Abattoir
by Dimitri Nasrallah
Already by thirty-one
years of age Vincent’s hair had thinned and greyed prematurely beyond
the reassurances of supermarket-brand hair dyes. Still, each Sunday
he stood in front of the bathroom mirror, his hands toiled over
the scalp with disposable plastic container and comb. He stood quietly
in worn undershirt and polyester exercise shorts, his feet bare
on the tiled floor as drops of dye ran the course of the comb down
his hand to his elbow, coming to a final rest at a puddle formed
about his toes. This puddle was a murky black.
After some time,
the mixture separated. The spreading water lost its form, the dye
pushed to the edges of the water, filling the creases between the
tiles. His hands, too, were stained from finger to wrist with black
ink. Residue from the comb had sprayed outward as it ran the course
of the scalp, building in front along the counter and mirror; in
behind on the glass of a framed print of Raphael’s Madonna and Child
hanging above the towel rack. The print belonged to Vincent’s mother,
Genevieve. Several months ago the print belonged to Gregory, Genevieve’s
husband and Vincent’s stepfather, but since then he had passed away.
Vincent did
not waver at the appearance of the running dye, thoroughly absorbed
in his work. Once his hair was restored, he turned his attention
to his coarse beard. After completing the dying process, Vincent
washed his hands with a liquid soap, scrubbing vigorously to rid
his hands of the ink. Despite his efforts, the dye found its way
to the towel when he dried his hands.
He walked downstairs
to the living room to read the newspaper before going to bed, leaving
a trail of black footsteps behind him.
The newspaper,
the Sunday edition of the Toronto Star, waited for him on the sofa
in the living room. After a twelve-hour shift at the meat-packing
plant, Vincent was tired and he could sense the onslaught of a headache.
It was not in his habit to work on Sundays but, as his supervisor
had explained, the overtime was a necessity to the welfare of the
factory during the holiday season. He had arrived at the factory
at six that morning to oversee the herding of two thousand lambs,
brought in from Northern Ontario by train and freight-truck, onto
the factory floor. The young animals, many of whom had been parted
from their mothers for the first time, crowded together in the abattoir,
unanimously tense with confusion.
By ten, just
before the workers took their habitual half-hour break, all two
thousand lambs had been beheaded. The bloodletting had been completed
by shortly after one, the blood lingering about the tiled floor
before being hosed into one of over seventy drains. When the workers
returned from lunch, they formed fifteen separate teams of three
and began dividing the animals into appropriate packaging quantities.
As a general
rule, no person was allowed into the abattoir without a breathing
mask, protective plastic bodysuit, and gloves after the bloodletting,
partially on account of food packaging restrictions, but mostly
for the safety of the workers themselves, who would otherwise be
exposed to numerous bacteria that thrived within the animals’ blood
and the other strains that developed along the dead carcasses. After
every lamb, the work station, an oblong wooden table, was washed
clean with a hose that hung down from the ceiling and the next lamb
was mounted.
Vincent and
his fellow workers at work-table number six divided and packaged
the carcasses of sixty-four lambs in under five hours.
He lay down
on the sofa and closed his eyes for a moment, to feel the aching
along his temple. Headaches were a common feature of his life, a
feature he attributed, with little thought, to the stress of the
holiday season. His stomach, too, hurt, the pain sharpest when he
breathed. Stomach pains, he knew, were an unfortunate attribute
of long hours spent with dead animals.
He opened the
first section of the newspaper and began reading an article about
a young entrepreneur who had started a business by designing innovative-looking
order forms for mid-sized companies. The article did not hold Vincent’s
interest past the second paragraph and he moved along to one on
the opposite page, about an urban day-care centre for the children
of wayward youths still pursuing their high school diplomas. This
article, too, did not appeal to his taste, and as he searched the
newspaper for a reasonably provocative piece of information, he
was dismayed to see that almost all of the content was concerned
with the trials and dilemmas, the achievements and the celebrations,
of a culture more youthful than his own.
Vincent closed
his eyes once more and listened to the rhythm of his breathing,
his hands rubbing his belly with each exhale. A lamp stood behind
the sofa and he soon found its harsh light worsened his headache,
forcing his blood to thicken within the veins of his temples. He
raised both hands and carefully felt about the sides of his head,
searching for the shape of the veins, finding each bulge in the
space between his ear and eye. Massaging them, he found, only resulted
in placing a greater pressure on his eyes, which were beginning
to crave a dark room.
Vincent stood,
turned off the lamp, and clumsily attempted his walk up the circular
staircase with his eyes closed. At the top of the stairs, he opened
his eyes and, after turning off the light in the bathroom, noticed
light coming from his mother’s room. Once in his bedroom, he saw
it was well past midnight and wondered what his mother was doing
at such an hour. Had she fallen asleep with the light on? Was she
not well, too weak to call for help? Was it too late to offer her
help? What did she do at all hours of the night? Earlier that month,
Vincent had caught her, by mere chance, walking aimlessly throughout
the house at four in the morning. He had not disturbed her, instead
seeking cover behind the door of his room, watching from the cracked
opening as she walked back into the master bedroom.
Genevieve and
Gregory had married when Vincent was twelve. It was the first time
anyone else had lived in the house with them. Previously, Vincent
had been an only child and Genevieve had been a single parent. After
Gregory arrived, Genevieve was no longer a single parent but he
was still an only child.
Vincent lay
down on his bed after undressing, and promptly fell asleep. The
next several hours passed within minutes. Random images flashed
before his eyes. They were vivid images of strangers engaged in
strange activities. The corners where walls met, people he’d known
for very brief periods of time, and a number of other inexplicables
with no bearing on one another. When his dreams settled Vincent
awoke with a different body. He examined his hands and they did
not bear the lines, the toughened skin of his later years at the
meat-packing plant. This made him feel freer almost immediately.
His face, too, was smooth, still too young to grow a beard.
For a moment,
he seemed suspended in air, a body outside space and time. Then,
without warning, he was outdoors. He immediately shielded his eyes
with both hands, taken by the severe light of day that nearly caused
him to fall. He staggered in search of a shelter to shade him. The
land was barren. Intense light shone from all directions, like a
fire in a house of mirrors. Vincent staggered about without dedicating
his efforts to any particular direction, his arms protecting his
face, his head buried into his armpit to the extent that such a
thing is possible.
Soon he stumbled
across a car, literally stumbled into its side, hitting his head
on the window. With his eyes still shut, Vincent followed the surface
of the car around to the driver’s side only to find, when he opened
the door, that a man was already in the driver’s seat. He immediately
recognized this man as Gregory. In the back seat sat Genevieve,
staring out her window with her hands in her lap. Vincent called
to her but she payed him no attention. He tried to get past Gregory
to his mother but Gregory refused to let him into the car. They
argued. A struggle followed, with both men, rolling around on the
ground. They threw punches, bloodied lips, tore shirts, blackened
eyes, bit ears. After several minutes of intense fighting Gregory,
his chest heaving for breath, put his hand out as a gesture of surrender.
Vincent swatted the hand away fiercely. Gregory broke down in tears.
Vincent left him there on the ground, taking his car. Yet even as
he drove the light continued to blind him. Soon a road took shape
around the vehicle and it gave him direction.
Vincent drove
faster than he would have liked, considering he was having trouble
keeping his eyes on the road. Not only did the light blind him but
he kept peering into the rearview to catch glimpses of his mother.
He called, yelled even, to her as he drove but she acted as if he
were not there. The side of the road, once little more than fields
of brush, began to offer many distractions. He passed many women,
in little more than undergarments and arousing positions, who waved
at him seductively. Vincent couldn’t help but look. It was all he
could do to not stop the car and act out all his dirty fantasies.
The further
he pressed the more complicated his surroundings seemed. Shortly
after, cars began to appear, coming from the opposite direction.
He was unsure what lane to drive in. The cars coming towards him
kept moving from the left lane to the right and back. His dizziness
intensified. More women lined the sides of the road. He was having
trouble keeping his eyes open. He chose to look into the rearview,
if only to see his eyes momentarily meet with his mother’s. At times,
he was forced to drive on the gravel shoulder to avoid cars that
kept changing lanes. His tires would slide, making control of the
vehicle more difficult. Vincent persisted forward, blanking out
from one moment to the next. He swerved from one lane to the other
at dangerous speeds. Traffic heading in his direction grew increasingly
unpredictable.
People ought
to learn to drive, he thought.
Then his car
skidded on the gravel shoulder and slammed him into a wall. He could
not determine where he was when the car came to a full stop. Climbing
out the passenger door, he looked to the backseat and saw that his
mother was no longer there. Outside, a crowd was forming. He was
forced to face them alone. They inquired if he was hurt. Their voices
talked in unison and he could not discern what it was they wanted
to know. He looked back at the car and realized again it was not
his own, that this crowd would want answers as to where he found
this car, and his worries doubled at the thought of his mother’s
reaction to his having damaged Gregory’s car.
“Perhaps this
explains the trouble with driving,” he said to the crowd, pointing
his finger of blame at the car. “The cars of others must never be
trusted, and I must stop making a habit of using them.”
Fortunately
the car was not badly damaged. It had scraped the wall with its
side and ground to a halt rather than colliding head on, which could
have proven fatal. Vincent studied the wall for a long time, its
high red bricks and wrought-iron trim, and noticed that it encompassed
a large, private garden. It had flower beds and stone fountains
and bushes crafted to look like animals and people. "It must
belong to a very wealthy man," Vincent said as he turned to
back to face the crowd. But they were no longer there.
He awakened
again to the dull throb of his temples and the stabbing pain in
his belly. He sat up in his bed and his stomach turned light from
the abrupt movement. He felt his forehead and cheeks, finding them
abnormally cold. Upon turning his head, the pain spread from his
temple to between his eyes, slowly working its way to his sinuses.
From the bedroom
window he could make out very little. The sun was still behind the
horizon, flooding the room in a deep orange. He anticipated the
dawn believing it would somehow cure his anguish. Vincent turned
on the light beside his bed. His nose was bleeding. The pain was
overwhelming, spreading quickly behind his ears. Slowly, with much
trouble, he raised himself from the bed, bones aching with every
move, sheets drenched in sweat. The clock in his bedroom read twenty
after six. He fumbled in the dark for his robe.
He decided to
take another stab at sleep after a drink of water from the bathroom
sink. Under his damp fingers the vein in his right temple bulged,
growing rapidly. In the bathroom, Vincent struggled to the mirror
and found his brown skin had turned a sickly olive green. His face
appeared alien, eyes hollow and lips chapped. Sweat beaded on his
shivering frame. The trembling worked its way up both arms until
he could feel his jaw shaking. Perhaps I’d better sit down, he ventured,
leaning against the counter before making his way to the tiled floor,
first on his knees then resting against the wall beside the toilet.
Genevieve was
awake. From where Vincent lay against the wall, he saw that her
door was open. He listened and heard footsteps walking along the
stairs. She walked past the open bathroom door and saw him laid
out. Blood from his nose trailed down his chin and chest.
Then the vomiting
started.
His mother walked
into the bathroom, standing over him as he thrust his head into
the toilet repeatedly. She wore a blue flannel nightgown, extending
to her ankles, and slippers. Her long hair, going gray, hung about
her frail shoulders, shining under the weight of oil. He looked
up at her fearfully in the brief intervals his stomach would allow
him. Her face was defined by lines, some of age, others of fatigue.
Since the last time he’d taken a direct look at his mother, shortly
after the funeral, her cheeks had sunk down and her eyes had grown
narrow, indistinguishable in the concavity of her aged skin.
“What have you
done to yourself?” she cried, to which he was too weak to reply.
The question reverberated in his mind, broken into fragments that
would not hold together. She bore down on him, examining the sickly
colour of his skin.
Genevieve put
a glass of water to his mouth but he was too weak to drink. She
flushed the toilet, but was unable to flush the lingering smell.
With a wet towel, she soothed his greenish-white skin. He
looked at his mother, who stood over him now looking down, and hoped
she would look beyond their strained past and accept him as if he
were a stranger. He muttered “help me” and “please,’ repeated between
each deepening breath, both indecipherable to her.
Vincent recalled
a particular day in 1975, when he, then a young boy of seven, had
run home from school in the rain. His clothes were soaked through
and he remembered the cold feeling in his bones, the way his teeth
chattered. Genevieve, then a handsome young woman, had helped him
out of his wet clothes. That afternoon they had watched cartoons
on television and ate popcorn on the living room couch. His body,
then so small, had fit perfectly around the contours of her own.
The pain in
Vincent’s head was like a nail splitting dry wood. He worried that
he would be late for work that morning. Genevieve rushed out of
the bathroom to telephone an ambulance and when she returned she
knelt down on the tiled floor beside him in the dry stain of black
ink that remained from the previous evening. She took hold of his
cold, shaking hands, held them to her lips, pressing his palm with
her free hand under her chin. He felt her pulse travel through her
neck, it was in sync with his. His stomach heaved once more but
nothing came.
Trapped between
the bathroom walls and Genevieve, Vincent felt cheated by all the
maladjusted clocks in his life, their arms twisting his limbs as
though he were a marionette. His robe lay open and his frail body
exposed. Genevieve grimaced at how thin he’d become. She hadn’t
seen his body since she’d bathed him as a young child. The tap dripped
and each drop amplified the silence. He raised his hands to cover
his ears, his eyes. Genevieve held them down, intent on studying
his face.
Vincent pulled
her close, begging to apologize for the trouble he had caused her.
There were many
things for which he needed forgiveness, some he’d done and others
he’d thought of doing. Genevieve held a finger to his lips as he
tried to talk, shaking her head, working to keep her composure so
as not to worry him. His body, seeping sweat like sap from a maple,
lay limp in her arms as she rocked him back and forth. They were
immersed in the pale light of day coming through the bathroom window.
Cars’ engines could be heard idling as people prepared for the drive
to work. Vincent had never been awake for a sunrise before. The
day broke with clarity.
Genevieve continued
to rock him back and forth in her arms, in a manner she had not
used since he was a child. Under her breath, he began to faintly
make out the words “not you too” being repeated over and over and
through his haze Vincent could tell that all along she was thinking
of Gregory. He remembered how two months prior he had driven Gregory
to the hospital. Gregory, too weak to sit up straight, had laid
down in the backseat with his head rested in Genevieve’s lap. He
had watched them silently from the rearview. And he remembered standing
alone in the hallway at the hospital, spying through the glass of
the door as Genevieve wept at the side of Gregory’s bed. Finally
he remembered driving back home, eyeing Genevieve in the rearview
again as she sat alone in the backseat.
Vincent waited
in his mother’s arms for the ambulance. He stared at the Madonna
and Child print above the towel rack. The print had been hanging
in the bathroom for as long as he could remember. How that mother
and son looked so natural together. In his teens, an inebriated
Vincent and his friends would deface it with marker on nights his
parents went out, adding long moustaches on the woman and obscenely
large organs on the young child she was holding. The dry heaves
continued. His pupils were indistinguishable. Genevieve gasped at
the whites of his eyes. Their veins, unable to handle the strain,
burst and slowly clouded.
Dimitri
Nasrallah writes: "I am a young writer from the Toronto area.
I came across your webpage and I couldn't help but notice that what
you're looking for and what I write have quite a few things in common.
I, too, share your conviction for intelligent writing. At this point,
I have yet to publish any fiction but I have published articles
(including book reviews) at the university press level."
THIS
WORK IS COPYRIGHT OF THE AUTHOR.
|