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This site is updated Thursday afternoon with a new article about an artistic pursuit generally considered to be beneath consideration. James Schellenberg probes science-fiction, Carol Borden draws out the best in comics, Chris Szego dallies with romance and Ian Driscoll stares deeply into the screen. Click here for their bios and individual takes on the gutter. Our Guest Stars shine here

While the writers have considerable enthusiasm for their subjects, they don't let it numb their critical faculties. Tossing away the shield of journalistic objectivity and refusing the shovel of fannish boosterism, they write in the hopes of starting honest and intelligent discussions about these oft-enjoyed but rarely examined artforms. Contact us here.


Recent Features


Author's Cut

avatar-blue-small.jpgThe director’s cut is a familiar term in the world of film, but an equivalent “author’s cut” in the realm of books is not a widespread notion. Why might that be?

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By Any Other Name

heart of gold 80.jpegDespite being the largest piece of the trade publishing pie, there’s a lot of good stuff to read out there that isn’t Romance.  And I try to get through as much of it as possible*.  Funnily enough, though, much of the other fiction I read tends to have some sort of romance in it somewhere.  Sometimes it might be between secondary characters.  Sometimes it’s in the background.  Occasionally the relationship doesn’t work out.

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Disconnected Viewing

sita brahmin.jpegI don't have cable right now so I'm rewatching old shows and movies. A lot of them are animated. Such is my way. I'd like to have a nobler reason for rewatching them--something like when James revisited his favorite childhood books. And it's true—he did inspire me. But it's also true that I don't have cable.

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Romance Archives

By Any Other Name

heart of gold 80.jpegDespite being the largest piece of the trade publishing pie, there’s a lot of good stuff to read out there that isn’t Romance.  And I try to get through as much of it as possible*.  Funnily enough, though, much of the other fiction I read tends to have some sort of romance in it somewhere.  Sometimes it might be between secondary characters.  Sometimes it’s in the background.  Occasionally the relationship doesn’t work out.

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Heroine Addict

HAWEE.jpgApparently, once I get started on archetypes, I can’t stop. So having touched on the archtypes found in stories and in heroes, I’m going to have to complete the trifecta.

Theories about the nature of the modern Romance heroine are legion. She’s a placeholder. She’s an expression of modern femininity. She’s an aspect of human personality for the writer to explore. Okay, sure. Those sound good. But the basic truth about the heroine is simple: she’s the point.

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Holding Out For a Hero

bittyhero.JPGI recently read a column by Ilona Andrews about heroes, which A) though light-hearted was also informative, and B) I immediately decided to steal use as a springboard for an article of my own.<

There’s a lot of discussion as to the role of the hero in modern Romance. Is he a placeholder for the reader, as some would suggest? A Jungian construct created to be the catalyst for the heroine’s own transformation? The prize for surviving the plot? Maybe. But I don’t think the hero represents any one thing - at least, not all the time. And definitely not every hero.

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Doing it Wrong on the Right Side of Town

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Once a year this column turns cranky. Lucky you: today’s that day!

The Romance genre sells a lot of books. It dominates the paperback trade. When it comes to mass markets, Romance outsells every other genre and subject combined. It stands to reason, then, that it would likely also contain more bad books than any other genre.

And it does.  Oh my word, yes.


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Take Me Out to the Ballgame

smallyucky.JPGI just read an article in The New York Times that filled me with hope — hope for my relationship with cilantro. I’m in that small percentage of the population that tastes something abominable in the herb. I find cilantro not only digusting, but also annoying, because it renders several international cuisines fraught with difficulty. This particular article suggested that I might be able to turn cilantro-induced revulsion into pleasure, mostly by eating it repeatedly. Huzzah! Unfettered enjoyment of Indian and South American food is once again a possibility!

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But What I Really Want to do is Direct

teenyclapper.JPGThere are lots of great modern romance novels out there. And there are plenty of wonderfully romantic movies. Oddly enough, the latter aren’t usually based on the former (modern romance novels; in this one instance, Jane Austen doesn’t count). Which is not to say there aren’t any at all, but Twilight aside, most of them appear on cable television. And those I’ve seen, well… let’s just say they weren’t entirely successful

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Good Things Gro-o-ow in To-ron-to

bittytrw.JPGRight. So you’ve joined the RWA, and are enjoying the information and advocacy your membership entitles you to. But National’s a long way off, and RWA headquarters is in Texas, and you’re starting to get a little lonely. So what do you do? You join your local chapter. Where I live, that means the Toronto Romance Writers.

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It’s Fun to Go to the R.W.A

bittyheart.JPGThe internet allows writers to do the impossible: write in isolation while in company. A writer might still face off single-handedly against blank screen, but behind the accusing blink of the cursor there are thousands of minds ready to offer information, support and catwaxing options.

On the other hand, it’s not as if, pre-internet, every writer was locked in a Proustian cork-lined room. Despite the solitary nature of their work - or possibly because of it - writers have always sought one another out. For encouragment, professional development, and sometimes for the sheer relief of being around other people who get it. That’s pretty much the unofficial definition of the RWA.

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That’s a Wrap

teeny2009 2.jpgI enjoy this time of year. Partly because I work in retail, and the week between Christmas and New Year’s Eve is a kind of gift: festive and fun, and landing somewhere between the insanity of December and the dead quiet of January. But also because I get a kick out of all the lists that float around, the Best and Worst Of lists, the Most Funniest, Most Influential, etc. They’re not real news, of course, but they’re not meant to be. They’re more like the book reviews we post in our store, a way for people to open the door and peek inside. After that it’s up to them to decide if they want to go inside and look around.

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All That Fairy Tale Nonsense

weetink.JPGOne of the many criticisms levelled at romance novels is that they’re a poor model for women when it comes to real-life relationships. All that fairy tale nonsense, detractors say, will make women want the wrong things from their partners. I could list a dozen things wrong with that assumption, but I’ll limit myself to three.

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First, Kill All the Lawyers. Or Not. Whatever.

weejulie.JPGI never thought a courtroom would make a particularly good backdrop for romance. Drama, certainly, in a gavel-pounding, “you can’t handle the truth” sort of way. But I thought the procedural nature of the law, with its rules and regulations, and sheer mind-numbing attention to detail precluded any possibility of romance.

Sometimes it’s nice to be proved wrong.

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Vive La Difference!

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Britain and France have a long history together. Okay, much of that history consists of having wars with one another. But if you look at the past as a whole, having wars is pretty much what Britain did. First, it fought at home, its various tribes jockeying for position, struggling with invaders, taking over other tribes. Then later, after it discovered sailing as a disciplined science, Britain took that fight around the world. An international hello, so to speak, but with a punch in the face, rather than a civil greeting.


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For the Win!

smmer.JPGCover blurbs can be tricky things. Some authors see them as good publicity tools, and who’s to say they’re wrong? After all, it puts their name on books not their own, right there for eager readers to find. Others see them as favours to pay back to writers who have helped them, or forward to writers they’d like to see succeed. Sometimes they backfire: if I try a book based on an author’s recommendation and hate it, it’s a double blow. Not only to do I not like the book in my hand, but my opinion of the blurbing author’s taste has been seriously tarnished.

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These Are A Few Of My Least Favourite Things

smallno80.jpgEvery now and again, I like to pause in my appreciation of the romance genre and take the opportunity to bitch about it instead. I know it’s not perfect. As the largest genre in the world, it also contains the largest collection of bad books. I don’t review books I think are terrible - mostly because life is too short to read bad books.  But also because what starts out as criticism all to easily becomes snark, and that’s of no help to anyone. Possibly of more use is a look at some of the genre’s wider and more persistent trends - trends that veer dangerously close to overexposure. Here are a few things I’m finding particularly grating, in no particular order (except perhaps order of irritation).


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We Need to Talk

teenyapple.JPGI’ve put it off long enough. Thought, ‘We can get into that later’, and ‘I should wait till the fuss dies down a little’. But truth is, we’re overdue. It’s time we talked.

About Twilight

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I Got 99 Problems But a Bitch Ain’t One

weefab.JPGSarah Wendell and Candy Tan occupy some interesting real estate in the romance world; a previously untenanted corner of Innernet and Romancelandia. Smart Bitches, Trashy Books is a different sort of headspace when it comes to a website about Romance novels.  It’s frank, forthright, and not above fart jokes. 

Wendell and Tan don’t just review novels, they also subject them to analysis, and praise or pan them as the situation requires. They demonstrate an unquenchable and exuberant love for the entire genre, while acknowledging - and even celebrating - its most ridiculous excesses. They’ve amassed an interesting and intelligent readership who tune in for the commentary and stay for fun. They even popularized the ever-useful phrase ‘man-titty’ as a descriptive aid in the discussion of cover art.  And now the original Smart Bitches have written a book of their own: Beyond Heaving Bosoms: The Smart Bitches’ Guide to Romance Novels

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Love, Pain, and the Whole Damn Thing

tinypiece.JPGOprah’s Book Club had a massive impact on the literary landscape, and I mean that in a good, non-dinosaur-killing way. The huge surge in the trade paperback market owes much to Oprah. I was working for Chapters when it went nova, and the number of times we were asked for “y’ know, that book Oprah was talking about” was mind-boggling. The only question asked nearly as often was “Why does she always choose such $#!@*& depressing books?”

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I Want My Mummy

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This month we’re mixing it up at the Gutter, with the editors writing about something outside their usual domain. This week Chris Szego writes about movies. Well, mostly movies.

I’m a total chicken. This means I don’t watch anything that smacks of horror.  In fact, I tend to close my eyes when the music gets even a little bit ominous. It’s not the gore I mind so much (though really, intestines belong on the inside), but the terror. The supposed cathartic release of the horror movie escapes me: I scare really easily, and unfortunately, I stay scared long after the movies ends. Which means I’ve missed any number of important genre movies:The Thing, The Exorcist, most of Alien. So imagine my joy when awkward first date manners had me agreeing to watch The Mummy

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Canadian Content

weemary.JPGMost major genre fiction publishers are located in either New York or London.  Romance is a bit of an exception:   Harlequin Books, the world’s largest publisher of romance, is headquartered in Toronto.  Nor is the Canadian flag absent on the authorial side. There are Canadian romance writers from coast to coast, many of whom have huge international followings. One of my favourites is Mary Balogh.   Her story, like that of so many other Canadians, starts elsewhere.

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Now vs. Then

hoyt3.JPGGenerally speaking, Romances are divided into two broad groups: contemporary and historical. Those distinctions are somewhat fluid. For instance, although it used to refer to anything set after  1900, ‘contemporary’ now encompasses anything set after World War II. ‘Historical’, meanwhile, covers everything else.

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Wolf In The Door

JW 2 80.jpg

I think the adage about not judging a book by its cover was probably invented by publishers’ marketing departments. They spend a surprising amount of time and effort on covers, and don’t want that time to be wasted, so you’re told to judge a book its prose.  I can get behind that. As a bookseller, I always recommend that people searching for new authors should try a page or two. Nine times out of ten, you can tell if you’re going to like a book after only a few pages.

Of course, that tenth time is a humdinger.

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It’s the End of the World as we Know It

abeface.JPGRemember Y2K? All those pre-New Year’s warnings about what might happen to the world’s computer systems?  People were pretty calm about it, but many thought, hey, better safe than sorry, and stocked up on toilet paper and non-perishables. But as it happened, the giant looming what if turned out to be nothing, and the world was utterly uninterrupted. There were some spectacular fireworks, sure, but there were also white sales, air traffic control, and neo-natal care.  Life, in short, went on as usual.

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Money For Nothing

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Most writers get into the Romance genre because they read it, and they read it because they love it. Each writer is drawn to the genre for different reasons, of course. Whether the concentration on character; the focus on primary relationships; or the essence of the triumph of hope, the many appeals of the happy ending hook writers the same way they hook readers. Elizabeth Lowell, on the other hand, got into it for the money.

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Squeeze Play

tousesep.JPGRomance and sports don’t mix. That’s the conventional wisdom, anyway. It’s one of those weird rules, hidden and unarticulated, that seem to underly any given genre. It’s a tenet that gets passed down to new writers, not as gospel so much as in the form of a mild warning. It’s not that books about athletes are uninteresting, the wisdom would have it; it’s that they’re unsellable. Readers won’t care about them, so editors won’t buy them.

Unlessyou’re Susan Elizabeth Phillips. Then all bets are off.

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It Takes Two

2 80.JPGIf I had a dime for every time I’ve heard that writing is a lonely profession I would (to misquote  Stephen Colbert) have a hell of a lot of hypothetical money.  But phrases don’t become cliches without reason, and the truth is that many writers spend a great deal of their time inside their own heads.  Too much time?  Maybe for some.  But what it all comes down to is the battle between the writer and the empty page.  Writing is not a team sport*.  Except, of course, when it is. 



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Alpha Bits

alpha.jpgIt kind of goes without saying that the Romance genre is full of tropes and archetypes (though just to be clear: the happy ending is not archetype, but architecture).  Some come in plot form: the rags-to-riches story, for instance, a modern take on the Cinderella mythos.  Sometimes they pertain to character:  the driven career woman forced to reassess her priorities, or the survivor of a bad marriage learning to trust again.  Occasionally character archetypes can read less like original patterns than faded photocopies, and stock characters become exhausted pastiches.  One character archetype that’s occasionally misrepresented and often misunderstood - though never out of favour - is the character of the alpha male.

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Mysterious Lady

mistress80.jpgWe have saying in our bookstore: Frontlist may bring customers through the door, but it’s the backlist that brings them back. Book lovers are completists.  Bookstores that can fill the gaps in their ever-increasing collections quickly become favourite stops.  There’s nothing quite like the satisfaction of putting it all together, of finally finally owning all the books by a much-loved author.  Of course, neither is there any pleasure to equal the joy in the discovery of a new favourite.  Like, say, one of the recent additions to my pantheon of must-haves: Tamara Lejeune.

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Peanut Butter and Jayne

smalljayne.jpgNo matter the genre or subject, every reader has her Absolute Favourite writers.  The ones whose books she’ll charge the stores to get, and drop everything to read.  Diving into those books is a particularly edifying treat, a gourmet of literary delight.  But there’s more than one kind of favourite. Sometimes a reader wants plain and simple — sometimes the hankering for peanut butter wins out over a new gustatory adventure.  Occasionally, you just want something comforting, familiar, and, though it may not be the fanciest item to ever hit the palate, a taste you know you’ll like.
   
That’s pretty much how I feel about Jayne Ann Krentz.

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No Thanks, I’ve Had Enough

donotwant 80.jpgThere’s lots to enjoy about romance novels.  The arc of character development.  The layered emotional content.  The rare and welcome sense of success (otherwise known as the happy ending).  A good romance novel is a singular pleasure. 

A bad one, on the other hand, can be excruciating. 

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The Lady’s Got Class

klteeny.jpgI once heard a reader dismiss a particular romance novel - and, in fact, the author’s entire writing career - because she felt the writer had no grasp of history.  Her complaint?  In the book, a character used a zipper several weeks  before it was invented in real life.  Now, I’m aware that historical errors can be very distracting, but it’s also possible to pay too much attention to the nicities of historical detail at the expense of the actual story.  More important, and thus more damaging when done wrong, is historical anachronism pertaining to character.
 

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It Was A Dark And Stormy Night

moon2.jpgThere’s a scene at the end of the film of Jane Austen’s Persuasion (the Ciaran Hines version, natch) that I love.  In it, the hero holds out his hand, and the heroine takes it.  That’s it, just two people holding hands.  What makes it so powerful is what led up to that quiet moment - the pain, regrets and misunderstandings are all behind them now, and from that moment forward, the two of them will move on together.  Romance fans love this scene, despite its sweet placidity:  it is profound, has the emotional impact of a battering ram and, given that the hero is even wearing gloves, is entirely, utterly tame.

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Oh What Fools Immortals Be

Thumbnail image for bolt.jpgIt’s an old story, ancient, even, but you know it.  The young lovers, tragically separated by death.  The hero’s terrifying journey into the Underworld to find his love.  The dark moment of sacrifice, and the intercession of the gods.  The long, fraught trip back to the world above.  And then, just before they emerge, Alice says…

… “Er,” you say.  “Alice?”




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Southern Comfort

mason dixon.jpgI’ve never been much of a fan of Southern Literature.  Partly because I was force-fed too much of it in school (though I don’t include To Kill A Mockingbird in that), but partly because, well, you know that whole ‘Eden lost’ ethos that flavours so much of it?  Yeah, spare me.  That may not be a mature response, but it runs deep and strong.  Which makes it all the more amazing that I’ll drop just about anything to read a new book by Deborah Smith, who is Capital S Southern.

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Ten To Read

flower resized.jpgI always enjoy the ‘Best Of’ lists that come out this time of year.  Seems to me that kind of potted commentary, however limited, offers a great starting place.  So in the spirit of year-end helpfulness, here’s a list of ten romances worth reading.  Historical and modern; sexy and mild:  they run the gamut.  I’m not claiming these are the best of any particular sub-genre, just that they’re worth reading.



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A Fine Pursuit: Loretta Chase

chase 2.jpgSome months back I wrote a column about Georgette Heyer, who re-imagined Jane Austen’s Regency era and popularized it for modern audiences.  The Regency period, 1811-1820, refers to the years of King George III’s insanity, when his son, the Prince of Wales, was Regent of England in his father’s stead.  Given the similarity of style and tastes (and the continuing figure of the former Prince as King) the period is often extended to mean the years between 1800-1830. 

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And Now For Someone Completely Different…


agnes.jpgI worked in my local library all through junior high and high school.  One of the lingering benefits was that for years I knew where all the brand new books were kept:  after they were entered into the system, but before they were put on the shelf.  It was like being an explorer.  Not only were the books pristine and untouched, but there was also the chance that I might make some fabulous discovery before anyone else.
   
    Then one day in 1993, I did.
  

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Dangerous Men and Adventurous Women

Ooh!  Danger!C’mon, admit it.

You thought that title was going to lead to some sort of evaluation of a romance novel - flowery, overwrought and probably twee as hell. In fact, it’s the title of an essay collection: Dangerous Men and Adventurous Women; Romance Writers on the Appeal of the Romance , edited by Jayne Ann Krentz (University of Pennsylvania Press, 1992).

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Everybody’s Hero

She's Number One!The Harry Potter books are an oddity in the book world. Not just because they sell so well, but because of how they sell - or rather, when. Each book has a strangely limited shelf life. Rowling’s newest title might sell three-quarters of a million copies in 24 hours, but then, well, it’s pretty much over. Sales fall off the map. Each of her books is the Best-Selling Book Evar!, but only for a week. Every other week, every other day, the best-selling author in the world is Nora Roberts.

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Mary, Queen Of Hearts

Mary StewartDespite being a rapacious reader of just about everything, during my formative years I managed to miss any number of writers who are the bedrock of their particular genres. For instance, I read Terry Brooks long before Tolkien (and yes, I’m aware of the gravity of that mistake). I didn’t discover Diana Wynne Jones until my mid-twenties, around about the same time I found Georgette Heyer. Another standard bearer I missed during my younger years, one who had a huge impact on many Romance writers who followed her, is Mary Stewart.

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She’s The One

Dinner, dancing and debutantesLike authors in every genre, romance writers cover a broad spectrum of imaginative ground. They come from a variety of backgrounds, and write to any number of inner aesthetics. Each one has a preferred archetype. From the bewilderingly naive traditional to the often bloody thriller, and every permutation in between, romance authors write to their personal tastes in in terms of pace, mood and degree of modernity. But if you were to get a group of romance writers together and ask them about their formative influences, the vast majority will mention one name: Georgette Heyer.

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The Better To Bite You With

Vampire romances flirt with the most dangerous animal: men.When it come to romance novels, the trend today is for stories with teeth. And I mean teeth: long, white, sharp, and dangerous. Said teeth might belong to a werewolf, or a shapeshifting tiger, but most often, they’re the fangs of a vampire.

Just what is the appeal of the vampire romance? Bram Stoker made the modern western vampire a figure of both attraction and repulsion. Dracula’s titular villian was a creature of unmitigated evil, but he, and the book, also seethed with repressed sexuality. That’s the beginning of the appeal, though not all of it.

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Paw through our archives

Chris Szego reads romance. Along with poetry, mystery, sf, non-fiction of all kinds, cereal boxes (but not horror, because she’s kind of a chicken). For her take on the Gutter, check out Love for Sale.

Of Note Elsewhere
Norio Shioyama worked with Capcom to create a samurai short promoting Dead Rising 2. Very pretty.
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 A clip from Insidious, the creepy new ghost movie from James Wan (Saw) and Jason Blum (Paranormal Activity). (via both FearNET and Dread Central)
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What do the Venture Bros. want? Todd Alcott asks and has some interesting answers.
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Kevin McCarthy star of the 1956 Invasion of the Body Snatchers has died at 96. Here's an obituary and a clip.
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"Photos from the Uglyverse" capture Uglydolls as they go about their day to day business.
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