ISSN 1712-9559
Keyword : Canadian Cinema
2.
Review of recent DVD release of Canadian horror documentary on horror impresario Kier-La Janisse.
3.
A close textual analysis of one of the most revered Canadian films of all time, Les Bons Débarras.
5.
A review of the Severin Films DVD release of Screwballs, which they refer to as the "Citizen Kane of high school sex comedy!"
6.
An interview with Maurice Devereaux on his latest and most ambitious film, End of the Line.
8.
Steffen Hantke reviews a book on David Cronenberg by Mark Browning which attempts to read Cronenberg through a literary rather than cinematic landscape.
9.
An interview with Doug Harris, writer/director of the Canadian film Remembering Mel.
10.
An brief look back at the capital cost allowance period in Canadian cinema, which acts as an introduction to the interview with Doug Harris.
11.
An interview with Philippe Spurrell, director of the Canadian supernatural mystery, The Descendant (2007).
12.
Coverage of the 8th installment of the Calgary International Film Festival.
13.
All too often film criticism takes itself too seriously. What if film criticism tried to be as entertaining as its product? Offscreen introduces 'Bran Stakhage's' new concept in film criticism: 'post-it' styled criticism which you could print out and stick on your kitchen fridge.
15.
A review of the NFB's much anticipated DVD box set of Pierre Perrault's seminal Île-aux-Coudres trilogy.
16.
In-depth review of the Fantasia International Film Festival's first DVD release, a compilation of outstanding shorts shown at the festival over the past several years.
17.
An overview of Richard Kerr's multimedia installation, Industrie/Industry.
18.
The recent video work series of four 50-minute filmic essays by Québécois giant Jean Pierre Lefebvre is analyzed for its cultural and aesthetic depth.
19.
An introspective analysis of what happens when aesthetization meets the politically volatile subject of global capitalism.
20.
A report on the 2006 edition of the Festival of New Cinema in Montreal, with a preamble on the etiquette of big theatre experience in the era of the multiplex experience.
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