Vol. I No. II |
December
1999
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The
Danforth Review
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Psychic Unrest (Reviewed by A.L.) |
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In Psychic Unrest, Lillian Allen creates vivid images for the eyes and ears, often simultaneously.
It is good to see and hear through her work, to know where she has been. Her journey has taken her from Jamaica to hear the rythmns of the dance and the music of the voice as she moved to Newfoundland and then to Ontario. There, in "The Broken of a Black Man," the police systematically break and fall and innocent black man, a father, finally, in front of his family, all of this in living, tragic rhythmn.
You feel it in your face, your heart, your memory. And Lillian Allen is incisive.
There is joy there, too, and vision. In "Rasta in Court" the rasta's defense in court against running into a policeman because he had to light on his bike is that the light of Babylon lights his way, and if the policeman had had his own light of Babylon within, he would've been able to see the rasta coming. Psychic Unrest moves . . .
. . . strong and soulful and true. A good read.
A.L. lives somewhere and does some things better than others.
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THE DANFORTH REVIEW IS EDITED BY MICHAEL BRYSON.