Arts & Opinion.com
  Arts Culture Analysis  
Vol. 3, No. 1, 2004
 

     
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  Editor
Robert J. Lewis
 
  Contributing Editors
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Phil Nixon
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Robert Rotondo
 
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Emanuel Pordes
 
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Marissa Consiglieri de Chackal
 
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  Noam Chomsky
Robert Fisk
Pico Iyer
Mark Kingwell
Edward Said
Jean Baudrillard
Michael Albert
Arundhati Roy
John Lavery
David Solway
Tariq Ali
Rochelle Gurstein
 
     

ARCHIVES

2002, Vol. 1, No. 1

Robert Fisk on the Middle East
Pico Iyer - interview
Bowling for Columbine - critique by Cynthia Fuchs
The Trials of Henry Kissinger - critique by J. Tanzer
Art of Les Cosgrove - critique by Robert J. Lewis
John Lavery's The Man With the Stamp
Elizabeth Bishop recites Sonnet (a poem)
Marina Endicott reviews Guy Vanderhaege's THE LAST CROSSING
Ryan McKaken: Of Dogs and Men
Stephen Day: Letter from an Fortunate Refugee
Blues of Ronnie Earl

2003, Vol. 2, No. 1

Arundhati Roy on anti-Americanism
Robert J. Lewis examines Pornography
Tariq Ali: Letter to a Muslim
Talk To Her: film review by Frank Vigorito
Shanghai Ghetto: film review by Elias Savada
Gustavo Sigal, the art of
Juan Manuel Sanchez and Alex Waterhouse-Hayward, the art of
Al Billings: Far Enough South
Robert Haas: poem
Rochelle Gurstein: the Mona Lisa
Arthur Kaptainis on modern classical music
Riad Saloojee: the charade of Iraq
The blues of Jimmie Vaughan

2003, Vol. 2, No. 2

Noam Chomsky on Iraq
Mark Kingwell Interview
Review of City of God by KJ Doughton
Art of Guy Benson by Marissa de Chackal
David Solway: Recollections of a Pseudo Philosopher
Charles Lambert's All Gone (Short Story)
Robert Fanning poem: My Digital Initimate
Shane Neilson: Political Poetry's Resurgence
Bernard Dubé: The Roil Over Oil
Robert J. Lewis: For Whom The Genes Toll
The Blues of Delbert McClinton

2003, Vol. 2, No. 3

Edward Said: Chronicle of Infitada Foretold
David Solway on Quebec/Richler
IBM and the Nazi Connection
John Malkovich Interview by Tasha Robinson
KJ Doughton reviews Manic (film reivew)
Ryan Bigge essay: Everything Falls Apart
Robert Lewis reviews Man Without A Past (film review)
Sean Johnston's The Underdog (short story)
Alex Waterhouse-Hayward: Photography
The Blues of Ray Bonneville by Emanuel Pordes

2003, Vol. 2, No. 4

Noam Chomsky on Collateral Damage
Alex Waterhouse-Hayward's Nudes
Aaron Wherry: Pop Divas, Pantydom and 3-Chord Ditties
Robert J. Lewis: Guitars, Gonads & Groupies are Wild
KJ Doughton reviews Magdalene Sisters (film review)
Eric Ormbsy reviews David Solway's RANDOM WALKS
Anne Simpson: 7 Poems
Naomi Klein reviews Letters to a Young Acitivist (book reiview)
Art of Lyne Bastien reviewed by Marissa de Consiglieri de Chackal
The Blues of Derek Trucks

2003, Vol. 2, No 5

Jean Beaudrillard: Historicizing the Millenium
Michael Albert: Buying Dreams
Robert J. Lewis: On Immigration Policy
Cynthia Fuchs reviews Dirty Pretty Things (film review)
Hoagy Carmichael Interview
Al Billings: Half-Hidden Road (Memoir)
Nabeela Sheikh: True Romance (Short Story)
Robert James Berry: The Ocean (poem)
The Art of Kapil Harnal by Susan Bagnall and Marissa de Consiglieri de Chackal
Michael Jackson: Sleeping With the Enemy
The Blues of Chocolate Genuis (American Splendor)

2004, Vol. 3, No. 1

Michael Moore: Face It, You'll Never Be Rich
Donald Morgenson: The Love of Laughter
Barbarian Invasions reviewed by KJ Doughton
Fog of War reviewed by Colin Speaker
Scott Michaelson & Scott Shershow: The Lieber Code/Law of Sovereign Exception
Art of Magdalena Magiera by Marissa de Consiglieri de Chackal
Art of Nguyen TAI by Marissa de Consiglieri de Chackal
The Jazz Guitar of Tommy Emanuel
The Blues of Colin Lindon
Angels of Mercy: Interview with Palliative Care Specialist

2004, Vol. 3, No. 2

Mark Kingwell: Making of Media Icon
Robert J. Lewis critiques Roberto Romei Rotondo's THE ROAMERS
Prostitution: Gender-based income redistibution with honor and dignity
The art of Nicole St. Pierre by Marissa Consiglieri de Chackal
Patricia Sarrafian Ward: The Bullet Connection (short story)
Jason Anderson reviews film The Corporation
Lester Pimental reviews film Blind Shaft
Jazz pianist John Stetch
Blues of Robert Jr. Lockwood

 

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