canadian ~ twenty-first century literature since 1999


The Show That Smells
by Derek McCormack
ECW Press, 2008

reviewed by Sarah Nelson

This book smells. It smells like sickly sweet perfume covering up somebody's puke and the smell of somebody else who's shit their pants. It's full of sequins that cut, and you can taste your own blood.

"At my vampire carnival, the torture exhibit will put the 'die' in 'dioramas.'" Elsa Schiaparelli is a vampire and a fashion designer.

"Freak fashion. Geek chic. It inspired my new haute couture collection for humans? the Carnival Collection! Soon Schiaparelli clients will dress like the Half-Man, Half-Woman and the Mule-Faced Lady. Ostrich girls in ostrich plumes. Lobster ladies in lobster gowns.

"It's like I always say: 'Clothes make the inhuman.'"

Garlic and crosses don't bother her? just spray some Chanel No.5. Coco Chanel? playing herself? is a vampire hunter and bitter Schiaparelli rival, who shows up occasionally to save the day. Lon Chaney is one of Schiaparelli's henchmen, and is constantly getting sprayed with Chanel No.5 so that his face falls off. "He's a master at makeup." Jimmie Rodgers, country singer, has tuberculosis and Carrie Rodgers sells her soul? and body? to Schiaparelli for a cure.

The story unfolds in a mirror maze at the carnival. Humans are reflected back a thousand times and vampires don't show up at all.

"The Mirror Maze is my milieu. My smokescreen. A vampire Versailles. It could be crawling with vampires as we speak. You would never know. Until it was too late."

Derek McCormack, who appears as himself, playing a reporter, writes with energy. Short sentences punctuated with exclamation marks and names repeated in mirrors. Pages of parentheses as sequins, and bats as capital Vs.

Like Schiaparelli's latest scent, The Show That Smells is shocking! But McCormack carries it off without hesitation? in fact, with a flourish.

The reader may end up feeling a little seasick, but will be swept up and engrossed to the bitter end.

 
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TDR is produced in Toronto, Ontario, Canada. 

All content is copyright of the person who created it and cannot be copied, printed, or downloaded without the consent of that person. 

See the masthead for editorial information. 

All views expressed are those of the writer only. 

TDR is archived with the Library and Archives Canada

ISSN 1494-6114. 

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We acknowledge the support of the Canada Council for the Arts. Nous remercions de son soutien le Conseil des Arts du Canada.