Expositions solos : 1999 In Your Dreams, New Media Space, Canadian Cultural Centre, Paris, France (publication)
- In Your Dreams, Centre d'art contemporain de Basse-Normandie, Hérouville St. Clair,
France (publication forthcoming)
1998 Dearest, Oboro Artists' Centre, Montréal, Québec
- Dead Letters, YYZ Artists' Outlet, Toronto, Ontario
- Gisele Amantea, Clough-Hanson Gallery, Rhodes College, Memphis, Tennessee
1996 Jewel Point, Burnaby Art Gallery, Burnaby, British Columbia (publication) Requiescat, Stride Gallery, Calgary, Alberta (also Kamloops Art Gallery, Kamloops, B.C.) (publication)
1993 University of Lethbridge Art Gallery, Lethbridge, Alberta
1990 Gisele Amantea: Recent Works, Walter Phillips Gallery, Banff Centre, Banff, Alberta
(exposition itinérante en 1991 à Edmonton Art Gallery; Charles H. Scott Gallery, Vancouver; Art Gallery of Windsor; et Oakville Galleries (publication).

Expositions collectives : 2000 Maid in Cyberspace Web Festival, Cinémathèque québécoise, Montréal, Québec
1999 48 Hours/Rooms, 4004 rue St. Denis, Montréal, Québec
- New Acquisitions, Musée des Beaux Arts de Montréal, Montréal, Québec
- The Poetics of Aging, Art Gallery of Hamilton, Hamilton, Ontario
1998 Grace Holyer/Gisele Amantea, A.K.A. Gallery, Saskatoon, Saskatchewan
1997 fetish, Art Gallery of Windsor, Windsor, Ontario
1996 Bereft, Hallwalls Contemporary Art Centre, Buffalo, N.Y. (also Spaces, Cleveland, Ohio) (publication)
1995 Death and the Family, Presentation House Gallery, North Vancouver, B.C. (publication)

Participation à des évènements : 1999 Do I What? Web project at Technoboro, Montréal, Québec, www.oboro.net/webproj/amantea
1996 Ideas and Inspiration: Contemporary Canadian Art, CD-ROM. Heartland Motion Pictures Inc., Regina.

Collections : Alberta Art Foundation; The Art Gallery of Windsor; The Canada Council Art Bank; Glenbow Museum; MacKenzie Art Gallery; Mendel Art Gallery; Musée des Beaux Arts de Montréal; Regina Public Library; Saskatchewan Arts Board; The University of Lethbridge; et collections privées.

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