©NRC
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Carving, floating or flying bear
Ivory
Middle Dorset culture (A.D. 1-500)
Collected in the Igloolik area by J. Meldgaard in 1954
or 1957.
A large proportion of Dorset carvings represent
the polar bear and the falcon, the consummate hunters of the Arctic world.
Most of the carvings are perforated for attachment to a cord, and they
may have been worn as personal amulets. It seems likely that these carvings
did not depict real animals, but rather animal-spirits that helped hunters
in pursuit of game. This interpretation is suggested by markings on the
backs and sides of many carvings, which represent the skeleton seen through
the body. In shamanistic thought, the skeleton symbolizes the soul, as
both outlast the soft flesh of the body. Some of the carvings of animals
are hollowed out on the underside, again appearing to depict a defleshed
form, suggesting that the creatures have been divested of their earthly
bodies. Spirit bears are most often depicted in a floating or flying posture,
quite different from the walking or swimming postures of real bears.
Catalogue no.: Canadian Museum of Civilization
NhHd-1:2655 |