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Keyword : British Cinema

1.

Review of the winsome little British gangster comedy, Death in Ventnor.

2.

A report on the irrepressible Telluride Film Festival.

3.

An account of the John Boorman Master Class presented during the 2008 Festival du Nouveau Cinéma de Montréal.

4.

A festival report combining two festivals, the new English Riviera International Comedy Film Festival, and the 22nd Leeds International Film Festival

5.

A sociological analysis of the British science-fiction film, using Quatermass 2 as a case study.

6.

In the second of this two-part essay on Hitchcock as a 'romantic ironist' Menard focuses his attention on the distinctiveness of Hitchcock's form of suspense.

7.

In this first of a two-part essay David George Menard analyzes the narrative methods of plot inversion as exemplified through Hitchcock's plots which pit ideals of romanticism against their potentially subversive thematic and moral counterparts.

8.

An analysis of Freddie Francis' minor masterpiece in psychological and supernatural horror.

9.

An exclusive look at one of the lesser known Hammer films from its peak period, starring Christopher Lee and directed by Hammer stalwart Terence Fisher.


11.

A transcription of Peter Greenaway's talk from 1997.

12.

A tribute to the Hammer great Freddie Francis, cinematographer par excellence and director of countless horror films, including the film given extensive analysis here, The Creeping Flesh.

13.

A thoughtful overview of the 13th rendition of the Bradford International Film Festival, which ran from March 9-24, 2007.

14.

In-depth review of the three short film DVDs from Cinema 16, with volumes dedicated to British, American and European cinema. Includes early short films by Ridley Scott, Asif Kapadia, Lynne Ramsey, Christopher Nolan, DA Pennebaker, Tim Burton, Todd Solondz, Jean-Luc Godard, Tom Tykwer, and Lars von Trier.

15.

An industry analysis using Almodovar's Live Flesh and Guy Ritchie's Snatch as case studies of the sort of narrative and stylistic markers used by European cinema to compete with American films in the global market.

16.

Professor Paul Salmon reviews the Criterion Collection release of Powell and Pressburger's influential cinematic opera piece, The Tales of Hoffman.

17.

A festival report on the 20th installment of the Leeds International Film Festival.

18.

A review of the final Merchant-Ivory film, The White Countess, “a high-brow romance drama without romantic love.”

19.

A review essay of a multi-author reader on one of the greatest of Scottish films, The Wicker Man.

20.

A report on the 12th Bradford Film festival (UK).


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