THE BUSINESS OF ART
Overcoming The Fear of Selling
by Lj Bury.
Lj Bury is an art business adviser to galleries, art dealers
and artists. She is the Executive Director of Art Business Advisory located
in the Washington, D.C. area. Ms. Bury can be reached at LjCon@aol.com or
(703) 430-8167.
Just the thought of being a salesperson can turn many an artist's face into
a just thrown lump of clay. It is not uncommon for those who should be making
a living from selling art to be uncomfortable with the idea, let alone the
practice, of sales. But once you open a gallery, or create works in your
studio, or begin to publish prints, a business with overhead is formed.
It is at this point your attitude begins to change. Suddenly you realize
you actually have to find buyers and sell. Fear strikes. But the fear of
selling, like most fears, is grounded in myths and surrounded by misconceptions.
Here are some of the most common.
I'm not a born salesperson.
Frankly, thus far, there is no documented case of a woman giving birth to
this third possibility. It is true that there are certain personality traits
that make selling easier for some. But lacking these will not stop you from
becoming a good seller. Being optimistic, energetic, outgoing, and honest
are the most reliable assets in sales. Of course, anyone can learn more
about any skill, and selling is no exception. Selling is a skill that deserves
your time to learn. Take a sales training course. Read about sales techniques
in marketing and business books. Subscribe to an art business newspaper
or magazine. They are all loaded with ideas. Then choose the ones that best
fit your style and personality.
I don't want to be like a used car salesperson.
What image does this conjure up for you? Some artists I've talked with have
told me they worry that somehow they will be unwittingly transformed into
sleazy, pushy, or dishonest salespeople who will stop at nothing to make
a sale. Unless you're already this type of person, you surely won't be
transformed into one by the simple act of selling. Good sales people focus
on filling needs, satisfying buyers, finding solutions, and establishing
relationships. If you're convinced you can do this, you'll convince your
clients as well.
Selling art is tacky.
It is amazing how many in the art community still hold to this hoary maxim.
I suspect it is rooted in the perception of the "used car salesperson"
that conjures up those ghastly adjectives mentioned previously. The truth
is, art deserves to be made, valued, and sold. How you choose to sell it
is up to you, and that choice will determine the adjectives buyers use.
Good art sells itself.
Well, here's rubbish even your garbage can will reject. This is blatant
FOD (field of dreams) -- hang the art, then they will come. Nonsense. If
good art sells itself, why is the art that one shows not selling? Does this
mean the art isn't good? Hardly. Art sellers who cling to this myth are
simply
not competent at sales. They didn't take the crucial time necessary to actively
educate their clients, satisfy their clients, or solve their clients' problems.
I'm terrified of rejection.
Rejection is not a myth. It is quite real. But rejections are often misdiagnosed
as terminal. Actually, most rejections are signs of uncertainty, or pleas
for more information. For instance; if someone says, "No, this painting
is just too expensive", perhaps the person wants reassurance of its
worth; or needs a time-payment plan to acquire it. You won't know unless
you ask. Consider how you can best answer the real concern by taking the
time to uncover it. Ask the right questions. Think of the rejection not
as a terminal condition, but as an opportunity to solve that client's problem.
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A Few Tips For A Fearless Sale
1. Be Prepared. Before approaching a potential buyer, do some homework.
Learn about sales techniques and choose the ones that best suit your personality
and that are within your comfort zone. Knowledge and skill are powerful
slayers of fear.
2. Establish Relationships. It is a well-known axiom that people buy from
those they know and trust. Use your most important asset -- integrity. This
is how you build relationships, strong loyalties, repeat buyers and referrals.
Don't underestimate its power, or your buyer's ability to
recognize it.
3. Increase Your Community Involvement. This is a powerful and non-threatening
way to establish new relationships. It affords you the opportunity to let
others know who you are and what you do. This friendly environment allows
you to comfortably talk about your work eliminating your
fear of a formal sales presentation. It is also a great way to assist a
community that you hope will support you.
4. Learn To Listen and Solve Problems. Focus on discovering what your client
needs and listen carefully for any surfacing problems. Remember, objections
are common and are a sign of interest. Uncover the real problem or concern.
Ask the right questions and offer solutions. [A word of
caution: Although you might be tempted to talk at length about your work,
don't make the mistake of shifting the focus onto yourself and away from
your client.] People make buying decisions not so much because they don't
understand your art, but because they believe you understand them.
5. Prepare Responses To Objections. As you experience customer objections,
jot them down and create a list of responses. As this list grows, so will
your confidence in anticipating concerns and answering them before they
come up. This exercise alone will dispel much of your fear in approaching
a sales presentation.
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If you sell your art with the same enthusiasm you experience while creating
it, sales will be a less frightening endeavor.
"Were the diver to think on the jaws of the shark, he would never lay
hands on the precious pearl." SA'DI (1258)
SUGGESTED READING
The following publications are excellent sources for learning basic business,
sales and marketing skills.
Books
The Business of Art, ed. Lee Caplin. Prentice Hall, Englewood Cliffs, NJ.
Guerilla Marketing, by Jay Conrad Levinson. Houghton Mifflin, Boston, MA.
800-748-6444.
Getting The Word Out - The Artistís Guide to Self Promotion, ed.
Art Calendar Magazine.
Upper Fairmount, MD. 410-651-9150.
Art Marketing Handbook for the Fine Artist, by Constance Franklin-Smith.
18757 Wildflower Drive, Penn Valley, CA. 95946.
914-432-7630.
Magazines
Art Business News 19 Old Kings Highway, Darien, CT 06820.
800-346-0085 ext. 477.
Art Calendar P.O. Box 199, Upper Fairmount, MD 21867.
410-651-9150. [Business magazine for visual artists]
Niche Magazine 3000 Chestnut Avenue, Baltimore, MD 21211.
800-642-4314. [For craft artists and retailers]
The Craft Report 300 Water Street, Wilmington, DE 19899.
800-777-7098. [Business journal for the craft industry]
Decor Magazine 330 North Fourth Street, St. Louis, MO 63102.
314-421-5445. [Fine art business and marketing magazine]
Inc. Magazine P.O. Box 54129, Boulder, CO 80322.
800-234-0999. [For start-up and growing businesses]
Entrepreneur Magazine and The Entrepreneurial Woman 2392 Morse Avenue,
Irvine, CA 92714. 800-421-2300. [Self-promotion ideas]
Success P.O. Box 3036, Harlan, IA 51593. 800-234-7324.
[Self-promotion ideas]
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