TDR caught up with the mysterious and saucy Eva Moran for this
exclusive Q&A quickie…
[November 2008]
TDR: Do you wish you had special powers?
EM: Who the hell doesn’t?
TDR: When did you start writing the stories in Porny Stories?
EM: I started writing Porny Stories in Montreal some time ago—just
one story here and there. Most of the writing took place in 2007 and
2008.
TDR: What is your background, education?
EM: I grew up in Montreal—St. Lambert to be precise—and in
Toronto. I’m Irish, Italian, Scottish—mostly Irish. I went to
school. And then I went to more school. And then I went to even more
school. I have been to six Universities: Carleton, Glendon (York), UVic,
Guelph, Concordia and Ryerson.
TDR: Your stories are about sex and sexuality and such. Why?
EM: Because sex is my favorite subject. I think there are three
important questions we ask our good friends after a time of not seeing
them: Are you well? Anyone you know dead? And who are you fucking? I
usually skip to the copulation question a little too early in
conversation. Also gender identity fascinates me. Like, is anyone gender
sure? Gender sureness weirds me out. I’m not saying it doesn’t
happen. I just can’t quite wrap my head around what it means to be a
woman and then pin that woman thing down and then put it on and strut
about town positive that I am womanly. And then throw in woman seeking
love and BRANG!—the gears grind and I become an inefficient she-bot.
So, I write about my obsession and confusion.
TDR: What was it like working with David McGimpsey?
EM: Well, he is one of, if not my favorite writer working in
Canada so it was great. He gave me a lot of freedom and… I don’t
know what to say. I was working with one of the most intelligent,
talented people of our time: I’m lucky. I feel lucky.
TDR: Who are some of your influences?
EM: For this book: David McGimpsey, Julia Tausch, Sean Bell,
Woody Allen, Miranda July, Lorrie Moore, Kurt Vonnegut, Earnest
Hemingway, Margaret Atwood, Monty Python, The Kids In The Hall, and
loads of other people and groups.
TDR: Are you a cultural worker?
EM: I have no idea what you mean by this question.
TDR: Do you like bums?
EM: I love a good bum.
TDR: What was the last great short story you read?
EM: Something by Miranda July. I lent my friend my copy of her
book so I can’t look up a title for you (I have no memory for titles…
or character names… or names… it’s terrible really). But if you
know the story about the girls who are best friends and then they move
out together and there is all this sexual tension and rejection and then
the main character becomes a peep-show worker… that one. Or, the last
story in the book. I like her stories because they are about desire,
cruelty and entanglement. But they are still so light in imagination.
They rethink/rework the love story. Or, show us the grit of love. Or….
I love Miranda July. What else can I say?
TDR: What is your writing routine like?
EM: I work full time so my writing routine is to write whenever I
have time. I don’t fuck around with writing. I write and I adhere to
strict schedules.