Lisez aussi :
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Canadian Cinema :. |
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L’Âge des images
The recent video work series of four 50-minute filmic essays by Québécois giant Jean Pierre Lefebvre is analyzed for its cultural and aesthetic depth.
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Time Spent in Zama
An essay on Hakan Sahin's first two features, Mirror and Snow, studies on the psychological effects of living in geographical isolation.
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The 4th Life
A review of François Miron's revisionist, Sapphic film noir, which imagines a world where women act like Humphrey Bogart and men are nervous, jittery and timid.
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Brief Notes on Canadian Identity in Guy Maddin’s The Saddest Music in the World
Review essay of Guy Maddin's The Saddest Music in the World which concentrates on issues of National and cultural identity.
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Guy Maddin: My Dad is 100 Years Old
A review essay of Maddin's most recent docu-short on Roberto Rossellini.
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An Interview with Guy Maddin
An in-depth interview with Guy Maddin.
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From Back Bacon to Chicken Fingers: Re-contextualizing the ‘Hoser’ Archetype
A cultural analysis of the Canadian comic phenomena of the Trailer Park Boys.
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Le Confessional 10 Years Later: A Québec Classic Revisited
An in-depth essay on the 10th anniversary of Robert Lepage's impressive debut feature Le Confessional
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La Petite Aurore, L’enfant Martyre: Revisiting a Classic
Revisiting a classic of Quebec cinema, La Petite Aurore, L’enfant Martyre.
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An Interview with Denys Arcand
On the occasion of the launch of the NFB's DVD box set L’oeuvre documentaire intégrale de Denys Arcand 1962-1981, Isabelle Morissette meets with Denys Arcand on the subject of On est au coton and the influence that the documentary has had on his creative process.
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The City Without Windows
Interview with makers of the poetic science-fiction parable The City without Windows (La Dernière Voix).
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Double O-Canada: Decoding IXE-13 from Page to Screen
The evolution of Québécois popular hero IXE-13 from serial novel to film.
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Canadian Portraits: Three Forgotten Classics of the NFB
These three documentaries, which adopt a “biographical” approach with their singular characters, present images of people who are at once ordinary and extraordinary, who through their tenacity and resilience are elevated to the status of myth.
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Heroism Canadian Style
“Twist” makes an interesting companion piece to another recent Canadian film by director Tim Southam, “The Bay of Love and Sorrow” (2002). Unlike Tierney, for whom “Twist” represents his first feature film, Southam comes to “The Bay” with a more varied and experienced background.
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The Saddest Music in the World
Review of Maddin's latest film within the broader context of recent Canadian cinema and its reception in the United States.
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