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In 1916
the architect of the new Parliament Buildings, John Andrew Pearson, was
concerned with the decoration of the buildings. He was in touch with the
designer, John Bonnor, who moved to Canada to take up the post of Superintendent
of the Modelling and Carving shop later that year. Bonnor was not in good
health when he began work in October 1916, but before his death in January
1917, he had created designs for numerous carvings, wrought iron gates,
stained glass and furniture pieces.
His replacement, Walter G. Allen, began work in April 1917. Allen, of British origin, had previously worked restoring cathedrals in Britain. Cléophas Soucy began work in 1919 as one of Allen's carvers, eventually replacing Allen upon his retirement in 1924. The Depression years, 19291936, saw the position of Superintendent of the Modelling and Carving Shop sit vacant. Cléophas Soucy, who had worked on contract until 1928, sent letters to the Prime Minister and Chief Architect urging them to initiate a position of Dominion Carver. Motivated by the upcoming visit of King George VI in 1939, they hired Soucy in 1936 as the Dominion Carver, and Coeur de Lion MacCarthy as his assistant. Both men did modelling as well as carving. MacCarthy worked intermittently with Soucy who retired in 1950. Soucy specialized in the grotesque style of Gothic, embellishing the facade of the buildings with gargoyles. MacCarthy, also a professional sculptor, modelled and carved the Lion and Unicorn at the main entrance to the Parliament Buildings. By 1938 the majority of exterior carving was completed.
Examples of gargoyles and grotesques may be seen on the Public Works and Government Services Canada Federal Sculptor's website about the carvings on Parliament Hill. It is called The Stones of History Carvings Gallery (external link). |
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