"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
September 4, 2008
Price: Your 2¢

This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter.

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms.


Recent Features


ROUND THE DECAY OF THAT COLOSSAL WRECK

Watchmen 80.jpgIn the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen.

But I’m going to suggest that they actually undertook an even more massive challenge: adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen - and completely missing its point.

Continue reading...


The Love Song of the Black Lagoon

Lagoon 2 80.jpgWe have lingered in the chambers of the sea
By gillmen wreathed with seaweed red and brown
Till human voices wake us, and we drown.
--sorta T.S. Eliot

Do you hear that? Off in the distance? A song too beautiful to be real but somehow... familiar? The song twines over the water, through the cattails and the woods, into the window, eighth notes swirling all around. The creature in the lagoon is singing. He's not dead after all and who are we to resist him and the “centuries of passion pent up in his savage heart?"

Continue reading...


Zahn's Star Wars; Or, Will This Death be Permanent?

coruscant-small.jpgA scrappy rebellion, a victory against an evil overlord, leftover spaceships in the dark outer reaches of the galaxy, warriors with extraordinary powers (nearly wiped out), now on the verge of a comeback. Laughs, thrills, moments of sadness, moments of sheer action. Exciting stuff! And oh yeah, it's a Star Wars tie-in novel.

Continue reading...


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It Takes Two

by Chris Szego
2 80.JPGIf I had a dime for every time I’ve heard that writing is a lonely profession I would (to misquote  Stephen Colbert) have a hell of a lot of hypothetical money.  But phrases don’t become cliches without reason, and the truth is that many writers spend a great deal of their time inside their own heads.  Too much time?  Maybe for some.  But what it all comes down to is the battle between the writer and the empty page.  Writing is not a team sport*.  Except, of course, when it is. 


Some agents work closely with their writers, helping them fine tune their work.  Editors obviously have their say.  There are writing partners, trusted beta-readers and workshops galore.   But some writers want to share the very act of creation.  It is of this last impulse that  collaborations are born.  And one of the most successful collaborations in the world of Romance is Laura London.  Who is sometimes known as Robin James.  And who is, in real life, the husband and wife writing team of Tom and Sharon Curtis.

Having met and married young  - “in our teens” is how Sharon puts it - the couple began writing together in their twenties.  Partly to spend time together, partly for the sense of self-expression, and partly just for fun.  Tom’s appreciation of Jane Austen emboldened Sharon to give him Georgette Heyer, and their mutal love for the Regency period inspired them.  After six months work and a phone call to Dell, they submitted their first manuscript.   A Heart Too Proud was published in 1977, and a publishing legend was born.

windflower 2.JPGFor the Curtises, the process was of as much interest as the result.  All their stories were created in full partnership.  Each had the power of veto, but apparently it was rarely used: instead, ideas they couldn’t agree on were discarded as unworkable.  They plotted their books on index cards laid out on the floor.  Which, given that their household included two children and assorted pets, gave the phrase ‘plot twist’ a new meaning.  Tom typed the first draft, with Sharon’s constant input: Sharon did the rewrites, with Tom’s consultation.  “In essence,” said Sharon, “Tom and I began collaborating because we didn’t have the raw common sense to realize it would be a complex and challenging process.”

And also a successful one.  Their delightful Regencies raised the bar for everyone who followed.  And their 1984 single title release, The Windflower, is on more Top Ten Favourites lists than I could possibly name.  It’s a  perfect blend of Regency Romance and physical coming-of-age adventure that was inspired by their own enjoyment of Robert Louis Stevenson.  The extraordinary story of Merry Wilding and Devon Crandall epitomizes the Curtis’s storytelling genius.  It’s hard to describe the story without sounding ridiculous:  Merry is kidnapped by mistake; Devon is a nobleman in disguise; there are fires, fevers, and all manner of pirates (including one named Cat who has the distinction of being Romance's Favourite! Secondary Character! Ever!)... put like that, it sounds outlandish.  But it’s not.  Instead, it’s gripping, occasionally funny, and very, very moving.

By the mid-80s, the couple was also writing under their own name.  At that time, the idea that a man would write a Romance caused no end of talk.  But when their 1987 release Sunshine and Shadow won the Golden Medallion Award (Romance’s highest honour, later renamed the RITA Award), the talk was only about their extraordinary prose.  As Robin James they went on to write several contemporary novels, and their work was prized by readers and writers alike.  Thoughout, they each kept their day jobs: Tom as a trucker; Sharon as manager of a bookstore (where staff were under strict orders not to tell customers about her ‘other’career).  The limelight didn’t interest them much: only the work.  And then after a decade and a half... they stopped writing.

The Curtises retired from the Romance field in the late 90s.  They had growing children, aging parents, and health issues of their own.  Readers mourned their departure - and still do.  But we understand their decision.  No one, no two who wrote as beautifully about life, love and family as Sharon and Tom Curtis could do anything else but put their own family first.  They are missed, but never forgotten, and their wonderful books, so layered and assured,  remain the prize piece of many a Romance collection.
 

*novel writing - scripts for film and TV are another beast althogether.

~~~
All Chris Szego wants for Christmas is Cat’s book.  And maybe a puppy.







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Of Note Elsewhere
A wrestler-fairy? A nerd-werewolf? A caveman-pirate? All these and more in Creebobby's second Archetype Times Table.
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Wong Fei-Hung's been on my mind lately. Luckily, Kung Fu Cinema has a nice video (scroll down) of Wong Fei-Hung in the movies from Kwan Tak-Hing to Gordon Liu, Jet Li as well as Jackie Chan and actress Angie Tsang Tze-Man's portrayals of young Wong Fei-Hung. There's also a detailed companion article tracing the historical and fictional Wong Fei-Hung through newspaper pulps, radio, tv and film. 
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"It's common practice for one of those guys, in a single day, to chainsaw his way out of the belly of a giant worm, take a detour through a zombie shantytown, euthanise his long-lost wife, and spend hours in a sewer trawling through blood and waste, with monsters leaping up at his face and depositing their brain matter on his boots."

Hit Self-Destruct again, on what life's like for videogame heroes.
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The Deleted Scenes webcomic takes a look at W. E. Coyote v. ACME Corporation.
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Frank Miller's Charlie Brown, Thumbsuckers.
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