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fter the fire, the parish approached architect J.O. Marchand, trained at the Beaux-Arts
in Paris. He was renowned for his work on the chapel of the Grand Seminary and the chapel at
the Mother House of the Soeurs de la Congrégation. With this church Marchand moved away
from the aesthetic of his first church and designed a Beaux-Arts church with a basilica
plan, without transepts, and entirely free of columns. He was strongly inspired by the
Chapel of the Grand Seminary at Issy-les-Moulinaux in France.
![]() View of the church, St-Antoine and Vinet Street Photo: C. Turmel |
![]() Detail of the main entrance Photo: C. Turmel |
![]() Façade Photo: C. Turmel |
he façade is imposing in its composition. A large portal with ionic engaged pilasters
takes the place of the rose window and the real portal which is composed of doric elements. This
use of the doric order is very uncommon in Catholic churches in Quebec making the façade a
supreme expression of the splendour of austerity.
![]() English translation: Clara Gabriel |
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