Bank
As articles or columns are replaced they are deposited in the bank. A deposit
is made every Monday.
Deposit made:
February 5, 1996: Artspeak in Renaissance Italy.
Column by H.A. Fraser.
February 12, 1996: Art Business Magazine :
Commerce and Art. by H.A. Fraser.
February 18, 1996: A Tale of Taxes. Column
by Jack Moore.
February 26, 1996: Selling 'Legitimate' Art: The
Drabinsky and Friedland Galleries. by H.A. Fraser.
March 4, 1996: Why I am/am not a professional artist.
Column by Celia Sage.
March 11, 1996: My mind in Malaysia, my butt in Owen
Sound. by Jim Sebesta.
March 11, 1996: Art Business News, Arts Institutions
Smelling the Coffee.
March 18, 1996: The Artist at Odds with Society:
the historical roots of the artistic avant-garde. Column by H.A. Fraser.
March 25, 1996: The Visual Artist Today: more powerful
than a locomotive? by H.A. Fraser.
April 1, 1996: Dealing with Mr. Tax Man. Column
by Jack Moore.
April 8, 1996: Towards a Commercial Art Museum:
an inevitable and healthful direction? by H.A. Fraser.
April 15, 1996: When Elbow Grease Is Not a Virtue:
overworking your art. Column by Celia Sage.
April 22, 1996: Claude Monet, a 19th century
businessman. by H.A. Fraser.
April 29, 1996: The Visual Artist at Odds with
the Mass Market. Column by H.A. Fraser.
May 6, 1996: Growing into an Art Businessperson,
Part I: Reversing the Downward Spiral of Quality in Canadian Art. by
Tammy Love.
May 13, 1996: Two Nails in the Wall: keeping
business records. Column by Jack Moore.
May 20, 1996: Growing into an Art Businessperson
Part II: some thoughts on importing art and selling it in Southern Ontario.
by Tammy Love.
May 27, 1996: Artistic Saints and Trollops.
Column by Celia Sage.
June 3, 1996: The Cultural Property Donation
Program in Review. by Stephen P. Sweeting, Appraisal Associates, Toronto,
Ont.
June 10, 1996: Advertising is Art. Column
by H.A. Fraser.
June 17, 1996: Economics and some Economic
Perceptions of the Art Market. by Prof. W.G. Morrison, Wilfrid Laurier
University, Waterloo, Ont.
June 24, 1996: Insuring your Business.
Column by Jack Moore, C.A.
July 1, 1996: Quizzing the Ontario Arts Council.
by H.A. Fraser.
July 8, 1996: Diary of an Art Show. Column
by Celia Sage.
July 15, 1996: Dear Mrs. Lodholz.... the art
reproduction market, a new cultural industry. by Christine Rioux, McGill
University, Montreal, Quebec.
July 22, 1996: Self-fulfilling Prophecy in
Post-Secondary Visual Arts Education. H.A. Fraser.
July 29, 1996: Visual Art in the Public School
System: a secondary school teacher's view of the impact of technology, de-streaming
and limited class time. by Peter Hickey, Belleville, Ont.
August 5, 1996: Business Advisors. by
Jack Moore, CA.
August 12, 1996: Visual Art in a Private School:
nurturing imagination. by Michele Neil, artist and teacher, Picton,
Ontario.
August 19, 1996: A Bloody-Minded Approach to Art
Business: a practical guide for the emerging artist. by Celia Sage,
Visual Artist.
August 26, 1996: Who's Afraid of Jim Keirstead?
by H.A. Fraser.
August 26, 1996: Art Business News: Copyright
Bill progresses to second reading stage; Provincial measures would see arts
"self-reliant"; Against the wall, the Art Gallery of Hamilton;
Community standards testing for the visual arts in Alberta.
September 1, 1996: The Business of Art, Overcoming
the Fear of Selling. by Lj Bury, art business adviser, Sterling, Virginia.
September 8, 1996: An interview with the curator:
the emotional issue of exhibition relevance in the art museum. Heather
Fraser interviews Gregory Klages, freelance curator, Staff Writer for Id
Magazine (Ontario) and Promotion Coordinator for the Macdonald Stewart Art
Centre, Guelph, Ontario.
Sept. 15, 1996: Sink, Swim or Starve: alternatives
for Canadian artists faced with government cuts to funding. by Jack
Moore.
Sept. 22, 1996: The Bottom Line. by F.
Michael Wells, Visual Artist, San Francisco.
Sept. 29, 1996: Art in a New Context: does
the white glare of the modern gallery enhance sales? by Celia Sage.
Sept. 29, 1996: Letters to the Editor.
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