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ith
The Book of
Fall (1979),
one of the "Report" books, Norris' development takes a great
leap forward. For the third time he uses a book length
structure and he finds his subjects in the news. This time,
however, the book is more unified and much more complex. It
begins at a milestone for twentieth century pop culture: on
the day of Elvis Presley's death. By a coincidence, Norris
is in Portland Maine, the town where Presley was to begin a
national tour.
lvis' death is the most public aspect of
The Book of
Fall's obsession with loss and change. The time of
year is, naturally, significant: "What we know of fall/is
that it is beautiful/& it is the beauty/of stripping
away" (21). As well as being preoccupied with and decay and
falling apart, the book is also preoccupied with their
opposites; consequently there are images of sunrises, and
dreams, and love making. These opposites clash in the
society, in nature, and in Norris himself as he tells the
story of his spiritual (near) death and rebirth.
"The Book of
Fall was a
confessional poem; I felt like I was stripping myself of my
defenses, and a tree in fall losing its leaves seemed to be
doing the same thing as I was. I felt as bare as the trees
in fall, and I was consoling myself with the fact of an
eventual spring" (Quarry 90-91). Fall is the real,
perishable world; spring the hope for perfection to come.
But in this fallen world spring is just a phase, a stage on
the road to decay:
I have
looked for the perfect
&
been endlessly disappointed
finding
only a finite changing world
(44)
 
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