ISSN 1717-9559
Film Reviews
1.
A review of the final Merchant-Ivory film, The White Countess, “a high-brow romance drama without romantic love.”
2.
A review of British documentarian James Marsh's excellent feature film debut The King, a haunting piece of Southern Gothic which has earned comparison to Terrence Malick, David Lynch, and David Cronenberg (A History of Violence.
4.
Costa–Gavras returns with an astute black comedy on the corporate mindset.
6.
An idiosyncratic look at contemporary thought filtered through popular art, literature, film, and philosophy.
8.
An idiosyncratic look at contemporary thought filtered through popular art, literature, film, and philosophy.
9.
Review essay of Guy Maddin's The Saddest Music in the World which concentrates on issues of National and cultural identity.
10.
A review essay of Maddin's most recent docu-short on Roberto Rossellini.
11.
A report on the 46th International Film Festival of Thessaloniki, Greece (TIFF, 18 – 27 November 2005).
12.
An 'ensemble' piece of film criticism using the unique culture of Louisiana and the Katrina hurricane that shattered Louisiana as a starting point. Films analyzed include: Be Cool, Guess Who, Elizabethtown, Loggerheads, 9 Songs, Cote D’Azur, 2046, Red Eye, Thumbsucker, and Proof.
13.
Report on the 19th Leeds International Film Festival,
14.
Writer Garrett looks at the human quotient across a series of recent films (including Yes, and In My Country, The Interpreter, Off the Map, The Upside of Anger, and Saraband).
15.
An appreciation of Pauline Kael through Ingmar Bergman.
Site Sections
Categories
- Asian CinemaMizoguchi, Miike, J Horror, ...
- Cinema(s) of CanadaQuebec Cinema, Egoyan, ...
- Film DirectorsBava, Pahani, Herzog, ...
- European CinemaAustrian, British, Italian, ...
- Film Aesthetics & HistoryBazin, Cinefest, Film Style, ...
- Horror and the FantasticEurohorror, Giallo, Craven, ...
- Non-Fiction CinemaDeren, Mettler, NFB, ...
- Popular GenresComedy, Fantasia, Mondo, ...