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G e r a l d
T a i l f e a t h e r s b.
1925, Standoff Reserve, Alberta Gerald Tailfeathers had extensive formal art
training beginning at the Saint Mary's Lake Summer Art School, where he also came to know
many Blood elders. In 1941, he studied at the Banff School of Fine Arts under the
direction of Charles Comfort, Walter Phillips, and H.G. Glyde, moving the following year
to the Provincial Institute of Art and Technology in Calgary for commercial design
training. Despite the demands of his professional design work for the Hudson's Bay
Company, and later responsibilities as a band council member, Tailfeathers was prolific in
charcoals, pastels, watercolours, temperas, pen and inks as well as in oil. After 1957, he
began to stress historical accuracy in his depictions of events of his people and received
commissions for paintings for the Indians of Canada Pavilion at Expo '67 in Montréal, the
Glenbow Museum in Calgary, and Canada Post. Before 1963 he signed his work Gerald T.
Fethers.
O T H E R E X H I B I T I O N V E N U E S Southern Alberta Art Gallery, Lethbridge, Alberta
S E L E C T E D C O L L E C T I O N S Canadian Museum of Civilization, Hull, Québec
S E L E C T E D B I B L I O G R A P H Y Canadian Museum of Civilization, ed. In the Shadow of the Sun: Perspectives on Contemporary Native Art. Hull, Québec: The Museum, 1993. Cardinal-Schubert, Joane. Time for Dialogue: Contemporary Artists. Calgary, Alberta: Aboriginal Awareness Society, 1992. Dempsey, Hugh A. Tailfeathers: Indian Artist. 2d ed. Art series; no. 2. Calgary, Alberta: Glenbow-Alberta Institute, 1978. Faulknor, Cliff. The White Calf; The Story of Eagle Child, the Peigan Boy, Who Found a White Buffalo Calf Said to Have Been Sent by the Above Ones. Illustrated by Gerald Tailfeathers. Boston: Little, Brown, 1965. Stebbins, Joan. Gerald Tailfeathers: Fifty Years. Lethbridge, Alberta: Southern Alberta Art Gallery, 1981.
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