f o c u s i n g o n t h e c a n a d i a n s m a l l p r e s s s c e n e a n d o t h e r m a t t e r s o f i n s i g n i f i c a n c e

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Shane Neilson Collected

ESSAYS

NEW! Political Poetry and the Canadian Tradition

Solway the Sad Balladeer: an open letter to the (Unofficial) Laureate of ‘This Sucks’

When Words are Anticlimax: Henigha(n)ation

The ‘Two Solitudes’ Illusion: Reflections on the role of Toronto in the nation's literary culture

Public Hanging: The Death of the Book Review

 

SELECTED REVIEWS

Terry Barker - After Acorn. Meditations on the Message of Canada's People's Poet (1999)

John Barton - Hypothesis (2001)

Read Shane Neilson's interview with John Barton

Mark Anthony Jarman - 19 Knives (2000)

Stephen King - On Writing (2001)

I.V. Lounge Reader (anthology) (2001)

Patrick Lane (editor) - Mocambo Nights (2001)

Matt Robinson - A Ruckus of Awkward Stacking (2000)

A.F. Moritz - Early Poems (2002)

Stan Rogal - bafflegab (2001)

Anne Simpson - Cantebury Beach (2001)

Patrick Toner - If I Could Turn and Face Myself: The Life of Alden Nowlan (2000)

Who is Shane Neilson?

 
 

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The Danforth Review is produced in Toronto, Ontario, Canada. All content is copyright of its creator and cannot be copied, printed, or downloaded without the consent of its creator. The Danforth Review is edited by Michael Bryson. Poetry Editors are Geoff Cook and Shane Neilson. Reviews Editor is K.I. Press. All views expressed are those of the writer only. International submissions are encouraged. The Danforth Review is archived in the National Library of Canada. ISSN 1494-6114. 

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We acknowledge the support of the Canada Council for the Arts which last year invested $19.1 million in writing and publishing throughout Canada. Nous remercions de son soutien le Conseil des Arts du Canada, qui a investi 19,1 millions de dollars l'an dernier dans les lettres et l'édition à travers le Canada.