TDR Profile: The New Quarterly
A staple of Kitchener-Waterloo, Ontario’s literary
scene for over two decades, The New Quarterly suffered a
financial scare in 2000.
TNQ's Kim
Jernigan spoke with Nathaniel G. Moore about what it means to publish a
literary journal in Canada at the turn of the new millennium. This
interview was conducted in early 2001.
Website: http://www.tnq.ca/
*
NATHANIEL G. MOORE: As the editor of TNQ, is your
mandate to publish both local and non-local authors, writers?
KIM JERNIGAN: The New Quarterly is a national
literary publishing work from across the country, but we do like to
support local writers when we feel they are deserving. Among the local
writers whose work we've published and promoted recently: Sandra
Sabatini, Veronica Ross, and Andrew Pyper, all participants in
"Wild Writers We Have Known," our recent symposium on the
state of the Canadian short story held as part of the Academy Stratford
in September 2000.
Veronica lives in Kitchener, Sandra in Guelph (though
she is as of today defending her thesis on images of babies and
childbirth in Canadian fiction towards a PhD at the University of
Waterloo), and Andrew currently lives in Toronto, but grew up in
Stratford. Andrew's first publication was with TNQ and we have
published him often since, Veronica has been publishing with us since
our first issue. Both she and Andrew have been the subjects of TNQ
profiles. Sandra was a finalist for the Journey Prize last year for a New
Quarterly story. Another local writer we're excited about is Alison
Pick. We published her first poems in the past year and have just
accepted a first prose piece.
NGM: How does TNQ represent Waterloo outside of the
area?
KJ: The magazine is distributed nationally. We
also recently hosted a symposium on the state of the Canadian short
story that attracted quite a lot of publicity, articles in The Globe
& Mail, The National Post, and the Hamilton Spectator
plus a 20 minute spot on CBC radio. That event had the support of the
Canada Council for the Arts, the Stratford Theatre Festival (where it
was held), RIM (a local technology company), and all three area
universities: The University of Waterloo, St. Jerome's University, and
Wilfrid Laurier University.
We also nominate our writers for a number of national
awards--the Journey Prize and the National Magazine Awards. No local
winners yet though we have twice taken the National Magazine Awards Gold
Medal for Fiction with silver medals for fiction, poetry, and the essay
and have had three finalists for the Journey Prize, including Guelph
writer Sandra Sabatini whose first story collection, The One With the
News, came out this fall from Porcupine's Quill Press. It's a funny,
poignant collection of linked stories exploring the impact of
Alzheimer's disease on a family.
I've often heard it said that literary magazines are
to Canadian culture what minor league hockey is to the NHL--a training
ground for new players. Indeed, it's hard to imagine a lively national
literature without the experimentation and emergent writing these
magazines publish and promote. Occasionally a wonderful new writer will
burst onto the national scene without having first made her way in the
literaries, but it's extremely rare. So it's important for there to be a
kind of creative soup of little magazines, all with different interests,
editorial biases, and regional ties. They are a lot of work though, with
little compensation beyond the satisfaction of having generated some
interesting conversation or having been there at the start of a career.
They have a natural lifespan, usually as long as the energy of their
volunteer editors lasts. So its important, too, to have new ones
starting up from time to time.
NGM: What is your circulation per issue?
KJ: We're pretty small, a print run of 600.
Because our budget is also small (we're a grass roots, volunteer run
magazine) we've never had the human resources to really build our
circulation. However, we've recently found a wonderful young woman with
a keen interest in the arts who is willing to work with us to raise the
funds towards a small stipend to support her work on circulation
development and fund-raising.
NGM: How many writers are on staff at TNQ? Do you have
student interns? What does TNQ do to make the student body more aware of
this publication?
KJ: We have no paid staff, and this is a huge
problem for us as the work of running the magazine has expanded
enormously since its inception. We have a small editorial collective,
seven of us at the moment, most of whom work full time in other
capacities. We were once able to raise the funds to hire a UW co-op
student for a term--great for us and a good experience for her as
well--and we've once had a high school co-op student. The difficulty is
in finding enough time to provide adequate supervision with no paid
staff of our own. But we're hoping to remedy that if we can raise the
funds for a managerial position (see above). We are also keen to
establish an advisory board, people with an interest in the literary
arts who might be willing to put some time towards fund-raising. If any
of your readers are interested, they may call us at (519) 885-1211, ext.
5090.
But I think our most important contribution to younger
writers is through guest spots in campus courses on creative writing or
writing in and about the arts and through our involvement in the
Waterloo County English Awards, an annual competition and workshops for
regional high school students. All of our editors have been involved
with that as judges, workshop leaders, or guest speakers - almost since
its inception 20 years ago.
Nathaniel G. Moore writes filthy
fiction. He also does zine + book reviews for Broken Pencil Magazine.
His work has appeared in Urban Graffiti, and B+A New Fiction. |