"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
September 9, 2007
Price: Your 2¢

This site is updated Thursday at noon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance, and Ian Driscoll stares deeply into the screen.

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Click here for the writer's bios and their individual takes on the gutter.


Recent Features


HOW WOULD LUBITSCH DO IT?

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INT. DRISCOLL’S OFFICE - EVENING

It's a big office, and dark, which makes it feel even larger, cavernous. The theme from Dr. Who (Delia Derbyshire’s 1963 version) reverberates in the space, buzzing up your spine like a telegraph signal.

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Detroit Metal City: No Music, No Dream

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We live in a time of film adaptations of comic books massive and tiny, from Iron Man and The Dark Knight to Wanted and the upcoming Surrogates. But I don't need to see any more. I have seen Detroit Metal City and it is a testament to awesomeness.

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Sequelitis

sequel-small.jpgYou'd think that writing a sequel would be down to a science, considering how many get cranked out every year. Three parts more-of-the-same to two parts brand-new-adventure or some such recipe. I recently read two sequels, one that was fantastic, the other not so much. The difference? As far as I could tell, it was because of the books that came before.

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Sanctuary

by Carol Borden

In Castle Waiting, every turret flies its freak flag high It's a dream every geek, freak, dork, spazz, nerdy girl, artsy fartsy dilettante, re-enactor, socially challenged misfit and misanthrope has had: Sanctuary. A place where you're left alone. A place where embarrassing quirks, interests and personal oddities aren't just tolerated, but embraced. And many have tried to build their own sanctuaries from pillow forts to teenage rooms to basements to dorms to studios, each with its freak flag flying.

Linda Medley's 2007 collection, Castle Waiting, is all about sanctuary. In this case it's not the nave of a church in a bad part of town or a 70's future Eden; it's the castle Briar Rose, aka "Sleeping Beauty," abandons to go live with her beloved acquaintance, Hans. Over time, Castle Waiting and its denizens—including Briar Rose's ladies-in-waiting, the avian Mr. Rackham Adjutant, Sister Peaceful the Solicitine Nun and Iron Henry, whose heart is held together with iron bands—find their purpose and tell their stories to the self-styled, Lady Jain, the Countess of Carabas, pregnant and on the run from an abusive husband.

Medley obviously intends to present all the characters' stories through the course of her comic. And she uses some of the forms of Medieval/Renaissance texts like Boccaccio's Decameron or Chaucer's Canterbury Tales, but without causing herself the headache that committing to 10 stories from 10 characters over a 10 night plague feast does. Chaucer didn't set himself up much better with his story telling competition. Instead, Medley plays it smart. She has a series of nested stories the characters tell about themselves and the people in their lives. There's no formal structure, just the organic one of a curious Lady. But Medley did run into one obstacle—she couldn't afford to keep publishing her comic. The current book represents the run from 1996 to 2001, when she put the book on hiatus. Now she's started up their stories again and Fantagraphics published a collection in a schmancy format that looks like the hardcover Series of Unfortunate Events and has a ribbon book mark. And I bet fantasy fans could get their geek on with its length and Romany glossary.

In Castle Waiting, every turret flies its freak flag high Medley's art reminds me of woodcuts, especially the thick lines she uses for shading or outlines. And somehow she maintains a balance between more two-dimensional Medieval art and a three-dimensional Naturalistic style. The styles don't grate against each other. But instead of illustrating people skipping to the krumhorn or shawm, Medley depicts Peaceful and Nessie escaping from the circus and Rackham and Chess patching a leaky roof. She's really good at drawing woodcut horses and oxen. They just make me happy.

Castle Waiting might sound like it has that tone. You know, the fantasy magical enchantment and wonder of a very serious nature tone, but with sparkles cause it's girly. A tone that I like in Neil Gaiman's work but has lately begun to wear on me. Castle Waiting is a little more playful and a little less engaged in making the audience feel the wonder and delight of a re-enchanted world—or of a world believed to have been thoroughly disenchanted long ago. The writing's zippy. The fantastic elements are taken as mundane. A "poltersprite" infestation is just a nuisance. Theriomorphic people like Rackham or the Three Pigs just… are and their difference from animals that don't talk or wear clothes isn't one that needs to be clarified. The inside references—like Dr. Fell, Iron Henry or Camilla the chicken—are neat when you get them, but don't become a distracting game of collect'em all. Most of all, the comic is humorous and joyful and, right now, I can use that. Castle Waiting's more Muppet Show than Mirror Mask.

I enjoyed most of the book but didn't get crazy excited until the story of Sister Peaceful and her order, the Solicitines, who are all bearded ladies, many of whom worked in the circus. Can it get any better than bearded circus ladies? Yes, it can. They are scampy, bearded circus ladies who use their circus powers for awesome, including an amazing impersonation of what looks to be Baphomet. There better be more Solicitines in the next complete volume.

I don't know if I can stand the wait. Even though Medley's hard at work on new issues, Castle Waiting, like Mouse Guard, is not a comic I can read one issue at a time. So I'll do my best to abide until 2008, then hole up and dream of a freaky, muppet, circus sanctuary for my own little heart.

~~~
Carol Borden has been crazy foolish the last 10 days or so and writing for the Toronto International Film Festival's Midnight Madness blog. Yes, she's writing this tired and out of her mind.

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hey guys--

you might've noticed the site went wonky in october. our database got corrupted and we lost comments from a lot of articles. if you remembered your comment and felt like re-posting, we'd appreciate it.

—Carol Borden

a reader wrote me privately to say that i should've used the sacbut in my list of medieval instruments. i didn't because it seemed way too obvious when i was writing. but, really, i should've used the sacbut.

sorry everyone.

—Carol Borden


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a reader wrote me privately to say that i should've used the sacbut in my list of medieval instruments. i didn't because it seemed way too obvious when i was writing. but, really, i should've used the sacbut.

sorry everyone.

—Carol Borden

2 comments below.
Pitch in yours.


Of Note Elsewhere
A 1953 3-D comic online? My brain doesn't have the power to contain the glory of past, present and retro-future colliding in Brain Power!
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Kyoto University of Art and Design's newest teacher is none other than JJ Sonny Chiba. Prof. Chiba will be teaching film acting and swordfighting. And I bet ninjutsu, but secretly. (via Kaiju Shakedown)
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No more Plain Janes from DC. It's nixing Minx, it's line directed at girls. Shannon Smith breaks it down in bookstore terms.  When Fangirls Attack has more. 
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Let your cursor drift to the right and all the way down for Ozploitation trailer goodness like a giant razorback, a postapocalyptic drive-in, erection jokes as well as Donald Pleasance, George Lazenby and Jimmy Wang Yu at Flyp magazine's look at Not Quite Hollywood.
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Vampirella's been needing a make-over for a long time.  Project: Rooftop has original Vampirella costume designer and feminist historian Trina Robbins judge the results.
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View all Notes here.
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