One Sweet Ride: John Beaton

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John Beaton is a retired actuary who was raised in the highlands of Scotland and has lived in Qualicum Beach since 1988. He recites humorous poetry at Celtic gatherings and performances of the musical group “Celtic Chaos”. He moderates a metrical poetry workshop on the internet and his poetry has been published in newspapers, literary and fishing magazines, and internet sites and journals.

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When writing poetry, I’m a butterfly collector, then a medium, then a puzzle-solver. Ideas flit around us. Running a shoreline, driving, or fishing a river, I carry a notebook or digital recorder to capture them in mid-flight. Then I set them free and follow them. This is a séance-like experience. I’ve heard writers say that their Muses are better writers than they will ever be, and that their job is simply to clear their minds and channel their Muses’ words. Then it’s time to craft the draft. Metrical poetry, which is my literary love, is like a Rubik’s cube. In a good metrical poem, concept, meaning, syntax, word-choice, form, metre, rhyme, and “music” must all click. It’s not easy to achieve. I revise extensively and intensely. Four things help: reciting poems aloud; feedback from Easy Writers and a good internet workshop; and sustained study of the craft.




I live on 10 acres of land in Qualicum Beach, a small seaside town on Vancouver Island. Two rivers bound it: the Little Qualicum (which means "salmon") and French Creek. Between them there are miles of walkable shoreline. This includes a popular swimming beach. In spring, we have a mass herring spawn and a large brant goose migration. In autumn, huge runs of salmon find their way back to our rivers. Occasionally we see killer-whales, bears, and cougars. Our town is picturesque and wins awards for its gardens. Behind it stands Mount Arrowsmith, which is just under 6,000 feet in height and gives us low rainfall.

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Stormy sunshine on the west coast (near Ucluelet)

The elders are watching (eagles by the Little Qualicum River)

Black bear near Kennedy Lake



WRITING EXCERPT FROM ONE SWEET RIDE

From "In Living Colour"

An orca’s dorsal sets the second scene —
a whale in black and white, an exhibition
of contrasts limned in balanced composition.
Another, another, another, crumpling the green
veneer — cameras swing and click, give chase;
a sea-lion breaches, red, with half a face.



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