; 9.5 cm/sec.; reel: 13 cm. Sound recordings containing messages, mainly from members of Robert Fleming's family. Reference numbers: T5 562, T5 564, T5 567 and T5 568. 	
MUS 95/K3,2 	Church services. – [195-]-[197-]. – 7 audio tape reels (ca. 6 hrs):  polyester; 9.5 cm/sec.; reel: 18 cm. Sound recordings produced during church services. One of the reels also contains interviews about Healey Willan. Reference numbers: T7 1937, T7 1944 to T7 1946, T7 1959, T7 1969, T7 1985. 	

MUS 95/L 	MISCELLANEOUS. – 1932-1976. – 9 cm of textual records. – 1 photograph: b&w; 4 x 3.5 cm . 
The series consists of, among other items, biographical notes, lists of works, a passport, contracts, reports, certificates of merit and honorary awards, invitations, poems and annotated printed material. 
Originals and copies. 

MUS 95/L,1 	Certificates of merit and honorary awards. – 1932-[196-?]. – 	
	0.5 cm of textual records. 	
	File containing documents from the Saskatchewan Musical 	
	Association, Glebe United Church, Canadian Performing Rights 	
	Society Limited and the Canadian Film Awards. 	
	Originals. 	
MUS 95/L,2 	Biographical notes and lists of works. – 1943-1976. – 2 cm of 	
	textual records. 	
	Originals and copies. 	

Robert Fleming at the piano during his time in the Canadian Air Forces, [ca 1944]. 

MUS 95/L,3 	Membership card. – 1946. – 1 textual record. File consisting of a Toronto Musical Protective Association membership card. Original. 	
MUS 95/L,4 	Invitations. – 1955-1976. – 0.5 cm of textual records. Originals and copies. 	
MUS 95/L,5 	Fundraising. – 1950. – 8 textual records. – 11 drawings: pencil; 20 x 12.5 cm or smaller. File containing records concerning a fundraising evening for the Ottawa Philharmonic Orchestra. Originals. 	
MUS 95/L,6 	Contracts. – 1953-1970. – 3 textual records. Copies. 	
MUS 95/L,7 	Notebook. – 1957. – 1 textual record. Original. 	
MUS 95/L,8 	Notebook. – 1960-1968. – 1 textual record. File consisting of a notebook concerning Robert Fleming's church music activities. Original. 	
MUS 95/L,9 	Notes. – 1972-1976. – 1 cm of textual records. File containing notes concerning Robert Fleming's church music activities. Originals. 	
MUS 95/L,10 	Notes. – [197-]. – 1 textual record. File containing notes concerning a play. Original. 	
MUS 95/L,11 	Reports. – 1958-1976. – 11 textual records. File containing reports concerning various choirs. Originals and copies. 	
MUS 95/L,12 	Scripts. – [195-?]-[197-?]. – 1 cm of textual records. File containing, among other items, an annotated script for the program Dominion Day 65. Copies. 	

MUS 95/L,13 	Hymn. – 1967-[197-]. – 15 textual records. File containing records concerning the creation of a new hymn. Originals and copies. 	
MUS 95/L,14 	Passport. – 1967. – 1 textual record. – 1 photograph: b&w; 4 x 3.5 cm. File consisting of a passport to Man and His World. Original. 	
MUS 95/L,15 	Poems. – [196-?]-1976. – 6 textual records. File containing poems by various authors. Originals and copies. 	
MUS 95/L,16 	Annotated printed material. – c1940-c1960. – 1 cm of textual records. File containing a music book and scores. Copies. 	
MUS 95/L,17 	Brochures and bulletins. – 1953-1976. – 1 cm of textual records. Copies. 	

INDEX OF FILES 
Files Boxes 
A,1 to A,13 1 A,14 and A,15 2 B,1 to B,4 2 B,5 80 B,6 7 C1/1,1 and C1/1,2 2 C1/2,1 to C1/2,5 2 C1/2,6 and C1/2,7 3 C2,1 to C2,15 3 C3,1 to C3,5 3 D1,1 7 D1,2 (Cab.) D1,3 7 D1,4 and D1,5 (Cab.) D1,6 7 D1,7 (Cab.) D1,8 and D1,9 7 D1,10 (Cab.) D1,11 8 D1,12 to D1,14 80 D1,15 and D1,16 8 D1,17 and D1,18 80 D1,19 8 D1,20 to D1,22 81 D1,23 8 D1,24 81 D1,25 and D1,26 (Cab.) D1,27 81 D1,28 to D1,31 82 D1,32 to D1,34 (Cab.) D1,35 82 D1,36 to D1,44 83 D1,45 8 D1,46 84 D1,47 8 D1,48 and D1,49 84 D1,50 9 D1,51 and D1,52 84 
Files Boxes 
D1,53 9 D1,54 84 D1,55 85 D1,56 9 D1,57 to D1,59 85 D1,60 9 D1,61 85 D1,62 and D1,63 86 D1,64 9 D1,65 and D1,66 86 D1,67 3 D1,68 and D1,69 9 D1,70 10 D1,71 and D1,72 86 D1,73 and D1,74 10 D1,75 86 D1,76 to D1,79 10 D1,80 87 D1,81 to D1,86 11 D1,87 to D1,94 12 D1,95 to D1,101 13 D1,102 to D1,105 14 D1,106 to D1,111 15 D1,112 to D1,123 16 D1,124 to D1,129 17 D1,130 87 D1,131 to D1,136 18 D1,137 and D1,138 87 D1,139 and D1,140 18 D1,141 to D1,145 19 D1,146 to D1,150 20 D1,151 to D1,154 21 D1,155 and D1,156 22 D1,157 87 D1,158 22 D1,159 to D1,167 23 D1,168 to D1,172 24 D1,173 to D1,177 25 D1,178 to D1,183 26 D1,184 to D1,186 27 D1,187 and D1,188 28 D1,189 87 
Files Boxes 
D1,190 to D1,193 28 D1,194 to D1,198 29 D1,199 30 D1,200 4 D1,201 to D1,205 30 D1,206 87 D1,207 30 D1,208 to D1,213 31 D1,214 to D1,216 32 D1,217 to D1,219 33 D1,220 and D1,221 34 D1,222 and D1,223 35 D1,224 and D1,225 36 D1,226 and D1,227 37 D1,228 to D1,231 38 D1,232,to D1,235 39 D1,236 to D1,238 40 D1,239 4 D1,240 and D1,241 40 D1,242 to D1,244 41 D1,245 to D1,251 42 D1,252 4 D1,253 to D1,255 42 D1,256 4 D1,257 and D1,258 42 D1,259 to D1,261 43 D1,262 44 D1,263 4, 78 D1,264 and D1,265 44 D2,1 to D2,3 44 D2,4 45 D2,5 87 D2,6 to D2,8 45 D2,9 to D2,12 46 D2,13 4 D2,14 and D2,15 47 D2,16 78 D2,17 and D2,18 47 D2,19 4 D2,20 and D2,21 47 D2,22 to D2,25 48 D3,1 48 
Files Boxes 
D3,2 and D3,3 78 D3,4 48 D3,5 to D3,11 49 D3,12 to D3,15 50 D3,16 87 D3,17 and D3,18 50 D3,19 4 D3,20 50 D3,21 51 D3,22 87 D3,23 51 D3,24 88 D3,25 to D3,30 51 D3,31 to D3,44 52 D3,45 to D3,50 53 D3,51 to D3,56 54 D3,57 88 D3,58 and D3,59 54 D3,60 to D3,64 55 D4,1 and D4,2 55 D4,3 56 D4,4 56, 78 D4,5 78 D4,6 79 D4,7 56 D4,8 to D4,11 57 D5,1 88 D5,2 to D5,10 58 D5,11 to D5,19 59 D6,1 to D6,4 59 D6,5 to D6,7 60 D6,8 (Cab.) D6,9 4 D6,10 to D6,13 60 D6,14 4 D6,15 to D6,18 60 D6,19 to D6,31 61 D6,32 62 D6,33 4 D6,34 to D6,40 62 D6,41 4 D6,42 62 
Files Boxes 
D6,43 and D6,44 4 D6,45 62 D6,46 4 D6,47 and D6,48 63 D6,49 4 D6,50 63 D6,51 4 D6,52 and D6,53 63 D6,54 4 D6,55 to D6,60 63 D7/1,1 4 D7/1,2 to D7/1,11 64 D7/1,12 4 D7/1,13 to D7/1,17 64 D7/1,18 4 D7/1,19 to D7/1,23 64 D7/1,24 4 D7/1,25 to D7/1,30 64 D7/1,31 to D7/1,45 65 D7/1,46 and D7/1,47 4 D7/1,48 and D7/1,49 65 D7/1,50 4 D7/1,51 and D7/1,52 65 D7/1,53 and D7/1,54 4 D7/1,55 to D7/1,58 65 D7/2,1 and D7/2,2 65 D7/2,3 to D7/2,10 4 D7/2,11 65 D7/2,12 and D7/2,13 66 D7/2,14 66 D7/2,15 4 D7/2,16 to D7/2,19 66 D7/3,1 and D7/3,2 66 D8,1 66 D8,2 4 D8,3 to D8,24 66 D8,25 to D8,29 67 D8,30 88 D8,31 to D8,54 67 D8,55 to D8,61 68 D8,62 and D8,63 4 

Files 	Boxes 	
D8,64 to D8,66 	68 	
D8,67 	4 	
D8,68 to D8,77 	68 	
D8,78 and D8,79 	4 	
D8,80 	68 	
D8,81 and D8,82 	4 	
D8,83 	68 	
D8,84 to D8,87 	4 	
D8,88 	68 	
D8,89 to D8,91 	4 	
D8,92 to D8,95 	68 	
D8,96 to D8,98 	4 	
D8,99 and D8,100 	68 	
D8,101 	4 	
D8,102 	69 	
D8,103 	4 	
D8,104 	69 	
D8,105 to D8,109 	4 	
D8,110 and D8,111 	69 	
D8,112 to D8,114 	4 	
D8,115 	69 	
D8,116 	4 	
D8,117 	69 	
D8,118 to D8,120 	4 	
D8,121 and D8,122 	69 	
D8,123 to D8,136 	4 	
D8,137 and D8,138 	69 	
D8,139 	4 	
D8,140 	69 	
D8,141 	4 	
D8,142 	69 	
D8,143 to D8,145 	4 	
D8,146 	(Negative) 	
D8,147 to D8,149 	4 	
D8,150 	69 	
D8, 151 to D8,152 	4 	
D8,153 	69 	
D8,154 and D8,155 	4 	
D8,156 	70 	
D8,157 	4 	
D8,158 and D8,159 	70 	
D8,160 and D8,161 	4 	

Files Boxes 
D8,162 70 D9,1 to D9,6 70 D9,7 4 D9,8 and D9,9 70 D9,10 4 D9,11 to D9,15 70 D9,16 to D9,27 71 D9,28 4 D9,29 to D9,31 71 D9,32 4 D9,33 to D9,35 71 D9,36 to D9,38 4 D9,39 to D9,41 71 D9,42 to D9,48 72 D9,49 4 D9,50 72 D9,51 and D9,52 4 D9,53 to D9,58 72 D9,59 4 D9,60 72 D9,61 and D9,62 4 D10,1 5 D10,2 73 D10,3 5 D10,4 73 E,1 5 E,2 5, 79 E,3 to E,5 5 F,1 to F,3 5 F,4 73 F,5 to F,9 5 G,1 73 G,2 74 G,3 5 G,4 74 G,5 to G,7 75 G,8 to G,10 76 G,11 and G,12 77 G,13 5 H,1 to H,5 6 L,1 79 L,2 to L,15 6 
L,16 77 L,17 6 
INDEX OF TITLES AND PROPER NAMES 
A As with Gladness D6,38 
A Certain Age D4,9 
A Christmas Litany D8,101 
A Great Big Sea D9,16 and D9,17 
A John Field Suite D2,15 
A Kangaroo Sat on an Oak D9,19 
À la claire fontaine D9,26 
A Little Ballad D1,117; D3,31 
A Musician in the Family D6,20 
A New Map for Canada D1,10 
A Sea Dirge D8,95 
A Simple Eucharist D8,106 
A Song for Saskatchewan D9,48 
A String Thing D3,34 
A Two Piece Suite D6,17 
A Wedding March D7/2,14 
A Wedding Motet D8,116 
Abbott-Smith, G. D8,152 
Absent D8,39 
Achill’s Girl's Song D9,4 
Acorn D1,60 
Adieu D6,41 
Adoption D1,80 
Afton Water D9,24 and D9,25 
Age of the Beaver D1,72 
Air (Style of Grieg) D7/1,13 
Air Ambulance MUS 95; D1,20 and D1,21; K1,1 
Air Defence Command D1,104 
Air Sea Rescue D1,57 
Airwoman D1,89 
All the Pretty Little Horses D9,15 
Almost Waltz D6,55 
An Approach to Theatre D1,95 
An Easter Carol D8,107 
Andante D3,36 
Angels from the Realms D8,58 
The Anglican Church of Canada A,14 
Anne's and Billy's Song D6,33 
Antonio D1,204 
Applause Cue D6,42 
Approaching the Manger D8,66 
Are You Safe at Home D1,15; K1,2 
Army Cadets D1,35 
Around the House Suite D; D3,2 to D3,5 
Arctic Community D1,123 
As Light O Christ D9,21 
Associated Board of the Royal Schools of Music B,5 
Astral Pastoral D1,42 
Atlas Title D1,128 
Autumn Day D1,112 
Awake, Song of the Day D8,117 
Away D8, 34 
Away from It All D1,142; D6,31; K1,19 
B 
B.C. Indians K1,3 
B.C. Logging D1,43 Bach, Johann Sebastian D9,60 Bag O'Trick D7/1,41 and D7/1,42 The Ballad of Mary and Joe D8,148 Ballerina D1,170; D7/1,31 Ballerina Waltz D6,43 Ballet Introduction MUS 95; D2,17 and D2,18; K2,24 Baptismal Hymn D8,155 Barbour Holbein, Constance D8,66 Basement D6,44 Battling Blue Fins D1,11 Bayly, Albert F. D8,152 Baymen D1,191 Be with Us Now D8,126 Bear and Mouse D1,210 Beecham, Sir Thomas G,4 Beethoven, Ludwig van D9,3 Belloc, Hilaire D8,19 and D8,20; D8,48 to D8,51 Benjamin, Arthur MUS 95; A,13; D6,4 Berceuse D6,25 and D6,26 Bernardi, Mario D4,9; K; K2,10 Betts, W. Seemer MUS 95 Binyon, Laurence D8,74 Bishop's Jig D7/2,8 Bizet, Georges D9,39 Black Moon D1,113 The Blackbird and the Thrush D9,12 Blacksmith D1,76 Blake, William D8,5 Bless Us All This Christmas Day D8,79 The Bluebird D2,14 Boat Ride (Goy) Scotch K1,16 
Boky, Colette I; I,4 Bonnie Lyndale D9,51 Boutflower, C.H. D8,129 The Boy Scouts Association A,7 Boyden, John K2,8 Brahms, Johannes D9,62 Brass Quintet D6,37; K2,1 and K2,2 Bread of the World D8,91 Brent's Brass Band D7/1,49 Brighter Moments D3,44 British Immigration D1,143 Britten, Benjamin K2,7 The Brownie Smile D8,11 Brownlee, John D8,134 Bud Jones D9,51 Budgeon D8,22 Building D1,245 By the Left March D5,9 
C'est la poulette grise D9,53 
C.D. Welfare D1,129 Cadet March D7/1,43 Calabogie Fiddler D1,236 Calgary Philharmonic Society A; A,13 Camp for Kids MUS 95; D1,23 and D1,24; K1,4 and K1,5 Canada's Awakening North D1,51 Canada - USA MUS 95; D1,212 to D1,232 Canada at War MUS 95; D1,147 to D1,157; K1,6 Canada Carries On D3,16 and D3,17 The Canada Council MUS/95; A,13; D4,11 Canadian Ballet Festival Association A,6 Canadian Broadcasting Corporation A; A,3; D8,121 and D8,122; K2,4 and K2,5; K2,11; K2,16; K2,23; K2,28 Canadian Film Awards L,1 Canadian Indian D1,90 Canadian League of Composers A; A,13; C2,5 Canadian Music Centre MUS 95; A; A,10; C2,6; D3,44 Canadian Music Council MUS 95 Canadian Performing Right’s Society Limited L,1 The Canadian School of Ballet A,6 CAPAC MUS 95; A,1 Caprice D6,4 Carleton Fanfare D6,39 Carleton University MUS 95; C1 Carmen D9,39 
Catch Me D7/1,55 Cendrillon D1,102 Challenge of Housing D1,32 Chamber Players of Toronto K2,9 Chancellor's Fanfare D6,39 Chapter 13 D; D2,1 to D2,5 Chasing Cats D6,45 Chaucer, Geoffrey D8,17 Children's Ballet D2,25 Choir of Christ Church D8,155 Choir of Glebe United Church D8,75 Chopin, Frédéric D9,3 Choral Communion D8,156 Choral Eucharist in D D8,81 
=
Choral Eucharist in E D8,92 
Choreographic Sketches K2,28 
Christ Came, a Child to Earth D8,131 
Christ Church Cathedral A,14 
Christmas Greetings D8,52 
The Church Clairvoyant D8,118 
The Church Is Wherever D8,127 
Circus D7/1,23 
Circus Polka D6,46 
City of Gold K1,19 
City of Saskatoon A,14 
City Out of Time, K1,19 
Civic Symphony J,1 
Clark, Dean Howard H. D8,71 
Cliff Hangers D1,44 
Coatman's Saloon D9,51 
Coelites Plaudant D7/2,9 
Collège contemporain D1,144; K1,7 
Collingwood, Dean Arthur MUS 95 
The Colour of Life D1,91 
The Colours of the Rainbow D6,27 and D6,28 
Come Down O Love Divine D6,38 
Come Let Us Go A-Carolling D8,69 
Come My Children D8,63 
Come My Way D8,161 
Come With Us O Blessed Jesus D9,38 
The Comedians D9,22 
Commando March D5,15 
Concerto for Tuba D3,46 to D3,48; K2,3 
The Confession Stone D; D8,102; K2,4 to K2,7; K2,25; K2,28 
Consecration Fanfare D7/2,15 
The Continuing Past (Geological Survey) D1,208 
Convocation Fanfare D6,39 
Co-op (Rising Tide) D1,29 
Corporal Ross' Folly D5,16 
Cottrell, Harvey D7/2,16 
Coulter Songs K2,8 
Coulter, John D4,1; D8,72 Country Auctioneer D1,87 Country Fair K1,16 Country Nurse D1,61 Couperin, François K2,22 Courage D8,35 Cradle Song D8,5 Crafts D1,171 Crafts of My Province D1,187 Crane Island D1,106 and D1,107 Crazy Clock D7/1,48 Crib March D6,47 The Crooked Rib D9,51 Crystal Wood D8,23 The Cuckoo Clock D3,6 The Cursed Duck D8,68 Custody D1,178 and D1,179 Cymbal Crash Clip D1,246 
D 
D'Albert, François I; I,4; I,6; K2,23 
D.N.A. D1,238 Dance My Dearies D8,40 Dancing D7/1,24 and D7/1,25 Dark Hall MUS 95 Davies, Margaret D8,34 Davies, W.H. D8,24; D8,32; D9,3 Davis, Frances D8,115; D8,133; D8,144; 
D8,160 Dawn's Welcome D6,48 Day's End D7/1,50 Days of Grace D1,114 de la Mare, Walter D8,34 and D8,35 Debussy, Claude D3,1 Deer Park United Church A,14 Defense Counsel D1,83 Denny, Edward D8,142 Department of Veterans Affairs A,13 Dependency D1,45; K1,8 Did You Remember D8,44 Diet D1,1; K1,9 The Dike D1,93 Diocesan College Hymn D8,153 The Diocese of Edmonton A,13 Diocese of Ottawa A; A,15 Divertimento D6,56 and D6,57 Do You Miss Me Billy D8,6 Dominion Day 65 L,12 Don Quichotte D9,40 Down North D1,108 Down North - Ballad of the Mackenzie D1,109 
Down on the Farm (The Son) D1,62 to D1,64 Down the Garden Path D7/1,51 Dramatic Bridge D1,115 Draw Nigh and Take D8,138 Dreaming D7/1,24 and D7/1,25 Drink to Me Only D9,41 The Duchess Song D8,10 Duffle Scuffle D5,10 Dusk Lights D8,14 Dutch Aerial D1,172 Dutch Hymn of Thanksgiving D9,36 
E 
Eastern Home Beautification D1,12 Eastern Townships D1,130 Ecology D1,131 Elegia D6,40 Energy D1,205 England, Amy Bissett D8,136 Enough D8,111 The Entertainers K2,16 Eskimo D1,2 Eskimo - Arctic Jungle D1,3 and D1,4 Eskimo Hymns D9,42 
=
Eucharist in B D8, 158 Eucharist Hymn No. 4 D8,103 Eucharist Hymn No. 6 D8,108 Evensong in G D8,86 Exploding Metropolis D1,173 Expo 67 D2,23 and D2,24; K2,13 
F 
Family House D1,262 and D1,263 Fanfare for a City D5,14 Fanfare no. 1 D6,38 Fanfare no. 2 D6,38 Fantasy D7/1,6 February Morning D8,15 Fermamente D6,40 Festival Suite D5,13 Finch, Robert D4,9; D8,111 Firelight Fancy D8,26 Fishermen D1,110; D6,31 Five Modernistics D7/1,24 Fleming, Arthur E. D; D10,3 Fleming, Barbara D6,5 Fleming, Margaret D4,10 to D4,12; D8,59; 
D8,62; D8,63; D8,65; D8,69; D8,76; D8,77; D8,79; D8,80; D8,82; D8,83; 
D8,84; D8,89 and D8,90; D8,98; D8,101; D8,109; D8,113; D8,116; D8,119; D8,121 to D8,124; D8,126; D8,131; D8,141; D8,147; D8,149 and D8,151; D8,154 and D8,155; D8,157; D8,159 
Fleming, Margot D7/1,39 
Fleming, Robert MUS 95; B; C; C3,5; D; D3,2; D3,18 to D3,21; D8,1; D8,37; D8,52; D10,1; D10,3; E; F; G; G,1 to G,3; H; H,1 to H,4; I; I,1 to I,5; J; J,1 to J,4; J,6; K; K1,19; K2,7; K2,23 to K2,26; K2,28 and K2,29; K2,33; K3,1; L,8 and L,9 
Flow of Grain D1,84 Folk Song D3,7 and D3,8 Fond Memory D1,247 For the Fallen D8,74 For the Roades D6,49 Forgetful Peter D1,237 Forlorn D1,248 Forrest, J.J. D8,130 Forrester, Maureen K; K2,4 to K2,6 
Four Fantasias on Canadian Folk Themes 
D3,49 to D3,52 Four Modernistics D7/1,25 Four Songs D8,111 Françoise D1,180 Fraser, Dr. J.P.L. D8,75 The Frederick Harris Music Co. Ltd. A,2 Freeman, John D8,15; D8,25 Friends of Mine D6,18 From Barkley Sound D8,157 Frontier D5,17 Frontier College D1,77 Fullerton, W.Y. D8,128 Fun and Games D3,53; D7/1,55 Funeral March D9,1 Furrows D8,60 
G 
Gander Slander D1,36 Gavotte et Musette D7/1,7 and D7/1,8 The Genius D8,68 Geology D1,132; K1,10 Germany D1,78 Gifts (of Love) D8,159 Gigue (I) D7/1,9 Gigue (II) D7/1,10 Gilbert, Kenneth I,4; K2,22 Girl's Camp D1,124; K1,19 Gladstone, W.E. D8,112 Glebe United Church A; A,13 and A,14; L,1 
Go for Baroque D6,34 God's Glory Be by Man Extolled D8,73 God Save the Queen D9,43 and D9,44 God Who Gives to Life D8,132 Goin' West D8,119 Going D1,116 Gone Curling D1,177; K1,19 Gordon V. Thompson Ltd. A,2 Gossip D6,29 and D6,30 Graf, Uta I; I,6 Grandma's Advice D9,35 Grant, Edna D8,143 Graphic D1,111 Graphic Cues D5,6 Grave in the Quiet Glen D8,47; K2,25 Graveyard K1,16 The Great Big Sea D9,7 Great Lakes D1,233 and D1,234 The Grievance D1,85 Ground Crew D1,81 Guilt D1,46 Gustin, Lyell MUS 95; I; I,6 Gymnastique D1,174 Gymnastique III D1,249 
H 
Hackett, Winston D8,155 Halifax Symphony Society A,13 Handiwork D1,139 Hang the Holly D8,120 Happy Days D3,54; D7/1,45 Happy Go Lucky D7/1,56 Harvest on the March D1,26 Haydn, Joseph D9,58 He Is Young but He Daily Are A-Growing D9,27 Heber, Bishop R. D8,91; D8,97 Heirs through Hope D8,121 and D8,122; K2,11; 
K2,25 Herbert, George D8,99; D8,161 L'Héritage D1,140 Herrick, Robert D8,13 Hexad K2,10 Hi Sooky, Ho Sooky D8,68 Hiebert, Paul D8,70 High Flight D8,61 Hill, Clara D8,16 His Shelter a Stable D8,151 History Cues D1,250 Holiday D3,55 Holland, Nora D8,4 The Holy Compass D8,160 Holy Jesus, God of Love D8,96 
Hopkins, Russ D9,48 Horizons D1,73 Horse Sense D8,110 Hostility D1,22 Hot Summer Day K1,16 Howells, Herbert MUS 95 Hueffer, Ford Madox D8,12 Humoresque D7/1,22 Hunting with a Camera D1,74 Huron Carol D9,28 Hymn to War D4,1 Hymn Tunes D8,46 Hymns for Today D8,125 
I'm a Poor Stranger and Far from My Own
 D9,5; D9,10 I'm Among Friends D8,83 I Cannot Tell D8,128 I Have No Time D8,70 I Sing of a Maiden D8,17 Immortal Sails D8,29 to D8,31 Improvisation (Wings of Spring) D7/1,21 In Sorrow D1,133 Incendiary Fires Light Up the Sky D8,153 Indian Legend D2,21 to D2,23; K2,12 and K2,13 Indian Trappers D1,33 Inscription D7/3,1 Interlude D3,26 International Harvester K1,11 Introit for an Ordination D8,104 Invocation D3,37 Iseler, Elmer K2,11 Istomin, Eugene I; I,6 It Was a Mouse D9,50 
J 
Jacky Visits the Zoo MUS 95; D1,158 to D1,161 Jamboree D5,3 Jaymar Music Ltd. A,2 Jesus Gentlest Saviour D8,105 The Jezebel Carol D9,13 Jigalong D7/1,57 Joey D1,188 Jolly Beggars D9,45 Joshua Fit de Battle ob Jericho D9,29 Journey out of Darkness D3,13 
K 
Kabalevsky D9,22 Kaleidescope D; D3,16 and D3,17; K2,14 Katardine D9,51 Kerr, John D8,92 King of Blades (Announcement Fanfare) D1,181 and D1,182 King of Glory, King of Peace D8,99 Kirby, J.C. D8,139 Knox Presbyterian Church A,14 Korea D1,65 Kurelek D1,194 Kyrie, Sanctus, Benedictus D8,145 
L 
Lakeshore Music for Young People Society A; A,8 Lament for a Cat D7/1,18 Lament of Desolation D3,35 Lampman, Archibald D8,53 and D8,54; D8,57 The Lark in the Clear Air D9,6 to D9,8 Laurentian Parade D2,24; K2,15 Leaker, G. D8,64 Leeds Music (Canada) Ltd. A,2 Légaré D1,125 Les Grands ballets canadiens MUS 95; A; A,6 Let There Be Light D8,133 Let Thy Blood in Mercy Poured D8,134 Let Us Leave It at That D9,9 The Light of God Shine on You D8,139 Likeness D8,111 Lilting D7/1,36 Lima Symphony Orchestra A,6 Linda D1,189 Litany D3,39; D7/2,2 The Little Serving Maid D8,49 LMPC D1,13 Loafing at Geneva Park D6,58 Loakie's Boat D9,50 Look with Grace D8,123 Lord of All Good D8,152 Lord of All Hopefulness D8,135 Love Like a Drop of Dew D8,32 Love Wonder D8,53 Lullaby D3,1; D6,50 Lynn Valley D8,16 Lyric Piece No. 1 D3,40 Lyric Piece No. 2 D1,164 Lyric Piece No. 3 D1,165 
M 
Maclaglan, W.D. D8,103 MacMillan, Sir Ernest I; I,4 Madawaska D1,251 Madrigal D8,93; K2,25 Magazine D1,252 Magee, John Gillespie D8,61 Magic Orion D2,19 Main Sreet K1,16 Makin, Kirk D6,15 Man and His World L,14 
Man Is a Universe (Montreal Neurological) 
D1,86 Manoeuvres D5,7 March for Berk D6,11 Marching D7/1,25 Marching Tune D3,7 and D3,8; D3,56 Marine Co-op K1,5; K1,12 Maritime Suite D6,31 Martin, Victor K2,9 Mary Had a Baby D9,54 Massella, Rudolph D6,17 Matheson, Mary D8,39 Matter of Fat D1,239 to D1,244 Mazzoleni, Ettore MUS 95 Medieval Tapestry D3,41 Meeting Place D8,111 Mental Health D1,9 Mercy Flight K1,13 Mestizo D3,9 to D3,11; D6,19; K2,27 The Metaphor D4,9 McGill University C3,1 Midnight D8,18 Mincus, Louis D9,40 Minuet D6,1; D6,51 Minuet and Trio D7/1,2 Miss Pudden D8,3 Missa Brevis No. 1 D8,36 The Mocking Bird D9,55 Money or Love D8,27 Monk's Gate D7/3,2 Monteverdi Fanfare D9,11 Montréal Brass Quintet A; A,13 The Moon's Funeral D8,51 The Moon Is Dead D8,50 Mountain Ecology D1,145 Movement Perpetuo (Industrial #1) D1,183 Mr. Mayor D1,82; K1,14 Music D8,54 Music of Canada K2,24 Musical Times G,13 My 76 Geared Wheel D9,51 
My Daddy D8,94 My Prairie Home D1,47 
N 
Narcotics D1,16 and D1,17 
Nash, Ogden D8,94 
National Arts Center A; A,14 and A,15; K2,16 and K2,17; K2,28 
National Arts Centre Corporation MUS 95; D4,9 
National Arts Centre Orchestra D4,9; K2,10 
National Film Board of Canada MUS 95; A; A,4 and A,5 
Nature Mood D1,253 
Navy D1,52 
Nearest D4,9 
Nell Flaherty's Drake D9,14 
Neutral D1,166 
New Brunswick Art D1,134 
New Choir Hymn Book D8,125 
New Choral Eucharist D8,162 
The New North D1,5 
New Suite for Children's String Orchestra D3,57 
Newmark, John K2,8 
The Night D8,19 and D8,20 
Nocturne D3,29 
Northern Health Services D1,235 
Northern Lights D7/1,17 
Northern Research D1,192 
Northern Voyage D1,184 
Northland D1,254 
Nostalgia D3,58 
Not in a Manger D8,149 
Nuclear Pioneers D1,264 
Nunc Dimittis D8,41; D8,71 
O 
O Canada D9,33 and D9,34 O Gladsome Hearts Remember D8,90 O God Be Ever Near Us D8,124 O Holy Father D8,140 O Jesus, King Eternal D8,78 O Joy of God D8,129 O Lead My Blindness D8,112 O Lord Support Us D8,75 O Most Merciful D8,97 O No John D9,46 O Pray to Christ All Children D8,98 O Saviour, Who a Tiny Child D8,82 O, Won't You Sit Down? D9,30 Obligattos and Fanfares for an Induction D6,38 
Ocean Notion D1,37 O’Driscoll, Herbert D8,148 Of a Timeless Land MUS 95; D4,10 to D4,12 Oklahoma! F; I,7 and I,8 Older Workers D1,75 On Pleasing Everybody D8,130 On the First Day of Christmas D8,113 On This Hill D9,50 150th Psalm D8,42 The Ontario Arts Council D5,19 Onward and Upward D3,59 Operation Snowman D1,255 Orff, Carl C2,14 Orford String Quartet K2,21 Orpheum Theatre G,4 Orpheus Operatic Society A,13; I,7 Ottawa Civic Orchestra MUS 95; D4,11 Ottawa Music Festival Association MUS 95 Ottawa Philharmonic Orchestra L,5 Ottawa Titles D5,11 Our Mind Was the Singer MUS 95; D4,9 Out of Newfoundland D3,50 to D3,52 Out of Old Quebec D3,50 to D3,52 Out of Our Indian Heritage D3,50 to D3,52 Out of the Prairies D3,50 to D3,52 Overture Concerts A,15 The Oxen D8,33 Oxford University Press A,2 
P 
Panorama End D1,256 Panoramique D1,257 The Paradox D8,111 Parish Eucharist in C D8,150 Parkdale United Church C3,2 Parker, Doris K2,7 Parliament Buildings D1,209 Parnell, T. D8,96 Passe partout D1,96 Passion Chorale D9,50 Paterson's Publications Ltd. A,2 Peoples of the Skeena D1,25 Period Piece D6,60 Perpetual Motion D3,44 Perspective D1,97 Peter McKee Music Co. Ltd. A,2 Peter Meets a Potter D1,53 Philharmonia inc. A,15 Phoebe D1,193 Piano Duet D6,10 Piano Selection D7/1,3 
Pity Ditty D1,48 Place des arts K2,22 Plantation Song D9,20 Playful Dayful D1,38 Playtime D3,60 Pleasure and Joy D8,24 La Plume au vent D1,105 Poeme K2,27 Post Office D1,103 Post Office Centennial D1,58 Postscript D7/1,29 Potato Harvest D1,135 Pound, Margaret 
See Fleming, Margaret Prairie Home D1,14 Prairie Opening K1,16 Prairie Sailor D; D4,2 to D4,8; K2,16 and 
K2,17 Prairie Song D3,61 Prairie Theme K1,16 Prelude for a Dedication D7/2,16 Prelude, Nocturne, Finale D7/1,52 Preparations D5,18 Prima Donna D3,42 Princess D1,162 Procession for an Important Wedding D7/2,3 Processional D9,58 Promenade D3,29 and D3,30 Promesses D1,18; K1,15 
Q 
Quebec Carnival D1,98 Quebec Indian D1,19 Quebec Industrial D1,60 Queen's Plate D1,126 The Queen D9,32 Quest D8,28 Quiet Mystery D1,167 Quiet Nature D1,168 Quiet Pastorale D1,258 Quietude D1,195 
R 
 (Feeling of Rejection) D1,136 
 Fanfares D5,5 
 Opener D5,12 Ragamuffin Band D3,32 and D3,33 Railroader D1,118 Ralph, Peter D6,17 

Rat's Song D8,88 Recollection D3,27 and D3,28; K2,23 Red River Country D1,39; D3,24 and D3,25; K1,16 Red Runs the Fraser MUS 95; D1,6 and D1,7 Regent Square D7/3,2 Rehabilitation D1,99 and D1,100 Research Director D1,94 Rhumbaleta D3,29 and D3,30 Rhythmpromptu No. 1 D7/1,26 Rhythmpromptu No. 2 D7/1,27 Rhythympromptu D7/1,16 Richards, Margaret Anne K2,33 Rigadoon D7/1,32 Ring the Bells of Christmas D8,65 Rising Tide D3,18 and D3,21 Robert Fleming Award MUS 95 Roberts, Michael D8,18 Rocking Song D7/1,35; K2,25 Rolling D1,119 Rollins, E.E. D8,55 and D8,56; D8,60 Rondo D6,6 to D6,8 Room D4,9 Roughnecks D6,52 Round and About D7/1,58 Rounds D9,47 The Rover 
Royal Canadian Air Force B,4; G; G,3 Royal College of Music MUS 95; B; B,1 and B,2 Royal Conservatory of Music A,2 The Royal Winnipeg Ballet A; A,6 Running D7/1,24; D7/1,37 Rural Music Festival MUS 95; D1,67 to D1,69 Ryker, Robert D3,47 
S 
Sad Lad D1,40 Saddle Song D7/1,33 and D7/1,34 Saddlemaker D1,146 Saley J,2 and J,3 Salute to the Flag D8,136 Sarabande D6,2 and D6,3 Saskatchewan Musical Association L,1 Saskatoon Symphony Orchestra MUS 95; D3,29 Saunterina D7/1,17 Schaeffer, Myron K2,32 Scherzo D6,40; D7/1,14 Scherzo and Trio D7/1,11 and D7/1,12 Schmaltz Waltz D1,49 Schop, Johann D9,38 Scott, Sir Walter D8,2 
Scotty Lad D6,21 Screaming Jets D1,59 The Sea D7/1,4 Seaboard Sketches D; D3,18 to D3,21 The Seasons (Glazunov) D9,2 Sepulchre D1,120 Seven Variations on a Theme of Dr. Howells 
D7/1,5 
Shadow on the Prairie D; D2,6 to D2,13; K2,18; K2,25 
Shakespeare, William D8,93; D8,95 
She Dwelt Among D8,67 
The Shepherd's Song D8,4 
Show Me the Way D8,59 
Shyness D1,70 
Siciliana D3,7 and D3,8 
Sight and Sound D1,30 
Silvester, Frederick MUS 95 
Simard, Jacques K2,22 
Sing Hey – It's Christmas Day D8,84 
Sing Praise for the Blessings D8,141 
Sing Praise to the Christchild D8,80 
Singer Man D6,22 
Six Folksongs from Prince Edward Island D9,51 
Six Improvisations on a Liturgical Theme D3,14 and D3,15; K2,19 
Skip – Caprice D6,5 
Sleep Sweet Child D8,146 
Sleeping D7/1,24 and D7/1,25 
Snuff Box D3,43 
the Canadian Broadcasting Corporation A; A3; D8,121 and D8,122; K2,4 
Soil for Tomorrow D1,34 
Solemn Occasion D1,121 
Solemn Procession D7/2,2; K2,20 
Something for Margot D7/1,39 and D7/1,40 
Sonatina D7/1,19 
Song and Dance D7/1,54 
Song at Dusk D8,43 
Song for Anne D7/1,47 
Song for June D8,47 
Song of Quoodles D8,8 
Song of the Death D8,137 
Song of the Women D8,12 
Sound the Glad News D8,109 
Sparkler D1,122 
Spearing, William D8,3; D8,7; D8,14; D8,23; D8,26 to D8,28 
Spinning for Steelheads D1,31 
Spit and Polish March D5,1 and D5,2 
Spring in Autumn D8,72 
Spruce Bog D1,101 
St. Matthias' Anglican Church C3,2 
St. George's Church D8,41 St. James' Church K2,11 St. John the Evangelist Church D8,150 St. John's Cathedral Choir MUS 95 Station Master D1,88 Ste. Anne Chorale D7/2,10 Steelhead K1,17 Stepping Stones D7/1,53 Still Now and Hear My Singing D9,56 The Stowaway D1,141 Stawberry Women K1,16 Strike in Town D1,92 String Quartet No. 1 D6,40; K2,21; K2,28 Strolling D7/1,24 Struthers, Jan D8,135 Suite - Short and Simple D3,62 Suite for Strings D3,7 and D3,8 Suite of Children's Duets D3,1 Suite of Five Duets D7/1,20 Suliram D9,61 Summer Song D8,55 Summer Suite D3,29 and D3,30 Summer Thunder D8,45 Summerhill Music D1,211 Suo-Gan D9,57 Swan, Frederic K2,9 Sweet Dreams D3,63 Sweet Feast of Love D8,142 Swing Low D9,31 The Switchman D1,79 
T 
Tale of Mail D1,196 Tapestry D7/2,11 and D7/2,12 Tchaikovsky, Pyotr Ilyich D9,23; D9,52 Tempo de caprice D3,12 Tenth Decade D1,265 Thanksgiving Hymn of Freedom D9,37 Thee We Adore D8,114 Theme and Variations D6,15 Themes and Variations on "My Love Is an
 Arbutus" D7/1,15 Theme for a Wedding D7/2,6; D7/2,17 Theme for a Wedding March D7/2,18 Theme for Kids D6,16 Theme from Romeo and Juliet D9,52 There's a Place D8,115 Thistle, Mel D8,137 Thou Whose Almighty Word D6,38 Three Contrasts MUS 95; D3,44 Three Dialogues D6,36 Three Miniatures D6,32 Three Nova Scotia Folk Songs D9,50 
Three Openers for R.C.M.P. Band D5,4 Three Pieces K2,22 Three Pieces for Organ D7/2,2 Three Scenarios for Band D5,19 Threo D6,19 Timid Theodore Dreams at Night D8,77 To a Boy D8,9 Toccatina D7/1,30; D7/2,2 Tomorrow Past D4,9 Toronto Conservatory of Music MUS 95 Toronto Musical Protective Association L,3 Toronto Trip D1,259 to D1,261 Tourist Cruises D1,27; K1,18 Town Band D6,53 Trade Fair D1,71 Traffic Safety D1,137 Trans Canada Journey D1,163 Transportation K1,19 Trumpet Obligattos D7/3,2 Tryout March D5,8 Tuktu Series MUS 95; D1,197 to D1,200 
Tundra – Edge of the Barrens D1,175 Turn of the Century (1897-1914) D1,185 and 
D1,186 Turner, Nancy Byrd D8,43 23rd Psalm D8,100 Two Preludes D7/1,17 Two Western Silhouettes D6,4 
U 
University of Ottawa A,15 University of Saskatchewan A,13 to A,15 University of Toronto A,14 University Women's Club of Ottawa C3,3 Upper Canada College MUS 95 
V 
V. for Volunteer D1,54 Vacation D1,201 Valentine, Barry D6,38; D8,117 Valley of Gold D1,28 van Dine, Robert I,4 Vancouver Symphony Orchestra G,4 The Vancouver Symphony Society A,13 Variations on a Liturgical Theme D3,14 Variations on a Timeless Theme D7/2,1 Velleman, Dora D2,23 Velleman, Leo D2,23 

Venice D6,23 	The Winter's Tale D6,4 	
Vesper D3,38; D7/2,12; D8,87 	With a Quiet Lilt D7/1,38 	
Vienna Cameos D2,20 	World of Three D1,203 	
Ville abandonnée D1,127 	Worship the Lord D6,38 	
Vincent Massey I,4 	Would That I Were There D8,37 	
Vista D3,64 		
Vocal Islandic K1,16 		
The Voice D8,38 	Y 	
Voyageurs D1,176 		
	"You Name It" Suite D3,45 	
W 	Youth Symphony Orchestra A,14 The Youth Band of Ontario D5,19 	
	Youth Travel D1,190 	
W.J. Gage Ltd. A,2 	Yukon Tune No. 1 D6,12; K2,23 	
Wagon Train D1,50 	Yukon Tune No. 2 D6,13; K2,23 	
Walk Softly in Springtime D8,143 		
Waltz in G D7/1,1 		
Waltz and Fiesta D7/1,28 		
Waltzling D6,14 		
War of 1812 D1,202 		
Waterloo Music Company Ltd. A,12 		
We Cannot Come D8,44 		
We Meet You, O Christ D8,85 		
Weatherseed, J. D8,41 		
Wedding March [197-?] D9,62 		
Wedding March (1963) D7/2,4 		
Wedding March (1964) D7/2,5 		
Wedding Procession D7/2,7 		
The Weeping Cherry D8,13 		
Western Hoedown K1,16 		
Western Music Company Ltd. A,2 		
Western Scene K1,16 		
Westland D3,22 and D3,23 		
What Child Is This D8,21 		
What Shall We Do with the Drunken Sailor 		
D9,18 		
Wheat Belt D1,206 and D1,207 		
Wheeler, Gerald K2,20 		
Where Was the Star D8,62 		
Whistler's Tune D6,24 		
White Cliffs of Dover D9,49 		
White Fortress D1,41 		
Why Do Ye Call the Poet Lonely D8,57 		
Wild Cues D6,54 		
Wilks, Norman MUS 95 		
Willan, Healey MUS 95; A,9; A,13 and A,14; 		
D4,1; D8,36; D8,42; D8,121 and D8,122; I; 		
I,5; K3,2 		
Williams, Clement Q. D8,19 		
Wind in the Willows D8,88 		
Winter Is Here D8,25 		
Winter Weekend (Kingsmere Bus) D1,55 and 		
D1,56