heterosexual pride was intact. Damage: split ear lobe, ripped and bloodied shirt, ruined corduroy jacket, chipped tooth, and a broken little finger, the one needed to complete a guitar chord. Over the next month he kept saying, I'm gonna get that son of a bitch and kill him, I'm going to get that son of a bitch and kill him - a kind of mantra he'd chant, usually when he was impossibly trying to practice guitar or type.

I came into the room one day to find Sid hacking and sawing at the plaster cast with a kitchen knife - plaster flying into the butter dish, onto the floor, chunks of white careening off the walls. I'm gonna kill that son of a bitch ... (another stab at plaster) I'm gonna kill that son of a bitch....(another stab at plaster) "Sid, you're supposed to leave it on for another 3 weeks," I reminded him. I'm gonna kill that son of a bitch. (Another rip at the last hunk of plaster) Now he could play the folk clubs, type those mountain songs, be a casteless poet, free at last in Montreal.

THAT FALL OF 65

That fall of 65, I enrolled in two of Layton's courses ("Introduction to Modern Poetry " and "Creative Writing") with great expectations that I would learn secrets from a master and replace my own diffidence by his acknowledgement and reassurance that being a poet was the only real purpose ahead. But the experience was to be much more complicated. I hated the course, developed a writers block, and slid from fecundity to anxiety in a short time. It wasn't all because of Layton. Joy, my girlfriend, who agreed to stay behind in Calgary, hitch-hiked into town with my high school buddy Brian Coulter, and moved in earlier than we planned. She was glad to see the burlap wall. All of us slid from the autumn romance of Montreal to the realities at hand: money was scarce, we got crowded with friends from the West who needed to crash; we became grumpy, competitive, and territorial, and our general health and eating habits were poor. I, in particular, was missing a few major food groups. Just before our first Christmas in Montreal, I developed strange blisters on my hands and feet and went to emergency. I was diagnosed as malnourished, told to eat better and given a bottle of purple pills to dissolve in water. I'd daily soak my hands and feet in this solution, which stained the communal sink, which got Sid pissed off, and stained me with purple hands and feet for a few embarrassing weeks. Sid was much healthier. He boiled and simmered a clam chowder and vegetable soup, that, along with porridge, became his steady diet for that year, and created an irritating galaxy of splashed colour up the kitchen wall behind his pot. The smell made me gag. It was the reason I couldn't eat. I cooked only eggs and hamburger in a frying pan next to the chowder pot. Joy eventually got a job at the Royal Victoria Hospital as a medical records clerk, moved to an upstairs apartment, bought groceries and nursed me to better health.

MCKINNON, WHAT'S THE ANSWER

"McKinnon, what's the answer to number 3?" "I don't know sir." "Marty, what's the answer to number 3?" Sid, when asked, boomed his answers with confidence: "the central metaphor in this poem emerges from the struggle between good and evil " . Layton would listen, head a bit cocked maybe listening for a slip-up, and then with his own booming voice would say "very good".
I felt dumb and defeated in this class and hated the text, Laurence Perrine's An Introduction to Modern Poetry. Layton gave the occasional full lecture, two brilliant ones I remember: one on Communism and one on the symbology of Roman Polanski's film Repulsion. But in retrospect, and now knowing more about his personal life, marital difficulties and work-load during this period, I figure that he probably chose a text to make his job easier. Each class, 35 of us in rows of desks, was structured on the students' answers to Perrine's questions. I didn't have a vocabulary for academic literary analysis, nor an interest in studying poetry in this way. It was highschool. I wanted to hear Layton speak and give us the goods. Instead the semester

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