TOTAL RECOIL
or what's alive, and not, at
some remove though never having
completely
vanished from what's in store,
or likewise
in the mirror out of jars,
contemplative
re-gatherings still of a singular
occasion,
picking up splinters (as it
were yet currently
as they are) in order to
restore
wood to tree, tree to forest and
forest
to that vast quantity or entity
goes forever
unnamed and misremembered in the
tact of
one's love for the self that
accomplishes this
reopening of one's former finish,
remembering
the whole wood now as one's own
part in its
disappearance, or how disparate
these elementals of
the far yet deeply felt passages
back remain
in such steadfast proportion to
the current air swept up
one's nose remains in calm measure
the drawn
length of a lifetime shorn to a
simple sequence of
anecdotes flowing upward from the
feet that ground
a stand among its telling lines,
the clever
archaisms of a mother wit
learned now by
the man no longer a boy who must
become the fabulous
girl who seduces death, each our
Orphic emphasis
reversed in the self-same measure
they're rehearsed,
no end-game available but
the one we don and already know
we'll peel off as if nothing but
a simple shirt
at end of day, everything
a sequence all its own
we help along so not be forced
to think an end in which
there's not a single speck of merit
more than all it took
to get here, the waiting in
the doing of a seeing, or
the clairvoyance of the body's own
musculature,
tensing at bark of dog or smell
of percolating coffee,
how we're all overcome by the perpetually
simple
connection to whatever comes to
hand, the wonder
being not the kindergarden variety,
or innocence
as untried, pale-hipped and virginal
gosh unelated
by the rectitude of being burned
by person, time or
star, but more essentially how
it is we do
carry this self-same heat as the
urgent lightness
that reveals each our capricious
intent, and response,
how contrite, how removed
from all the splendor
that stands behind the pain of
a simple, direct
admission of no crime but simply
being
in all ways, here, there
and wherever it was said
and continues to be known that presence
folds with presence, like
the song says, they can't
take that away from me, riding
north now
in a '53 Chevy then, the
glare of sun, gold
reflected across the dull green
hood which now
the motor of resemblance again
in part
absorbs, is all I mean to
say, naught but this
going away yet toward, forever
caught within
the plastic urge to make the outward
formal with respect to the inward
pressure of drowning in an orgy
one's own
assimilation of what one does
get their senses
around foretells, eros, felos,
agape, names
that tempt the call to being
as being overwhelmed,
as if the golden age of consciousness
were
pre-conscious, and the hunger
that drives
outward to exceed itself becomes
a blank on wch
evolution over time is writ, a
lizard with hen's feet
become the chicken w/ human head
Steve Jonas sd
"is art," as that Old Testament
figure w/ feet of clay
refined upward to head of gold where
our lips are
in language, in their shaping
of it as it them
in the telling, the narrative of
each our shifting
lightness, as if we talked
primarily to increase
the erotic calm in which
the body wakes
to its refinement, no longer a
body, yet still
resident within the movement of
that larger
organism that closes time and space
within
an exchange of words, an inversion
of gender,
the frenzy around the silence yet
to come
02.22.99
GROWING ORCHIDS
for Chico
It's good to have an activity
you can easily give a name to.
Sentiment
means that as the sun goes down,
love doesn't also
fade. I have your address, you
have moments
of my heart that don't add up
to history. Tradition means that
you can speak
without knowing who you are talking
to. The lie
is in the arrangement, full and
unhidden. Naturally
feeding from a buried root. Flowers
are metaphors, I suppose, for a
process
hideous enough to be made only after
their fact
clear. In beauteous display. The
foregone
conclusion erupted from a plucked
stem
stunted from having been so ordained
for example, by what we said we
thought
we did, would do, all that we were
capable of,
the bare heat of a passing breath.
The messages
received, and the response uninterpretable
love. Space too large to time. The
rhymes
of light in leaves through the
backyard trees
beckon. Deafen my repose toward
full well present
howl of dog, small blue house,
rising bank of cloud.
THE EVAGINATION OF THE CHROMATIC SCALE
Cunt immediately precedes
cup in the dictionary; follows cunning.
Traced back to a Germanic root *kunton, its origin disappears from there;
what is the source of one's source?
(Language begins where lips partition
the birth of first blurts;
answers are all by practice & example:
eros puts its wound in the forever
sought after deer, the equivalent of
'a torso,' Orion thus moved causitively
through Ishtar's flush, and the poles of
The World, gravity and foliation,
conditions of ballast within shifts of location
along a continent's defining fault
lines, resident as well within an individual
human life; dig your way to China
in answer to "what is beneath the American
continent?" - one's 'underside'
shaped by tropes evidenced upon the necessary
topology thus come to form:) the
mythic picture of desire is risen from
an atmosphere of body heat, deep
south from anywhere you are, so the answer,
millenial and along an ancient North/South
statistical alignment is, it's the runic
Norse for Cairo, while the
envelopment and embryonic resurgence eventuated
in the language ('narrative')
is from either and/or both, the Nile contra Mississippi,
circumferentially naught but a
completely dualistic homonym.
PARADISE
A flush within the body forms a reticulum in full display
as simple as the language rushing
outward from the body's cave.
Happiness is a simple thing, it matters naught it may not last,
the heart and head conjoined into a final breath of carbonaceous ash
whence the song of migrating birds
may be hung upon the mortal air.
A breadth that brings the world around completely as it comes apart,
the day goes forth into its breach,
the sentiment unto its art.
Continuing the measure of all that's plausibly said and done, we burn within,
one ten-thousandth part the plasma of our practicum, furnace of
eternity, a plain and simple trust.
And so held to its place by the force that brings forever pollen to its ground
or keeps the sun high up above,
love remains
antithetical, joined to life, utilitarian
yet as light as pixie dust.
TENOR
birds return
to nerve network
(honeysuckle tree),
language, too
where all recombination
twitters
forth
from antiquarian
desire
scoped to green
this mid-March
blank light shroud
of weathered time,
ice
ascending
through encroach of
warmth below,
genital light
sans solarity,
its tenor
stitched
to Cinderellic
splendor,
ashen freshlet
of Athena's eye,
whose grey's a bed
to be rekindled
toward an other
in the body,
Captain Androgyne
an atmosphere
whose ascendant heat
doth make an arch
of song
in pledge to bright
return
transformed -
love's neither
calm nor still
but totalled
sentience, held
in cool repose
to sentenced
indundation
opened at behest
of reference,
invocation of beloved
name to fluid
grace of birdsong,
brazen trope
spent to pearl
hours, heat
to flesh the grime
of days
that never pass
but to guide
of specifying
air, love
as her name
in your body,
dance of flame
you see appear
upon her lakely
face, brought so
forth, emerging
Snow Queen, Britomart,
Turandot, called
to flush of horizon
from within
Queen Grammar
lanced
to mach speed
binding
from one's self
the burgeoned flood
that makes her so
a textual atmosphere,
blend
by eye and tongue
in rub of senses
the only critique
toward the sincere
cloud of epiphany
shrouds your bones
with brightness,
chaste
founding of a future
now, as braids
that need no hope
to see occasion
blest
by nothing less
than supple
elegance
in fetal/fatal
command of time
given ever
to the inapparent
order
so sweeps
a flight of birds
to found a momentary
place to light,
so it is to dive into
the synaptical monsoon
of finding
where one is,
wanting without cease
to look,
pluck necessity's
golden flowers
and breed the time
it takes
to make the wine
of currency
you drink, accompanied
by ancient
hymn to continuance
found now in heart
of an old notebook,
voglio fare
l'amore con te
noi insieme
per sempre
come
frateli i parenti
fanno
per la creazione
della vita,
love never minus
language
nor person
in pace
surrendered
to the guiding
slow and ceaseless
waltz to sacrifice
your own particulars
and so make of them
but ever diaspora
to inamoratic flow,
its seeds fall
into such an apex
kind of grace,
suspend in moment
place as weight
within weight, rings
that spread
the air to sound
as if it were -
from ancient ground
now green, supplanting wings -
true flesh