Introduction
Justin and Elizabeth Lang began collecting African art in 1938 when
Elizabeth purchased a termite-eaten Baule statuette; they would continue to
collect pieces for more than 40 years.  The majority of their collection,
however, was acquired between 1970-1974 when the couple travelled to the
Ivory Coast, Ghana and Nigeria.  Both Justin and Elizabeth Lang had a great
respect for other cultures and they viewed their African art collection as
one that gives insight into the spirit of African cultures.  When describing
the character of the collection, Justin Lang said, "there was not really a
set policy of acquisition.  We wanted pieces to enjoy, the type of pieces
which were used in daily life, in their house*."

This was evident from the Lang's display of the collection in their home.
Pieces covered the shelves, floors, furniture and walls; they are worn in
spots by handling and weather.  There are objects in the collection for
drinking, eating and sitting but also pieces for ritual and magical
functions such as communicating with spiritual forces or deities. These
objects include masks, dolls, pipes, headdresses and combs.  They range from
tiny figures a couple of inches high to much larger pieces. This variety of
pieces has an emotional freshness, which allows the collection to be
appreciated by the average observer.

Elizabeth Lang brought an adventurous spontaneity to the collection.  She
treated a work of art as the channel of a very personal message and she
judged a piece by its success of communicating that message. To counter his
wife's tastes, Justin Lang brought his own rationality to the collection.
He fought to get the big pieces.  The compliment of female instinct and
male rationality creates a well-rounded collection and this combination is
not only evident in the collection of pieces but also in the pieces
themselves.

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