The Danforth Review's Poetry Editors
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Geoffrey Cook
Geoffrey Cook has published poetry and essays in many Canadian journals, including
Descant, Fiddlehead, Pottersfield Portfolio, and
The Canadian Journal of Comparative Literature. He
teaches English at John Abbott College outside Montreal, where he lives.
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What do you like and dislike about contemporary Canadian poetry? (Name names.)
I like Richard
Sanger, Ken Babstock and Stephanie Bolster - which is as contemporary as I get.
I admire the intelligence, energy, sensitivity and craftsmanship of these poets. Before them - but
still 'contemporary' - I like Bringhurst, MacPherson and Nowlan (as well as the songs of Leonard
Cohen). I dislike Susan Musgrave and Al Purdy; I particularly dislike their imitators. What is
admirable about "Canadian" poetry is its range and diversity, however problematic that makes
Canadian politics, cultural policies or academic dissertations on a Canadian sensibility. A
revealing confession: I don't like the mania of 'poetry slams' or 'spoken-word poetry', though I
admit it raises the profile of the art. And I don't think that the future belongs to the suburbs.
Describe the types of poems you'd like to see in TDR.
Generalities are the best guide, otherwise one gets prescriptive, and I have no intention
of
becoming partisan or promulgating a manifesto. So I would like to see poetry that is free of
cliche - intellectually, emotionally, spiritually and technically. In particular I would like to see
conscientious craftsmanship; I don't mean only traditional forms, but I certainly mean purposeful
use of line breaks based on rhythm instead of, at best, visual puns. It is self-conscious
craftsmanship which reveals the soul's uniqueness, not vice versa.
Name a favorite poet, and say why.
I think Canadian artists are well past the anxiety of assuming the world stage, so I can say my
'favourite poet' is not Canadian or singular: Seamus Heaney because of his lyricism and rural
imagery; Derek Walcott because of his narrative and epic impulse and his sea imagery; and
Joseph Brodsky because of his irony, intelligence and formal sophistication.
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