ISSN 1717-9559
   Homepage     Essays     Interviews     Reviews     Festival Reports
Categories     Keywords     Past Issues    About Us    Subscription
Offscreen.com > Keywords > Russian Cinema



Keyword : Russian Cinema
1.

A comparative analysis of the American architect Frank Lloyd Wright's theoretical and practical speculations on glass and Soviet director Sergei Eisenstein's proposed first sound film project for Paramount, ??The Glass House??.

2.

An essay on the Soviet Science Fiction films which played at the 2007 Fantasia International Film Festival.

3.

Robert Robertson continues his research into previously untapped intellectual/philosophical strains in the work (film and theory) of Sergei Eisenstein, looking at parallels to the American architect Frank Lloyd Wright.

4.

An analysis of Eisenstein's most abstract montage type, 'intellectual montage.'

5.

An interview with David Grieco, Italian director of serial killer film Evilenko.

6.

In-depth review of uncompromising fact-based serial killer film, Evilenko.

7.

An analysis of the great montagists Sergei Eisenstein’s interest in synaesthesia and occult traditions.

8.

First of two part essay on Eisenstein's audiovisual strategies for his sound film Que Viva Mexico! and how his use of music and noise relates to his concept of 'nonindifferent nature'

9.

First of two part essay on Eisenstein's audiovisual strategies for his sound film Que Viva Mexico! and how his use of music and noise relates to his concept of 'nonindifferent nature'

10.

Socialist Realism During the Thaw: DVD review

11.

An interview with Georgian short film expert, diirector Mikhäil Kobakhidzé.

12.

The long wait for Tarkovskians is finally over. Stalker (Andrei Tarkovsky) is out on DVD!

13.

Part two of David Neo's subtle analysis of Fractal memory images in Sokoruv's Mother and Son.

14.

Gilles Deleuze Meets the Mandelbrot set in this theoretical exploration of the memory images in Sokoruv's modern day Kammerspiel classic Mother and Son.

15.

At the last year's 33rd edition of the Karlovy Vary International Film Festival, the main prize, the Crystal Cube, went to the Canadian filmmaker Charles Binamé for his film Streetheart.

16.

Sergei Eisenstein has always been the pride of the Soviet cinema, but it was not until after perestroika, and especially after the collapse of Communism, that Russian theoreticians began to freely explore the national-psychological roots, cultural

17.

I have left for last the most powerful alienating effect on nature, Sokurov's use of special distorting lenses and mirrors that give the image an oblique, quivering feel. It is a unique form of distortion, one that has had many viewers baffled.


Page 1 of 1 pages


 

© Offscreen.com 1997-2008. All rights reserved.
ISSN 1717-9559.