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Chairs
in the Time Machine: A Montreal Memoir
to the memory
of Marquita Crevier & Roy Kiyooka

I
GOT
TO
MONTREAL
I got to Montreal from Calgary in the summer of 1965 by
various flukes and some conscious intent. I remember
watching a CBC interview show in the early 60's, and seeing
Irving Layton and Leonard Cohen being interviewed. Layton,
as the bookjacket adjectives describe him, was irreverent,
cocky, pugnacious - the short stocky poet ranting about the
sexless mediocre middle class, the power of poetry and
passion, and the evil in the world. Cohen was quieter but as
powerful as Layton because of his timing, syntax, and gift
for the epigrammatic punch line. He had a kind of
smart-alecky spontaneous intelligence and wisdom about life
that made him charming and likeable. Layton was brash, smart
and tough; Cohen intense, smart, and vulnerable - the first
two poets I'd ever seen in action, so to speak. I was
attracted to their hubris, humor, and sense of mission as
serious poets in the world.
In the course of the interview, Layton said that he taught
poetry at Sir George Williams University. That night I
"decided" that I would go to Montreal and study with Irving
Layton - one of those large but painless leaps a young man
can instantly make because he has a sense of unlimited
future and a life ahead, and can ignore any sense of
whatever obstacles might be in the way. My parents, I'm
sure, wanted to change the channel.
AS
IT
TURNED
OUT,
MOUNT
ROYAL
As it turned out, Mount Royal, the two year college I
was attending in Calgary, had a transfer arrangement with
two universities: the university of Montana in Missoula, and
SGWU in Montreal. Now that I think back, Mount Royal
College, was perfect for me; it gave me my chance. I flunked
most of high school and took 4 years and 2 summer schools to
get a general diploma. My friends had gone on the university
and matriculated while I struggled with Math 30, Physics 30,
Chemistry 30 - abandoned in my basement room half-heartedly
studying formulas and theorems that drove me to some other
place in my imagination - a better place of spontaneous
language and image. I was becoming, to my mind, a serious
writer, composing quick poems between chemical formulas,
theorems, and the physical laws of force - as a way to ease
my mind. But without grade 12 matriculation, universities
wouldn't accept me, so that MRC, a private college with high
tuition, and cynically called "sure pass" by students of
other academies, and attended by lots of football players on
scholarships, was my only option, in Calgary, for higher
learning.
I got on the Dean's honour roll the first semester,
resurrected from failure to legitimacy. Then in the second
semester I quickly slid the curve grades tht were average,
but high enough to make the transfer to Montreal: that
fecund city of Cohen & Layton, art, French Canadian
culture and politics - & my way out of Calgary. The odd
physics of chance, fate and will worked in my favour. It was
time to leave the wasteland for Montreal.

SID
MARTY
Sid Marty, also to make the journey, had become my good
friend at MRC. I first saw him at a cafeteria table one
afternoon between classes. He was big, slouched forward with
a morose, fierce expression, fists clenched. He was sullen
and dangerous

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