f o c u s i n g o n t h e c a n a d i a n s m a l l p r e s s s c e n e a n d o t h e r m a t t e r s o f i n s i g n i f i c a n c e

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NEW! September 1, 2003

 

It Came From Nowhere
by Zachary Houle

Hairs
by Louisa Howerow

Pacifier
by Gail Konop Baker

The Killing Frost
by Judd Hampton

 

The Man Who Ate Babies
by Greg Kearney

Monkey Boxes
by James Lewelling

 

 

The fiction for this issue was selected and edited by Michael Bryson.
She gets up and, as she approaches, she sees it’s the binky. She walks over, picks it up. Then she sees everything. - Gail Konop Baker Righteous women wear the kerchief. We think the kerchief makes us pretty. - Judd Hampton

 		"It’ll all grow out. Soon enough." She swept up the hairs that had fallen at my feet, threw them into a rusty metal barrel, behind the house, and lit a match. - Louisa Howerow
At fifteen thousand volts they had literally cooked what was left of the limbic system, and since nobody had the stomach to eat it or any other part of the subject, they gave the broken body to an underling from the fringes of the bureaucracy. - James Lewelling xxxxxxxxxx I'll never forget the alien invasion of May 1, 1983, the day all the women died. - Zachary Houle
In the parking lot he saw his car had a scratch along its side. He didn't mind it. Looked like a racing stripe. He'd take his key and make another on the other side, when he got home. - Greg Kearney
ARCHIVES

[*] The Danforth Review archives fiction submissions for two years. Previous editions of The Danforth Review are archived with the National Library of Canada.

09/2002 Brooke Biaz, Herman's Heart
07/2001 Gabe Camozzi, Jacket Walk
07/2001 Jean-Gérald Charbonneau, Mississippi Mon Amour
03/2000 Sari Colt, Disco Inferno
03/2003 Tim Conley, The Watch
01/2002 Joe Davies, You Can Expect a Beautiful Summer
03/2000 Sharon Eberhardt, Cotton Candy Dreams
09/2000 Sharon Eberhardt, The Jackal
03/2003 Keith Ebsary, Jesus Rides Beside Me
01/2002 Paul Glennon, The Man Who Would Not Believe
01/2002 Julia Guance, The Underwriter
07/2001 Jen Gouthro, The Camel's Hump
01/2001 Jane Halpern, Embassy

03/2000

 Joy Hewitt Mann, Peter Pan in Bedlam
09/2000 Bryan W. Jones, First Commandments and Second Amendments
09/2002 Phil Jones, Bushed
01/2002 Greg Kearney, Bad Readings
01/2002 Diana Kiesners, Irritant
01/2001 Ann Knight, What Dreams May Come
03/2003 A.C. Koch, Crossdresser
12/1999 Monica S. Kuebler, Fantasia
09/2002 Rebecca Lloyd, The Lobster Woman's Luck
01/2002 John Lowry, The Saline Solution
09/2000 Deirdre Maultsaid, Authentic
03/2003 Kabeera McCorkle, Evidence
03/2003 Nichole McGill, The Witch of Belle's Grove
01/2001 Ladd Moore, Jack Hardesty: When Red Ryder Got Took Prisoner
01/2001 George Murray, The Bed
09/2000 Dimitri Nasrallah, Abbatoir
09/1999 Tom O'Brien, The Live One
09/1999 Brian Panhuyzen, The Intoxication of Thought
07/2001 Lillie Papps, Self Defence
01/2001 Sam Pitch, Hostess, My Hostess
03/2003 Patrick Roscoe, Mutilation
12/1999 Mark Schrutt, Towards Harrisburg
07/2001 Diane Scott, Squeeze with Medium Pressure
09/1999 Ken Sparling, Leave It Where It Falls
09/2000 Deanna Symoski, When All Things Can Be
01/2002 Craig Taylor, The Beast
09/1999 Tony Thomas, Forklift
01/2001 Michael Twist, Door Number Three
09/2000 Gerard Varni, The Hole Between Them
09/2002 Peter Vaughan, Plato's Flan
01/2002 Darryl Whetter, A Sharp Tooth in the Fur
03/2000 David Zakss, Rays of Debatable Intention
 

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The Danforth Review is produced in Toronto, Ontario, Canada. All content is copyright of its creator and cannot be copied, printed, or downloaded without the consent of its creator. The Danforth Review is edited by Michael Bryson. Poetry Editors are Geoff Cook and Shane Neilson. Reviews Editors are Anthony Metivier (fiction) and Erin Gouthro (poetry). TDR alumnus officio: K.I. Press. All views expressed are those of the writer only. International submissions are encouraged. The Danforth Review is archived in the National Library of Canada. ISSN 1494-6114. 

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We acknowledge the support of the Canada Council for the Arts which last year invested $19.1 million in writing and publishing throughout Canada. Nous remercions de son soutien le Conseil des Arts du Canada, qui a investi 19,1 millions de dollars l'an dernier dans les lettres et l'édition à travers le Canada.