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Where is the Nature?

Subject Area

This activity is suitable for addition to poetry units in the English curriculum at any level, and perhaps in the senior English as a Second Language curriculum.

Learning Outcomes

Teaching, learning and evaluation will focus on the student’s ability to:

  • Actively participate in group brainstorming sessions centred on discovering ideas to be developed into poems;
  • Describe a specific relationship between humans and nature in poetic language;
  • Formulate a hypothesis and express it in both a paragraph and a poetic passage.

Classroom Development

This activity has been inspired by the poem on the following page composed by a student as part of the “EarthPrayers” activity from the Transitional Years volume of this curriculum guide.

  1. An overhead master has been provided for this activity. Place the overhead on the projector so that only the poem is visible, and have one student read the poem. Ideally, choose a student ahead of time, and have this student practice reading the poem, so that it is well presented. It might be a good idea not to explain that this poem is the work of a student until the class has had the opportunity to discuss the poem, to ensure that the poem will be considered as a serious work.
  2. Initiate a small group discussion based on the poem to ensure that all students have an understanding of the text. At least some of the following points should be addressed:
    a) The relationship between humans and the various aspects of nature;
    b) The answer to the question presented in the title;
    c) How the positioning of the words on the page convey meaning;
    d) How the use of punctuation and the controlled disregard for grammatical rules convey meaning;
    e) Since there are no verbs, adverbs or adjectives in the poem, how does the poem alter the nouns and create a sense of movement?
    f) Why might the noun “man” be more suitable than “human” or “woman” in this poem? How would the meaning change through the substitution of either of these two words?
  3. At some point during this activity, have students respond to the poem, discussion, or writing process in their Response Journals or Writing Folders to encourage students to describe the impact of the poetry or the process on themselves.
  4. The poem “Where is the Nature?” describes the process by which nature is appropriated by male humans. Students need some similar relationship that they can describe in their own poetry. Direct students to form into groups of at least 4-5 so that they can brainstorm on the following relationships based on the three traditional forms of conflict studied in the English curriculum:
    Man versus Nature
    Man versus Nature versus Himself
    Woman versus Nature
    Women versus Nature versus Herself
    Man and Nature versus Women and Nature
  5. Once a list is completed by each group, the lists can be shared with the class, or students can continue working on their own.
  6. Students will be required to write three to five poems based on the ideas and relationships brainstormed in the groups. Each poem should be short (2-20 lines), contain a title, and be accompanied by a description of the conflict addressed (from step 4), and the student’s rationale for addressing the issue in the manner presented in his or her poem.

Extensions

Depending on the needs of your particular unit, this activity can be concluded through presentations, writing folders or a DTP activities (see appendix on Computer Mediated Communication).

Resources

O.S.E.E. “EarthPrayers, Poems and Invocations.” In volume one of Towards an Ecozoic Curriculum. Toronto: O.S.E.E., 1994.

Cross-disciplinary Links

The most obvious links would be with the Visual Arts curriculum in which students could repeat the same activity in its entirety by substituting a visual product for the poetic one. Also, whichever part of your school’s curriculum teaches Desktop Publishing can be enlisted to help with the production of a small journal of the students’ work. Make sure that the final product is catalogued by the library and is consulted in any later repetitions of this activity. A copy sent to the editors of this project would also be greatly appreciated.

Note: Permission for the use of this poem in the Teacher’s Guide and Overhead has been given by the poet.

Where is the Nature?

Mountain
Mountain, and tree
Mountain, tree, and animal
Mountain, tree, animal, and bird
Mountain, tree, animal, bird and fish
Mountain, tree, animal, bird, fish and river
Mountain, tree, animal, bird, fish, river and man
Mountain, tree, manimal, bird, fish, and river
Mountain, tree, manimalbird, fish, and river
Mountain, tree, manimalbirdfish, and river
Mountain, manimalbirdfishtree, and river
Mountain, and manimalbirdfishtreeriver
Manimalbirdfishtreerivermountain

Keun Eon Park (1993)

 

Overhead:

Where is the Nature?

 

Mountain
Mountain, and tree
Mountain, tree, and animal
Mountain, tree, animal, and bird
Mountain, tree, animal, bird and fish
Mountain, tree, animal, bird, fish and river
Mountain, tree, animal, bird, fish, river and man
Mountain, tree, manimal, bird, fish, and river
Mountain, tree, manimalbird, fish, and river
Mountain, tree, manimalbirdfish, and river
Mountain, manimalbirdfishtree, and river
Mountain, and manimalbirdfishtreeriver
Manimalbirdfishtreerivermountain

Keun Eon Park (1993)




Conflicts

 

Woman versus Nature

Women versus Nature versus Herself

Man and Nature versus Woman and Nature

Man versus Nature versus Himself

Man versus Nature