"We are all in the gutter, but some of us..."
Taking Trash Seriously.
"...are looking at the stars."
-- Oscar Wilde
January 25, 2007
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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter.

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms.


Recent Features


ROUND THE DECAY OF THAT COLOSSAL WRECK

Watchmen 80.jpgIn the run-up to, and wake of, the release of Watchmen, it has become common currency to say that adapting Zach Snyder, et al undertook a massive challenge in adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen.

But I’m going to suggest that they actually undertook an even more massive challenge: adapting Alan Moore and Dave Gibbons’ complex, sprawling medium- and genre-defining work for the screen - and completely missing its point.

Continue reading...


The Love Song of the Black Lagoon

Lagoon 2 80.jpgWe have lingered in the chambers of the sea
By gillmen wreathed with seaweed red and brown
Till human voices wake us, and we drown.
--sorta T.S. Eliot

Do you hear that? Off in the distance? A song too beautiful to be real but somehow... familiar? The song twines over the water, through the cattails and the woods, into the window, eighth notes swirling all around. The creature in the lagoon is singing. He's not dead after all and who are we to resist him and the “centuries of passion pent up in his savage heart?"

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Zahn's Star Wars; Or, Will This Death be Permanent?

coruscant-small.jpgA scrappy rebellion, a victory against an evil overlord, leftover spaceships in the dark outer reaches of the galaxy, warriors with extraordinary powers (nearly wiped out), now on the verge of a comeback. Laughs, thrills, moments of sadness, moments of sheer action. Exciting stuff! And oh yeah, it's a Star Wars tie-in novel.

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All-Star Childhood Memories

by James Schellenberg

Going back to the books that blew my mind as a kidNowadays I can pick up any pop cultural obsession that I want - hey, it's the internet age and my nerdy disposable income goes a long ways. But when I was a kid, it was almost always hard to find cool stuff.

I ended up reading a whole lot of crap, since I didn't have as much control over what I could find. In a situation like that, the formative moments are not always the ones you'd want them to be, looking back as a grown-up.

I was persistent enough, though, to find a few gems along the way, like Patricia A. McKillip's The Riddle-Master of Hed.

That's the first book in a trilogy, and all three books are memorable. The first book, from the year 1976, was followed by Heir of Sea and Fire a year later, and the saga concluded with Harpist in the Wind in 1979. All three are short, as far as trilogies go - all told, the trio clocks in at under 600 pages. Most epic fantasies take up that much space in a single volume!

In the first book, a young prince of Hed, Morgon, is trying to go about his life as the leader of a small island full of farmers. But he has three stars burned on his forehead, and in a world where an unanswered riddle is easily fatal, no one can answer the question posed by the strange markings.

The first book is an introduction to the world, but also a kind of abstract story. Constant danger surrounds Morgon, but it's not always clear where it's coming from or why. That puts us in sympathy with Morgon, since he's in the process of figuring out what's going on too.

The Riddle-Master of Hed is atmospheric and furnished with some imaginative magic, but a bit standard, complete with a magical young man growing up. Standard, at least until the ending! The first book concludes with a cliffhanger that frightened the heck out of me as a kid and that I still found quite chilling when I re-read it.

What's more, instead of bogging down in the second book like most fantasy trilogies do, McKillip uses the cliffhanger of the first book as an opportunity. Heir of Sea and Fire leaves our standard male hero dangling and picks up with a woman named Raederle. She and Morgon are destined to be together, but she's not really waiting around for her white knight. The second book is mainly about Raederle's efforts to find Morgon, and then the third book is about their partnership, which is not treated as protagonist and sidekick, but rather a duo of powerful people. Smart stuff, and it makes the trilogy tightly constructed, with two character arcs that then merge to form third. It's not entirely balanced but it's much more so than most fantasy stories.

Going back to the books that blew my mind as a kidI remember liking the cover artwork of the original hardcovers, and seeing them again felt like digging up even older primeval memories than re-reading the books. These images are lodged pretty deep in my brain. See the cover of the original hardcover to the right -- it's got narrative and atmosphere at the same time.

In the introduction to the 1999 omnibus edition, McKillip talks about how Tolkien hit her like a bolt of lightning. But you would hardly know it from this book: on the scale of slavish Tolkien imitations, this one hardly registers. There might be a prophecy and a map, but all else is entirely McKillip's own marvellous work.

That's ironic praise, considering what I'm about say next: her prose and plotting have a tendency to the elliptical. Elliptical is a polite way of saying "obscure" for the books that don't work, and "intriguing" for the ones that do, like The Riddle-Master trilogy. These gaps are artfully done, just like everything in her novels, and they make her books very unique.

All the same, I have to confess that I haven't kept up with McKillip's recent books. Her love of the elliptical has only intensified, and I've found the plots a little too puzzling for me. If this is your fancy, that's great. In fact I'm thrilled that there's a writer out there who isn't churning out the same fantasy crap. In this particular case, it's a road I can't follow.

This article is the first in an informal series I'm planning: to revisit the books that I read as a kid to see how they hold up. Next month I'm going to re-read Robin McKinley's duo of books, The Hero and the Crown, the second book I ever bought with my own money, and The Blue Sword, the first book I ever read with a sex scene in it!

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Did you read McKillip a long time ago? Any other classic memories from childhood? Email James or add a comment below.

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Loved the trilogy, love McKillip in general. Every few years I re-read the trilogy, because I can't remember what happens at the end. Not the plot so much: I can't remember if the ending is happy or tragic. Then I read it again and think, "Oh yes, that's why I can't remember." Genius.

—Chris S.


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Loved the trilogy, love McKillip in general. Every few years I re-read the trilogy, because I can't remember what happens at the end. Not the plot so much: I can't remember if the ending is happy or tragic. Then I read it again and think, "Oh yes, that's why I can't remember." Genius.

—Chris S.

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Of Note Elsewhere
A wrestler-fairy? A nerd-werewolf? A caveman-pirate? All these and more in Creebobby's second Archetype Times Table.
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Wong Fei-Hung's been on my mind lately. Luckily, Kung Fu Cinema has a nice video (scroll down) of Wong Fei-Hung in the movies from Kwan Tak-Hing to Gordon Liu, Jet Li as well as Jackie Chan and actress Angie Tsang Tze-Man's portrayals of young Wong Fei-Hung. There's also a detailed companion article tracing the historical and fictional Wong Fei-Hung through newspaper pulps, radio, tv and film. 
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"It's common practice for one of those guys, in a single day, to chainsaw his way out of the belly of a giant worm, take a detour through a zombie shantytown, euthanise his long-lost wife, and spend hours in a sewer trawling through blood and waste, with monsters leaping up at his face and depositing their brain matter on his boots."

Hit Self-Destruct again, on what life's like for videogame heroes.
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The Deleted Scenes webcomic takes a look at W. E. Coyote v. ACME Corporation.
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Frank Miller's Charlie Brown, Thumbsuckers.
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