Nada Gordonfrom ANIME
To meet in
a shaft thatseems to
have historyor expands
to stares unlessthe rejection opens
a window -
A thigh would
change theshape of sleep,
first burning thehead, later heart.
What had beenropes
formed tentacles.
To be sought
not on form.Reeling it in from
the net or post.The wind in the
leaves. But I lovethe small toes,
gravitations.
A squire
above mymound clasps
such as wehave in this
misprint.I see a
goddess one.
It is slowing
between (rebus).Part of me
will actuallykiss this
music.A froth of
windless snail.
A body gone
for three months& image &
memory (memory)will draw the
breath thatmaintains a
calendar
I lost the line
from thewriting. &
your figure overmy other
thinking. Thison a Monday,
epidural.
Starved for an
otherin my think-
ing. Yet Iwon't repose
under statuesmost likely stunned,
face down.
Is it a muse
or a person,a girl, in lines
she soundsdolorous, then
someone far ina city
at a window.
The seed poured
down the valley& it met
against lionsbudding; it made
it make thelow sound. I
woke, hooted.
I can't hear
thru the strainso let it
be flirting -tho there is
a voice, electron-ically echoing
in frustration.
They built
a connectivetissue of
raw origin& agree on
its promiseto enter the
wished land.
I wrought
this poem asa house you know
it was phonesand seems scarcely
nervousyes &
yes living there.
The real voyage
is firethan the mother
I saw himcropped, he
breathed, likea sigh, and then
picked me up.
Needs slashed
- with the mind& newspapers
on the ground blownin eerie lovemaking
noise. Thetwo happening in
space actually together.
I'll lose & yearn,
grow exactfears, develop
molesight. Fityour face, a
night angel,it's because
we want it.
Aching,
life& bright
winds outfrom the new
guy witha clown on
it, slender (sender).
I wanted
other hand,the dream
word, nota familiar.
The dreamlover's head
a field
He writes to pro-
pose. The waftingbauble of days.
Seeing anotherwriting for other
to propose. Dazeat seeing the
moment she writes.
Hard-on as a
thingthat my
heartpumping,
I fly to,again to
raise my legs
World fills
with rhyme,the bed
lucks out.I made him
from mots inmy living
womb.
Poet of the
moanbut to smooth
my sight bysome grin like
a dart, wallglowing in
mindlight.
Would I leave
the countrythrough the tea/
straw ofsuch collusion,
the gift ofhis besotted
stare and all
What delights
me is flowingexcitability.
Future determineswhat I
needed in thepast, stopping
to break lines.
Form a trough
in foreheadplanning/
traversingthese little
stanzas whichgrow into
a wheedle.
I danced
upon thefaces in the
keyboard wherewe couldn't speak - to
lose this sleephaving realized
what my face is.
She tried her dia-
dem on with spitbut flitting across
to her it was upastounded and
flirting to a grooverage I felt just
this enchantment.
Some will
vibratesdown the
medulla:FOOD
LOVEEVERYTHING
PLEASE
The drooling of
morning, ofwhat there is
to be laundered.The microcosm
a go-gocausing to
burn my hair.
To be gorgeous
& strong(he wrote)
to lovea sound. The
newer mi-gration, the
face foundation.
Yes, a lack
of matur-ation . . . "a high
sound beyondwhich fish can
become song."A new mistress
waiting for smell.
I note that it's
a form of peonythen, the diversion:
foreign lands; build-up of languge;
trading lives, crackingup the new boy's mood,
grip his smooth eggs.
We notice, oh
in this book in-stead of her not
thinking abouthim, then she
could blow out& be fuseless
& be here.
To drink the look
& twinkle,to seep in
there along withthe stare of
attention, fanningthere, the two
minds that gaze.
Visions of a
false "beast"as looking to
a false furorlike redlessness
into scarlet beingnot here you're
still here.
How poseless
you alonelet me yield
such verses ascaravan,
me blockedto soften as
the clock ticked.
I thought of
the darkmatter, how
the connectionlasts and then
to go where& stay
as selves.
My finger en-
tranced fromgroin to
your book.It drew a
desire-form on
real time.
Not a quiet
space but a lushone - where we
could follow wherethe pure blisses
hum. So to make... homeness, change.
Kind of alarming.
The next bas-
ic learningis of need
where our notes-have left you
-have left megushing from
tune to tune.
To write a
poem on theback of
the lover, onthe lover
I never smelled.The lover who
sent the poem.