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Click here to go to Jim Logan's Gallery

Click here to go to Jim Logan's Gallery

Click here to go to Jim Logan's Gallery

Click here to go to Jim Logan's Gallery

Click here to go to Jim Logan's Gallery

Click here to go to Jim Logan's Gallery

 

 

 

 

J i m  L o g a n

b. 1955, New Westminster, British Columbia
First Nations Affiliation: Métis; Cree; Sioux

Inspired and taught initially by his mother who was an amateur landscape and wildlife painter, Jim Logan has travelled extensively to study the work of masters such as Van Gogh and Munch. Raised primarily in Port Coquitlam, British Columbia, Logan moved north to apply his graphic design training from David Thompson University to work on the Yukon Indian News. There he encountered the social realities of poverty, despair, and dislocation wreaked upon northern Native communities. This he documented in an enticing and colourful faux-naïve style. Several series repossess and retranslate revered Western art historical images. Logan is a founding member and captain of the Métis Art Council, former co-chair of the Society of Canadian Artists of Native Ancestry (SCANA) and a recipient of the British Columbia Aboriginal Arts Award and two Canada Council awards.

 

R E C E N T   E X H I B I T I O N S

1998 Jim Logan: love affair: the book of joan.
Moose Jaw Art Museum, Moose Jaw, Saskatchewan

Moments Between Heaven and Earth.
Gallery Phillip, Toronto, Ontario

Re-Representing Jim Logan and Skai Fowler.
McMichael Canadian Art Collection, Kleinburg, Ontario

Responses.
Art Gallery of Nova Scotia, Halifax, Nova Scotia

1997 Off Shore / On Site.
Casula Powerhouse Arts Centre, Sydney, Australia

Transitions: Contemporary Canadian Indian and Inuit Art (travelling)
1996 Thunder Bay Permanent Collection Exhibit.
Thunder Bay Art Gallery, Thunder Bay, Ontario

New Aboriginal Works.
Gallery Gevik, Toronto, Ontario
1995-96 Basket, Bead, and Quill.
Thunder Bay Art Gallery, Thunder Bay, Ontario
1995 Images in Collage.
Ksan National Exhibition Centre, Ksan, British Columbia

Nostalgic Resistance.
Bearclaw Gallery, Edmonton, Alberta

Re-emergence.
Southern Okanagan Art Gallery, Penticton, British Columbia
1994 Challenging the Status Quo.
Art Gallery of Southern Alberta, Lethbridge, Alberta (travelling)
1993 Contemporary Native Art of the West Coast.
Western Gallery, Western Washington University, Bellingham, Washington
1992-95 Recent Works of Jim Logan.
Yukon Arts Centre, Whitehorse, Yukon (travelling)
1992 Canada's First People: A Celebration of Contemporary Native Visual Arts (travelling)

INDIGENA,
Canadian Museum of Civilization, Hull, Québec (travelling)

New Territories, 350 / 500 Years After.
Les Maisons de la Culture, Montréal, Québec

Art and its Practices.
Kamloops Art Gallery, Kamloops, British Columbia

Meeting in the New World.
Montréal, Québec
1991 Heart Beats and Drum Beats.
Northern Passage Gallery, Victoria, British Columbia

Various Views.
Canada House Gallery, Banff, Alberta

Coming in from the Cold.
Bearclaw Gallery, Edmonton, Alberta
1990 Requiem to Our Children.
Territorial Gallery, Whitehorse, Yukon (travelling)

Northern Mosaic.
Yukon Gallery, Whitehorse, Yukon

The Quiet Condition.
Northern Passage Gallery, Victoria, British Columbia

Recent Works of Jim Logan.
Leona Lattimer Gallery, Vancouver, British Columbia

Explorations.
St. Jerome Gallery, St. Jerome, Québec (travelling)


S E L E C T E D   C O L L E C T I O N S

Alberta Government Telephone, Edmonton, Alberta
Indian and Northern Affairs Canada, Ottawa, Ontario
Kamloops Art Gallery, Kamloops, British Columbia
Northwest Telephone Art Collection, Whitehorse, Yukon
Sohio Oil, Anchorage, Alaska
Thunder Bay Art Gallery, Thunder Bay, Ontario
Yukon Arts Centre, Whitehorse, Yukon
Yukon Indian Development Corporation, Whitehorse, Yukon
Yukon Territorial Government Collection, Whitehorse, Yukon

S E L E C T E D   B I B L I O G R A P H Y

Ace, Barry, and July Papatsie. Transitions: Contemporary Canadian Indian and Inuit Art. Ottawa, Ontario: Department of Foreign Affairs and International Trade; Indian and Northern Affairs Canada, 1997.

Easton, N Alexander. "Lower than the angels: The weight of Jim Logan's art." Canadian Journal of Native Studies 10, no. 1 (1991): 133-141.

Gilmor, Allison. "The practice of conflicting art." Border Crossings 2, no. 4 (December 1992): 73f.

Lunn, Dr. John, et al. Canada's First People: A Celebration of Contemporary Native Visual Arts. Fort McMurray, Alberta: Syncrude Canada; Alberta Part Art Publications Society, 1992.

McMaster, Gerald, and Lee-Ann Martin, eds. INDIGENA: Contemporary Native Perspectives. Vancouver, British Columbia: Douglas & McIntyre, 1992./ INDIGENA: Perspectives autochtones contemporaines. Hull, Québec: Musée canadien des civilisations, 1992.

"Rounding up our children." Vancouver Sun, 3 November 1990, p. D15. [Review: Gloria Dei Lutheran Church]

Ryan, Allan J. Jim Logan: Classical Aboriginal Series. Whitehorse, Yukon: Yukon Arts Centre, 1994.

 

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